Moog Minimoog Model D Vintage Analog Synthesizer (1978) - no reissue - | Synth HQ DEMO & TUTORIAL

Published on Apr 11, 2020 Andy Whitmore

2016 re-issue demo below.

"Moog Minimoog Analog Synthesizer (1978)

The demo video shows some famous sound patches from the original Minimoog used by Keith Emerson, Rick Wakeman and other guys.

The Minimoog Model D. This is the synth that started it all; it brought synthesis out of the laboratory and onto the stage, giving performing musicians access to the iconic synths sounds we know and love today. You’ve undoubtedly heard this classic three-oscillator monophonic synth, although you may not be aware of it.

Andy Whitmore started life as a top session keyboard player playing on over 50 hit records before turning his hand to music production. He went on to produce 14 top ten hits. He is a pro when it comes to synthesizers, and here explores the Minimoog as part of a brand new series.
One of the most iconic synthesizers ever, Andy’s experience with this Moog classic dates back to the mid-‘90s, and he discusses the basics in his exploration of what makes the Minimoog so great.

Filmed at https://www.greystokestudio.com in West London using an Apple iPhone 11 Max 512gb"

Check out a tour of his synth collection back in 2009 here, and 2008 here.

Minimoog Model D Reissue – 2016 - Sounds | Synth HQ DEMO & TUTORIAL

Published on Apr 11, 2020 Andy Whitmore

"Everyone says it, but it's true. This is the finest synthesizer ever built. As the LFO Rate knob by the pitch/mod wheels hints, this is the 2016 reissue Model D. The mother of all synths really doesn't need any introduction. You already know the sound so I didn't get too crazy with this video. By no means is this a complex synth, but like a Fender Precision bass, it does what it does extremely well. It simply has a thickness and warmth that few others can touch. R.I.P. Dr. Bob Moog.

What sets this synth apart from the vintage Minimoog is the Midi Implementation which is totally up to date & makes this a much more useable synth in the studio.
One issue with the Vintage Moog is that the midi only goes down to C1 – so to get lower notes through midi – I used to pitch bend the synth down 4 semi tones – then put a transpose on the computer & re-tune it – what a faff!!!"

Roland SH-101 SH101 Analog Synthesizer (1983) sound demo | Synth HQ DEMO & TUTORIAL

Published on Apr 11, 2020 Andy Whitmore

"This synth for me has been the biggest surprise. I don’t use it much as I have so many 'superior' synths – but in fact it blew me away. The sound is awesome – top quality – classic – such an easy synth to program & sounds great in a finished mix.

Vintage synth demo by Andy Whitmore, Roland SH-101 Analog Synthesizer from the year 1983 The SH-101 is a very nice synth with a great analog sound. The sound is deep and powerful. The SH-101 is perfect for very nice bass and lead sounds. The internal step-sequencer is pure fun.

Andy Whitmore started life as a top session keyboard player playing on over 50 hit records before turning his hand to music production. He went on to produce 14 top ten hits. He is a pro when it comes to synthesizers, and here explores the Roland SH-101 as part of a brand new series.

One of the most iconic synthesizers ever, Andy’s experience with this Roland classic dates back to the mid-‘90s, and he discusses the basics in his exploration of what makes the SH-101 so great."

Check out a tour of his synth collection back in 2009 here, and 2008 here.

Dive into the World of EMS VCS3: Unraveling the Power of Modulation & Filters

video upload by Andy Whitmore

"Revolutionize Your Sound: Exploring EMS VCS3's Modulation & Filter Capabilities

Demo of a wide range of sounds & special FX of the VCS3 - & how to program them - explained by Andy Whitmore at Greystoke Studio.

The audio is DIRECT, 100% DRY, & IN STEREO - You are hearing the raw audio as it comes directly from the synthesizer. NO post processing (Effects, EQ, or Dynamics) whatsoever.

