Synth Legends (2005): Bob Moog, Tom Oberheim, Dave Smith, Marcus Ryle, Roger Linn

video upload by moogfoundation

"Get your SYNTH LEGENDS Limited Edition T-Shirt here: bit.ly/SynthLegendsTshirt
Pre-orders open through August 25th!

Join us live on August 21, 2025 at 8 pm EDT as we present the entire 𝘚𝘺𝘯𝘵𝘩 𝘓𝘦𝘨𝘦𝘯𝘥𝘴 symposium from April 19, 2005 - Bob Moog’s final public appearance. This historic event, originally organized by Russ Jones of AudioMIDI, brings together synth pioneers Bob Moog, Tom Oberheim, Dave Smith, and Marcus Ryle, with Roger Linn moderating. For the first time ever, the full 1-hour and 38-minute symposium will be broadcast in its entirety.

Note: the original audio recorded at this 2005 event was only captured on the camera mics and is not studio-perfect. We’ve worked to make audio enhancements, including painstaking audio mastering by Harold LaRue (https://haroldlaruemastering.com), to make this once-in-a-lifetime conversation as clear as possible. We suggest turning on closed captioning in order to not miss any of the content.

During the stream, join Tom Oberheim, Denise Smith (Dave Smith’s widow), Marcus Ryle, and Michelle Moog-Koussa (Bob Moog’s daughter and Executive Director of the Bob Moog Foundation) in the live chat as they share reflections, answer your questions, and provide personal insights into the legacy of Bob Moog and synthesis history.

Huge thanks to our sponsors, without whom this broadcast would not have been possible:

Platinum Sponsors:
Moog Music – https://moogmusic.com
Sequential / Oberheim – https://sequential.com https://oberheim.com
Spectrasonics – https://spectrasonics.net

Gold Sponsors:
Arturia – https://arturia.com
Korg USA – https://korgusa.com
Roland – https://roland.com

Silver Sponsors:
Cherry Audio – https://cherryaudio.com
GForce Software – https://gforcesoftware.com
ILIO – https://ilio.com
Rosen Sound – https://rosensound.com |
Softube – https://softube.com

Special thanks to: Russ Jones, Harold LaRue, Dave Gross, Mark Ethier, Marcus Ryle, Tom Oberheim, Denise Smith, Roger Linn, Axel Hartmann, and David Mash, all of whose contributions helped make this possible.

Why watch?
Experience the inspiring reflections of five synth legends.
Hear behind‑the‑scenes stories of innovation from the pioneers themselves.
Celebrate Bob Moog’s enduring legacy on the 20th anniversary of his passing.

Mark your calendars and bookmark this page! You won’t want to miss this very special tribute. Feel free to share with fellow synth lovers, and join us live on the 21st to celebrate the magic of synthesis together.
–
Synthesizer pioneer Bob Moog passed away on August 21, 2005. Throughout the month of August, we will share an informal remembrance video series, Voices for Bob, featuring musicians, technologists, innovators, and colleagues as they remember and reflect on Bob's indelible legacy.

▶️ "Voices For Bob" Shorts series:



 
▶️ "Moog Memories” video: bit.ly/MoogMemories [posted here]

Help us carry Bob's legacy forward to inspire future generations through the intersection of science, music, history, and innovation. Support our work by doing one (or all) of the following:

🌐 Visit the Bob Moog Foundation: https://www.moogfoundation.org"

Voices For Bob: Drum machine & synth pioneer Roger Linn recalls meeting Bob Moog

video upload by moogfoundation

"Roger Linn is an innovative engineer, designer, and musician best known for creating the LinnDrum, one of the first drum machines to use digital samples of real drums. His groundbreaking instruments helped define the sound of 1980s pop, hip-hop, and R&B, and he later co-developed the Akai MPC series, a cornerstone of modern beat-making. Linn continues to push boundaries with expressive instruments like the LinnStrument.

In this video, Roger shares a story about meeting Bob Moog at NAMM.

Roger Linn Design: https://www.rogerlinndesign.com

Synthesizer pioneer Bob Moog passed away on August 21, 2005. Throughout the month of August, we will share an informal remembrance video series, Voices for Bob, featuring musicians, technologists, innovators, and colleagues as they remember and reflect on Bob's indelible legacy.

