Spectrasonics Omnisphere HQ Demo

YouTube via Stekkkkkk. sent my way via fischek.
"This is a short demo of the brand new virtual instrument "Spectrasonics Omnisphere".
It's really an amazing piece of software.
The sound quality of this VST is the best I've ever heard.

This VST is usefull for every music genre.
It contains everything, from very clear sounding orchestral patches to really dark and intense sounds.

I had to record @ low FPS for performance, but the sound is recorded very good. That's the most important:)

Tech. specs:
Sound in this video is recorded trough an Edirol FA-66
The MIDI keyboard is a M-Audio Oxygen 8
I used FL Studio as host for Omnisphere

NOTE:
This video is just a short demo of some patches.
It just features a quick look at the interface and some patches that Omnisphere came with.
At this time there are a lot of new video's @ YouTube that go in-depth with Omnisphere.
They will give you a better idea of how great this synth actually is.
I'm using it over a month now, and it has become my first-choice VST for making ambient and experimental tracks.

For more about producing and my music, visit my website:
http://www.crystalskulls.nl"

Wakes Chemistries

YouTube via gennargiu. via the forum. See Pierecall Music for more.
"Arturia Jupiter 8v- Micron-Microkorg-Imac 24 Alu"

Atari Punk Console... gone wrong

flickr by The Bottomless Paddling Pool
(click for mouse overs)
"I'm taking a paper in the first semester coming up on making your own synth from scratch and I thought that I'd better polish up on my electrical knowledge as it's been a while since I've done anything that needed any real effort. As I've never made an audio circuit before I thought I should start simple and progress to the harder stuff. So I decided to start on the popular and simple Atari Punk Console (APC). Anyway, I made it and I was getting sounds from it, but nothing like what I should have been getting. The sounds I was getting sucked, mainly just static mooshed up with high pitched whines. It was bad for the ears, especially as I had the volume up and my headphones on! I eventually found out what was haywire, the chip I was running it off was wrong, as in one letter different in the code from the proper chip. Not a big problem, frustrating at most. I'll make the APC soon and put it in a nice case. I have the neck of a violin that it'll look cool in. The body I'm saving for a bigger project, perhaps a Weird Sound Generator.

view large for best results

Bye!"

DS-10で呪怨

YouTube via CardiacTrance. via the KORG DS-10 blog.
"Making "The Grudge" Noise using Korg DS-10.
初投稿です。
参考ページ：
http://ascii.jp/elem/191370/index-5.html

呪怨っぽい音を出してみました。
素で出るのは恥ずかしいのでコスプレです。（もっと恥ずかしい！？）
設定：
VCO：ノコギリ波。ピッチは最低にします。
VCA：DRIVEの値を最大近くまで上げてください。
モジュレーション：EGからVCA INで音量を上げます。DS本体の音量もMAXにしてください。
MIXER：パンを完全に左側（右スピーカーを使いたいなら右側）にします。
ここでも音量をMAXにします。

カオスモードで左上の端辺りを押さえて、カツカツ言わせます。
スピーカーに上手く口を当てると呪怨っぽくなります。声を出したり
息を吹き込む必要はありません。
後はカオスパッドを弄ったり、口の形や舌の位置を変えて音を調節してみてください。"
Googlish:
"Making "The Grudge" Noise using Korg DS-10.
From the first time.
Reference page:
http://ascii.jp/elem/191370/index-5.html

Juon looked like a sound out.
Since the embarrassing element of the cosplay Take. (More embarrassing?)
Setting:
VCO: saw the waves. Pitch to a minimum.
VCA: DRIVE-up to close to the value of the maximum, please.
Modulation: EG VCA IN from the increase in the volume. MAX to DS console and the volume please.
MIXER: full of bread left (right if you want to use the right speaker).
MAX, but the volume here.

All around the edge of chaos mode, hold the upper left corner, said katsu pork cutlet.
Speaker hit in the mouth and Juon well-ish. Or out
You do not need to breathe life into.
弄っchaos after the pad, or the shape of the mouth and tongue to change the location of the sound, please try to adjust."