The VCS 3 (or VCS3; an initialism for Voltage Controlled Studio, version) is a portable analog synthesiser with a flexible semi-modular voice architecture, by Electronic Music Studios (London) Limited (EMS) in 1969.
This product was called various names by EMS. For example, the printed logo written to the front left of products are: 'V.C.S. 3' or 'The Putney (VCS 3)' on the earlier version, then 'The Synthi (VCS 3) II' on the later version (Synthi VCS 3 II).

The VCS 3's basic design was reused by EMS in many other of their own products, most notably in the EMS Synthi 100 (1971), and the Synthi A (1971) and AKS (1972) (essentially a VCS 3 housed in a plastic briefcase). The AKS also has a sequencer built into the keyboard in the lid.

VCS3 - as used by
BBC Radiophonic Workshop
Brian Eno
Chemical Brothers
Hawkwind
David Bowie
Flood
Ice-T
Jean-Michel Jarre
John Paul Jones - Led Zeppelin
King Crimson
Kraftwerk
Pete Townshend - The Who
Rick Wright, David Gilmour & Roger Waters - Pink Floyd
Tangerine Dream

Watch me bring that sound back to life!🎹🕺

🧢 More about Andy on https://www.andywhitmore.com/"

Arp Odyssey MKIII Analog Synthesizer Vintage 1978-1981 demo of sounds 2

video upload by Andy Whitmore

"ARP ODYSSEY MKIII Analog Synthesizer Vintage 1978-1981 Sounds | HQ DEMO & TUTORIAL

The ARP Odyssey is a classic monophonic / duophonic synthesizer. It came out 1972 and was the competitor of the Minimoog. It can be seen as a cutdown version of the ARP 2600 - although some features where added - the highpass filter and the oscillator synchronisation for example. It has the best sync-lead-sounds I ever heard from a synthesizer! The Odyssey is a real classic - and it sounds classic!

The ARP has a lot of features, so it is very flexible: 2 oscillators (VCO 2 can be used as a second LFO), VCO synchronisation, 2 filters (resonant lowpass & non-resonant highpass), ring modulator, sample & hold, noise generator (white & pink noise), 1 LFO, 2 envelopes (ADSR and AR).

There were three versions of the Odyssey. In my video you see an ARP Odyssey MK III, which has the CV/gate jacks - and an external signal input.

The ARP Odyssey was used by many prominent musicians: Klaus Schulze, Kraftwerk, Tangerine Dream, Vangelis, Herbie Hancock, Gary Numan, Pink Floyd, ABBA, Chick Corea, Tony Banks (Genesis), the Carpenters...

Andy Whitmore started life as a top session keyboard player playing on over 50 hit records before turning his hand to music production. He went on to produce 14 top ten hits. He is a pro when it comes to synthesizers, and here explores the ARP Odyssey as part of a brand new series. One of the most iconic synthesizers ever, Andy’s experience with this Arp classic dates back to the mid-‘90s, and he discusses the basics in his exploration of what makes the ARP Odyssey so great."

ARP ODYSSEY MKIII Analog Synthesizer Vintage 1972 Sounds | HQ DEMO & TUTORIAL

Published on Apr 11, 2020 Andy Whitmore

Update: note the video does feature the later model, so there are no 1972 sounds in this video. See the comments in this post for some additional info.

"The ARP Odyssey is a classic monophonic / duophonic synthesizer. It came out 1972 and was the competitor of the Minimoog. It can be seen as a cutdown version of the ARP 2600 - although some features where added - the highpass filter and the oscillator synchronisation for example.
It has the best sync-lead-sounds I ever heard from a synthesizer! The Odyssey is a real classic - and it sounds classic!

The ARP has a lot of features, so it is very flexible: 2 oscillators (VCO 2 can be used as a second LFO), VCO synchronisation, 2 filters (resonant lowpass & non-resonant highpass), ring modulator, sample & hold, noise generator (white & pink noise), 1 LFO, 2 envelopes (ADSR and AR).