Help us carry Bob's legacy forward to inspire future generations through the intersection of science, music, history, and innovation. Support our work by doing one (or all) of the following:

🌐 Visit the Bob Moog Foundation: https://www.moogfoundation.org"

Moog Memories: Remembering Bob Moog & the Impact of Moog Synthesizers 20 Years After His Passing

video upload by moogfoundation

"Synthesizer pioneer Bob Moog passed away on August 21, 2005. His indelible legacy lives on through the synthesizers he created, through his warm, humble personality, and through the work of the Bob Moog Foundation.

Please consider honoring Bob's legacy by donating to or becoming a member of the Bob Moog Foundation.

Donate here: https://bit.ly/ContributeBMF
Become a member here: https://bit.ly/BMFMembership

Featured in this video are Bob's colleagues, iconic musicians, and electronic music luminaries lending insights into working with Bob, being empowered by Moog synthesizers, and guiding Bob's legacy forward. Many thanks to our friends at ‪@WaveshaperMedia‬ for creating this video from interviews from the upcoming Electronic Voyager documentary.

Other cool ways to support the Bob Moog Foundation:

Visit our website: www.moogfoundation.org
Sign up for our newsletter here: https://bit.ly/BobMoogFoundationNewsl...
Shop our online store: https://bit.ly/shopbmf
Visit us at the Moogseum in Asheville, NC: www.moogseum.org
Omnisphere user? Check out the Bob Moog Tribute Library v2 (100% proceeds donated to the Bob Moog Foundation): https://bit.ly/BobMoogTributeLibrary

Join us on this channel at 8 pm (ET) on August 21, 2025, the 20th anniversary of Bob's passing, when we will be streaming the 2005 Synth Legends symposium featuring Tom Oberheim, Dave Smith, Bob Moog, and Marcus Ryle, with Roger Linn moderating. Read more about this event here: https://bit.ly/SynthLegendsEvent"

Linn LM-1 LinnDrum Computer SN 00035 Built In Roger Linn's Home

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

"RARE piece of Linn Drum LM-1 history. This machine has been updated by the one and only Bruce Forat from Forat Electronics. Bruce is THE repairman for these machines and he has this one cleaned up oh so nice.

Debuting in 1980, these first LM-1 were $5,000 then! During my research, I found that Roger Linn created the first 35 of the machines in a room in his house.This gem is #00035 meaning this was the last one built by Roger before mass production!

This comes with a custom made dust cover and I'm guessing an original manual in a cool shade of Chevy Chase pool blue 80s folder! It will be shipped in a SKB 24x24 case built like a tank.

I've held onto this machine for 25 years and had Bruce tweak it along the way. Now it's time for me to purchase a vehicle so I hope someone else can love it as much as I have. I had Bruce to add the exact signature Prince clap sound as heard on the Purple Rain album. I can also give the winner Bruce's contact information as he is a tremendous resource."

Additional resources: Linn LM-1 page on Culture Wikia

Roger Linn on Sessiondays

CLICK FOR MORE »

Using an MPC as a Looper

video upload by Roger Linn

"Roger Linn talks about using the MPC as the ultimate looper, including doing things that even DAWs can't do."

Linn Electronics LinnDrum FORAT RESTORED and full MIDI + Manual, Data Tape and more! LM2

Note: Auction links are affiliate links for which the site may be compensated.


via this Reverb listing

Pics of the inside below.

"This unit was originally owned by Skyline Studios, New York, NY and featured on dozens of records during the 80's and 90's.

Included is the original owners manual, original DATA Cassette tape, a copy of the cassette on CD, the Forat MIDI manual, and brand new wood end cheeks should you choose to install them for a beautiful Rosewood look (like the Yamaha DX1 Rosewood).

The LinnDrum is a digital drum machine designed by Roger Linn in the early 1980s, known for its realistic sampled drum sounds and its impact on 1980's pop music. It was a successor to the Linn LM-1, and was one of the first drum machines to use samples of real acoustic drums, rather than synthesized sounds.

Design and Functionality: The LinnDrum was designed to be a more affordable and widely available alternative to the LM-1. It featured a library of 8-bit digital samples of real drum sounds and allowed musicians to create and store their own drum patterns.

