Terrain Synth Parameter Sequencing

video upload by Conductive Labs

"Added Parameter Sequencing
Kickstarter still open: https://www.kickstarter.com/projects/...

This is a video demonstrating the Terrain Synth parameter sequencing.

Terrain Synth features:
Unique terrain oscillators
32 note polyphony (8 per timbre)
Four timbres (layers) that can be split or stacked
Two morphable terrains per voice
Up to 7x unison for each voice
Two sub-oscillators (-1 & -2) oct for each voice
White, Pink, Blue and Brown noise
Oscillator sync, Phase distortion, Mirroring and Windowing

17 math-based terrains with infinite resolution
Dozens of image-based terrains
User loadable image & wavetable terrains (.jpg and .png, .wav)
18 morphable paths with infinite resolution

Dedicated mixer for timbre layers
LFO, Envelope and Expressive-mapper per parameter (32 per layer)
On board effects: Delay, Ping-Pong Delay, Reverb, Shimmer Reverb, Chorus, Flanger, Phaser, Stereo Phaser, Overdrive and Decimator
Dedicated sequencer, arpeggiator and audition buttons

Hundreds of sortable presets with onboard preset librarian
36 quick access patch favorites (6x6)
Multi level patches, Init, Copy & Paste

Infinite Encoders – mixer, menu, modulation and user modules
A 7-inch IPS display for full color sonic visualization
Selectable terrain view angles and color schemes
MIDI-I/O via 5-Pin DIN, USB Host, and USB Device ports
6x CV/Gates and 3x expression pedals.
Left/Right balanced stereo and headphone (w/ vol control)
Desktop / 4U rack configurations"

Conductive Labs Terrain Synth: Making Drone OverTone

video upload by Conductive Labs

"Watch & Listen how to make this Ambient Drone
Kickstarter still open: https://www.kickstarter.com/projects/...

This is a video demonstrating how the Terrain Synth can morph between the R G B color channels of the image terrains.
/ discord

Terrain Synth features:
Unique terrain oscillators
32 note polyphony (8 per timbre)
Four timbres (layers) that can be split or stacked
Two morphable terrains per voice
Up to 7x unison for each voice
Two sub-oscillators (-1 & -2) oct for each voice
White, Pink, Blue and Brown noise
Oscillator sync, Phase distortion, Mirroring and Windowing

17 math-based terrains with infinite resolution
Dozens of image-based terrains
User loadable image & wavetable terrains (.jpg and .png, .wav)
18 morphable paths with infinite resolution

Dedicated mixer for timbre layers
LFO, Envelope and Expressive-mapper per parameter
On board effects: Delay, Ping-Pong Delay, Reverb, Shimmer Reverb, Chorus, Flanger, Phaser, Stereo Phaser, Overdrive and Decimator
Dedicated sequencer, arpeggiator and audition buttons

Hundreds of sortable presets with onboard preset librarian
36 quick access patch favorites (6x6)
Multi level patches, Init, Copy & Paste

Infinite Encoders – mixer, menu, modulation and user modules
A 7-inch IPS display for full color sonic visualization
Selectable terrain view angles and color schemes
MIDI-I/O via 5-Pin DIN, USB Host, and USB Device ports
6x CV/Gates and 3x expression pedals.
Left/Right balanced stereo and headphone (w/ vol control)
Desktop / 4U rack configurations"

FOUR SEAS // A Multi-Voice Mega Wavetable Oscillator Powerhouse from Ferry Island Modular

video upload by DivKid

"Here we have Ferry Island Modular's first release 'Four Seas', which is designed, engineered and manufactured in Finland. It's a real power house of a sound source, suiting to quickly grabbing some waves to patch with or for deep sound design tweaking. Everything is knob/button per function with no menus, making complex behaviours, modulations and sounds simple to access. There's LOTS of examples in this video, see the timing index below for all that's covered ... yet I'm sure there's lots left to uncover with all the options this presents."

**TIMING INDEX // CHAPTERS**

CLICK FOR MORE »

The Florian Schneider Collection to Be Auctioned at JULIEN*S November 19

Note: links to listings are affiliate links for which the site may be compensated.

via JULIEN*S

"THE FLORIAN SCHNEIDER COLLECTION

Auction to be held at Musician's Hall of Fame & Museum, Nashville, on November 19

An incredible collection of more than 450 artifacts from the life and career of Florian Schneider, co-founder of the pioneer electronic band Kraftwerk."

Pics and videos featuring some of the gear below, and his Lederhosen for good measure (thanks greg!).

Update: the post has been fully updated with all the synth related gear. This may just well be the longest post to be featured on the site. I wanted to capture all the pics for all of the details including notes, scuffs, and of course serial numbers. It's an interesting look into what he used, the condition he keped his gear, in some cases, how he actually used his gear. Note the phonetics on the keys of the Casio CZ-101 and DX-100. Note the Midi Switch Box with a built-in speaker? What's that about? Note the camouflage key strap on the Korg RK-100 Remote Keyboard. Did he pick it out himself or did the keytar just come with it? Note the repeat midi controllers and the MIDI saxaphones. Wind was his primary instrument. You'll find a ton of the acoustic gear he used in the other listings. This is a fascinating insight into both what and how he used his gear.

Side note: there is no affiliate compensation for this post. The note at the top automatically shows for all posts with the Auction label.


Rack Mount Sennheiser VSM-201 Vocoder

Starting Bid $5,000

Estimate $20,000 - $40,000 USD

A late 1970s Sennheiser VSM 201 Vocoder with no serial number from the personal studio and collection of Florian Schneider of Kraftwerk (see images). While it’s said that only a few dozen of these Vocoders were produced, a few examples made it into the hands of forward-thinking musical artists including Herbie Hancock, Daft Punk, and of course, Kraftwerk, who used a VSM-201 like this on their albums Man Machine (1978) and Computerworld (1981). The VSM-201 has an intelligible sound that has not yet been bested by modern gear. Includes power cable. This VSM-201 has been removed from its wooden enclosure (which bears the serial number plate) and modified with a metal rack mount casing, presumably for live use. Requires 240v, IEC power cable not included.

Dimensions: 19 x 9 x 9 inches

Category: Kraftwerk, Equipment

Provenance: PROVENANCE From the Estate of Florian Schneider

CLICK FOR MORE »

Bleep Labs Thing-A-Ma-Kit Light Controlled Synth / Noise Maker Kit w/ Original Box

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

"This Thingamakit is effectively a kit version of the Thingamagoop. There are two "eyes" (green and blue) that you can use to control the main and mod oscillator to make all sorts of cool sounds.

This is unassembled with all of the parts, manual, and drill template in the original box."

CLICK FOR MORE »

Red Sound Systems Darkstar MK1

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

"Excellent condition Red Sound Systems DarkStar MK1. Features 2 oscillators per voice, 5-part multitimbral set-up, joystick mixing for oscillators, ring modulation, filter resonance and pink/white/blue noise generators. Includes original power supply and V1.09 EPROM chip."

CLICK FOR MORE »

Terrain Synth by Conductive Labs

video upload by Conductive Labs

You can find additional posts here.

"Terrain Synth by Conductive Labs... a long time in the making!
Support our Kickstarter campaign here: https://www.kickstarter.com/projects/...

The first HW "Terrain based oscillator" synth! Brief overview of the Terrain Synth. More videos will follow in this playlist with details on each synth module and their parameters.

Terrain Synth features:
Unique terrain oscillators
32 note polyphony (8 per timbre)
Four timbres (layers) that can be split or stacked
Two morphable terrains per voice
Up to 7x unison for each voice
Two sub-oscillators (-1 & -2) oct for each voice
White, Pink, Blue and Brown noise
Oscillator sync, Phase distortion, Mirroring and Windowing

17 math-based terrains with infinite resolution
Dozens of image-based terrains
User loadable image & wavetable terrains (.jpg and .png, .wav)
18 morphable paths with infinite resolution

Dedicated mixer for timbre layers
LFO, Envelope and Expressive-mapper per parameter
On board effects: Delay, Ping-Pong Delay, Reverb, Shimmer Reverb, Chorus, Flanger, Phaser, Stereo Phaser, Overdrive and Decimator
Dedicated sequencer, arpeggiator and audition buttons

Hundreds of sortable presets with onboard preset librarian
36 quick access patch favorites (6x6)
Multi level patches, Init, Copy & Paste

Infinite Encoders – mixer, menu, modulation and user modules
A 7-inch IPS display for full color sonic visualization
Selectable terrain view angles and color schemes
MIDI-I/O via 5-Pin DIN, USB Host, and USB Device ports
6x CV/Gates and 3x expression pedals.
Left/Right balanced stereo and headphone (w/ vol control)
Desktop / 4U rack configurations"

Conductive Labs Introduces New Terrain Synth

video upload by Conductive Labs

What is Terrain Synthesis

video upload by Conductive Labs

Conductive Labs · Terrain Synth Samples (pre-production)

"Terrain Synth by Conductive Labs...
a long time in the making!

