MATRIXSYNTH


Tuesday, July 25, 2023

Arturia CZ V - “Synth Phase” Soundset


video upload by LFOstore

"The bank was exported from the original Casio CZ-101(Casio CZ-101 "Synth Phase" Soundbank), then processed and added with new functions from CZ V while maintaining the original characteristic sound.

Buy: https://www.inspireuplift.com/Arturia...

The set contains 64 patches , with a type: Dynamic Bass, Evolving Pad, textures and classic pads, Soundtrack, Fx.

Made by Alexander Kay"

G-Storm Electro Introduces Spring Tank Reverb Driver Version 2


video upload by gstormelectro

"Audio + Video by G-Storm Electro c. 2023

Introducing my Spring Tank Reverb Driver version 2. Same great sound and features as before. But now in 4HP with added Feedback knob. The Drive setting is now a trimmer on the PCB Set-and-forget. In today's video I will be auditioning the module with a few different spring tanks and various patch scenarios. Like pairing the reverb with Synthrotek DLY. While my driver module is optimized for Medium length tanks, it can easily be modded to handle long and short size tanks well. Which one is your favorite? Special thanks to my friend Seth, for contributing Behringer System 2500 sounds and footage for this episode!

On the 2500 patches, the dry signal was mult-ed such that the wet/dry mix was handled by a mixer off camera. Audio has been recorded direct, no other mastering or posts effects.

Vintage Folded Line, Medium size tank like those in a Roland Space Echo
0:00 Drone I
0:36 Drone II
1:00 Monotone Bass staccato
Accutronics 4AB3C1B Long size 16" tank
1:22 Massive Kick
2:09 Sample-n-hold
Accutronics BAB3C1B tank like those found in a Fender Sidekick Amp
2:50 Behringer 2500 patch
Ruby Tube 2EB2C1B Short size tank
3:33 Behringer 2500 patch

Check my Reverb store for Spring Tank Reverb Driver availability.

*REVERB* http://reverb.com/shop/gstormelectro

Note Reverb links are affiliate links. See the site's privacy policy for more info.



"Spring Tank Reverb is an 4HP wide Eurorack driver module for use with a variety of spring tanks. Features a CV control of the wet/dry mix. NEW in version 2: 4HP, Added Feedback pot, Drive is now a set-and-forget trimmer on the PCB.

FEATURES

Pots: Tone, Feedback, CV of wet/dry amount, Initial Wet/Dry amount. Drive trimmer for accommodating various spring tanks. Signal strength LED indicator. RCA jacks on the back of the module for mounting tank internally in the case. Included: 10-to-16 pin ribbon cable. Not included: Reverb tank and RCA cables (sold separately)

CHOOSING A TANK

GROUNDING CONNECTORS (5TH character in tank model #) Type A or C is best. SIZE & NUMBER OF SPRINGS | Short length and Medium Length is best. Long length (approx. 16”) may need resistor R8 decreased to 100-ohms for a boost in power. I am happy to switch the resistor for you based on your needs, just let me know before I ship your order out. 2 or 3 number of springs are known to work well. INPUT IMPEDANCE | (2ND character in tank model #) | any except “F” (1475 ohms, has not been tested). OUTPUT IMPEDANCE | (3RD character in tank model #) |“B” known to work best, all others untested. TANKS THAT WERE TESTED AND KNOWN TO WORK WELL | Vintage Folded Line, Medium size, 3-spring, as those used in a Roland Space Echo | Accutronics BAB3C1B Medium size, as taken from a Fender Sidekick Amp | Accutronics 4AB3C1B Long size 16”, 2-spring (R8 to be changed to 100-ohms for best performance). MOST RECOMMENDED | Ruby Tubes 2EB2C1B short size 9”, 2-spring, has plenty of drip and feedback with a size to fit many different case scenarios.

SPECs

Module Depth: 50mm | Current Demand: +12V 39mA, -12V 34mA, 5V not used

Note: due to RCA jack placement and chunkiness of some RCA plugs, it may not be feasible to mount this module on the bottom row of your system rack. Please refer photos. A workaround that might work is to try a cable with 90-degree RCA plug ends."

Syntrx II complete video manual!!


video upload by Quincas Moreira Music

All about this wonderful synth inspired by the Synthi AKS.
My site: https://www.quincasmoreira.com/
My Patreon: https://www.patreon.com/quincas
Stay Noisy!