Key Features:

Sample-based sound generation: Unlike earlier drum machines that used synthesized sounds, the LinnDrum utilized samples of real acoustic drums, creating a more realistic and natural drum sound.

Sound sample changeability: The LinnDrum uses samples of real acoustic drums stored on eprom chips, these eprom chips are replaceable inside the unit giving the user the ability to buy or even make thier own and install thier own sounds/samples in the unit. Many are widely available on Reverb and elsewhere plus there are also people offering their services to custom make them for you.

Programmability: Musicians could program their own rhythms and sequences, rather than relying on pre-set patterns.

Individual outputs: Each drum sound could be routed to a separate output for further processing and mixing.

MIDI integration: Later versions and modifications of the LinnDrum included MIDI capabilities, allowing for greater control and integration with other instruments and recording equipment.

Impact on Music: The LinnDrum became a staple in 1980s pop music, appearing on countless hit records. Its realistic drum sounds and programmable features revolutionized the way music was produced and played. It's considered a landmark instrument in the history of electronic music and drum machines.

Successor to the LM-1: While the LinnDrum is sometimes mistakenly referred to as the LM-2, it was actually the successor to the Linn LM-1. The LM-1 was the first drum machine to use sampled sounds, but the LinnDrum was a more refined and better version."

CLICK FOR MORE »

Akai Roger Linn MPC3000 MIDI Production Center w/ Gotek HxC USB Drive

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

Additional SYNTH CITY Listings

"This legendary machine has stood the test of time and is still going strong. Fully functional, upgraded OS (v3.5) and a sleek modern HxC USB drive for effortless workflow. Plug in, power up, and create—this beast is studio-ready and waiting."

CLICK FOR MORE »

Custom Black AKAI MPC 60 MKII Roger Linn

Note: Auction links are affiliate links for which the site may be compensated.

via this eBay listing

This one was spotted and sent in via
M Me.

"The sampler has been completely refurbished. The casing has been painted black. All tact switches have been replaced, the old LCD with a new LED and pad sensors. Additionally, I have installed the Gotek FDD emulator (32GB Sandisk pendrive included), the latest Vimana 3.15B OS, max RAM memory and multivoltage power supply. This means that it does not need step up or step down converters to work! The voltage switches automatically depending on the place in the world. It accepts AC voltage from 65 to 265V. This is probably the only such version in the world. I was going to replace the LCD window, as it has a few scratches, but I'll leave that to the new owner. The glass is available on eBay, and replacement is easy (double-sided tape). Insured shipment."

CLICK FOR MORE »

Dave Smith & Roger Linn Tempest Drum Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

CLICK FOR MORE »

Deftaudio Luma-1 recreation of the iconic LM-1 2024

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

"Luma-1 is an authentic recreation of the iconic LM-1, originally designed by Roger Linn in 1979 and now brought back by Joe Britt (check the creation story at Roger’s site). Fully recreating the original design of the LM-1, it utilizes the same audio path with the original vintage DACs and filters, runs the original LM-1 software, and adds a secondary modern processor for adding highly desirable features like loadable sounds, USB connectivity(USB MIDI Client and Host), MIDI and more."

CLICK FOR MORE »

Deft Audio Luma 1 and Luma "mu"

video upload by CatSynth TV

"An introduction to the Luma 1 from Deft Audio, a circuit-accurate reimplementation of Roger Linn's legendary LinnDrum. They are also introducing a Eurorack single-voice version of the Luma 1, the Luma μ ("Luma mu"). In addition to the original features of the LinnDrum, there are some enhancements including uploading ones own samples, and even editing via a online web app that connects directly to the instrument."

BUCHLA & FRIENDS: THE SYNTH MAKER SHOWCASE Event Set for LA Next Weekend Jan 25 & 26

Tickets available at Eventbrite

"We’re gathering over 70 boutique synth makers in one awesome Silverlake spot so you can learn, listen, and live the latest in electronic music sound production. This hands-on, headphones-only gathering gives you a chance to hear the best sounds science has ever created. From additive to subtractive, analog to digital, keyboards to breath, audio to visual (yes- some video synths will be here too!), modular to full-size polyphonic, eurorack to Serge to Buchla, you’ll meet synth makers and synth enthusiasts alike. This will be January’s biggest two-day collection of hands-on synths on the West Coast! If you love creative sound, you need to be here."