The first HW 'Terrain based oscillator' synth!

First public showing will be at KnobCon 2025 Sept 5-7 in Chicagoland USA.

We will be launching a Kickstarter campaign following Knobcon.
In the meantime, Opt-in to our Newsletter for updates and announcements: [link]"

Terrain Synth features:

Unique terrain oscillators

32 note polyphony (8 per timbre)

Four timbres (layers) that can be split or stacked

Two morphable terrains per voice

Up to 7x unison for each voice

Two sub-oscillators (-1 & -2) oct for each voice

White, Pink, Blue and Brown noise

Oscillator sync, Phase distortion, Mirroring and Windowing

17 math-based terrains with infinite resolution

Dozens of image-based terrains

User loadable image & wavetable terrains (.jpg and .png, .wav)

18 morphable paths with infinite resolution

Dedicated mixer for timbre layers

LFO, Envelope and Expressive-matrix per parameter

On board effects: Delay, Ping-Pong Delay, Reverb, Shimmer Reverb, Chorus, Flanger, Phaser, Stereo Phaser, Overdrive and Decimator

Dedicated sequencer, arpeggiator and audition buttons

Hundreds of sortable presets with onboard preset librarian

36 quick access patch favorites (6x6)

Multi level patches, Init, Copy & Paste

Infinite Encoders – mixer, menu, modulation and user modules

A 7-inch IPS display for full color sonic visualization

Selectable terrain view angles and color schemes

MIDI-I/O via 5-Pin DIN, USB Host, and USB Device ports

6x CV/Gates and 3x expression pedals.

Left/Right balanced stereo and headphone (w/ vol control)

Desktop / 4U rack configurations"

Meet You At The Top

video upload by davidryle

"A two part piece. Both are pitch voltage quantization controlled from the ACL Sinfonion. I switch presets through the first part from preset 1 - 4 and in the second half I leave it on preset 5.

The Sinfonion chord section is sending pitch quantization to the Doepfer A-111-4 quad VCO and A-105-4 quad SSI filter. The mixer is the Corsynth T-Mixer. The Empress reverb in Ambient Swell green mode is used.

The opening voice is Channel 2 of the Sinfonion and is sent to the Dotcom Q206 with the Dove D502 in BP mode P1, then an SSL Serge Resonant EQ and finally the Strymon Blue Sky.

A counter voice is the Channel 3 quantizer to a pair of Synthetic Sound Labs TZ-VC Oscillators to the Oakley VC-SVF in BP mode. The audio is routed through a Moon 517S high pass filter to roll of the lower mid tones. I used an instance of Relab Development's LX480 classic Lexicon reverb. This same voice is used for the main melodic part in the second section.

The Channel 1 of the Sinfonion is to the bass voice which is the Dotcom Q169 Oscillator++ and Grove Audio G294A ladder filter.

The Sinfonion arpeggiator part is to the STG oscillator duet and the Dove D501 2069 filter. The signal is sent through the Modcan 73B dual delay. In the first section this voice is solo, but in the second section I added in a duplicated run of the MosLab 901/904A through a different envelope which is timed a bit more sparse and sent through the second section of the 73B delay.

Most of my time was spent mixing levels and changing the timing of the SSL Hagiwo Geo-Gruvn euclidean sequencer. The clock timing was controlled by row 3 of the Moon 563 trigger seq. I used two different memory presets on the Geo-Gruvn for each section. These timings were used for the gate controls to the SSL Octal VCA, CV-8 Breakout and AD/AR Expander. The eight channel vca handled four of the voices. Very cool array of modules.

I also sent and effort to control the timing of the STG Voltage Mini Store's timing with row 2 of the 563. The right VMS is used for the Root control to the Sinfonion. The faster moving left VMS is to the arpeggiator of the Sinfonion.

The Sinfonion is using various cv's from the Q960 step sequencers to affect the chord spread and note selections. Also an LFO is used to affect the pre-transpose of the chord section.

