THE OBERHEIM OB-X8 HAS ARRIVED

video upload by Oberheim Official

"For the first time in over 40 years, a legendary analog synth sound returns.

The OB-X8 combines the three different voice architectures of the classic OB-X, OB-Xa, and OB-8 synths into a single incredible instrument. The individual filter types and other unique characteristics of each model have been faithfully reproduced, along with an uncompromising 100% analog signal path, giving you the most authentic and satisfying OB experience possible.

Oberheim is BACK!"

Oberheim OB-X8 INHALT Sound Design Demo No Talking

video upload by INHALTVIDEO

https://inhalt.bigcartel.com

"My history with Oberheim runs deep. Probably the most important synthesizer for me was the Oberheim OB-8. I connected deeply with its melancholic and midnight music sounding tone which matched very well what I was doing with INHALT at the time. But never to be beguiled by softer emotions, the flick of the unison switch instantly took the OB-8 into an aggressive "body" music. It was the perfect writing tool due to the even tone across all octaves and the fact that its intrinsic musicality was unavoidable. Around the time I got the OB-8 I also got a vintage 2 Voice (thanks for restoring that one Chok) and both were heavily used on many records that I made. Those were my MVP's for many years.

When I received the call from my colleagues at Sequential that not only was a new Oberheim in the works, but that it was to be THE Oberheim, I couldn't wait for the beta testing and sound design to start. And when the prepro unit arrived, I knew that the newly reborn and official Oberheim company, in tandem with the team at Sequential, created something incredible. Something so comprehensive, deep, detailed, featured and yet immediate and simple, with no possibility of making a bad sound. Every sound I made sounded exactly as it should, and they ALL embodied that unmistakable Oberheim sound. That magic that is often imitated but never accomplished. Until now.

I'm not going to get into specs, those have been already covered everywhere, but I will say this: as someone that has used all of the "big" Oberheims, and that has made many records in commercial studios with the OB-8 and a vintage 2 Voice, I can definitively say that this Oberheim does all of those sounds and more. Its charisma changes from filter to filter and it seamlessly traverses from X, Xa to 8 with the Page 2 voice offset and vintage knob, but it ALWAYS sounds like the genuine Oberheim that it is. This incredible team, that I've had the pleasure of working with, has created something that might possibly be the ultimate polyphonic analog synthesizer. And I can't wait to use it on the many upcoming projects at Infinite Power Studios.

This is a recording I made of many of the patches I created for Oberheim and the shipping factory library that will come with the synth.

Please note, the OB-X8 in the video is a prototype unit and I recorded this with a beta firmware. As such, while the synth was largely done there were some changes both to the panel and to the OS that are in the final shipping version (obviously). The OB-X8 was recorded straight into Pro Tools HD and no post processing or fx were added. What you're hearing is the raw synth."

The Sound of the Oberheim OB-X8 - Julian "J3PO" Pollack [custom knobs on this one]

video upload by J3PO

"Oberheim has released a new synthesizer--the first in many decades--the OB-X8. It is a faithful recreation of all three of the classic OB-series synthesizers in one: the OB-X, the OB-Xa, and OB-8. It is an incredible synth.

In this video, you will hear a bunch of presets I created for the OB-X8. Some of my sounds will be included factory with the OB-X8 while most of these presets will appear in a presets pack I will release soon (check www.j3po.net for the release of my official sound bank). This particular unit is an early prototype with non-production knobs. The final production units will look slightly different.

It is important to note that the OB-X8, like the original OB's from back in the day, does NOT contain any onboard effects. In this video, I used some external reverbs and delays to give certain presets the ambience and resonance they deserve. Light compression and limiting was applied for the purpose of uploading to YouTube and balancing the sounds."

Update: Oberheim OB-X8 Preset Demos

video upload by james terris

"I'm always reluctant to post something in prototype form. When I had this unit it was sonically pretty close. Obvious at a glance are the knobs and 3D printed bender box levers. The synth itself sounds great and such a dream to play with a nice modern key bed."

And the press release:

Oberheim Returns to Operations and Releases Its First New Synth in 35 Years

San Francisco, CA – May 9, 2022 – In a momentous industry development, Oberheim Electronics, one of the most venerated names in synthesizer design, has announced its return to operation to meet the rising global demand for its instruments.

Today, the company is launching its first new product, the OB-X8: an eight-voice polyphonic analog synth that combines all of the key features of the legendary OB-X, OB-Xa, and OB-8 products from the 1980s – including all the original presets that gave them their signature sounds.

“I wanted to come back strong with a new design that brings together the sounds of the greatest instruments from across the OB range, together with the distinctive sound and styling of those synths,” said Tom Oberheim. “But we took it even further. You can now combine the various OB voice architectures in ways that produce unique and interesting new sounds and capabilities.”

Originally founded by Tom Oberheim in 1969, Oberheim Electronics created ground-breaking products that fueled the electronic music revolution throughout the 1970’s and early 1980’s. After ceasing operations in 1985, these instruments attained near-mythical status, with highly prized vintage models selling for many times their original price on the secondhand market.

Since that time, Tom Oberheim had created a handful of limited-production instruments and co-designs with various partners under other names. But in a recent significant development, he regained control of the Oberheim trademarks and IP, and now, in partnership with Focusrite PLC, has decided to once again introduce new products under the Oberheim brand name for first time in more than 35 years.

“I’ve always had a very optimistic outlook on our industry and the future in general. I felt that one day, when the time was right, Oberheim would return. A big part of this was the fact that so many musicians have contacted me over the years to ask how to get hold of an original Oberheim. So when I finally reacquired the Oberheim name, it was clear that the time was finally here,” said Oberheim.

The catalog of artists associated with the original products is long, and includes innovators like Prince, Van Halen, and Herbie Hancock. For many, it was much more than just an instrument. A handful of A-list artists such as Trent Reznor, creative force behind Nine Inch Nails, and Golden Globe, Academy Award, and Primetime Emmy-winning composer got pre-release previews. “When I was shown the new OB-X8, I was immediately impressed with the forensic level of detail that went into its design and the respect for its lineage,” remarked Trent. I will be making room in my studio for one and I’m excited more people will be able to experience this classic instrument.”

Creating a new company out of thin air was no small feat. “I’m excited to work with my old friend and audio industry innovator Marcus Ryle, along with some other members of the original Oberheim team again,” said Tom. “And thanks to an exclusive partnership with Focusrite group company Sequential LLC, we have the ability to design, manufacture, distribute, and support new instruments on a global scale.”