There were three versions of the Odyssey. In my video you see an ARP Odyssey MK III, which has the CV/gate jacks - and an external signal input.

The ARP Odyssey was used by many prominent musicians: Klaus Schulze, Kraftwerk, Tangerine Dream, Vangelis, Herbie Hancock, Gary Numan, Pink Floyd, ABBA, Chick Corea, Tony Banks (Genesis), the Carpenters...

Andy Whitmore started life as a top session keyboard player playing on over 50 hit records before turning his hand to music production. He went on to produce 14 top ten hits. He is a pro when it comes to synthesizers, and here explores the ARP Odyssey as part of a brand new series.
One of the most iconic synthesizers ever, Andy’s experience with this Arp classic dates back to the mid-‘90s, and he discusses the basics in his exploration of what makes the ARP Odyssey so great.

Filmed at https://www.greystokestudio.com in West London using an Apple iPhone 11 Max 512gb"

Check out a tour of his synth collection back in 2009 here, and 2008 here.

Sequential Circuits Prophet-5 Rev 3.2 - Sounds & Presets | Synth HQ DEMO & TUTORIAL

Published on Apr 11, 2020 Andy Whitmore

"Sequential Circuits Prophet-5 Rev 3.2 - Sounds & Presets | Synth HQ DEMO & TUTORIAL

Video demo of the Sequential Circuits Prophet-5, a classic analog polyphonic synthesizer.

Today we show some of the famous sound of the Prophet 5. Demo of our Sequential Circuits Prophet 5 Rev 3.2 Polyphonic Synthesizer In a lot of ways this needs no introduction. One of the most iconic poly synths ever made, and the first synth to offer true programmability with polyphonic architecture.

The Prophet 5 offers your basic amenities in a poly synth with 5 voices each with 2 VCO's, a low pass VCF, a VCA, two EG's, one LFO with multiple wave shapes available, with POLY MOD as the icing on the cake. This lets you make FM type sounds and is part of what makes the prophet 5 unique.

All music improvised for this demo is either live or running at 120bpm. The music is copyright free. My credit would be appreciated if used on your track!

Andy Whitmore started life as a top session keyboard player playing on over 50 hit records before turning his hand to music production. He went on to produce 14 top ten hits. He is a pro when it comes to synthesizers, and here explores the Prophet 5 as part of a brand new series.
One of the most iconic synthesizers ever, Andy’s experience with this classic dates back to the mid-‘90s, and he discusses the basics in his exploration of what makes the Prophet so great.

Subscribe, like, and comment and I'll get back to you if you have any questions.

Filmed at https://www.greystokestudio.com in West London using an Apple iPhone 11 Max 512gb"

OBERHEIM XPANDER - Sounds & Presets | Synth HQ DEMO & TUTORIAL

Published on Apr 11, 2020 Andy Whitmore

Not sure why he compares it to the DX7 at the start, or why he calls it additive synthesis? You can enable the individual waveforms for each oscillator but that's not really additive synthesis. The Xpander and Matrix-12 are subtractive analog synths. On an additive synth like the Kawai K5 and K5000 series you typically add harmonics to make sounds.

"Oberheim Xpander analog synth demo, featuring various sounds & presets.

The Oberheim Xpander is a polyphonic analog synthesizer manufactured from 1984-1988, and is essentially a 6-voice desktop version of the Matrix-12. The Oberheim Xpander features 2 oscilllators per voice, linear FM, 5 LFOs, 15-mode filter, lag processor, 3 tracking generators, a ramp processor, 5 ADSR envelopes, CV/Gate to MIDI converter and more.

The Oberheim Xpander also features an extensive modulation matrix that allows for multiple sources and destinations to be routed accordingly. In addition, each of the six voices are completely independent, and can be configured to create a different timbre for each. There are also 6 separate audio outputs for the 6 voices. The Oberheim Xpander is a flexible, powerful and versatile analog synth with extensive digital control, allowing for the creation of all types of sounds - pads, textures, drones, leads, basses and a variety of experimental tones. It can store up to 100 patches and is considered one of the most flexible early analogs in terms of signal routing and modulation capabilities (outside of modular). The Oberheim Xpander (and Matrix-12) are not found for sale very often and often command high prices on the second hand market. They are a testament to Oberheim's desire to push the envelope forward in terms of features and flexibility within the realm of analog synthesis.