Delicious food (including vegan) from Moby Rick’s fish tacos, incredible carbonated beverages from United Wild Brew. Exhibitors: 1010music • 4ms • After Later Audio • AIAIAI • AJH • ALM Busy Circuits • Animal Factory • Ashton Research • ASM • Bastl Instruments • Bitwig • Black Corporation • Bored Brain • Buchla • Catalyst • Circuit Happy • Crosspatch • Days of Yore • Rain City Modular • Doepfer • Dogbotic Labs • Dreadbox • Drift DJ • Elektron • Endorphines • eowave • Eternal Research • Five12 • Flame • Frap Tools • Future Retro • Genki Instruments • Groove Synthesis • Jomox • LA Synth Club • Mega Modular Corp • Melbourne instruments • MEMS project • Meris • Modbap • Moog Foundation • Mystic Circuits • Netherblade • New Systems Instruments • Noise Engineering • Noisebug • Novation • Null Modular • OXI Instruments • Polyend • Prism Circuits • Roger Linn • Schlappi Engineering • Sleepy Circuits • SoCal Synth Society • SOMA • Soundwork Shop • Studio Electronics • Supercritical • SynthRISE • TipTop • Tobinski • Touellskouarn • U.D.O. • Vermona • Wavea • Waveform Magazine • Wavesequencer • Weston Precision Audio • WMD ... & more!

Buchla organizes this event to make a stronger synthesizer community. We make it free to attend and affordable for exhibitors. This makes the vibes great - after all, we are all making our own waves!"

Linnstrument tryout

video upload by Trigg

"Playing around with this nice MPE Controller with Surge XT VST."
---

Check out Roger Linn's tips on the Linstrument here.

Roger Linn, Creator of the Original Namesake LinnDrum on Behringer's New LmDrum

The following is Roger Linn's statement on Behringer's LmDrum, written Jan 4, 2025, saved here for the MATRIXSYNTH archives:

In December 2024, Behringer released their "LmDrum", which is described on their site as:

"If you are looking for a drum machine that can recreate the classic sound of the 80’s, look no further than the Behringer LM DRUM. This amazing drum machine features an authentic 8/12-bit sampling sound engine that captures the essence of a hundred legendary 80’s drum sounds including those designed by Roger Linn such as the LM1*, LM2*, LM9000* and more. You can even record and store your own samples using the integrated line input."

Uli Behringer kindly sent me an LmDrum in August of 2024, giving me a chance to try it out. What do I think? I think it's a bit of a head-scratcher. It is clearly intended to evoke my 1982 "LinnDrum" drum machine, borrowing its visual style, control layout, colors and logo style, as well as copying its sounds and those of my LM-1 and Linn9000 drum machines. I took it apart and it even copies much of my LinnDrum sound generation circuit, even my bad ideas like the inability to tune any drums except the snare, toms and congas.

However, it uses an entirely different operating system and user interface, one that is based on earlier Behinger drum machines. Personally, I found it somewhat confusing and difficult to use, though I was given an unfinished manual. I'd imagine they will improve both the software and manual over time. I suspect the designers found it difficult to find a balance between 1) the impression of a LinnDrum clone, and 2) the addition of modern features, given that the 1982 LinnDrum's feature set is woefully inadequate by today's standards.

It's worth noting that Uli never asked my permission to either copy my visual design or my drum sounds. Though in 2020, he did kindly invite me to collaborate on a future drum machine, and I respectfully declined because of concern about Behringer's past business ethics and legal practices.

How do I feel about the LmDrum? My feelings are mixed. On the one hand, it's not unusual for companies to borrow ideas from older products in order to inspire a new and innovative design, which I've done in past. Plus, my old drum sounds are all over the web, controlling copying is difficult, and I don't enjoy legal stuff so I've generally ignored the issue so far. Also, the value in those old sounds is probably due more to Art Wood (the drummer who played the sounds, and my friend of many years), and to artists like Prince, Michael Jackson, and others, who made those sounds famous on their hits. Finally, I must admit that I've never cared much about the past, because I find the future far more exciting.

On the other hand, even if we discount the copying of the visual design, logo style and sound circuit of LinnDrum, the LmDrum copies my sounds. So I'd have preferred for Uli to ask my permission. Even if he thinks it is legal, I question whether it is ethical.