A convoluted patch using the Lower West Side Studios CGS88 triple switch, the Dove D900 sequencer and three voltage sources to send control voltage to the transpose on the Sinfonion. I used the Moon 564 trigger stage 1 to turn this on and off by hand when needed.

The final clangorous opening and ending patch voice was the Mutable Instruments Rings through the Behringer Bode Frequency Shifter clone and the Encore Frequency Shifter, and on through the Tip Top Z-DSP signal processor running Halls of Valhalla reverb (Niflheim preset). It was also the midway noise rush background sound where the sections changed. These were added later in Cubase and triggered by hand.

The sections were performed at once live to Cubase and video edited in Final Cut Pro."

Rare Polytik Modular Synths Set (Only 5 Sets Made) - Limited Edition

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

You can find demos in previous posts here.

"Limited Edition Polytik Modular Synths / Full Set in Boxes

Mint condition, Super Rare, Only 5 Sets were made. Considered a Modern Art piece.

POLYTIK is a collection of beautifully designed hand-held synth modules exploring the border between play and sound.

Born out of a DIY ethos and the maker community, Polytik has been crafted into something very different – a series of beautifully designed objects in their own right. POLYTIK uses open-source hardware and encourages users to make new modules and hacks.

The brainchild of and in collaboration with, these hybrid analogue/digital devices can produce a palette of sounds ranging from angular rhythmic sequences to abstract noise, pads and drones. "The Core module is loaded with 30 sequences (five discrete patterns per sequence) programmed by John Richards with interviews and comments embedded in the code from musicians and artists including: Jas Shaw (Simian Mobile Disco), Mark Fell, and Frieder Nake."

Specs:
• Created by John Richards (Dirty Electronics) and Jack Featherstone
• Very limited edition run of 5 sets
• The full set contains:
• Core (Blue) - A sequencer, programmer and mixer
• Combi (Black) Voltage-controlled feedback, voltage-controlled oscillator
• VCO (Red) Voltage-controlled oscillator (VCO) and voltage-controlled filter
• Noise (Yellow) Noise generator, patchable feedback networks and voltage-controlled filter"

CLICK FOR MORE »

A Towel For Ms Winters

video upload by davidryle

"Large format modular synthesizer recording live in the studio.
The opening noise burst is the Dove WTF in noise mode along with the Sputnik WCRS to an Oakley SVF in band pass mode to the Modcan 73B dual Delay and Z-DSP with Halls of Valhalla reverb. Modulation to the 73B is from the STG Voltage Mini Stores for delay cv.
Noise cacophony part is a pair of STG Soundlabs Oscillators to the Oakley Sound Systems Ring Modulator to a Grove Audio LPF and a MegaOhm Audio MA20 in highpass mode. The signal is sent to a tape echo then compressor.
The echo drone bass is the dotcom Q169 vco to a Moon 517S LPF. The echo delay is a stereo Lexicon MX200.
The lower bass tone is the Woven Spirits (MI Plaits) from Synthetic Sound Labs. Straight in, no filter or envelope. The chords are a pair of dotcom Q206 vcos and a pair of Q106 vcos for four part harmony. The cv source is the dual Matrix from SSL in dorian modes. A pair of dotcom Q171 and Q172 Quantizers were used with gates from the Geo-Gruvn to time the S&H pitch voltages. Toward the latter half of the piece I was playing the quantizers to change modes from augmented to diminished and back again. The audio signals are sent through a LWSS Yusynth panning mixer then a pair of filters. The Dove D502 in low pass four pole and the Frequency Central System X in 24dB low pass mode. They are sent to the Empress Reverb pedal in blue sparkle mode.
All gate timings were provided by the SSL Hagiwo Geo-Gruvn sequencer and the STG Time Divider. Additional divider s are the Moon 564, Moon 563 and STG Trigger Mini Store.
The theme here was the well known stories of the femme-fatale-gone-awry roles Shelly Winters played in many famous movies. She was drowned a few times and it became an urban legend of sorts. A great actress that rarely was rewarded with much favor but did finally reach a celebrated status."

DIY eurorack modular synth | MOD2 Snare : RP2350 based drum module

video upload by HAGIWO

"This module is an open source general-purpose Drum module based on Seeed XIAO RP2350.
Thanks to AI-friendly hardware design, it's easy to create software variations using generative AI.
With general-purpose components and a simple circuit, this module is affordable and DIY-friendly.