All music improvised for this demo is either live or running at 120bpm. The music is copyright free. My credit would be appreciated if used on your track!

Andy Whitmore started life as a top session keyboard player playing on over 50 hit records before turning his hand to music production. He went on to produce 14 top ten hits. He is a pro when it comes to synthesizers, and here explores the Xpander as part of a brand new series.
An iconic synthesizer, Andy’s experience with this classic dates back to the mid-‘90s, and he discusses the basics in his exploration of what makes the Xpander so great.

Filmed at https://www.greystokestudio.com in West London using an Apple iPhone 11 Max 512gb"

Massive Analog Keyboard Collection - Greystoke Studio Tour!

video upload by Andy Whitmore

"Greystoke Studio in London, is a high-spec London recording studio. Here we have a look at all the keyboards Andy had in 9/12/2020 – 41 Keyboards to look at!
Classic, Modern & Vintage Keyboards.

► If you haven't already please subscribe to our Youtube channel here
@andywhitmore

0:00 - Mini Moog Model D – 2017
0:06 - Roland Vocoder VP330 MK I – 1979
0:10 - Oberheim OB-1 – 1978
0:14 - Prophet 5 Rev 3.2 MIDI – 1981
0:25 - Prophet 5 Rev 3.0 MIDI – 1980
0:36 - Oberheim Xpander – 1984
0:42 - Oberheim OB-8 – 1982
0:55 - Roland Jupiter 4 MIDI – 1979
0:58 - Logan String Machine – 1975
1:03 - Hammond C3 + Leslie Speaker - 1968 + 1963
1:05 - Mini Moog Model D – 1976
1:12 - Wurlitzer 200A Electric Piano - 1976 (bought from 10CC's Eric Stewart!
1:14 - Fender Rhodes Piano Stage 73 – 1979
1:25 - Roland Juno106 – 1984
1:31 - Roland Vocoder VP330 MK II MIDI – 1980
1:38 - Korg M1 - 1990
1:40 - Nord Electro 3 - 2008
1:46 - Roland JD800 - 1991
1:57 - Korg Trinity - 1995
2:03 - Roland D50 - 1987
2:13 - Korg Poly 800 – 1983
2:14 - Roland SH101 – 1983
2:18 - Roland MC 202 – 1984
2:25 - Hohner Clavinet D6 - 1979
2:32 - Korg Z1 - 1997
2:39 - ARP Odyssey – 1979
2:43 - Prophet VS – 1986
2:53 - Roland MKS80 with MPG-80 programmer – 1986
3:03 - Yamaha TX816 - 1984
3:09 - Yamaha TX802 - 1987
3:12 - Studio Electronics SE1X – 1994
3:18 - Roland JP-8080 - 1998
3:22 - Roland JV1080 - 1994
3:29 - Nord Rack 2 - 1997
3:36 - Roland P330 - 1988
3:42 - Akai S3000XL 32 Meg - 1996
3:51 - Novation Supernova - 1998
4:05 - Novation Bass Station – 1994
4:09 - Kenton Pro 4 CV Gate Converter
4:21 - Steinway Model O – 1908
5:32 - EMS AKS Synthi VCS3 – 1972

Since this video was made Greystoke Studio has acquired
2 x Roland Jupiter 8 - 1981
1 x Yamaha CS80 - 1976
1 x Yamaha CS40M - 1979
2 x Roland SH1000 - 1973
1 x TTSH Two Thousand Six Hundred Mini Meanie Arp 2600 Clone Analog Synthesizer Modular Synth - 2016 - my model is 2023

Update video coming soon!

