Hironori Fukuda recently ported the KORG Polysix to Miselu featured in this post. You can find the full interview on miselu. On the port:
"How would you describe the experience of porting the application to the Miselu platform?
'Looking back, everything went smoothly. The Miselu platform has already been perfectly customized for synthesizer use with low latency audio playback based on their great MusicSDK. Also, I felt that the display size really works well music apps. For example, it behaves just like the top panel of hardware so designing the user interface was very straightforward. It ended up being a much easier port than I had expected.'"
"playing with new modules. cylonix cyclebox, makenoise ecophon, and the bit rot card for the ZDSP, 4MS SCM, RCD also in the mix. sorry for the crappy iphone audio/video
"Here is the latest Skiff I made for the Bay Area Synth Meet - the next one will be a 3"deep one that may be a 12U carry-on. Easy to make with all the parts except the end panels ordered online (www.onlinemetals.com is my friend) or bought at a hardware store."
"seqSQUARED is a do it yourself ("DIY") kit and eurorack assembled module for analog modular synthesis. It will be available shortly in multiple package options:
It takes up to four sequencers' CV and Gate as input and allows you to arrange them into larger patterns up to 32 steps in length. It generates patterns much the same way you would in Fruity Loops or other software, except with analog hardware.
It is a perfect companion to an array of hexinverter.net sympleSEQs!
It works very similarly to the many sequential switches available on the market today, like the Doepfer A-151 or Fonitronik switch, except that it is programmable. Meaning, you can program arbitrary patterns of sequences to make musical arrangements, not just go A, B, C, D, repeat, like with most sequential switches.
This module is meant to FEEL analog. It uses potentiometers and 5mm LEDs, NOT LCDs or menu-driven editing. Because of this analog user interface, it is quite fast and painless to program once you have used it for a few minutes.
Once everything has settled down after pre-orders are shipped, kits and modules will be available in hexinverter.net's online shop as well, at:
"Submission for the Boss LoopStation World Championship (with a picture-in-picture "pedal cam"). All loops are recorded live through the RC-300.
Equipment used: Boss RC-300, Fender Rhodes, Moog Prodigy, Akai MPD26 triggering a custom kit in NI's Kontakt, MXR Wylde Overdrive (for the Rhodes), two instances of Lemur on two iPads (one for effects, the other for triggering an instance of NI's Massive). All audio is passed through a PreSonus 1818VSL to a Macbook Pro running Ableton Live. Ableton is only being used as a host for NI's Kontakt and Massive, as well as reverb and delay effects controlled by Lemur. There is also an iTouch inside the cover of the iPad with the yellow keyboard, running an app called "iMoov" which is controlling the filter in NI's Massive based on its tilt and rotation."
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YouTube Published on Jul 27, 2012 by synthartist69
"In this video I have Midied out of the Jupiter 6 into the Gaia which allows me to play the Gaia through the Jupiter 6. The Jupiter 6 is set on an arpeggio string patch in which I have added some portamento. The Gaia is set on a Sawtooth Synth patch. The two synths sound very good together!"
"MIDI IN--->17 output pulse jacks with programmable main accent level.
The way it works is simple. Plug MIDI OUT from a computer, sequencer, drum machine, or even a keyboard into the MIDI IN on the MIDI-TO-TRIGGER. Incoming MIDI notes send quick pulses to the output jacks from notes C1 to E2. When MIDI is received on F2 it changes the Accent level of all the output jacks simultaneously. There is a knob to control it's level from normal to full-accent. Connect the output jacks to trigger analog drum circuits, envelope generators, arpeggiators, sample and holds or sequencer clocks. Or use the pulses as audio sources and filter them to get some nice click percussion.
The MIDI OUT actually only serves as a MIDI THRU for connecting other MIDI devices to the MIDI IN.
On power up (9 Volts DC negative center), the MIDI CHANNEL is Channel 1. If the channel button is pressed it changes the MIDI channel to 2, then 3, 4, 5...16, then back to 1 for each press.
These are currently handmade and take 2 to 6 weeks to ship after they are ordered.
Send any questions to mracidmachine@gmail.com"
The Percussion Beatie Bob also got a slight make over with a blue and white silkscreen label.