Clap:
TR-808-style digital snare: sine-wave with pitch envelope + blue noise

working documents
https://note.com/solder_state/n/nce8f...
https://note.com/solder_state/n/nd5c8...

PCB gerber data & PCB assy production data Download
https://www.patreon.com/posts/mod2-rp..."

DIY eurorack modular synth | MOD2 HiHat : RP2350 based drum module

video upload by HAGIWO

"This module is an open source general-purpose Drum module based on Seeed XIAO RP2350. Thanks to AI-friendly hardware design, it's easy to create software variations using generative AI. With general-purpose components and a simple circuit, this module is affordable and DIY-friendly.

HiHat:
white and blue noise base HiHat.

working documents
https://note.com/solder_state/n/nce8f...
https://note.com/solder_state/n/n171d...

PCB gerber data & PCB assy production data Download
https://www.patreon.com/posts/mod2-rp..."

QUASAR ✨ Buchla 200t NOODLING #glitch #ambient #industrial #noise 🎧

video upload by RandomVoltage

„QUASAR“
Buchla 200t Modular

Pulser 252t
-pinging filterbank 296t for percussion
-advanced 2x sequencer 245t - modulating filter/ balanced modulater and waveshape osc
-trigger 266t random

Dual OSC 258t
-slow for percussion rhythm and faster for bass drones

Complex OSC 259t
-drone/fx sound
-random modulation

Effects used

#strymon blue sky
MFX bit corrupter

Waldorf Blofeld Dark Atmospheric Ambient Presets Sound Demo

video upload by Anton Anru

"Obscured Waves is a collection of 64 presets for Waldorf Blofeld that explores the darker, vintage-inspired side of sound design. The bank is built around the idea of imperfection—gritty, lo-fi textures combined with constantly shifting timbres created through rich modulation.
These sounds are alive, expressive, and full of character, bringing a distinctive atmosphere to any track, performance, or video production.

🌌 The soundset includes: 9 Textures, 7 Leads, 15 Pads, 11 Strings, 6 Rhythmical, 8 Keys, 8 Drones.

📦 Get these presets: https://antonanru.sellfy.store/p/blof...

💎 The timbres span a wide spectrum: dark, noisy, lo-fi, retro, romantic, melancholic, nostalgic, soundscapes, atmospheric, detuned, cold, distant, dull, massive, epic, bright, orchestral, distorted, metallic, tense, atonal, non-harmonic, FX-like, evolving, and sweeping.

🎛 The patches include dozens of modulations, adding motion and variation.
Velocity sensitivity and ModWheel assignments are mapped for expressive control, making each sound performance-friendly. ModWheel adds modulations — brightening the sound,
introducing vibrato, shifting tone, or adding extra movement for dynamic performance.

🔮 What sets Obscured Waves apart is its fusion of experimental tones and playable musical textures. Whether you’re crafting ambient, techno, cinematic, IDM, industrial, drum and bass, retrowave, or any style that leans into a dark atmospheric or moodier aesthetic, this soundset will give your music depth and identity.

🧿 Each preset was meticulously designed to deliver a tactile, emotional experience. Techniques such as noise layering, distortion, FM, and vintage tape emulation were used to evoke an analog character from this digital instrument. The result is a visceral set of sounds that feel aged, nostalgic, and imperfect—in all the right ways.

💡 Technical Information. How to import/upload presets.
The presets are compatible with hardware Blofeld versions: desktop and keyboard; and with the official Blofeld VST Plugin.
Make sure you are using the latest hardware firmware and vst-plugin versions.

No Samples and third-party wavetables are required. The soundset is made with the factory content only.
The soundset comes in multiple formats:
Bank in .syx format (Bank G)
Bank in .mid format (Bank G)
Bank in .blo format for Auraplugins Blofeld Editor/Librarian users
Bank in .bpz format for the official Blofeld VST plugin users
Separate presets in .syx format
Separate presets in .mid format

The bank contains presets in slots 01–64. Slots 65–128 are Init Presets. SysEx transfer will overwrite the entire Bank G. Make a backup before loading.
Set Device ID to 0 (zero).
To load the presets onto the synthesizer, use a SysEx file utility: SysEx Librarian by Snoize (for Mac) or MIDI-OX/Bome Send SX (for Windows).
Connect the Blofeld to your computer via USB and select it as the MIDI device in the application settings.
Load the .syx or .mid bank file into the application, select it, and click Send/Play.
The bank will be transferred to the synthesizer within a minute."

Contents:
00:00 TX Monochrome
01:26 PD Fluff
02:35 RH Between
03:39 LD Bacteria
04:25 KS Stellar
05:27 ST Myth
06:43 TX Wide Noise
07:49 PD Blackbird
09:10 TX Window
10:37 RH Clockwork
11:37 PD Drops
12:58 KS Prose
14:04 ST Inception
15:03 DR Raid
16:15 ST Voyage
16:57 PD Silence
18:14 LD Twins
19:20 TX Drama
20:22 RH Itinerary
21:29 PD Cube
23:10 KS Yesterday
24:07 ST Titles
25:18 DR Atlas
26:01 LD Desert
27:16 PD City
28:50 RH Miniature
29:32 ST Recorder
30:48 KS Mentor
31:51 PD Synapse
33:30 TX Intervals
34:52 ST TV Show
35:59 RH Walk
37:08 LD Access
37:56 PD Breeze
39:11 ST Sudden
40:22 KS Tremor
41:27 ST Numb
42:37 TX Downstairs
43:35 RH Blue Field
44:43 LD Polar
45:43 PD Tiara
47:04 ST Junction
48:15 DR Hollow
49:33 TX Perception
50:42 PD Stalker
52:06 KS Microtones
52:57 DR Snake
53:57 LD Nacre
54:57 KS Snowbound
55:59 DR Gloom

dreadbox Artemis Demo (No Talking) with Presets for Ambient, Electronica and Techno

video upload by Limbic Bits

"dreadbox Artemis – My 2 Cents
Artemis is a polyphonic analog synthesizer with six voices and a comprehensive effects section developed by Sinevibes. Housed in a solid desktop chassis, all potentiometers, faders, and buttons feel great, with just the right amount of resistance. On the rear, you'll find a stereo output, a separate headphone output, plus USB and MIDI connections. It doesn't offer a foot pedal input, but it supports MPE (I still need to try that with my Osmose).

Now to the most important part — the sound. It features that great vintage tone I love so much on other dreadbox devices, largely thanks to its creamy-sounding filters. Both filters offer resonance, and the low-pass filter can be switched between 12dB and 24dB slopes.

But it doesn't stop there: thanks to TZFM and filter FM (yes, noise can be a source here too), it can sound very modern as well, making it great for all sorts of electronic music. Although it offers quite a lot of modulation options, I still found myself wishing for features like key tracking for LFO rate, negative envelope amounts, noise as a modulation source in the menu, or meta-modulations. After reaching out to dreadbox about these features, they told me they are already working on them for a future update and/or will look into them. Based on my past experiences with dreadbox, I’m confident we can expect a nice firmware update for Artemis in the future.

The effects section by Sinevibes is also great — it’s just a shame that there are no external inputs like on the Typhon, as those would have made it a fantastic standalone effects unit as well. You get four effect slots (Lo-Fi/overdrive/shaper, modulation, delay, and reverb), each with several options to further tweak the sound. Here, I would love to see a bit more flexible routing, allowing changes to the effect order. But even without that, the effects section is a great addition that melts perfectly into the internal analog sound engine. I'd only recommend not adding too much, as the effects can quickly become dominant.

TL;DR: dreadbox Artemis is a sweet-spot synth that can also show its teeth when desired. Its intuitive interface and great-sounding effects unit make it an excellent companion for live performances. Definitely a highlight!"

CLICK FOR MORE »

New Eurorack Modules Coming From Doepfer

Doepfer will be showcasing the above new modules at SUPERBOOTH25. Details on each follow.
Check with dealers on the right for upcoming availability.

Module A-119-2 is kind of a dual version of module A-119 without envelope follower. Instead two amplifiers are available and the module width is 4 HP only.

The module contains two amplifiers with separately adjustable amplification levels. Each channel is equipped with an overload display. The module can be used also for stereo signals, e.g. the stereo output of a smartphone.

Controls and displays:

Level 1/2: manual control of the amplification in the range 0 - about 45.