Thank you for watching this video. I hope that you keep up with the weekly videos we post on the channel, subscribe, and share with those who need to see them. Your comments are our oxygen, so please take a second and say hi ;-)
--
Andy Whitmore is our Online Mixing, Mastering and Music Production service. We proudly serve major record labels, independent artists, and film/tv/advertising agencies and we’re recognised as one of the staple studios in London.
----
Follow Us Online Here:

Website: https://www.andywhitmore.com/"

7 mins of Roland MKS80 Sounds - Uninterrupted! #SuperJupiter

video upload by Andy Whitmore

"MKS80 Super Jupiter - All the Sounds from Andy's Session Days!

During the 90s - Andy Whitmore was one the UK's top session keyboard players playing on over 50 hit records including

Boy George
Elton John
Cathy Dennis
Peter Andre
Brother Beyond
Lemar
Atomic Kitten
Danni Minogue
& many many more!

Here are the sounds he used from the Roland MKS80.

Don't forget to subscribe to our channel for more captivating musical adventures!

The audio is DIRECT, 100% DRY, & IN STEREO - You are hearing the raw audio as it comes directly from the synthesizer. NO post processing (Effects, EQ, or Dynamics) whatsoever.

Watch me bring that sound back to life!🎹🕺"

A Tour of Andy Whitmore's London Studio

YouTube via AndyWhitmore.

You might remember the studio from this prior post.

"A tour of Andy Whitmore's Greystoke Studios featuring the largest working vintage keyboard/synth collection in Europe. Andy is a top record producer with 14 UK top ten hits so far for artists such as Lemar and Atomic Kitten" Hmm... this collection is working and in Europe.

This Yamaha CS80 Live Multitrack Recording is Stunning

video upload by Andy Whitmore

"After recording the bass & pad, I record 5 takes down. In this video, you see the 5 takes - unedited from the beginning of the track to the end - complete as they are recorded.''Since the release of my video - 'Yamaha CS80: The Most Iconic Sound Machine of All Time', I’ve had requests for specific videos including: 'Famous tracks using the CS80'How to program a CS80'CS80 vs the Jupiter 8'Could you demo the bass line from the 1980 Doctor Who theme? 'Have you recorded any of your performances where you (a) demonstrate technique on the instrument??''& more.''So today – as requested – I have built an instrumental from scratch & recorded exclusively the CS80 to do all the parts.''I have split the video into 4 separate videos''The making of 'Colourful Mountains'''1'How To Make A Track With The Famous Yamaha CS80''Here I take a basic drum pattern from Splice, then lay a bass sound using 3 different sounds from the CS80 including a sine wave for the bottom end.'I lay the chords & a CS80 brass part referenced from Rosanna by Toto.'I then lay a Vangelis inspired sequence part'Wind fx inspired by CS80 wizard – Kent Spong'Then I lay 3 live takes of CS80 which work together to complete the production'2'This Yamaha CS80 Live Multitrack Recording is Stunning'After recording the bass & pad, I record 5 takes down. In this video, you see the 5 takes - unedited from the beginning of the track to the end - complete as they are recorded.'3'Three Yamaha CS80s – Live in Action!'I have taken the last 3 live takes I recorded & play them simultaneously to show an exciting interaction of 3 CS80s jamming together! '4'Yamaha CS80 dissected – how does it sound?'Hear the dry takes in solo that made up 'Coloured Mountains'. I have taken CS80 dry stems, so that you can hear the synth on its own in solo.''Thanks for watching''Andy Whitmore''https://greystokestudio.com/ 'https://www.andywhitmore.com/"

Three Yamaha CS80s – Live in Action!

video upload by Andy Whitmore

"I have taken the last 3 live takes I recorded & play them simultaneously to show an exciting interaction of 3 CS80s jamming together!