FIRST PRODUCTION MATTSON MINI MODULAR 07A-0001 SYNTHESIZER

FIRST PRODUCTION MATTSON MINI MODULAR 07A-0001 SYNTHESIZER from RED MARTIAN on Vimeo.

"Here is the first production model Mattson Mini Modular analogue synthesizer serial number 07A-0001.
All sounds in this recording were produced on the MMM using the production run modules.
The percussion sounds were sampled and arranged on an Akai MPC-1000. The bass line was sequenced in Logic and the saw leads were recorded as performed.
The bass and lead sounds are produced using three oscillators in tune with various setting differences. The Jim Patchell filter is run with both LP and BP outputs run into stereo VCAs.
The only effect used is reverb from a t.c. electronic M-One."

MAKE presents: The Resistor

MAKE presents: The Resistor from make magazine on Vimeo.
"Simple, commonplace and absolutely vital to our electronic world - take a closer look at the current-fighting backbone of circuitry, the resistor!"
via C. spot the synth.

Nanospheres and Tunnel Vision

Nanospheres from Hans-Jörg Scheffler on Vimeo.
"The Artmatic engine is capable of producing stunning fractals.
Here are a few examples.
I arranged them in V-Track and added some music composed in Logic8 on my Macpro using only Spectrasonics Omnisphere for all the sounds including the percussion.
This features one of the boys choir phrases named Kyrie."


Tunnel Vision from Hans-Jörg Scheffler on Vimeo.
"This is a clip that shows Omnisphere in a more trance like setting.
It is also a tribute to all the people in the Spectrasonics development team that made this wonderful softsynth possible.
They are all mentioned in the splash screen in the final scene!
Thank you very much indeed!

I rendered the video in Artmatics V-Track and composed the music in Logic 8 on my Macpro.
All the sounds including the drums are coming from Omnisphere!"

Also see Under a foreign sky.

Livid Instruments Ohm Manufacturing

Livid Instruments Ohm Manufacturing from Livid Instruments on Vimeo.
"Manufacturing the Livid Ohm MIDI control surface by Livid Instruments. This controller is made and designed in our Austin manufacturing shop Livid Industry. Edit by Jason Senk."

eventide h910

flickr set by janvanvolt
(click for more)

"harmonizer + delay. simply a neat special effects unit.
--> robot voice, etc."

inside an eventide h910

muzik4machines's D3adM0uch3 - Live December 09, 2008, 05:47 PM

YouTube via muzik4machines
"Korg ESX1: All Sequences/Drums
Yamaha TX81z: Reverby/Pumpy Sawtooth Bass (chain:TX81z-Akai MFC42-Alesis Nanoverb-DBX266 ch1 (pump)-ch2 (Compression)-Mixer)
Roland MKS50: Hoover/Saw/Lead/Pumpy Synth (Chain MKS50-Boss SL20-DBX266-Zoom RFX2200-Mixer)
Redsound SoundBite Pro: Vocals/looping
Korg Kaoss pad 2: Tempo Delay
Korg Kaoss Pad 3: Loops, Looper(snare rolls), Grainshifter
Korg Kaossilator: Noise Sweeps (path: K01-Mini KP(Delay)-Mixer)
Korg ER1: Beatbox AND sidechain signal (Chain: left out-ProCo Turbo Rat-Boss V-Wha-Mixer)
DX200: Fm E-piano, pads, 303-esque sequences, etc (Chain: Left Out-Boss DD5 delay-Mixer)
Motu Midi Mixer 7s: My mixer, controlled by the BCF2000)
Kawai Midi Patchbay:Guess
DBX MC 6: Output Compressor

NOT used:
a computer, besides recording it; no edition, no mastering, What you hear is what I send out of the main outs

muzik4machines's QuickCapture Video - December 09, 2008, 05:47 PM"