"If you're reading, you're probably aware of this synth's reputation - simply put, it sounds like nothing else out there. Great at experimental sounds, drones and pads, bells, and evolving soundscapes.
This particular unit has the regulator fix, which is crucial and means that it won't experience a failure. Everything functions perfectly. Please note that there are two cosmetic defects: 1) the volume knob is missing its endcap, 2) the "time" knob in the glide section is slightly bent. These are probably easy fixes, I just haven't looked into it. Neither of these defects affect the performance of the synth at all - both knobs are perfectly turnable without trouble."
"Finished building a Buchla format 277r Digital Delay. Set up a neat patch that focused on extremely short delays that are feeding back - which creates 'pitched flanging' efx. Used the 266r as set of random voltages into a 258r and back into the 277r. A 281r is the clock, and all audio passed through 292r LPG's - then some of the 292r mix out passed through a 275r reverb. Cheers! - Djangosfire"
"A springy BEAT STEP PRO sequence is triggerung 4 ADSRs. And the ADSR is modulating assorted waves and wave parameters of WALDORF NW-1 -- no FX @ all!! Sounds between CHIPTUNE and ADDITIVE SYNTHESIS in an instant!"
"Electronic pioneer Gary Numan is performing 3 of his classic albums (Replicas, The Pleasure Principle, & Telekon) as a 3 night residency in Los Angeles, September 29 - October 1st, supported by I Speak Machine. In celebration of this event a Sub Phatty signed by Gary Numan & Tara Busch will be given to one lucky winner.
Visit I Speak Machine for your chance to win.
Listen to I Speak Machines' cover of Gary Numans' hit "Cars" below. All of the musical & soundscape components (drums, bass, lead lines & effects) were created with the Sub Phatty along with the Moogerfooger Cluster Flux and Moogerfooger Analog Delay.
"Dimensions is a true stereo chorus effect for the Eurorack modular system featuring two topologies. The first is a direct port of our Fluid chorus plug-in, and the second is taken from the unit's namesake. With automatic routing based upon what you plug in the I/O, Dimensions can do mono->mono, mono->stereo, and true stereo chorus duties.
Dimensions' Mode A operation is a ludicrously thick chorus. Most chorus effects have either a single delay line or a pair. Dimensions has six of them, each with its own modulation scheme. The Mode B operation changes the routing to match the vintage rack unit, but keeps the controls available. This results in a subtly different, but equally thick and appealing, effect.
» RATE knob controls the modulation speed of the internal LFO.
» DEPTH knob controls the amount the internal LFO modulates the delay lines.
» FEEDBACK knob adds a small amount of internal feedback to the delay lines. This accentuates the effect, which is quite desirable on some sounds (smooth legato synth lines, for example.)
» MIX knob controls the wet/dry mix of the effect.
» MODE switch toggles between the two topologies in Dimensions. Mode A is an iteration of our popular Fluid plug-in chorus, and Mode B is a topology based on the unit's namesake.
» The inputs and outputs are self-routing, and update the internal topology based upon which cables are plugged in. The unit operates in mono->mono, mono->stereo, and true stereo modes.
» Dimensions is a DSP-based effect that runs at 48kHz sample rate and 24 bit depth, via a high quality Cirrus-Logic codec.
» USB port (on the PCB board) for easy firmware updates.
» High-quality 100% Made In The USA construction, including panel-bolted 100,000-cycle BI potentiometers and custom stamped Rogan knobs.
» Power draw is 40ma from the +12V rail and 9ma from the -12V rail. This module has an on-board regulator and does not require +5V. Module depth is 25mm.
» Dimensions, like all Audio Damage hardware products, includes our lifetime unconditional warranty."
"If you're reading, you're probably aware of this synth's reputation - simply put, it sounds like nothing else out there. Great at experimental sounds, drones and pads, bells, and evolving soundscapes.
