MATRIXSYNTH

L. L. Electronics Rozzbox One V2

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"The RozzBox V2 Poly Synth with tube filter is a 5-voice polyphonic synthesizer with digital oscillators, digital and analog filters on each voice, and one additional all tube filter.

In addition to the the classic design of a 4-oscillator polysynth with analog filters, the RozzBox features some functions that can’t be found on any other synthesizer, such as the Hacker, the chaotic filter mode, and switchable aliasing of the oscillators.

Features:

4 digital oscillators with standard and 16 additional waveforms – hard-sync possible

Configurable FM engine with 7 algorithms

Noise, external audio input, ring modulator

2 independent filters per voice

Includes 3 self-resonant Filter-Types:
- Digital high pass/low pass filter with resonance and 24dB/octave (4 filter poles)
- Analog low pass ladder filter with resonance and 24dB/octave (4 filter poles)
- Completely tube-driven analog low pass filter with resonance and 12B/octave (2 filter poles)

2 LFOs with standard waveforms and wave tracking, sync with MIDI

2 ADSR Envelopes with switchable lin/exp characteristics and trigger modes

4 completely independent sequencer lines per voice, each with its own running mode and synchronization settings

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Arturia Announces the Chorus JUN-6 as a Free Gift for the Holidays

Arturia

"Chorus JUN-6 is modeled after the iconic stereo effect found in the Roland Juno series of analog polysynths from the ‘80s - your new favorite mix-widening, sound-enhancing tool. Reborn in exquisite sonic detail, there’s no catch, no trial version, no nonsense - just an awesome free effect for you to enjoy right now.

» INFORMATION
🎁 Download it for free until December 29th, 20 → https://bit.ly/3nIiLI3"

Tutorials | Chorus JUN-6 - Overview

"In this tutorial we'll walk you through beautiful sound and authentic features of Chorus JUN-6, our own recreation of the iconic Juno effect. Arturia's Product Specialist Jacob showcases its many uses on various types of sounds (pads, guitars, basses, and more) and explores how you can use it in your production process - complete with a real song example at the end.

» CHAPTERS
00:00 : Intro
01:01 : Front Panel Top
02:06 : Front Panel Bottom
02:23 : Chorus Modes I, II, I+II on Pad Sound
04:34 : Chorus Modes I, II, I+II on Guitar
06:19 : Chorus Modes I, II, I+II on Bass
07:36 : Chorus Modes I, II, I+II Explanation
08:13 : Manual Mode Explained + Sound Examples
12:30 : Real Case Track Use
15:01 : Outro"

"WHAT A WONDERFUL WORLD": ASM HYDRASYNTH "A040 Ambisines" Patch

"WHAT A WONDERFUL WORLD": WHAT AN AMAZING MACHINE! Demo of ASM HYDRASYNTH "A040 Ambisines" Patch by Microflat

"This video will demo the 49-key 4-octave ASM Hydrasynth, a remarkable new synth from Ashun Sound Machines based in Hong Kong. This premium keyboard is nothing but stunning. The polyphonic aftertouch combined with the innovative factory sounds makes it feel almost like a living thing. An organism. Tremendously inspiring to play. Nothing less. I used the dreamy patch "A040 Ambisines". What a Wonderful World. Merry Christmas!"

Side note: this ended up being post 200,000 on MATRIXSYNTH.

Instruo Now on VCV Rack

Instruō

"Happy holidays everyone!

2020 has sucked on many levels… but hopefully this might lighten some lockdowns:
Instruo is now on VCV Rack for anyone to use for free!
It’s been a busy year but I’ve had the great fortune of welcoming a few new team members to the Instruo crew.
This in particular has been a project that really grew exponentially since June!
With the pandemic still on going, hopefully this will ease some boredom and help inspire some creativity.

Thank you everyone that has supported Instruo to date.
I have many exciting things in development and we thought this would be a nice way to give something back in thanks.

Happy Christmas and New Year when it comes.
And of course happy patching!
Cheers
Jason"

Waldorf Christmas Wishes

WaldorfMusicChannel

"We wish you a Merry Christmas and a Happy New Year!"

See the holidays label below for more.

Sonic The Hedgehog 2 - Oil Ocean Zone on Moog Sub 37

Luca Di Gennaro

"Split screen cover of 'Oil Ocean' by Masato Nakamura from Sonic The Hedgehog 2 (© 1992 SEGA) just with a Moog Sub 37 and Logic Pro X drums."

You can find additional chiptunes covers by Luca Di Gennaro on the Moog Sub 37 posted here.

The Human League - Don't You Want Me (Instrumental Cover)

KOSmusic

"This is my instrumental cover of a magnificent 1980s classic by the English band The Human League: Don't You Want Me of 1981.

It was a bit of a complex track to recreate for the amount of synth sounds, but I have to say I had a lot of fun creating these typical early 80s synth sounds (many of them with the classic square wave).

To recreate this track and to make the video, I was inspired by the official video version: [below]

I used the CS1x sounds for many brasses of this song and tried to get as close as possible to the original with all the other sounds. There are some differences with the original track (you can hear them by listening to the separate left/right channels), especially with the more complex sounds to recreate (for example the rhythm synth on the right channel starting at 0:23). Moreover, I made the fade out of the track a little more gradual (lengthening it a few seconds longer than the original).

I hope you enjoy my tribute to this beautiful song :)"

The Human League - Don't You Want Me (Official Music Video)
The Human League

"REMASTERED IN HD!
Vote for your favourite 80s hit of all time: https://lnk.to/80BestHits
Listen to more from The Human League: http://TheHumanLeague.lnk.to/Essentials"

Kee Reel - Soviet Jam Session #1 (Lell UDS, Marsh UDS, Maestro, Formanta P-432)

Kee Reel

"First try to play live using only soviet instruments."

TR 808 and Juno 60 jam

Xaver von Treyer

"Juno 60 arpeggiator triggered by TR 808. Juno through Strymon Volante and TR 808 direct into a Farfisa TR70 transistor amp."

Ambient IDM - Sonicware Liven 8Bit Warps Demo

ChrisLody

"This jam explores the filters quite a lot on the 8Bit Warps. It has resonant Low pass, High pass and Bandpass types and this jam uses all three of them. There's Low pass on the drum/percussion sounds and bass sounds, High pass on the melody part and Band pass on the pad like sound. The filters are best of thought of as effects rather than normal subtractive synthesis filters, they are monophonic per part and can't be controlled by an envelope, though there is a control to route the onboard LFO to it, though it has a fixed triangle shape and no tempo sync.

But they can be meticulously programmed per step using the Parameter Lock feature so every step of a pattern can have it's own cutoff and resonance settings. It's also possible to record the knob movements in real-time which is how I created the shifting Band pass effect on the pad, so there's plenty of scope for sound design here. Team that up with making evolving tones using the wave-table or FM synthesis methods and it sounds like nothing else. Good stuff

This demo was made using one pass of the Liven 8Bit warps without any other external equipment used, except to capture the performance."