G-Storm Electro 101-VCF Eurorack Adaptation Roland SH-101 Filter Demo 01

Published on Jul 17, 2018 gstormelectro

"Audio and Video by G-Storm Electro c. 2018

Today I am proud to show you my 101-VCF - my adaptation of the Roland SH-101 lowpass resonant filter in a slim 8HP Eurorack module. A filter described as somewhere between a Juno and a 303. Every effort has been taken to preseve the original analog circuit as much as possible. Be warned - some harsh resonance squealing ahead! Recorded direct via Mackie mixer to Tascam DR-05, no effects or post-processing.

Oscillators - Pittsburgh Synth Box Square, PWM, Sub
Envelope Contours - 2xADSR dual envelope, Bastl Skis
Sequencing - Arturia Beatstep Pro Pitch CV + gate"

"This is no emulation, this is the 101- VCF: a faithful adaptation of the Roland SH-101 low pass resonant filter circuit in a slim, skiff/boat-friendly, 8HP Eurorack format module. It has that un-mistakable sound not found in any other Eurorack clone.

Great care was taken to keep the 101-VCF fully analog circuit as close to the original as possible including: a rare OTA filter chip, resonance feedback bias, and thermistor frequency stabilization.

The 101-VCF is a little blue beastie that wields two audio IN jacks with a MIX pot. Two CV IN jacks w/ signal attenuation pots allow you to modulate frequency with any two polar/bi-polar signals, low Hz up to audio rates. Every module is hand-assembled and ready to rock your world.

Available exclusively in my Reverb Store"

SpaceCraft & Moog - Ambient AppJam

Published on Jul 17, 2018 redskylullaby

"App Jam featuring granular synth SpaceCraft by Mark Watt (Delta-V Audio), Model 15 and Model D by Moog.
iPad Music Production. Audio mixed in Auria Pro and video made in LumaFusion using Wizibel by Klevgrand"

iTunes:
SpaceCraft Granular Synth - Mark Watt
Model 15 - Moog Music Inc.
Minimoog Model D - Moog Music Inc.

Roland System-500 (peakssound and Rheyne)

Published on Jul 17, 2018 Rheyne

"Peter Brown (peakssound) from Roland took the journey from Brooklyn to my studio in New Jersey with the complete System-500 modules, including the new 510 Synth, 505 VCF, 555 Lag/S+H, and the 531 Mix.

Here's a clip of a little jam we threw together, sequenced with a combination of a Stillson Hammer mkII, Eloquencer, Tempi, Mother-32, and a MIDI loop in Ableton triggering an additional Mother-32 for the pad."

Jasper EDP Wasp Clone

Published on Jul 17, 2018 KlangGenerator

"Just a simple performance with my DiY Jasper Synth and a 606. The Jasper has MIDI IN and OUT and the custom case is made of acrylic and 3d printed parts. The 606 is connected to the EXT IN of the Jasper."

Medusa Hybrid Synthesizer - The Grid modulators 2

Published on Jul 17, 2018 Polyend

"Medusa's Grid modulators can also be sequenced. Turned on and off as a modulation layer on top of a note sequence. Here you can see a short example of such use on a sequenced six-voice chord progression. Ciao @ Dreadbox !"

Polyend Medusa videos.

Rendez Vous 2 Jean Michel Jarre cover

Published on Jul 17, 2018 fischek

"Rendez Vous 2 Jean Michel Jarre cover

Synths:

Korg TR61 (patch played by right hand)
SF2 sample of Elka Synthex (played by left hand)"

Oberheim OB-X Restoration (Part 1) - Introduction, Teardown and Cleaning

Published on Jul 16, 2018 GOLT !

"How to fully restore the OB-X from start to finish. Part 1 covers washing, polishing, painting, staining and general beautifying techniques."

Note regarding the cannibalization of OB-Xs for voice boards, if things go well, you will be able to get reproductions of the OB-X voice boards here. If you have or find an OB-X minus the voice boards you might be able to bring it back to life.

Elektron Analog Four (A4) ambient demo

Published on Jul 16, 2018 MIDERA

"Messing around with the A4. No external FX used."

A History of Polyphony: Part 8- Paradigm Shift... the RCA Mark II

Part 8 added here.

Sound Design Pt.1: Surf/Sea/Waves

Published on Jul 16, 2018 Kris Lennox

"Quick introduction RE how to create the sound of surf/sea. Take note the principles can be applied to any decent programmable synth. This should prove useful to synth users/sound designers in general, and also those working in Foley etc. I'm very much of the opinion that seeing - and hearing - the process of sculpting a sound is far more useful than reading a book/article on patch settings. The article/patch approach - whist useful - is imitative, and more often than not doesn't really lead to an understanding of the 'how'. Hence I never upload patch settings for sounds I make. The 'how' is of more value, and is the freeing part of the process. And also allows for personal variation/input.

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