I find it interesting that the LmDrum is being sold in the U.S. for only $399. Having taken it apart and seeing how complex the copied old circuitry was to reproduce, I doubt Behringer is making any money from it. I suspect that they originally intended to sell it for much more, then discovered that while many people may say they want a LinnDrum clone, few are willing to pay more than a low price for it.

On a related topic, GForce Software has recently released their "IconDrum" software drum sound generator. Like the LmDrum, it copies the LinnDrum's visual design, logo style, and drum sounds, but has no sequencing. Unlike Behringer, GForce did say they wouldn't release the product if I objected, but they seemed like good people so I turned a blind eye. They also offered to pay me an insignificant royalty for my association with the product and perhaps to use "LinnDrum" name, but I declined because of the low compensation and because I thought it was misleading to call a product "LinnDrum" that wasn't a drum machine but rather only played my copied drum sounds.

One last comment. What's the big deal about nostalgia? I can understand that some people value analog synthesis, though I find the many types of innovative software synthesis created in recent decades to be far more capable, versatile and interesting. But even if people value vintage analog synths, why vintage digital drum machines? I ask this because an old bit is no different than a new bit. Our collective love of nostalgia brings to mind an old Douglas Adams quote from Salmon of Doubt:

"I've come up with a set of rules that describe our reactions to technologies:
1. Anything that is in the world when you’re born is normal and ordinary and is just a natural part of the way the world works.
2. Anything that's invented between when you’re fifteen and thirty-five is new and exciting and revolutionary and you can probably get a career in it.
3. Anything invented after you're thirty-five is against the natural order of things."

As a guitarist, I recall having endless discussions in my youth about "good distortion". :)

- Roger Linn

Tips for developing expressive gestures on LinnStrument

video upload by Roger Linn

"Roger Linn explains tips for developing expressive touch gestures on LinnStrument.

Here's another good video, focusing on how to play expressive gestures of specific acoustic instruments:" [posted here]

Linn LinnDrum LM2

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

"Gorgeous and original LinnDrum LM2 serial #3298 in spectacular cosmetic and working condition. The top controls and back panels look amazing and almost perfectly preserved. This Roger Linn machine has been fully tested and auditioned through our house system and sounds incredible. This highly sought after drum machine has the classic drum tones of the 80s we all know and love and will make an excellent addition to your collection. The wood panels are in beautiful condition and it comes with a power cord that looks original."

CLICK FOR MORE »

Exquis + MPE Plugins Bundle

video uploads by Intuitive Instruments

Press release follows:

Exquis + MPE Plugins Bundle at a Reduced Price

Intuitive Instruments announces an extraordinary partnership with renowned developers of plugins optimized for the Exquis keyboard.

Exquis, winner of the 2023 MIDI Innovation Awards

Named «Best Hardware of the Year 2023» by a distinguished jury including Jean-Michel Jarre and Roger Linn, Exquis is an expressive and intuitive MPE controller. Each key provides independent gestural control over four dimensions: velocity, pressure, horizontal tilt, and vertical tilt.

Thanks to its MPE compatibility, Exquis enables seamless and natural interaction with virtual synthesizers, delivering pre-cise and dynamic gestural control. It becomes a direct extension of the artist’s creativity, allowing full exploitation of the plugins’ sonic potential with unprecedented freedom and spontaneity.

Renowned MPE Plugins Designed for Expressiveness

Intuitive Instruments offers an exclusive bundle of plugins, carefully selected for their synergy with Exquis’s expressive ca-pabilities:

Atoms (BABY Audio) : A synthesizer based on physical modeling, Atoms creates organic and unique sounds. Per-fect for crafting original soundscapes, it excels in productions requiring realistic and atmospheric textures. Baby Audio is especially known for its collaboration with YouTuber Andrew Huang. Demo: Exquis+Atoms

RANDOM (BEATSURFING) : Leveraging a neural network, RANDOM delivers unique sound design pos-sibilities. It includes various controls for navigating through distinctive sounds using synthesis and resonance systems, ideal for creating unpredictable sonic textures. RANDOM was ranked #2 in Andrew Huang’s Top 10 Plugins of 2023.

Abyss (Dawesome) : Abyss is an MPE synthesizer perfect for crafting evolving and immersive sounds. Ideal for composing rich textures, cinematic pads, and deep drones, it evolves under your fingertips on Exquis’s keys.

SOUNDBOX (Audiomodern) : A fully customizable MPE sampler, SOUNDBOX features a complete audio
editor, a vector engine, and effects. The bundle includes three exclusive sound packs: Voxmotive, Kromium, and Cosmo.

Formats and Compatibility

The plugins are available in standard formats (standalone, VST, VST3, AU, AAX), ensuring seamless compatibility with leading digital audio workstations (DAWs) on macOS and Windows.

Pricing and Availability
Intuitive Instruments offers two bundles including Exquis and one option without the keyboard:

Exquis Pure + 2 plug-ins of your choice: 359€ / $359

Exquis Deluxe + 2 plug-ins of your choice: 399€ / $399

2 plug-ins of your choice: 99€ / $99

These offers are available exclusively on the dualo.com website in limited quantities until December 31, 2024.

DSI Tempest: An Analog Drum Machine for the Digital Age

video upload by Retrothusiast

"The DSI Tempest is a groundbreaking analog drum machine that combines the best of both analog synthesis and digital control, making it a favorite among electronic musicians and beatmakers. Released in 2011 as a collaboration between legendary designers Dave Smith and Roger Linn, the Tempest delivers six powerful analog voices, each with dual oscillators, filters, and comprehensive sound-shaping options. With 16 responsive, pressure-sensitive pads, real-time effects, and unique features like the Roll function, the Tempest offers hands-on control that brings beats and sequences to life, whether in the studio or on stage. This is a drum machine with an unmistakable analog soul in a digital world.

For those seeking the warmth of analog combined with modern flexibility, the DSI Tempest stands out as more than just a beatmaker—it’s a complete performance instrument. Users can layer sounds, experiment with live sequencing, and even use it as a six-voice synthesizer when connected to a MIDI keyboard. Its robust step and live recording systems make it perfect for building complex patterns, stacking beats, and switching sounds on the fly. Whether you’re crafting intricate grooves or exploring unique soundscapes, the DSI Tempest remains a powerful tool for anyone wanting analog depth with digital precision.

Chapters:
0:00 Intro
0:47 Background
1:28 Analog Soul
2:17 Performance Tools
2:55 What Makes It Unique
3:31 Sweat Cheeks
3:48 Why The Tempest
4:26 Wrap-up
4:43 Outro
4:56 Groove On

I love retro computers and retro music production gear. Follow me on YouTube, Facebook and Retrothusiast.com if you share the same passions.

https://www.retrothusiast.com"

DSI Tempest: An Analog Drum Machine for the Digital Age

video upload by Retrothusiast

"The DSI Tempest is a groundbreaking analog drum machine that combines the best of both analog synthesis and digital control, making it a favorite among electronic musicians and beatmakers. Released in 2011 as a collaboration between legendary designers Dave Smith and Roger Linn, the Tempest delivers six powerful analog voices, each with dual oscillators, filters, and comprehensive sound-shaping options. With 16 responsive, pressure-sensitive pads, real-time effects, and unique features like the Roll function, the Tempest offers hands-on control that brings beats and sequences to life, whether in the studio or on stage. This is a drum machine with an unmistakable analog soul in a digital world.

For those seeking the warmth of analog combined with modern flexibility, the DSI Tempest stands out as more than just a beatmaker—it’s a complete performance instrument. Users can layer sounds, experiment with live sequencing, and even use it as a six-voice synthesizer when connected to a MIDI keyboard. Its robust step and live recording systems make it perfect for building complex patterns, stacking beats, and switching sounds on the fly. Whether you’re crafting intricate grooves or exploring unique soundscapes, the DSI Tempest remains a powerful tool for anyone wanting analog depth with digital precision.

Chapters:
0:00 Intro
0:47 Background
1:28 Analog Soul
2:17 Performance Tools
2:55 What Makes It Unique
3:31 Sweat Cheeks
3:48 Why The Tempest
4:26 Wrap-up
4:43 Outro
4:56 Groove On"

https://www.retrothusiast.com

Why Touch Expression?

video upload by Roger Linn

"Roger Linn discusses why LinnStrument's touch expression is better than playing music with the simple on/off switches of a MIDI Piano keyboard."