Chaos Culture - Modulat Teaser Trailer - Max For Live Toolkit - Ableton Live - Signal

Published on Nov 6, 2019 Isotonik Studios

"Modulat is a MaxforLive Toolkit of prebuilt modules that you can use to effect parameters, output audio and generally be awesome. Spawn a module from the menu and connect it up using patch cords, this is MaxforLive without the coding! PLEASE NOTE: MaxforLive 8.0.2 is Essential for Use!

Formerly known as Signal, Modulat is a toolbox of modules that can be connected together to create or modify signals from Ableton Live, transform and output them as Audio or control for parameters. Begin by spawning modules from the menu and then connect them with patch cords by clicking on each modules inputs (left) and outputs (right). You can click on any output to monitor its signal within the scope and all modules run at audio rate. Use the Audio In & Out Modules to exchange signals between devices or to send & receive control voltage.

Modulat is a node based / modular playground for control signals such as LFOs, envelopes and automations. Most Max for Live control devices have a lot of issues and limit the possibilities by completely taking over the control of a parameter in Live. Signal uses audio signals for all its calculations and lets you route them however you want giving you a lot more options while keeping the highest quality possible along with staying sample accurate.

Additionally it eliminates chain mapping, where you would use an LFO on another one. Since every mapping in Live introduces a delay as well as CPU usage, chain mapping is not useful at all. With Modulat you only need one mapping to make everything possible. You can always add another signal and keep expanding the setup. Especially by using multiple instances you can use Lives own routing to mix control signals, record them and play them back in any way using the session view, the Looper device or simply by triggering them using Simpler/Sampler.

Additionally Modulat is the only device on the market that provides a workaround to control parameters in sync with Live by compensating for the delay. You can find out more about this workaround on page 10 of the user guide linked below.

The modules in Modulat are versatile, you don’t need a lot of them to create something useful. With a lot of additional features that haven’t been done before, bypassing mapped parameters for example, Signal is the ultimate control device.

With the flexibility Modulat becomes a meta language, you can basically create your own control devices exactly how you like it without actually having to program them in Max. Signal takes away all the work of getting the basics to work and leaves you only with the decision making.

https://isotonikstudios.com/product/modulat/"

Ambient with Medusa-Polyend /sequencer Random mode in chromatic scale

Published on Nov 6, 2019 Dziam Bass

"Hello guys.

Today I have my first movie with the synthesizer Medusa from Polyend.

Now Medusa is at a discounted price, so is also a great opportunity to get yours.!!!

It's a Hybrid Synthesizer with 3 analog oscillators, 3 digital oscillators, 5 loopable envelope and 5 assignable LFOs plus of course a great multi mode filter.

the advantage of course is grid as a sequencer and its touch control, under the pressure of X, Y, Z you can assign modhell or pitch ,lfo's and many other functions.

Here I showed the sound itself in quite ambient music, I set the sequencer to random which it scales on a chromatic scale.

Add effects Reverb from Black Hole DSP from Erica Synths and Euro DDL Delay from Eventide .

more info about medusa here :http://polyend.com
but now I invite you to check this movie.
have a nice day!

#polyend #medusasynthesizer #polyendmedusa #hybridsynthesizer #dreadboxpolyend"

Soundmit 2019: Dreadbox Chromatic Eurorack Synth Modules Outdoors

Published on Nov 5, 2019 Ask.Audio

"This is the serious interview with Yannis from Dreadbox, showcasing their new colorful, cute and powerful Chromatic synth modules at Soundmit 2019."

Listen to more sounds from Stimming on the Hydrasynth (Electronic Beats TV)

Published on Nov 5, 2019 Telekom Electronic Beats

"Martin Stimming experiments on the new ASM Hydrasynth."

Max for Live Grain Scanner by Amazing Noises for Ableton Live

"Grain Scanner lets you design experimental noises, glitchy effects, alien textures and massive clouds of ambience. Its advanced sound engine turns any sample into a blank slate for otherworldly synth parts.

A 10-voice polyphonic granular synth and re-synthesizer, Grain Scanner chops samples into small slices, then re-arranges and plays them back in a multitude of ways. The result is sound that lives somewhere between the organic and the synthetic.

Grain Scanner is set up for intuitively creating evolving textures that change in complex and unpredictable ways. Its advanced granular engine can play up to 1000 microscopic slices of a sample simultaneously. A dedicated modulation page features four LFOs. Modulate each of the 10 voices individually or modulate the global parameters with up to four modulation sources at once. And its step sequencer and separate effects panel let you mold your sound even further.

The Pack comes with more than 100 presets to play with, and a database of dozens of source sounds ready to be bent, twisted and transformed. You can also import your own samples to create a completely personal sound. What’s more, Grain Scanner was made with Push and other keyboard controllers in mind, so you can easily start making melodies and harmonies with sounds you designed yourself.

Key Features:

10-voice polyphony with an advanced granular engine
Advanced 4x modulation system and step-sequencer
Dedicated effects page
Perfect for Push and other keyboard controllers
Key Follow adds depth and expression to your performances
118 presets"

Chroma Polaris | An ambient soundscape

Published on Nov 5, 2019 MIDERA

"I may have found the most amazing synth out there. The Chroma Polaris. It's not perfect - but I'm blown away. You can set the release to infinity and just drone out with this. Sync and Ring mod, dual VCOs, It's just a beautiful synth.

#soundscape #drone #ambient"

DSI Tempest Meets WMD Geiger Counter - Industrial Drums

Published on Nov 5, 2019 Dj Puzzle

"Running my Tempest through a Geiger Counter for some nasty Industrial noise drums. This is what the Tempest sounds like when it's being destroyed by the WMD Geiger Counter. The WMD Geiger Counter is like a wave folding type distortion."

A Session w/ Moog Matriarch, Novation Summit & Digitakt

Published on Nov 5, 2019 Ehsan Gelsi

A Relatively Brief History of Synthesizers

Published on Nov 5, 2019 SynthDan1

"On October 2nd, 2019, I was invited to the College of Southern Nevada to give a talk on the history of electronic synthesizers, at CSN's 2nd Annual Audio Industry Event. There are lots of important inventors and instruments that I couldn't fit into my talk, but I tried to hit the major highlights of the strange and winding path that synthesizers have taken, from the earliest days of analog modular synthesizers, to the complex days of sophisticated digital instruments, and then, oddly, the winding road back to analog modular synthesizers, which are more popular today than they've ever been before."

DX5 playing Kraftwerk "The Robots"

Published on Nov 5, 2019 DX5

"The Robots" Cover.
All sounds synthesized, sampled and sequenced by me (no samples from the original song were used, even in the backtrack ).

Gear used:
Emu Emax.
Yamaha DX27S
Kurzweil PC1x (Controller)
Access Virus TI (Vocoder)
Roland MRS-2 Promars

Backtrack recorded on Pro Tools, including Roland Promars for the bass sequence (using filter's resonance modulation), Yamaha DX27S (the sine intro with some delay added), Virus for some extra modulations, and more.

Composed by: Karl Bartos / Ralf Hütter / Florian Schneider.
Performed here by DX5 Jose Maria Bara.