Intellijel Atlantis into MI Clouds, sequenced by Metropolis

Published on Jan 10, 2016 biologik

live modular techno : simple facts 2

Published on Jan 10, 2016 Maxime F

"Same patch, darker vibe"

Selfmade Synthesizer by Kurt Diedrich

Published on Jan 10, 2016 Kris Deux

"Selfmade Sythesizer planed, build and played by Kurt Diedrich"

29 knobs. If anyone speaks German, let us know know what he says about the synth. I'm curious what the circuits are based on.

Update: some info from strogon42: "Kurt says in the video that it's modelled after a Minimoog with discrete circuits (no special ICs), but he mentions only one oscillator specifically (but later you hear a second one), a filter (ladder presumably), vca and two envelopes, which are ADSR not ADS. The oscillators have switchable waveforms, octave selectors and frequency (LFO or third oscillator?) and pulsewidth modulation. There's also portamento. There isn't much information in the video."

Update2: and some info via Kurt Diedrich in the comments: "The snthesizer has two identical oscillators indeed and in addition an extra LFO. The envelope is ADSR for VCA and VCF and the filter has 24 dB/octave, realized by OTAs.
More information for now on the following links:

http://www.elektor-labs.com/project/analog-synthesizer.14732.html
http://www.subroutine.jimdo.com/"

SIMMONS SDS-V // the Phil Collins Machine

Published on Jan 10, 2016 LESINDES

"the lendary Phil Collins machine: SIMMONS SDS-V. The only SIMMONS drum that is using SSM-Chips."

Roland MC-202

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via this auction

"This unit was Roland's blend of the famous SH101 and TB303. It's a beast! Previous owner put some "white out" on the face to mark his settings. I left them."

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Waldorf Pulse 2 Analog Synth

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via this auction

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Electribe 007 Drone 070116 01

Published on Jan 10, 2016 Computing.Sound

Buchla Easel Soundscape-1

Published on Jan 10, 2016 PaulLawlerMusic

"My electronic music albums can be purchased here: https://paullawler.bandcamp.com/"

New Mode Machines OMF-1 Rack Mountable Analogue Filter

Published on Jan 10, 2016 acidjack303

"A four pole true analogue filter based on the famous transistor ladder filter developed by Moog in the 60´s.
Built in Wide range Pre-amplifier suitable for most audio sources.
Side Chain Input.
CV and Gate inputs to control the Filter Cut Off and Envelope from your Modular/Analog gear.
Self Oscillation if desired."

"The Mode Machines OMF-1 contains:

A four pole true analogue filter. This is based on the famous transistor ladder filter developed by Dr Bob Moog in the 1960s. A front panel pot controls the filter cut-off frequency, another controls the resonance. The resonance control is configured not to cause volume drop when turned up. The filter can be made to oscillate if required.
Two filter outputs are available. One is the Fizz output. This is a type of -6dB/octave filter and it gives a unique filtering effect with a real bite. The other is the Smooth output. This is a classic -24dB/octave filter, and gives a smooth warm analogue filter sound. Each filter output goes via its own reversible attenuator. This means not only can you adjust the output level, but also the phase of the output signal. This allows complex filter shapes to be made when the two outputs are mixed together in various degrees. This includes a very nice sounding band pass filter.

A wet/dry control allows the filtered audio to be mixed with the original signal. Not only is this useful in controlling the depth of the effect, but it can also create unusual phasing and vibrato type effects.
A wide range pre-amplifier is included. You can use the OMF-1 with virtually any input from guitars to synthesisers. A peak indicator will allow you to monitor overloads, although the OMF-1 is designed to overdrive beautifully.

An inbuilt low frequency oscillator with triangle and square waveforms. The frequency can be changed from 0.05Hz (one cycle in 20 seconds) to over 50Hz. A bi-colour LED gives visual indication of the speed of the LFO. Use the LFO to create auto wah and phaser type effects. The LFO can also be selected to trigger the envelope generator.
An ingenious dynamic envelope section that can move the filter cut off point up or down. It can be put into one of three modes at a flick of a switch:

FLR: It can function as a useful envelope follower, with controllable attack and decay times. Perfect for simulating many classic dynamic follower filter boxes. Play louder and hear the filter open up.
AD: It can be a standard attack-decay envelope generator. This is a type of one shot envelope, that rises and falls at the presence of an initial trigger signal. Useful for percussive type sounds.

AR: It can be a standard attack-release envelope generator. This is triggered either by the LFO, external gate signal or by an automatic audio trigger circuit with a variable threshold level. Powerful for creating rising crescendos.

The final output volume can be controlled with a level control. The output circuitry is configured to drive long length cables with ease and without ground loops.

A side chain input is available. This is a second audio input that can control the main input, but is not heard directly. Use this to trigger the envelope generator, or drive the envelope follower. A common use of this is to make the main audio program respond to a drum machine’s output for syncopated effects. Use a deep rich string patch as your main input, and listen to the drum machine automatically pulse the output to the beat. Awesome!
CV and gate inputs are available for connection to a modular synth or midi-CV convertor. The CV input will control the filter frequency, and the gate control will trigger the envelope generator if selected.

With a second OMF-1 a stereo unit may be built. The two channels can either be run independantly or linked together for true stereo processing."

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Prophet 12 Patches by BoB SwanS

Published on Jan 10, 2016 BoBSwanS

"A brief demo of my bank of 99 patches for the DSI Prophet 12 that is now available to purchase for 16 Euro here :-

http://bobswanspatches.byethost3.com/..."