Since the release of my video - “Yamaha CS80: The Most Iconic Sound Machine of All Time”, I’ve had requests for specific videos including:
Famous tracks using the CS80
How to program a CS80
CS80 vs the Jupiter 8
Could you demo the bass line from the 1980 Doctor Who theme?
Have you recorded any of your performances where you (a) demonstrate technique on the instrument??

& more.

So today – as requested – I have built an instrumental from scratch & recorded exclusively the CS80 to do all the parts.

I have split the video into 4 separate videos

The making of “Colourful Mountains”

1
How To Make A Track With The Famous Yamaha CS80

Here I take a basic drum pattern from Splice, then lay a bass sound using 3 different sounds from the CS80 including a sine wave for the bottom end.
I lay the chords & a CS80 brass part referenced from Rosanna by Toto.
I then lay a Vangelis inspired sequence part
Wind fx inspired by CS80 wizard – Kent Spong
Then I lay 3 live takes of CS80 which work together to complete the production
2
This Yamaha CS80 Live Multitrack Recording is Stunning
After recording the bass & pad, I record 5 takes down. In this video, you see the 5 takes - unedited from the beginning of the track to the end - complete as they are recorded.
3
Three Yamaha CS80s – Live in Action!
I have taken the last 3 live takes I recorded & play them simultaneously to show an exciting interaction of 3 CS80s jamming together!
4
Yamaha CS80 dissected – how does it sound?
Hear the dry takes in solo that made up “Coloured Mountains”. I have taken CS80 dry stems, so that you can hear the synth on its own in solo.

Thanks for watching & remember to subscribe so that I can keep these videos coming.

Andy Whitmore

https://greystokestudio.com/
https://www.andywhitmore.com/"

Yamaha CS80: The Most Iconic Sound Machine of All Time

video upload by Andy Whitmore

"The famous sounds of the Yamaha CS80 - recorded at Greystoke Studio - Dry. As used by Pink Floyd, Vangelis, ELO.

1977 – 1980. Includes the Ribbon pitch bend & polyphonic after-touch.

Here – demoed by Andy Whitmore at Greystoke Studio, West London.

https://greystokestudio.com/

https://www.andywhitmore.com/"

EMS AKS SYNTHI - VCS3 Demo of sounds & in depth programming - 1971

video upload by Andy Whitmore

"EMS Envelope and Trapezoid Concept is different from ADSR and allows great Modulation Patches.
Here you can hear (only non processed original sounds!) this incredible intensive Audio while i was improvising simple-patching without Filters/Ringmod/ etc.
EMS- Synths are also in 2017 of worldclass outstanding quality und uniqueness for the ambitious synthesist! Open your ears and enjoy (if you can)

You enjoyed Oliviya's recent performance of 'Dreaming of You', so please enjoy her latest performance of 'For the First Time' with Ed Stokes in the Greystoke Studio!

For The First Time Credits -
Written by Oliviya, Andy Whitmore
Vocals by Oliviya Nicole
https://www.instagram.com/oliviyanicole/"

COMPARE: Roland Jupiter 8 vs Jupiter 8 - Which is better?

video upload by Andy Whitmore

"Roland Jupiter 8 vs Jupiter 8 – do they sound the same?

The Roland Jupiter 8 was built 1981 – 1985 & was the flagship of the Roland range.
3300 units were built with a “build the ultimate synthesizer – no limits on price” attitude. What a machine! Unapparelled reliability – built like a rock – 16 discrete oscillators – completely analogue – this machine was only matched by the Yamaha CS80 – which is a different beast altogether.
Hear for yourself?

Here – demoed by Andy Whitmore at Greystoke Studio, West London.

www.greystokestudio.com
www.andywhitmore.com"

The Mind-Blowing EMS VCS3 Sequence in Pink Floyd's On The Run

video upload by Andy Whitmore

"Unlocking the Magic: Synthi AKS Sequence in Pink Floyd's On The Run

Demo of a wide range of sounds & special FX of the VCS3 - & how to program them - explained by Andy Whitmore at Greystoke Studio.