For Marcus Ryle, one of the inventors behind the ADAT, the QuadraSynth, and Line 6 guitar amps and effects, this represents closure of sorts: “Synths were my first love and the reason I entered this industry. Tom hired me when I was 19, and I feel lucky to have been a part of the Oberheim design team during its glory days. Now, a whole new chapter in the story of analog synthesizer-based music is about to get written.” Dave Smith, founder of Sequential and himself a legendary figure in synth history, also collaborated with Marcus (an Oberheim team member from the 1980s) and Tom to create the new product. “We’ve already developed other interesting design ideas with Tom for follow-up products that will allow us to take Oberheim into the future as a synth brand,” commented Smith. “It’s a very exciting time to be a musician.”

The OB-X8 eight-voice analog synthesizer will be available at the end of June with a US MAP of $4,995.

For more details visit www.oberheim.com.

About Oberheim
Oberheim is the 21st century return of the legendary company that helped fuel the electronic music revolution. Now, just as then, Oberheim is guided by the vision of engineer and inventor, Tom Oberheim. Tom’s genius for innovation introduced the world to the first commercially available poly synth and other groundbreaking electronic instruments that literally changed the sound of music. Today, Oberheim reawakens this legacy by bringing the famed Oberheim sound to a new generation of instruments and artists. The company’s passion remains unchanged by time or technology — to once again provide the world with the finest-sounding analog synthesizers ever made. Oberheim brings its products to market with the help of the Focusrite organization and renowned synth maker, Sequential."

OBERHEIM OB-X8 SPECIFICATIONS

• 8-voice, pure-analog polyphony with saw, square/pulse, triangle, and noise
• Two discrete SEM/OB-X-lineage VCOs per voice deliver classic punchy Oberheim tone
• Discrete SEM-lineage VCFs deliver authentic OB-X-style tone and presence
• Genuine Curtis filters add bold OB-Xa/OB-8 character
• Meticulously modeled envelope responses match each OB model: OB-X, OB-Xa, and OB-8
• The 61-key FATAR velocity- and touch-sensitive keyboard allows unparalleled expression and responsiveness
• Bi-timbral capability allows two presets simultaneously for splits and doubles
• 400-plus factory programs, including the full set of factory sounds for the OB-X, OB-SX, OB-Xa, and OB-8
• Integral, fanless, heatsink-free power supply
• Real walnut end cheeks
• High-resolution OLED display enables patch management and easy access to advanced features
• Classic Oberheim Pitch and Mod levers allow expressive note bending, vibrato, and access to arpeggiator functions

ENHANCEMENTS
• Additional SEM filter modes add high-pass, band-pass, and notch functions to the classic OB-X filter
• Vintage knob allows variable amounts of voice-to-voice variability to emulate the behavior of vintage instruments 
• Velocity sensitivity adds expressiveness to volume and filter 
• Channel Aftertouch adds real-time performance-based modulation
• Enhanced unison allows variable voice stacking from 1-8 voices
• Variable triangle wave cross-modulation
• Over 600 user-programmable preset locations
• Programmable per-program pan allows wider stereo presence
• Variable oscillator and noise levels

INS & OUTS
• Stereo and Mono outputs
• Volume, Sustain, and Filter inputs
• Arpeggiator clock input
• MIDI In, Out, Thru
• USB
• Dimensions:
• Weight: 32.5 lbs
• Dimensions: 40.5” L x 16.67” W x 5.87” H

CLICK FOR MORE »

Introducing the Tom Oberheim & Dave Smith OB-6 Polyphonic Analog Synthesizer

Uploaded on Jan 20, 2016 Dave Smith Instruments - "Tom Oberheim & Dave Smith Introduce the OB-6"

Update: new demo video from INHALT in via Soviet Space Child below!
Update2: DSI / Tom Oberheim - OB6 - live looping demonstration by Daniel Davis added below.

Awesome video! You'll find an audio demo at the bottom of this post. So, if you weren't sure NAMM had any big surprises coming, well here you go. A brand new six voice polyphonic Oberheim synth based on the original SEM's discrete VCOs and filters, complete with trademark blue pin strips, and a few extras. This is not a CEM based Oberheim. This is discrete analog with some modern capabilities. Think closer to the original Oberheim FVS and classic OB-X (CEM VCOs & VCFs came with the OB-Xa). A new Tom Oberheim six voice polysynth has arrived!

The following is the official press release:

"Tom Oberheim and Dave Smith Unveil OB-6 Analog Synthesizer

Legendary Poly Synth Creators Team Up on New Instrument with Discrete VCOs and Filters

Anaheim, CA—January 21, 2016—Dave Smith Instruments today announced the OB-6, a new 6-voice synthesizer with an all-analog signal path and discrete VCOs and filters developed in collaboration with Tom Oberheim. Boasting a sound engine inspired by Oberheim’s original SEM (the core of his acclaimed 4-voice and 8-voice synthesizers), the new instrument is designed to provide true, vintage SEM tone with the stability and exibility of modern technology.

Said Smith: 'Tom and I have been friends and friendly competitors since the late 1970’s. Back in the day, people were typically in either the Prophet or the Oberheim camp. Now, with the Prophet-6 out and doing so well, we thought it would be fun to combine our strengths and bring back Tom’s classic polyphonic sound, too — in a modern format.' Added Oberheim: 'A lot of people, myself included, have always felt that the SEMs had a certain uniquely big, organic sound unlike anything else. Working with Dave to make that sound widely available again with some modern touches and full programmability has been real a pleasure.'

The OB-6 features two discrete voltage-controlled oscillators (plus sub-oscillator) per voice, with continuously variable waveshapes (sawtooth and variable-width pulse, with triangle on oscillator 2). There is a classic SEM- inspired state-variable lter (low-pass, high-pass, band-pass, and notch) per voice. Voltage-controlled ampli ers complete the all-analog signal path. 'The classic, bold SEM sound is all there,' said Oberheim.

Present also is X-Mod, with lter envelope and oscillator 2 as modulation sources (with bi-polar control). Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, lter cutoff, and lter mode. The knob-per-function front panel puts virtually all parameters at a user’s ngertips. Toggling on the Manual switch enables live panel mode, in which the OB-6 switches to the current settings of its knobs and switches.

A dual effects section provides studio-quality reverbs, delays (including standard and BBD), chorus, and faithful recreations of Tom Oberheim’s acclaimed phase shifter and ring modulator. The effects are digital, with 24-bit, 48 kHz resolution, but a true bypass maintains a full analog signal path. Additionally, the OB-6 features a multimode arpeggiator and a polyphonic step sequencer with up to 64 steps (and up to 6 notes per step) plus rests. It allows polyphonic keyboard input and can sync to external MIDI clock.

The full-size, four-octave, semi-weighted keyboard is velocity and aftertouch sensitive. Said Dave Smith, 'As with the Prophet-6, we made size a primary concern on the OB-6. It’s the right mix of power and portability and it ts right in on-stage or in the studio.' Added Oberheim, 'And of course, it’s got that unmistakable SEM sound that’s going to turn a lot of heads. '

The OB-6 is manufactured and sold by Dave Smith Instruments. It will be available in March, with a projected MAP of $2,999."



Update: new demo from INHALT in via Soviet Space Child.

Oberheim Dave Smith OB 6 Demo by INHALT

Published on Jan 21, 2016 INHALTVIDEO

This sounds like an Oberheim.

"As long time users of the Oberheim OB8 and 2 Voice (take a listen to our "Occupations" EP as both are on it all over the place) we were pleasantly surprised when Dave Smith Instruments showed us their new analog workhorse and collaboration with the inimitable Tom Oberheim— the OB6. The allure for the Oberheim polyphonic sound, for us, has always been it's unique melancholic tone colour. No matter what kind of sounds are programmed, Oberheim's tend to have this wonderful midnight music vibe, like driving in a car late at night circa 1983. We're pleased to report that the OB6 captures this sound quality effortlessly and in spades.

Our approach to the design of the factory bank patches we submitted (most of which you hear in the demo) was rather simple: we made the same kinds of sounds we would program on our Oberheims, and barring a couple, largely ones we would find useful in a production context. Though we don't typically record synthesizers with FX printed on the same track, the FX engine is so wonderful sounding on the OB6, and highly controllable, that it made us reconsider. In short, the FX engine is no slouch, and for the many decades spent dismissing the on board FX of most 'modern' synths, this is the first time that we've heard an FX engine exude the same quality as the top end hardware units from Lexicon, Eventide, or AMS that we tend to use in the production process.

Everything you hear on the demo was done entirely on the OB6. Absolutely NO additional FX or sequencers were used. We simply ran the stereo output from the OB6 into a DI and a stereo mic pre amp directly into Pro Tools HD and tracked it in."

DSI / Tom Oberheim - OB6 - live looping demonstration

Published on Jan 21, 2016 Daniel Davis

"DSI / Tom Oberheim - OB6 - live looping demonstration

Live looping demonstration of the new OB6 analog synthesizer. Only used the OB6 and Pigtronix Infinity looper."

I own an OB-Xa and the two videos above nail the sound and then some.

Update2:

NAMM2016 Introducing the New Dave Smith OB 6 Desktop Synth

Published on Jan 21, 2016 Analogue Zone Showroom / Synths and Studio

"Introducing the New Dave Smith OB 6 Desktop Synth
@dsiSequential

Available soon from
http://www.analoguezone.com/"

NAMM2016: Dave Smith Instruments OB6

Published on Jan 21, 2016 sonicstate

"NAMM2016: Dave Smith Instruments OB6 Dave Smith shows us the new OB6"

DSI / Tom Oberheim - OB6 - Patch Demonstration

Published on Jan 21, 2016 Daniel Davis

"DSI / Tom Oberheim - OB6 - Patch Demonstration

Some patches I made on the new OB-6.

All effects are from the OB-6. No post processing or production."

[NAMM] Dave Smith Instruments OB-6 NAMM Floor Video with Dave Smith & Tom Oberheim

Published on Jan 21, 2016 Audiofanzine in English

"Here's a presentation of Dave Smith Instruments and Tom Oberheim's OB-6 at the NAMM Show 2016."

NAMM 2016 Dave Smith Instruments OB-6

Published on Jan 22, 2016 Kraft Music

"Great deals on Dave Smith Instruments at Kraft Music:
http://www.kraftmusic.com/brands/dave...

Mark from Dave Smith Instruments presents the OB-6 at the 2016 Winter NAMM Show."

Dave Smith OB 6

Published on Jan 21, 2016 musicianews

"Dave Smith and Tom Oberheim team up to create a fantastic sounding new instrument. OB-6 has arrived. Check out the video."

Tom Oberheim OB 6 SEM

Published on Jan 21, 2016 musicianews

"Wow great to see Tom Oberheim and his take on the OB-6, Eurorack SEM and the world of Analog design in the 21st Century!"

Oberheim is Back!

video upload by Oberheim Official

"You heard that right: Oberheim is back. And a new chapter is about to begin.

Brought to you by Tom Oberheim, former Oberheim engineers Marcus Ryle (co-founder of Line 6/co-creator of the ADAT) and Tony Karavidas, with Sequential’s Dave Smith and his team.

Visit oberheim.com to sign up for updates on what’s in the works.

And get ready to party like it’s 2099.

----------------------------------------------

Video Cast: Tom Oberheim, Marcus Ryle, Dave Smith, and Tony Karavidas.
Music by Julian (J3PO) Pollack"

Why this matters: in case it's not obvious, the Oberheim brand and lineage is back with the rightful owner. Moog was first, followed by Sequential, and now Oberheim. Bob Moog did business as Big Briar until he managed to secure the Moog name back. Dave Smith did business as Dave Smith Instruments until acquiring the Sequential name back. And Tom Oberheim did business as Tom Oberheim.com, until now. He now has the rights to the Oberheim brand and has the support of others to build new Oberheim products. We now have the original Moog, Sequential, and Oberheim brands back with the original legacy.

P.S. Nice coasters!

P.P.S. Curious what synth we are hearing in the trailer... :)

Update: Looks like it is indeed a new Oberheim. via @iamj3po:

"If you know me, you know how much I love synths. I could not be happier than to help announce that OBERHEIM HAS OFFICIALLY COME BACK!!! I’ve had the great pleasure and honor to work with them on the new secret sauce that will be coming out 😉 and if you want to hear it…well I composed the music for this little video, and I did the whole thing with the new instrument (except for the kick and snare, which are Oberheim DMX samples). If you like synths, and especially if you like Oberheim…this should make your day! Be sure to follow the new Oberheim IG page @oberheim_electronics … more soon ❤️"

This one was spotted and sent in via Soviet Space Child.

Comparison #3: how OB-X8 compares to an original OB-8

video upload by Oberheim Official

Oberheim Official OB-X8 Comparison posts

"In the third and final side-by-side comparison, Marcus Ryle, co-designer of the Oberheim OB-X8 and an Oberheim engineer from 1980 to 1985, discusses how the OB-8 differs from the other OB synths including some details on the original electronic design in the vintage product.

Next he compares a selection of factory presets from the old and new, elaborating on some sound design tips that help you learn how these classic sounds were created.

All examples are recorded direct in mono, without EQ or effects.

The new OB-X8 — true Oberheim sound. Listen and judge for yourself.

0:00 Intro & how OB-8 is different
2:04 What is page 2?
4:07 A note about tuning (and de-tuning!)
4:52 Presets Overview
5:14 A1 Brass Ensemble
5:49 A2: St Genevieve
7:08 CD4 Pulse Width Mod
8:18 ABD1 Decelerate
8:53 AB7 Quantized LFO
10:05 BD6 Tremolo Rezz
10:37 D1 Delayed Octave
12:50 BD1 S/H Port Rezz
15:16 CD1 Bend portamento
16:23 CD5 Whippets"

Comparison #2: how OB-X8 compares to an original OB-Xa

video upload by Oberheim Official

Oberheim Official OB-X8 Comparison posts

"In a second detailed comparison, Marcus Ryle, co-designer of the Oberheim OB-X8 and an Oberheim engineer from 1980 to 1985, walks through a selection of the most characteristic factory presets on his original OB-Xa to demonstrate just how faithfully the new OB-X8 reproduces each one.

Note that this video does not compare every single preset (there are 104!), but it does show some examples that showcase the different filter modes, using the filter envelope to mod pitch, and layered presets.

All examples are recorded direct in mono, without EQ or effects.

The new OB-X8 — true Oberheim sound. Listen and judge for yourself.

0:00 Intro
2:22 Brass Ensemble - with 4-pole filter
3:51 Some 2-pole Curtis filter presets
5:17 Switching filter types on a single preset
5:59 Filter envelope modulating pitch of Osc 2
7:52 "Flanged" Piano
8:14 Double mode"

How does the sound of the OB-X8 compares to an original OB-X?

video upload by Oberheim Official

Oberheim Official OB-X8 Comparison posts

"Marcus Ryle, co-designer of the Oberheim OB-X8 and an Oberheim engineer from 1980 to 1985, walks through all 32 of the factory presets on his original OB-X to demonstrate just how faithfully the new OB-X8 reproduces each one.

All examples are recorded direct in mono, without EQ or effects.

The new OB-X8 — true Oberheim sound. Listen and judge for yourself.

0:00 Intro
1:38 Bank A Presets
6:32 Bank B Presets
7:50 Bank C Presets
10:33 Bank D Presets"

Oberheim Begins Shipping OB-X8 Analog Synth Desktop Module

Follow-up to this post. Larger pics & the official press release follows:

San Francisco, CA – June 9, 2023 – Oberheim is now shipping the OB-X8 desktop module. For the first time ever, all the sonic power of the Oberheim OB-X, OB-Xa and OB-8 has been condensed into a footprint that is compact enough for studios of any size, and convenient enough to take out on the road.

Following the extraordinarily successful release of the award-winning OB-X8 keyboard in 2022, the desktop module version boasts an identical sound engine, featuring an all-analog signal path with discrete VCOs, VCAs, and filters. The top panel maintains the knob-per-function sound designing experience, with immediate access to virtually all the synth’s parameters, allowing easy and precise creation of unique sounds.

Although the paddles and keybed are missing from the module version, the Arpeggiator and Keyboard Split & Double functionality are maintained, so the OB-X8 desktop is ready to go when connected to your favorite controller.

“The OB-X8 desktop module provides a great opportunity for musicians with limited studio space to get into the classic Oberheim sound, heard on so many hit records over the past 45 years”, said Taiho Yamada, Head of Marketing for Oberheim. “And the combination of synthesis features from the original OB-series synths means that new sounds can be created that were not possible until now.”

Oberheim is a legendary American synthesizer company that has created instant-classic instruments, from the iconic SEM to the modern OB-X8. Founded in 1969 by Tom Oberheim, the company earned the respect of the world for producing innovative synthesizers with unparalleled sonic richness and character. Today, Oberheim brings its products to market with the help of the Focusrite organization and renowned synth maker, Sequential.

The OB-X8 eight-voice analog synthesizer desktop module is available now with a US MAP price of $3,499. For more details visit www.oberheim.com.

Arturia advances iSEM synth app to work with Apple’s all-new Audio Unit Extensions

iTunes: iSEM Synthesizer - Arturia

As mentioned in this post, iSEM now supports the Audio Unit Extentions. Here's the official press release:

"GRENOBLE, FRANCE: music software and hardware developer Arturia is proud to advance its award- winning iSEM — an authentic-sounding software recreation of the trailblazing Seventies-vintage Oberheim Synthesizer Expander Module® (SEM) for Apple’s iPad — as one of the first fully-compatible apps for Apple’s all-new Audio Unit Extensions technology, as of November 19...

Apple’s Audio Unit Extensions is an all-new technology in its latest iOS 9 (mobile) and OS X El Capitan (Mac) operating systems that aims to bring the Audio Units (AU) system-level full plug-in architecture model that was previously only available to third-party developers like Arturia in OS X to both OS X and iOS! And Arturia is one of the first third-party developers to enthusiastically embrace its innovative musical advancement with the release of the latest iSEM update. This represents a much more user- friendly experience than the traditional way of interlinking apps using Inter-App Audio or Audiobus, which was the case with previous versions of this award-winning app.

According to iSEM development partner Rolf Wöhrmann, “The main difference is that you can now run iSEM from within an app like GarageBand for iPad in much the same way as you would work with standard Arturia plug-ins when running them in desktop- or laptop-based host applications — integrating the great synth sounds of iSEM into your GarageBand projects without leaving the GarageBand app, in other words. By using Audio Unit Extensions-compatible apps like iSEM, GarageBand users can extend its sonic capabilities above and beyond those of the built-in instruments into the wonderful world of Arturia. Indeed, it appears that we are one of the first — if not the first — to support this. That said, iSEM users can now easily record and multitrack their iSEM- based creations within GarageBand, adding drums, voice, guitar, and other sounds to make more complete musical arrangements, if they so wish. It’s also perfectly possible to have multiple instances of iSEM running in GarageBand — at least three or four when using latest-generation iPads, which was impossible with the previous ‘standalone’ version of iSEM.”

Truly trailblazing technology, then... in much the same way that the original Oberheim Synthesizer Expander Module® (SEM) was back in its day. How about a little history? Hatched by legendary synth designer Tom Oberheim back in 1974, the dual-oscillator SEM was originally conceived as a way of beefing up weaker-sounding compatible analogue monosynths of the time. It soon became a sought-after sound in its own right, so its Californian creator came up with a series of successive SEM-based instruments, first pairing up two SEMs with a 37-note keyboard and a simple analogue step sequencer to form the Two Voice, Oberheim’s first self-contained compact, duophonic synthesizer in 1975. Polyphonic programmability came courtesy of Oberheim’s breakthrough Polyphonic Synthesizer Programmer which — when hardwired into the fair-sized Four Voice (featuring four SEMs and a 49-note keyboard) in 1976 and enormous Eight Voice (eight SEMs set across two tiers) in 1977 — enabled the control voltages of many parameters for up to eight SEMs to be memorised for the first time. Though these instruments were undeniably groundbreaking, quickly finding favour with the likes of popular prog-rockers Rush and electronic music trailblazers Tangerine Dream, polyphony could only be achieved with multiple SEMs so each voice/module still had to be programmed independently, which was quite a daunting task — even by somewhat shaky Seventies standards!

Fast forward to today and the truly twenty-first century musical landscape has changed considerably. So has music technology itself. Indeed, most musicians take polyphony and programmability for granted — though not necessarily that still-sought-after Oberheim sound. Ingeniously, iSEM quite literally taps into all this and more as a cutting-edge iPad app, putting more musicality at anyone’s fingertips than its analogue namesake designer dared dream possible back in Oberheim’s Seventies salad days — all the more so since Arturia has had the foresight to adopt Apple’s Audio Unit Extensions technology so soon after its introduction, and all at a fraction of the cost of Oberheim’s original heavyweight hardware!

iPad 2 (or higher) owners can purchase and directly download the latest version of iSEM from the App Store for €9.99 EURO/$9.99 USD/£7.99 GBP here: [iTunes link]"

NINE INCH NAILS Oberheim OB-8 Synthesizer NIN

via this auction

For those new to the site or find this in the archives, note this is not my auction. Please do not send any inquiries to me. Send them to the seller.

Auction Details:

"You are bidding on an Oberheim OB-8 bought from the Nothing Studios equipment sell off in 2001. This actual synthesizer was owned by NIN and won legitimately by myself from the auctions in late January 2001. It is autographed next to the mod/pitch toggles and includes the studio manual.

I corresponded with a studio employee handling the auctions by phone and asked not to release the phone number, which was designated a New Orleans area code. Here is a link to a Seems Like Salvation web post with an official announcement of the Ebay items up for bids, including the Oberheim OB-8... http://www.nineinchnails.net/news/jan01/012501-02.html. I also recently messaged former NIN band member Danny Lohner on MySpace and he confirmed remembering the 2001 auctions and specifically the Oberheim OB-8 being put up for sale.

ANOTHER VERY IMPORTANT FACT TO NOTE ON THIS SYNTH'S AUTHENTICITY... The manual has a phone number jotted down with what appears to be "S/R LA." Sound recording L.A.? Studio recording L.A.? Along with this is a number which has an area code and prefix that I did a background/reverse phone directory lookup on. Two seperate parties were assigned this number, who just so happened to be located within 5-7 miles of Trent's infamous Cielo Dr. studio (where Charles Manson and his followers murdered Sharon Tate). Chances are, this actual synthesizer sat in that house while recording Broken and The Downward Spiral.

I DO NOT REPRESENT NIN.COM AND I AM NOT AFFILIATED WITH THEIR STUDIO LIQUIDATION SALE. I am simply taking advantage of their equipment auctions to sell this Oberheim OB-8 originally intended to be kept and passed onto my children. As the economy has taken a nosedive, I am now in dire need of cash to handle bills, so I am using this rare occasion to market the Oberheim for maximum exposure to die hard NIN fans.

About the unit. It is in good condition, but ABOUT THREE OF THE MIDDLE OCTAVE KEYS WORK INTERMITTENTLY WHEN PRESSED. In other words, if the Oberheim is triggered by an external MIDI keyboard, every note will work just fine; but somewhere along the line, a majority of the keys in the middle octaves started working partially (only when pressed quickly). Again, all the notes sound perfect if triggered from an external MIDI keyboard, but only work intermittently if triggered from the Oberheim keys. This could be a minor issue involving the contacts underneath, but I am not an analog expert so this item is sold AS-IS. THERE ARE ABSOLUTELY NO REFUNDS. Why would you want one anyhow? This was Trent Reznor's synthesizer.

The sounds on this board are extremely textured and rich. There are superb pads and leads on here. I'm guessing this was used somewhere in Pretty Hate Machine, but it's impossible to confirm. The actual size of the unit is monstruous. It weighs over 50 pounds and measures approximately 2 feet x 4.5 feet. If you're looking for a piece of NIN history that is larger than life, this is it!

Buyer pays $125.00 shipping. Like I said, this thing is huge. I will ship only within the continental U.S. (lower 48 states). Good luck bidding!"

Sold For: US $2,100.00

Designers talk: OB-X8, and how it came to be.

video upload by Oberheim Official

"Since it was introduced in May 2022, industry acclaim has been heaped upon OB-X8 as one of the most authentic recreations of a vintage synth ever engineered.

But what thought process is behind the million design decisions involved in a vintage recreation project like this? In this roundtable style discussion, Tom Oberheim (Founder, Oberheim Electronics), Marcus Ryle (OB-X8 Co-Designer, Oberheim Engineer 1980 - 85), Tony Karavidas (Lead Hardware Engineer Sequential/Oberheim) and the late, great Dave Smith (Founder, Sequential and OB-X8 co-designer), talk through trade-offs, design philosophies, and the overall approach that allowed them to produce this amazing instrument.

0:31 What is the OB-X8?
3:44 What gave each OB synth its sound?
6:12 How do you match to a vintage synth?
8:25 Why are Page 2 features important?
9:58 How does OB-X8 differ from the originals?
12:48 What's coming from Oberheim in the future?"

Introducing GForce Oberheim OB-X

video upload by GForce Software

"Beautifully classic, yet resolutely modern. Alex Ball introduces the official GForce Oberheim OB-X virtual instrument.

OB-X and Oberheim are Registered Trademarks of Tom Oberheim."

GForce’s Oberheim OB-X is the world’s first officially endorsed emulation of this famous 80s synth. Yet it sounds modern and lends itself superbly to Electronica, EDM, Drum and Bass, Ambient, Rock, Prog Rock, Hip Hop and more. The original synth was used by immense artists and groups such as Japan, Ultravox, BBC Radiophonic Workshop, Chick Corea, Herbie Hancock, Depeche Mode, Queen, Larry Dunn, Youth, Chris Franke, Styx and many more. GForce’s OB-X preserves the sound everybody loves and has been upgraded to offer new sonic possibilities.

AN AUTHENTIC OB-X WITH VAST SOUND DESIGN POSSIBILITIES

Oberheim OB-X provides an authentic experience but has been enhanced with powerful features designed for the modern setup. GForce’s OB-X features up to 16 voice polyphony, a vintage control for adding subtle analogue imperfections, four programmable Macros, new intro, retrigger, phase and smoothing features for the LFO, new level destination for the LFO, separate PWM1 and 2, discrete levels, discreet tracking, an arpeggiator, a chord mode with scaler, Chorus, Stereo Delay and Reverb effects, and more. Finally, the GForce’s OB-X has been augmented with X-Modifiers, dedicated LFOs and ADSRs for almost all parameters that take OB-X to the next level of sound design.

CREATE HUGELY COMPLEX, YET MUSICAL, SOUNDS WITH X-MODIFIER TECHNOLOGY

Using our unique X-Modifier technology, the scope of sound modulation possibilities is immense. The intuitive X-LFO and X-ADSR section enables you to work faster without having to set up modulation paths; they’re already set up for you. X-Mods provide you with the ability to create extensive modulations of almost every parameter, allowing you to create hugely complex, yet musical, sounds. So, while the tone and character at the heart of the synth remain authentic to the original, the additional features turn it into a true sonic canvas.

BEYOND THE ORIGINAL

INSPIRATION AT THE SPEED OF SOUND

OB-X, with its fully resizable UI, a powerful new Preset Browser, and over 400 brand new production-ready presets from top-level sound designers, is fully ready for modern production.

Oberheim OB-X features our new, highly flexible preset browser, giving you the power to organise your sounds in a way that suits your workflow. With extensive tagging, sorting and search possibilities, it’s quick and easy to find the presets you want. We’ve included more than 400+ brand new production-ready presets. We’ve enlisted an array of diverse sound designers and artists including Light Bath, GEOsynth, Christian Lafitte, Richard Veenstra and Ramon Kerstens (K/V), Tontario, Stuart Thomas, Zardonic, Drew Schlesinger, Drew Neumann, Noyzlab, Dave Spiers, Tom Wolfe, Graeme Rawson and more. The patches range from resolutely modern to passionately classic with a lot of recreation you might have heard on more than one hit.

https://www.gforcesoftware.com/products/ob-x/

Dave Smith Instruments Begins Shipping OB-6 Analog Synth

The new DSI OB-6 in conjunction with Tom Oberheim is now shipping! Remember to check prices with the MATRIXSYNTH sponsors on the right. I do not get a commission from them, rather they support the site directly, so please support them in return.

Here is official press release from Dave Smith Instruments:

"Highly Anticipated Tom Oberheim/Dave Smith Collaboration Now Available

San Francisco, CA—March 3, 2016—Dave Smith Instruments today announced that the OB-6, a new 6-voice analog synthesizer with discrete VCOs and filters developed in collaboration with Tom Oberheim, has begun shipping. Boasting a sound engine inspired by Oberheim’s original SEM (the core of his acclaimed 4-voice and 8-voice synthesizers), the new instrument is designed to provide true, vintage SEM tone with the stability and flexibility of modern technology.

Said Smith: “It’s been great fun working with Tom to create this synth. People are going to be blown away by how awesome the OB-6 sounds.” Added Oberheim: “The classic, unmistakable SEM tone is all there. It’s big and bold and it’s going to turn a lot of heads.”

The OB-6 features two discrete voltage-controlled oscillators (plus sub-oscillator) per voice, with continuously variable waveshapes (sawtooth and variable-width pulse, with triangle on oscillator 2). There is a classic SEM-inspired state-variable filter (low-pass, high-pass, band-pass, and notch) per voice. Voltage-controlled amplifiers complete the all-analog signal path.

Present also is X-Mod, with filter envelope and oscillator 2 as modulation sources (with bi-polar control). Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, and filter mode. The knob-per-function front panel puts virtually all parameters at a user’s fingertips. Toggling on the Manual switch enables live panel mode, in which the OB-6 switches to the current settings of its knobs and switches.

A dual effects section provides studio-quality reverbs, delays (including standard and BBD), chorus, and faithful recreations of Tom Oberheim’s acclaimed phase shifter and ring modulator. The effects are digital, with 24-bit, 48 kHz resolution, but a true bypass maintains a full analog signal path. Additionally, the OB-6 features a multimode arpeggiator and a polyphonic step sequencer with up to 64 steps (and up to 6 notes per step) plus rests. It allows polyphonic keyboard input and can sync to external MIDI clock.

The full-size, four-octave, semi-weighted keyboard is velocity and aftertouch sensitive. Said Dave Smith, “As with the Prophet-6, we made size a primary concern on the OB-6. It’s the right mix of power and portability and it fits right in on-stage or in the studio.”

The OB-6 is manufactured and sold by Dave Smith Instruments. It has a US MAP of $2,999."

http://www.davesmithinstruments.com/product/ob-6/

OB MATRIX MODX for Yamaha Montage MODX Oberheim Sample Pack

video upload by Rik Marston Official

"'OB MATRIX MODX for Yamaha Montage / MODX'
*Watch in HD!* *No Talking!* *Turn it UP!!!*
Oberheim Matrix 6 / 1000 Sample Pack!
A super cool sample pack for the Montage / MODX for
those who need the Oberheim vibe right in their setup!
60 Custom Oberheim Matrix performances ready to go!
1GB of CUSTOM Matrix 6 / 1000 performances for stage,
studio or film scoring! I wanted this so bad myself I quickly
assembled it from my Oberheim MATRIX 6 .WAV file sample
pack available on my Ahnyxian Sound Design store on Etsy!
https://www.etsy.com/shop/AhnyxianSou...
I am wanting the OB-X8 so badly right now this makes me
feel so much better to have these killer sounds in my MODX6+!
YES! There are plenty of cover sounds from Van Halen, RUSH,
PRINCE, Thompson Twins, ETC included!
All 60 Custom Oberheim Matrix performances demoed here
in this video. User 0-38 are SINGLE, 39-60 are LAYERED!
ANALOG BRASS, BASS, LEADS, PADS & STRINGS!
Check out Ahnyxian Sound Design on Etsy if you need synthesizer
sample packs! I've got a ton of them!
YES! That is a North West Africa Stone Chondrite Meteorite
on the Yamaha MODX control section!
It sends you ** Positive Cosmic Vibes! **
Thank you for watching!"

Dave Smith Officially Announces The OB-6 Desktop Analog Synth Module

We first saw the desktop in DSI's recent Tweet here. We now have some hi-res pics and the official details from Dave Smith Instruments. As always, click the images for the full size shots.

"Hello from Nashville!

Dave Smith Instruments is at Summer NAMM, where we’re debuting our newest synth — the OB-6 Module, a desktop version of our acclaimed collaboration with Tom Oberheim. Come see us in booth #331 and check it out!

Here are the details:

Dave Smith Announces OB-6 Desktop Analog Synth Module

Desktop Version of Tom Oberheim/Dave Smith Synth Collaboration to Ship in Early Fall

San Francisco, CA—June 23, 2016—Dave Smith Instruments LLC today announced that they will begin shipping a desktop module version of their acclaimed OB-6 six-voice analog synthesizer in the early fall. Like the keyboard version, it boasts a sound engine inspired by Oberheim’s original SEM and features an all-analog signal path with discrete VCOs, VCAs, and filters. The knob-per-function front panel offers immediate access to virtually all parameters.

As Dave Smith explained: 'The OB-6 has met with unprecedented approval from across the music industry. In just the four months since its release, it’s been adopted by an extraordinary number of artists and is already appearing in projects across the world.' Added Smith: 'We wanted to make the desktop version available as quickly as possible to make it even easier for musicians to take it on the road or into the studio. We made it a priority that the desktop version retain the same powerful sound, and easy-to-use front panel interface as the keyboard version.'

Smith continued:
“We’ve also added a poly chain feature so that any two OB-6s can be paired for 12-voice polyphony. That is a monstrously big sound.”

The essence of OB-6’s vintage sound is its discrete voltage-controlled oscillators (plus sub-oscillator) and discrete, state-variable filter, both based on the classic Oberheim SEM (the core of Tom Oberheim’s acclaimed 4-voice and 8-voice synthesizers). Voltage-controlled amplifiers complete the all-analog signal path. Said Tom Oberheim: “The desktop module sounds every bit as good as the OB-6 keyboard because, on the inside, it’s exactly the same — the same VCOs, VCFs, and VCAs and the same big, in-your-face SEM sound that people have always loved.”

The module weighs approximately 13 lbs (5.9 kg) and measures 20.75” L x 7.8” W x 4.4” H (52.0 cm x 19.8.cm x 11.2 cm).

The OB-6 desktop module will be available in the early fall with a projected MAP of $2,299."

OB-Sx Voice Cards

This one came in on the AH list from Tony of Oakley Sound. The AH list is archived and public so I thought I would capture it here in the MATRIXSYNTH archives as well, and of course to share it for anyone not on AH that might be interested.

"A long somewhat geeky post...

Oberheim had a history of creating vast numbers of 'engineering change orders' (ECO). Essentially changing their designs during the lifetime of the product, ECOs are notes for official modifications done by the factory during manufacture or authorised repair technicians in the field. ECOs are useful tools to allow the manufacturers to improve on their original design, perhaps because of updated specifications, new found parts or deal with component obsolescence. However, quite often they are used to fix things that should have done properly in the first place.

There must have been many ECOs regarding the Oberheim OB-Sx but not all of them are available online. I have an original service manual but the ones in there are the same as these:

http://www.synthfool.com/docs/Oberheim/ECOS/OBSX/

In addition to these this is what I've found out about the voice cards on the OB-Sx.

1. There are at least two types of voice card. The primary difference appears to be the addition of a -15V supply. This requires a different voice motherboard as the power is now admitted via a 5 way connection and not the original 4 way one. The -15V seems to power only the post VCA op-amp. I've not come across any clipping issues in the post VCA amplifier in early cards so I'm not sure what the reason is.

I think newer cards can be used in OB-Sx units with older motherboards simply by linking the two outermost pins of the 5-way connector that takes the power onto the card. Any new card will then behave as an older one.

2. The early voice card was originally designed to use the CEM3340's linear FM input for the 'cross mod' feature. All the older voice cards I have seen have a mod whereby one of the tracks is cut and a bit of wire added to link the cross mod path to the exponential FM input. This was corrected on the newer boards with a different track layout so the modification is not required.

3. All the early voice cards I have seen have an additional 100pF ceramic capacitor mounted across one of the two diodes in the feedback path of the VCF. The capacitor was added to the board layout in the later version of the card.

4. All of the early voice cards I have seen also have an additional 330pF ceramic capacitor connecting pin 11 of the CEM3320 to 0V. This appears to make the unused and externally unconnected gain cell in the 3320 behave the same as other two in the SVF. Why I'm not sure but it could be to prevent the unused cell from oscillating and bleeding through into the audio. The 3340's datasheet seems to be happy leaving it off. This additional capacitor was added to the board layout in the later version of the card.

5. I have seen one early version of the card, dated August 1982, where another modification is added to the underside of the board. This connects pin 8 of the CEM3320 to 0V with a 1nF ceramic capacitor. This does not seem to have been applied to the second version of the card so it is possibly fixing a problem only detected after the second voice card was designed, or perhaps it only affects the early cards. It is probably a problem caused by the physical layout of the PCB.

On preset B1 and with the cut off set to full the problem can be clearly heard, but it is present on other sounds too. At high cut-off frequencies and at low resonance the CEM3320 in the OB-Sx oscillates in nasty way and creates a unpleasant roughness to the sound. Adding the 1nF capacitor prevents the unwanted oscillation. However, I have found that one needs only 56pF to work rather than the 1nF Oberheim used. Adding this capacitor does have a slight knock on affect on the sound even when the filter is not unpleasantly oscillating - it now sounds slightly more polite. The pros outweigh any of the cons in my opinion.

What is interesting is that the same filter circuit is used in the OB-Xa and no such capacitor is required. I guess then that it is PCB layout and not the circuit itself that is misbehaving. It may also be dependant on the batch of CEM3320 used.

6. Later versions of the early card and all the later cards I have seen have another possible layout correction. The tracks going to the 470R/10nF series combination on the CEM3340's linear FM input on each VCO have been cut. A clumsy bodge on the top side of the board then recreates the required series combination but this time physically closer to pin 13 of the CEM3340. I can only guess that this problem was found only after the later card was designed as it is not corrected there. That the mod appears on both many early and all later versions of the voice card means that Oberheim were clearly producing both cards at the same time.

7. The later version of the voice card has an extra trimmer used to set the maximum resonance of the filter. On the older board trimming is set by swapping out resistors.

Tony

www.oakleysound.com"

“MIDI Creators and Innovators” Panel Coming to NAMM

"MIDI Creators and Innovators Alan Parsons, Tom Oberheim, Dave Smith, Jordan Rudess, George Duke and Craig Anderton to Discuss Past, Present and Future of MIDI at 2013 NAMM Show H.O.T Zone Session

Who:

Alan Parsons is British-born audio engineer, musician, and record producer. Parsons has been involved with some of the biggest recordings of all time, including The Beatles Abbey Road and Let It Be, in addition to Pink Floyd's The Dark Side of the Moon. He has been involved in all aspects of the music business and is well known for his own work, The Alan Parson's Project. When not engineering and producing, Mr. Parson's is a highly sought after guest lecturer, product and technology consultant and is the co-creator of the highly- acclaimed educational DVD series called The Art & Science of Sound Recording.

Tom Oberheim is a synthesizer pioneer having created several legendary synths, effects processors, and drum machines as the founder of Oberheim Electronics, Marion Systems, and SeaSound. Oberheim was a key contributor to the original MIDI specification and was an early evangelist of the technology.

Dave Smith was the co-author of the original MIDI specification with Roland's CEO and founder Ikutaro Kakehashi. Mr. Smith was the founder of Sequential Circuits while developing the MIDI specification, and has since developed dozens of synthesizers, drum machines, and effects processors. His current company, Dave Smith Instruments, continues to develop cutting edge MIDI-based instruments that enjoy a worldwide following.

Jordan Rudess, is an American keyboardist, clinician, composer and software entrepreneur best known as the keyboardist in the band Dream Theater and the progressive rock supergroup Liquid Tension Experiment. Rudess is a graduate of the Julliard School of Music and is an extremely well respected consultant to many music instrument companies, and has his own music software company called Wizdom Music, which designs innovative tablet- based musical instruments.

George Duke is a legendary musician, keyboard pioneer, composer, singer and producer in both jazz and popular mainstream musical genres. Duke has composed, produced, and played on dozens of gold and platinum records, received numerous GRAMMY awards, and has toured extensively as a band member, music director, and as a solo artist.

Craig Anderton, is a musician, author and music magazine editor/writer who is well known to anyone who has ever picked up a music technology magazine. As the editor of Electronic Musician and author of hundreds of articles on music technology, Anderton is an esteemed journalist and expert in all aspects of MIDI and MIDI technology.

Tom White, (MC) is the President of the MIDI Manufacturers Association, and a highly- regarded contributor and consultant to several industry trade and technology groups including but not limited to CES, USB, IEEE, AES, IASIG, and as long-standing president of the MMA. White has had a long career in the music industry, including a lengthy period in marketing and business development for Roland Corporation.

What: Panel discussion “MIDI Creators and Innovators” For 30 years, MIDI has been always been at the forefront of music technology even as musical trends changed. Come hear from a star-studded panel of MIDI creators and innovators -- stories and opinions about the past, present, and future of MIDI.

When: Sat. Jan. 26, 2013 11:30 a.m. – 1:00 p.m.

Where: The NAMM Show, Anaheim Convention Center Room 204B (Inside NAMM H.O.T. Zone)

Presented by the MMA

The MIDI Manufacturers Association (MMA) is a non-profit organization formed in 1985 to encourage companies implementing MIDI to make their products interoperable through compliance with MMA Recommended Practices. MMA publishes the official MIDI Specification, provides education about MIDI, licenses MIDI trademarks, and promotes the use of MIDI technology for new applications and in various industries. For more information, please visit www.midi.org"

J3PO OBERHEIM OB-X8 Presets: Future Vintage OFFICIAL SOUNDS DEMO

video upload by J3PO

"In this video, Julian demos the 64 presets included in the "J3PO OB-X8 Presets: Future Vintage" for the Oberheim OB-X8.

You can buy these patches for your OB-X8 from https://www.julianpollack.com/shop/j3...

This demo was recorded dry straight to Pro Tools, with no external FX, save for some light compression and leveling for the purposing of uploading to YouTube. What you hear is what you get! Of course, users are encouraged to add their own FX, such as chorus, reverb, delay etc. to the sounds. Please see my upcoming video '20 minutes of beautiful OB-X8 & Strymon soundscapes' to hear some of these sounds in context.

There are 64 patches in this preset library and they will load to patches 'OB-X: Groups 8-16' on the OB-X8. The introductory sale price is $39 (normally $45).

The library covers a lot of sonic ground, ranging from ultra vintage Oberheim sounds to tones that fit right into contemporary production. The Oberheim palette is the sound that originally got me into synthesizers (the OB-Xa) and it’s such a joy to have a re-issue of one of the world’s most beloved synthesizers. I hope you enjoy these sounds as much as I enjoyed creating them!

I also have patches available for the Prophet 6, Prophet 5/10, Prophet Rev 2, OB-6, Spectrasonic's Omnisphere, Arturia OP-Xa, Softube's Model 72 & 84, XLN's Addictive Keys Mark One and a free bank of 50 sounds for the free VST synth 'OB-Xd' — all available on my website. If you're a Nord Stage 3 or Wave 2 user, download my bank from the Nord Keyboards website."

Syntronik™ - the legendary synth powerhouse for Mac/PC is now shipping

Announced back in May, Syntronik™ is now available.

The official press release follows:

"Syntronik™ - the legendary synth powerhouse for Mac/PC is now shipping

Cutting-edge virtual instrument delivers iconic synthesizers and string machines with unique synthesis engine and stunning sound quality, available as a collection or separate instruments

July 20, 2017 - IK Multimedia is proud to announce that Syntronik™, the legendary synth powerhouse for Mac® and PC, is now shipping worldwide.

Syntronik offers the definitive and best-sounding collection of vintage synthesizers in a virtual instrument to date. It provides unsurpassed quality and flexibility thanks to an entirely new combination of the most advanced sampling techniques with a unique hybrid sample and modeling synthesis engine, a large assortment of high-quality modeled effects and innovative instrument features.

Syntronik - a dream collection of synths
Syntronik includes a collection of 17 amazing instruments with over 2,000 soundscovering a wide selection from 38 of the most iconic to ultra-rare vintage synthesizers of all time:

CLICK FOR MORE »

Oberheim SEM Modded

images via this auction
"Oberheim Synthesizer Expander Module model CPS-1, S/N 508. The SEM was Oberheim's first official analog synthesizer. It was conceived with the notion of being used as a backup synth connected to a sequencer for layering or beefing up your existing monophonic analog synths. The SEM itself is a keyboard-less module with two analog oscillators, a 2-pole filter, ADR envelopes, and an LFO. Each of the two oscillators offer triangle or rectangular waveforms."

OB-X8 Sound Demo - By INHALT

video upload by Oberheim Official

"OB-X8 sound demo by INHALT. Programmed, played and recorded by Matia Simovich / INHALT at Infinite Power Studios. The OB-X8 was recorded straight into Pro Tools HD and no post processing or FX were added. What you're hearing is the raw synth.

https://www.instagram.com/inhalt.us/
https://www.instagram.com/infinitepow..."

Additional OB-X8 posts