Overload 1/2: overload LED, begins to light up for output levels beyond about 10Vpp (+/-5V)

In 1: audio input 1 (monophonic or stereophonic, see technical details)

In 2: audio input 2 (monophonic)

Out 1/2: audio output (monophonic)

Technical details:

for higher amplifications the two amplifiers can be daisy-chained

normalling options: the signal applied to socket In 1 can be normalled to socket In 2 in different ways by means of a jumper on the pc board:

socket In 1 is connected via a mono patch cable (standard patch cable) to a monophonic signal and this signal is normalled to socket In 2 (i.e. the same input signal for both sub-units): jumper on pin header JP2 in upper position

socket In 1 is connected via a 3.5 mm stereo TRS cable to a stereophonic signal and the second channel of the stereo signal is normalled to socket In 2: jumper on pin header JP2 in lower position

no normalling: jumper is removed from pin header JP2

all inputs and outputs are DC coupled. Thus the module can be used also for the amplifications of control voltages.

CLICK FOR MORE »

Aluminum Minimoog Voyager Blue SN 096

Note: links to listings are affiliate links for which the site may be compensated.

via this VEMIA listing

Click the auction link on top when you get there for additional listings.

VEMIA is Peter Forrest's auction house. He is the author of The A-Z of Analogue Synthesizer Books.

"Brand new, never used limited edition Minimoog Voyager Blue in aluminum case including Lintronics slew rate update. Only 100 units were produced, and this is #096. With its original manual and all packing materials.

Technical description: 3VCO's: four continuously crossfadeable waveforms, Osc3 optionally as 2nd LFO / LFO: 3 waveforms including. SandH, syncable to midi clock / 2 filters: low and high pass possible, cutoff spacing / 2 envelopes: ADSR, naturally true analog / glide function / noise generator / 2 modulation busses / touch surface: XYZ - touch and pressure-sensitive controller surface / 128 preset memory locations / midi: control of all parameters via controller, prgm change, SysEx dump,... / polyphonic keyboard: 44 keys, velocity, aftertouch, adjustable tilt angle of the control panel, optional blue illuminated mod wheels."

CLICK FOR MORE »

Original Sequential Circuits Prophet 10 (1016)

Note: links to listings are affiliate links for which the site may be compensated.

via this VEMIA listing

Click the auction link on top when you get there for additional listings.

VEMIA is Peter Forrest's auction house. He is the author of The A-Z of Analogue Synthesizer Books. Pic of the inside below.

"Vintage Sequential Circuits Prophet 10 Dual Manual Keyboard Synthesizer with Flight Case This Prophet 10 is in very good condition, and is fully functional, although the Braemer tape drive has not been tested. Has factory MIDI and sequencer, and the original blue Prophet-10 flight case on wheels. This may be one of the last Prophet-10s made, as the S/N is 0444. It's big and heavy!! Includes power cord, electronic copies of the operation manual and service information, and one original Sequential footswitch. The flight case foam is serviceable, but could use replacement. The synth is wrapped in plastic within the flight case. Full pictures are here [captured below]. By far the most prevalent of the original Prophet 10 models, the Prophet 10 Rev3 was a better built version than the previous 2 iterations for more consistent and reliable performance. It used Curtis Electronics Manufacturing chips, and featured 2 VCOs per voice, a low pass resonant filter with ADSR, LFO, & cv/gate controls. This rarely seen monster analog synth is by far one of the fattest and nicest vintage synthesizers.

CLICK FOR MORE »

Abandoned Prairie Town

video upload by davidryle

"A Vector Sequencer project running the large format modular.
The slow pace was the experiment basis and the Vector Sequencer really handles that perfectly. I also added the Jack Expander module to the Vector so I had four sequence lines this time to send to the modular.
The drone bass is a Mos-Lab clone of the Moog 901. No need for a sequencer there as it is a single pitch.
The opening sound is the pair of Matrix modules. This sound effect is heard again at the closing passage.
The opening slow pad note sequence is the STG vco's and G294A filter through a Strymon Blue Sky pedal.
The swell pattern is two Q206's to the Q150 filter. The stereo signal is routed through a Lexicon MX200 for pitch shift and chorus.
The distant ghostly piano sounding sequence is two lines from the Vector to a pair of TZ vco's and the Yusynth Arp 4072 filter. The final effect chain is the Stasis Leak delay module and the Z-DSP signal processor.
The flutter sounding noise is the Dove WTF to a Tau Pipe phaser and an Oakly SVF in high pass mode.
The wind effects were the West Coast Noise Source to the MOTM 440 filter and the Q110 noise module to the Dove D502 filter in band pass mode."