Friday, December 04, 2015
Ninstrument Introduces the Rhythm TR-727 Eurorack Module
via Ninstrument
"Do you remember some of the cool unusual drum machines from the 80’s? The TR-727 was one of the unusual ones as it featured primarily Latin percussion sounds like Bongo’s and Maracas. Jan Ostman has made a recreation of those sounds and built them into a chip. More info here.
I designed a 10HP eurorack module that accepts his chips and tried to bring back a little aesthetic flair from the design of those early drum machines. We currently have a Indiegogo campaign that will be ending shortly. If you would like to receive one of these and support us to keep going down the vintage drum path please pledge here: http://igg.me/at/drumulator
I will be making a video demo shortly for this, so expect an update soon."
LABELS/MORE:
DSP Synthesizers,
eurorack,
New,
New in 2015,
New Modules,
New Modules in 2015,
Ninstrument,
Roland
Audulus 3 Release Date & More!
Audulus 3 Release Date & More! from Audulus LLC on Vimeo.
"Audulus 3 is coming Tues Dec 8!"
http://audulus.com/
LABELS/MORE:
Audulus,
iOS,
New,
New in 2015,
New Mobile Apps,
New Mobile Apps in 2015,
New Soft Synths,
New Soft Synths in 2015,
Soft Synths,
Video
Sonic LAB: Novation Circuit
Published on Dec 4, 2015 sonicstate
"Gaz Williams takes a look at the new Novation Groovebox - its grid based and has two 6 - voice synth engines, and four drum voices plus FX"
http://us.novationmusic.com/circuit/circuit
Sync 'em all!
Published on Dec 2, 2015 Purple Tonal Central 3000
"recent modular jammin. something new is coming soon...
thanks 2 peter blasser, dave smith, meng qi"
Ciat Lonbarde Plumbutter, Meng Qi Voltage Memory & DSI Tempest jam
KOMA Elektronik Komplex Sequencer - MIDI Jam
Published on Dec 4, 2015 KOMA Elektronik
"In this video, we hook up the Roland TR8, Access Virus C and Korg Volca Bass for a downtempo electronic trip.
Sequencer A controls the Virus C, while Sequencer D controls the Volca Bass. The Komplex is slaved to the TR8's MIDI clock. The skip step mode is used on the Volca Bass to vary the bassline. Meanwhile, ratcheting repeats are added to the Virus C's pattern to create unique rhythms. The gate length and output range also change."
[自作楽器]Asian-African Jam Session "Ara Mitetanone" by Sanpin & Kabneo
Published on Dec 3, 2015 TorigoyaSound
"Handmade musical instruments (Ribbon Controller, Bamboo Balafon)
Darbuka Percussion, Bass Guitar
"アラ見てたのね Ara Mitetanone" by Sanpin & Kabneo
★サンピン(Sanpin)
久田祐三(Yuzo Hisada):Darbuka Percussion
尾上祐一(Yuichi Onoue):Handmade Ribbon Controller
★カブネオ(kabneo):
太田 ニョリ (Nyorinco Ota):Handmade Bamboo Balafon
ジョンいまえだ(John Imaeda):Bass
recorded on Aug 30th 2015"
First Look: FabFilter Twin2 Synthesizer inside Auria Pro
Published on Dec 4, 2015 Synth Anatomy
"This is the first look at FabFilter Twin2 Synthesizer inside Auria Pro. With the paid upgrade of Auria Pro, you receive the FabFilter One and Twin2 as new instruments.
Auria Pro is available here:
https://geo.itunes.apple.com/us/app/a..."
Arturia advances iSEM synth app to work with Apple’s all-new Audio Unit Extensions
iTunes: iSEM Synthesizer - Arturia
As mentioned in this post, iSEM now supports the Audio Unit Extentions. Here's the official press release:
"GRENOBLE, FRANCE: music software and hardware developer Arturia is proud to advance its award- winning iSEM — an authentic-sounding software recreation of the trailblazing Seventies-vintage Oberheim Synthesizer Expander Module® (SEM) for Apple’s iPad — as one of the first fully-compatible apps for Apple’s all-new Audio Unit Extensions technology, as of November 19...