Index:
Intro 0:00
Navigating The Matrix 1:26
stereo outputs 2:25
attenuating signals 2:41
Navigation with the Joystick 3:38
a simple patch 4:04
the Filter 4:30
Main Oscillators 5:02
Filter modes 5:42
Waveshaping 6:33
LFO/Oscillator 3 8:53
Trapezoid Envelope Generator 12:09
Built in VCA 13:00
Patch save and recall 13:24
Patching the Trapezoid 14:30
The effects 15:09
The Scope out 15:29
Controlling effects wetness 16:21
Scope to Input normalization 17:12
Looping the Trapezoid 18:10
Joystick pitch control 19:42
The Delay 20:43
Joystick level controls 21:07
Joystick motion record 21:41
Matrix as display 23:17
A basic subtractive patch 23:35
The Sample and Hold/Random 24:40
R2D2 says hi 25:39
Clocking the Random 26:15
Step Sequencer 27:16
Setting the BPM 28:13
Sequencer octaves 31:06
Sequencer gate lengths 31:34
Sequence Length 32:15
Manual clock 32:45
Sequenced modulation 34:29
OOps! 36:44
Patch advance and return buttons 40:35
Ring Modulator 41:12
The Noise 43:53
Clear Joystick memory 46:39
FX automation 46:45
Keyboard Control 48:49
Oscillator Sync 52:10
Joystick as Pitch offset 54:18
OSC 3 Key follow 55:26
Ideas with the inverting input 57:05
Funny sounds with enveloped filter 59:02
Adding subtle vibratto 1:01:33
Output filters/tone control 1:03:28
A stereo patch idea 1:04:31
Using the external inputs 1:05:09
The Envelope Follower 1:05:26
Processing a bass guitar 1:05:49
More Joystick tricks 1:12:04
Erasing a Patch 1:13:06
Auditioning connections 1:13:30
Randomize a patch 1:13:47
Sequencer play direction 1:15:55
Sequencer reset 1:17:40
Matrix lights off 1:18:22
Advanced settings 1:18:47
Stay Noisy! 1:20:00

Foil 2 - Max for Live Device for Ableton Live by Babumas Devices


video upload by Isotonik Studios



"Foil 2 by Babumas Devices is an innovative Max for Live additive synthesizer device that offers unparalleled sound design capabilities.

Foil uses eight sine wave oscillators: Oscillator 1 is triggered by the ADSR envelope in the front, while Oscillator 8 is triggered by the ADSR envelope in the back. Meanwhile, Oscillator 2 ~ 7 in between follows an interpolated envelope value.

Individual oscillators can be tuned to the harmonic series, or detuned to build inharmonic timbre with relative ease. The pitch envelope helps create complex timbral gestures: from slowly detuning pads, metallic risers, or piercing percussion.

Whether you're a professional musician or a sound enthusiast, Foil 2 empowers you to explore new sonic territories and create unique, expressive music.

AVAILABLE HERE: https://isotonikstudios.com/product/f..."

What the Heck is No Input Mixing??? (my first try at making sounds with just a mixer)


video upload by Musical Miscellany (Poorness Studios)

"I've seen several videos about no input mixing but this video was my first time trying it. It's actually really fun. You're basically just using the mixer to create feedback and then tuning that feedback to musically pleasing tones.

0:00 - Intro & Explanation
1:16 - Demonstration
6:10 - Conclusion"

Custom Made Wersi Wersivoice triple analog chorus / string ensemble effect

Note: links to listings are affiliate links for which the site may be compensated.
video upload by ohm_studi_ohm

Update: "THIS IS A NEW VIDEO. THE CHORUS WAS NOT PROPERLY ADJUSTED IN THE PREVIOUS ONE."

"A VENDRE / FOR SALE HERE

This Wersivoice unit is based on later revision model that uses 3x Panasonic MN3004 Bucket Brigade Device chipsets, the same chipsets used on Roland VP330 or Jupiter 4 chorus for instance, instead of the more classic Philips TDA1022 you find in earlier Wersivoice units.

No fuzz in this unit, it only does the string ensemble effect. Mono input / mono output. 3 positions switch with true bypass and mute position. Unit has a built in power supply that runs on 230v.
Case is DIY so don't expect manufacture quality.
Works perfectly of course.

recorded dry with no further treatment."



via this auction

Moog Minimoog Model D 1970s - Musonics SN 12807

Note: links to listings are affiliate links for which the site may be compensated.


via this auction

"Cool history lesson. Let's talk about what it do. The Model D boasts contouring circuits and three separate, completely original oscillators, one of which can be used as an LFO. Blendable White and Pink noise, and of course that legendary filter. But if you're looking at this listing you already know about these things. Sporting a late serial number #12807, this model was likely made during the last production year and was Bob Moog's favorite version, claiming the synth had been improved upon. But the truth is, they all sound a little unique. This one? IT SOUNDS DOPE."

This one was listed back in 2016. Looks like it picked up a few scratches & nicks on the bottom front wood panel.

Roland MPU-104 & MPU-105

Note: links to listings are affiliate links for which the site may be compensated.


via this auction

Roland SVC-350 Vocoder Plus Rackmount Analog Vocoder SN 101570

Note: links to listings are affiliate links for which the site may be compensated.


via this auction

"The Roland SVC-350 Analog Vocoder is a powerful and versatile tool for creating unique vocal effects. This classic piece of gear from the 1980s offers modern a vintage analog sound.

Featuring a microphone input and external audio input, the SVC-350 allows you to blend your voice with any audio source for a truly unique sound. The 11-band vocoder section offers a wide range of tonal possibilities, while the envelope follower and pitch follower sections add even more depth and nuance to your sound.

This unit was fully serviced, every single electrolytic capacitors were replaced, the controls have been clean, potentiometers, faders, switch and connectors. It is in good working condition and and it sounds really good."

Rare Waves Grendel Grenadier RA-9

Note: links to listings are affiliate links for which the site may be compensated.


via this auction

"“In the spirit of sonic exploration and musical evolution we bring you the Grendel RA-99 Grenadier, an all-analog synthesizer with an original and unique tone palette. It implements parallel formant synthesis with a bank of three voltage controlled filters to generate tones inspired by the human voice, without being limited by the conventional boundaries of speech modeling. Twenty patch points give you extensive self-patching options plus creative compatibility with analog modulars, sequencers and keyboard controllers.“

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