The VCS 3 (or VCS3; an initialism for Voltage Controlled Studio, version) is a portable analog synthesiser with a flexible semi-modular voice architecture, by Electronic Music Studios (London) Limited (EMS) in 1969.
This product was called various names by EMS. For example, the printed logo written to the front left of products are: "V.C.S. 3" or 'The Putney (VCS 3)' on the earlier version, then "The Synthi (VCS 3) II" on the later version (Synthi VCS 3 II).

The VCS 3's basic design was reused by EMS in many other of their own products, most notably in the EMS Synthi 100 (1971), and the Synthi A (1971) and AKS (1972) (essentially a VCS 3 housed in a plastic briefcase). The AKS also has a sequencer built into the keyboard in the lid.

VCS3 - as used by
BBC Radiophonic Workshop
Brian Eno
Chemical Brothers
Hawkwind
David Bowie
Flood
Ice-T
Jean-Michel Jarre
John Paul Jones - Led Zeppelin
King Crimson
Kraftwerk
Pete Townshend - The Who
Rick Wright, David Gilmour & Roger Waters - Pink Floyd
Tangerine Dream

Watch me bring that sound back to life!🎹🕺"

How to program a EMS VCS3 AKS SYNTHI

video uploads by Andy Whitmore

"Demos of a wide range of sounds & special FX of the VCS3 - & how to program them - explained by Andy Whitmore & Paul Soulsby at Greystoke Studio.

The VCS 3 (or VCS3; an initialism for Voltage Controlled Studio, version) is a portable analog synthesiser with a flexible semi-modular voice architecture, by Electronic Music Studios (London) Limited (EMS) in 1969. This product was called various names by EMS. For example, the printed logo written to the front left of products are: "V.C.S. 3" or "The Putney (VCS 3)" on the earlier version, then "The Synthi (VCS 3) II" on the later version (Synthi VCS 3 II).

The VCS 3's basic design was reused by EMS in many other of their own products, most notably in the EMS Synthi 100 (1971), and the Synthi A (1971) and AKS (1972) (essentially a VCS 3 housed in a plastic briefcase). The AKS also has a sequencer built into the keyboard in the lid."

Playlist:
Instructional video How to program an EMS Synthi AKS : VCS3 recorded through a iPhone - Part 1
Instructional video How to program an EMS Synthi AKS : VCS3 recorded through a iPhone Part 2
Instructional video How to program an EMS Synthi AKS : VCS3 recorded through a iPhone Part 3
How to program a EMS VCS3 AKS Synthi – this incredible 1971 monster synth from Putney-Part 4
Demo of EMS AKS SYNTHI - VCS3 Demo of sounds & in depth programming – 1971-Part 5

Stevie Wonder's Superstition - Instrumental - on the iconic Clavinet D6, Moog!

video upload by Andy Whitmore

"Stevie Wonder - Superstition - Instrumental
Featuring;
Hohner Clavinet D6,
MiniMoog Model D Vintage - Bass

Superstition was written & produced by Stevie Wonder 24/10/72 for his 15th studio album - Talking Book.

On this version - we have

Stevie Wonder - Drums
The original keyboards for Clavinet & Moog Bass
Brass is done on a combination of Yamaha CS80 & MiniMoog

Demoed by Andy Whitmore at Greystoke Studio, West London."

How to program the MiniMoog like a boss!

video upload by Andy Whitmore

"Ever wanted to know how easy it is to program a Minimoog?

Here is a step-by-step guide on how to get the Moog Sound!

Minimoog Model D – Vintage – 1979 – Famous Sounds

Andy Whitmore www.andywhitmore.com
Greystoke Studio www.greystokestudio.com"

Discover Roland Jupiter 4: Epic FX & Modulation Routes

video upload by Andy Whitmore

"Discover Roland Jupiter 4: Epic FX & Modulation Routes

Focusing on the Special FX, Wind, Resonance & Modulation routes of the Roland Jupiter 4."

Andy Whitmore Epic FX