Apple’s Audio Unit Extensions is an all-new technology in its latest iOS 9 (mobile) and OS X El Capitan (Mac) operating systems that aims to bring the Audio Units (AU) system-level full plug-in architecture model that was previously only available to third-party developers like Arturia in OS X to both OS X and iOS! And Arturia is one of the first third-party developers to enthusiastically embrace its innovative musical advancement with the release of the latest iSEM update. This represents a much more user- friendly experience than the traditional way of interlinking apps using Inter-App Audio or Audiobus, which was the case with previous versions of this award-winning app.
According to iSEM development partner Rolf Wöhrmann, “The main difference is that you can now run iSEM from within an app like GarageBand for iPad in much the same way as you would work with standard Arturia plug-ins when running them in desktop- or laptop-based host applications — integrating the great synth sounds of iSEM into your GarageBand projects without leaving the GarageBand app, in other words. By using Audio Unit Extensions-compatible apps like iSEM, GarageBand users can extend its sonic capabilities above and beyond those of the built-in instruments into the wonderful world of Arturia. Indeed, it appears that we are one of the first — if not the first — to support this. That said, iSEM users can now easily record and multitrack their iSEM- based creations within GarageBand, adding drums, voice, guitar, and other sounds to make more complete musical arrangements, if they so wish. It’s also perfectly possible to have multiple instances of iSEM running in GarageBand — at least three or four when using latest-generation iPads, which was impossible with the previous ‘standalone’ version of iSEM.”
Truly trailblazing technology, then... in much the same way that the original Oberheim Synthesizer Expander Module® (SEM) was back in its day. How about a little history? Hatched by legendary synth designer Tom Oberheim back in 1974, the dual-oscillator SEM was originally conceived as a way of beefing up weaker-sounding compatible analogue monosynths of the time. It soon became a sought-after sound in its own right, so its Californian creator came up with a series of successive SEM-based instruments, first pairing up two SEMs with a 37-note keyboard and a simple analogue step sequencer to form the Two Voice, Oberheim’s first self-contained compact, duophonic synthesizer in 1975. Polyphonic programmability came courtesy of Oberheim’s breakthrough Polyphonic Synthesizer Programmer which — when hardwired into the fair-sized Four Voice (featuring four SEMs and a 49-note keyboard) in 1976 and enormous Eight Voice (eight SEMs set across two tiers) in 1977 — enabled the control voltages of many parameters for up to eight SEMs to be memorised for the first time. Though these instruments were undeniably groundbreaking, quickly finding favour with the likes of popular prog-rockers Rush and electronic music trailblazers Tangerine Dream, polyphony could only be achieved with multiple SEMs so each voice/module still had to be programmed independently, which was quite a daunting task — even by somewhat shaky Seventies standards!
Fast forward to today and the truly twenty-first century musical landscape has changed considerably. So has music technology itself. Indeed, most musicians take polyphony and programmability for granted — though not necessarily that still-sought-after Oberheim sound. Ingeniously, iSEM quite literally taps into all this and more as a cutting-edge iPad app, putting more musicality at anyone’s fingertips than its analogue namesake designer dared dream possible back in Oberheim’s Seventies salad days — all the more so since Arturia has had the foresight to adopt Apple’s Audio Unit Extensions technology so soon after its introduction, and all at a fraction of the cost of Oberheim’s original heavyweight hardware!
iPad 2 (or higher) owners can purchase and directly download the latest version of iSEM from the App Store for €9.99 EURO/$9.99 USD/£7.99 GBP here: [iTunes link]"
Chimera Synthesizer BC-16 SN *305Z6Y*
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH