Coming soon Bostich+Fussible with the UABC symphonic orchestra

Published on Nov 9, 2013 Pepe Mogt·115 videos

"Bostich+Fussible and the UABC University Symphonic Orchestra"

Reactable mobile Sessions by Nortec B+F

YouTube Uploaded by pepemogt on Feb 7, 2012

"Reactable mobile Sessions by Nortec B+F"

Reactable mobile - Reactable Systems SL - iTunes
iPads on eBay
iPads on Amazon

Nortec Collective presents: Bostich+Fussible "Tijuana Sound Machine"

Uploaded by pepemogt on May 17, 2008
Synths: EMS VCS3, Arp Osyssey, Avatar, Arp 2600, Sequential Prophet 5, Oberheim Four Voice, Eml Electrocomp 200, Orgon

A search on Bostich, Fussible, Nortec Collective or pepemogt on the top right of MATRIXSYNTH will bring up a ton of synth spotting posts.

YouTube Description:

CLICK FOR MORE »

Desierto*.*

YouTube Uploaded by pepemogt on May 29, 2011

"Textures and sounds from the desert
Sonidos y texturas del desierto.

Electronic music and video By Pepe Mogt

Nikon D90, Reaktor and Waves [reverbs]"

Communikey Festival 2011

YouTube Uploaded by pepemogt on May 23, 2011

"preliminary cut
Filmed by Humberto Acosta and Pepe Mogt"

Aguamala (pepe Mogt)

YouTube Uploaded by pepemogt on Mar 7, 2011

"Music by Pepe Mogt
Filmed with Nikon D90, AF Nikkor 50 mm f/1.8D
Instruments Used: Oberheim Four Voice and Akai MPC4000"

iPad Sessions with iSequence (pepe mogt, Nortec collective)

YouTube via pepemogt | July 21, 2010

"This not a song, it is just a 10 minute jam with iSequence, i love this app,
enjoy"

iSequence - BeepStreet
iSequence lite - BeepStreet
iPads on Ebay

iPad Session with Electribe R by Pepe Mogt

iElectribe on iTunes
Remember you can search for iElectribe for all posts.
YouTube via pepemogt — April 06, 2010 — "This was my first beat i did with the Electribe app in the iPad no external effects just the iPad itself.
enjoy!

www.youtube.com/pepemogt [posts on MATRIXSYNTH]

from korg.com web page:

KORGs first dedicated iPad musical instrument app!

For over a decade, Korg's Electribe•R has been go-to gear for creative musicians from around the world and across multiple electronic and dance music genres. Now, you can take the power of the Electribe•R with you thanks to iElectribe, Korgs first dedicated app; bringing the fun of analog-synth style beat making to your iPad. Best of all, the iElectribe takes full advantage of iPads 9.7 inch multi touch display to deliver a new style of musical instrument.

Main Features
Faithful recreation of the Electribe•R's entire sound engine and sequencer

64 Preset patterns ready for immediate use

8 Supercharged effects

Advanced Motion Sequencing takes the iElectribe to new frontiers

Available now at Apple's App Store (inside iTunes Store) for a special introductory price of $ 9.99 (US Dollars). Promotional pricing expires June 30, 2010 (regular price is $19.99 USD).

Classic must-have Korg dance gear, now available as a dedicated iPad application
Since its debut in 1999, the aggressive sound, unique functionality, and intuitive beat-building style of the Korg Electribe series has continued to make it a favorite of creative artists around the world. Over the years, the Electribe series has continued to evolve in new directions. The vacuum-tube equipped Electribe•MX and SX went on sale in 2003, followed by the updated MKII versions of the Electribe•A and Electribe•R. The year 2010 marks another chapter for the Electribe family with the iElectribe one of the worlds first dedicated iPad musical instrument applications.

While fun to use, the iElectribe is no toy; it brings to the iPad the legendary capabilities of the Electribe series. Sound creation is easy and intuitive. Simply touch the step-sequencer's sixteen individual step keys to quickly start a groove, pick another part and repeat. This simple and understandable interface offers an intuitive "hardware" feel that will captivate the imagination of anyone those familiar with the Electribe's power, and those who are experiencing it for the first time!

Faithful recreation of the Electribe•R's entire sound engine and sequencer
Like its hardware counterpart, the iElectribe offers a four-part percussion synthesizer and a four-part PCM synthesizer. The percussion synthesizer features analog synth-style versatility, including exciting cross modulation! The sample-based PCM parts deliver realistic drum hits, cymbals, and more. Using the Accent function adds emphasis where you need it - vital for creating compelling grooves. All in all, that's eight programmable parts combined with the easy-to-use 16-step sequencer, so anyone can start creating powerful beats instantly!

64 preset patterns ready for immediate use
The 64 preset patterns include familiar patterns from the Electribe•R as well as new patterns created especially for the iElectribe. The preset patterns cover a wide variety of dance music styles including techno, house, electro, trance, drum 'n' bass, dubstep, hip-hop, and R&B. Of course, there is plenty of room to program patterns that are all your own.

Supercharged Master Effect with 8 effect types
The Master Effect has been enhanced from the original Electribe•R, and has been optimized for use in today's music scene. The eight effect types can spice up your beats in a variety of ways that can become indispensable. Included are a chorus/flanger that fits any type of sound; a tempo-matching BPM delay; plus effects such as a grain shifter and decimator which can dramatically transform the sound.

Advanced Motion Sequencing makes patterns come alive
Simply stated, Motion Sequencing records all of your sound enhancing knob-twisting and tweaking so it can be memorized and replayed as part of a pattern. The knob motion of all parameters, for each and every part, can be recorded so you can go wild and create diverse and complex patterns like never before."

"Sortie"(trip to St Nazaire) by pepe Mogt

YouTube via pepemogt
"Images with my camera and music made wiith the tenori-on and Vermona Retroverb(Spring reverb) on my way to St Nazaire from Paris.
The song i called "Sortie" was enterely made with tenori-on internal sounds for my solo ambient project.
Enjoy!
http://www.facebook.com/pepemogt"

Trip to Hoover dam ( Music by Pepe Mogt )

YouTube via pepemogt
"Here is some footage i filmed at the Hoover Dam .
Enjoy!

Music by Pepe Mogt(Nortec Collective, Fussible)
Song: Ginger
Equipment used: Tenori-on and LL Electronics Rozzbox V2
Filmed with Nikon D90 and 70-300mm and 50mm Lenses"

Latinsizer - Celofán from the album "110" (HD) / (nortec Collective, Fussible)

YouTube via pepemogt.

HD version. Non HD version Previously posted here.
"Latinsizer : "Celoán"
Album : "110"
Label: "Staticdiscos"

Music by Pepe Mogt
Latinsizer:
atinsizer basically is a bunch of sincroniced drum machines and synths controlled by pepe mogt.
Started around 1999 and with one Album and 12 inch records(ritmo 55 CD and NOMADA EP 12 inch), a combination of the melodic work of early synth Pop classics and the grit of urban Tijuana.

110 is the second latinsizer Album( August 2008) an electronic disco pop digitalized with analog machines. first debut for Static Discos.

Pepe Mogt has released material with his diferent alias on Because Music(france), Nacional Records(US), Palm pictures label (Tijuana Sessions vol 1), Mil records, Sonic 360 and Nettwerk labels, and has also done remixes and colaborations for Ennio Morricone for a Compost Records, Experimental music pioner Pauline Oliveros, Beck, Toby Dammit, Jessie Evans, Lucrecia(Colombia), Lenny kravitz, Rigo Tovar, 1 Giant Leap, Alan Parsons, David J (Love and Rockets) and Mambotur among others.

Static Discos:
Static Discos is a Mexican independent label based in Tijuana. They are a small group of people bent on bringing forward Mexico's electronic music and their releases focus on minimal techno, dub, electro and IDM. (Murcof, Fax, Carre, Terrestre, Antiguo Automata Mexicano and others)"

Pepe Mogt : Last view from Slussen (Nortec Collective, Latinsizer, Fussible)

YouTube via pepemogt
"Here is "Last last view from Slussen",
enjoy!

Video editing and color profile by Ernesto Aello
Camera by : Don Trini
Music Composed by Pepe Mogt
Equipment used: Nikon D90, Rozzbox V2, Vermona retroverb and Electroharmonix Memory Man
------------------------------
http://www.myspace.com/pepemogt"

Nortec : Bostich+Fussible / The Clap

YouTube via pepemogt
"The Clap
Featuring Bostich+Fussible and The Tijuana Sound Machine

This was our place to have dinner in Paris, La page Blanche.
thanks Pascal!

Bostich: Ramon Amezcua
Fussible: Pepe Mogt
Tijuana Sound Machine: Juan Tellez, Martin Bernal and Gustavo Rocha(Das Trompet Player)

Video by: Ernesto Aello
Music By Bostich+Fussible"

BOSTICH+FUSSIBLE (live) / Nortec Tenori-on set

YouTube via pepemogt
"Bostich+Fussible Live set at Mexicali FEX,
thanks mexicali!

Live Performance by:
Pepe Mogt: Tenori-on, Ableton live, Reaktor 5, Jl Cooper Cs-32
Ramon Bostich: Tenori-on, MaxSP, Ableton live, Jl Cooper Cs-32
Ernesto Aello VJ PR4 - GarageCube Modul8 Iphone aka Remote + I3L, VJ mixer Edirol V4, 2 Mac book pro
Juan Tellez - Acordeon
Erasmo - Clarinete
Banda Aguacaliente - Tuba
Banda Aguacaliente - Trumpet
Camera man- Wilbert Chong "

SEARCH /Broadcasting Tijuana Electronic Music to outer space

YouTube via pepemogt.

"Manglano-Ovalle transformed the bullfight ring of Tijuana located at the border in to a Radio telescope searching for "aliens". He suspended an antenna above the building and a receiving dish below, Live Electronic Music was brodcasted in the building, on the web, FM radio and into space. This project makes reference to the social situation of Mexican "Aliens".

In the video Pepe Mogt(Latinsizer, Fussible, Nortec), Ramon Bostich(nortec Collective) and Leslie(Dream addictive) were making music with digital and analog sequencers and synths(Arp Odyssey, Oberheim), the audio out of this machines was sent to Manglano-Ovalle Transmiter in real time in to outer space.

info about synths used:
The ARP Odyssey was and still is a very popular synth because it is a powerful lightweight version of the awesome ARP 2600. It was also ARP's response to the Minimoog and the Odyssey became the most popular synth ARP ever sold! The Odyssey is a 2-oscillator analog synth (with duophonic capability) which sounds really nice; the Minimoog has 3 oscillators and is considered fatter. The Odyssey comes well equipped with all the tweakable features you'd expect: resonant low pass filter, ADSR envelopes, sine or square wave LFO and even a sample-and-hold function. It also added a few new features such as a highpass filter in series with the lowpass, oscillator sync capability and pulse width modulation. It is a very professional and expressive machine that can create nice analog basses, interesting leads and great effects and sweeping sounds or noises!

There were many versions of the Odyssey over the years, each a little different. Pictured above is the Odyssey I (Model 2800). These original white-faced Odysseys used a tinny 2-pole VCF filter design (Model 4023) similar to old Oberheim SEM modules. They also used a rotary knob for pitch bending. These models were produced between 1972-74. Odysseys have been used by ABBA, Bomb The Bass, Ultravox, Gary Numan, LTJ Bukem, Air, Tangerine Dream, 808 State, Apollo 440, Nine Inch Nails, Astral Projection, Chick Corea, George Duke, Josef Zawinul, John Foxx, Vangelis, Elton John, Latinsizer, Jethro Tull, Fussible, Nortec Collective, Jimmy Edgar, DEVO, R.E.M. and Herbie Hancock

TR-808
The TR-808 is a classic drum machine that used analog synthesis to create its sounds. The sounds have a very thin and pure quality and aren't grungy like it's successor the TR-909. In fact, the 808 has become the signature beatbox used in most R&B and hip-hop as well as a lot of dance and techno music. Booming bass kicks, crispy snares and that annoying cowbell sound made famous during the 80's are all part of the 808 and its famous sound.

Its 16 drum sounds include the famous boomy low kick, snappy snares, low/mid/hi toms, low/mid/hi congas, rimshot, claves, hand clap, maracas, cowbell, cymbal, open hihat, closed hihat and accent. All of the sounds can be edited and/or tuned and have individual outputs. Unfortunately it is not MIDI equipped but it does use Roland's DIN Sync.

The TR-808 was OK in its time. It just didn't sound like real drums. When the Linn Drum machines appeared, the 808 seemed doomed. But its unique sound and analog allure have found it a long-lasting home in many forms of music. Clearly the 808 has been one of the more important and famous drum machines in the history of music, spawning imitators (ReBirth, DrumStation) and band names (808 State). Famous users include Orbital, Uberzone, Download, Aphex Twin, 808 State, BT, Bomb The Bass, Sense Datum, The Prodigy, Josh Wink, Faithless, Skinny Puppy, Bushflange, Jimi Tenor, A Guy Called Gerald, Eat Static, Dr. Dre, Jimmy Edgar, Nortec Collective, Freddy Fresh, Richie Hawtin, Jean Michel Jarre, Cocteau Twins, Bostich, Marvin Gaye, Latinsizer, Luke Vibert, Ice Cube and Puff Daddy."

Latinsizer / live at Sunrise

YouTube via pepemogt.

Be sure to check out this post followed by these for more.

"playing live at sunrise, Rosarito beach, Mexico.

playing the song TRISINE followed by a jam with 303 bass lines and linndrum beats(more info about 303 and linn below).

Latinsizer
Pepe Mogt In this project Pepe Mogt works with a very synthetic and basic set of musical tools to create a quirky approach to electronic music exemplified by "Ritmo 55", the first track released by Latinsizer which appeared on the Nortec Experimental CD. This approach could be described as a combination of the melodic work of early synth Pop classics such as Eno-era Roxy Music and Switched on Bach, modular synth based artists like Tangerine Dream and the grit of urban Tijuana, Latinsizer "live at MUtek CD" has a more noise dance oriented aproach without loosing his analog roots

Latinsizer becomes an alternate project to Nortec, and particularly, to Fussible, recently playing at experimental and dance music festivals like Mutek or Decibel, currently is working on his new album and EP, Celofán is a video of his latest works.

The TB-303 is THE sound of acid and techno house music! It's a monophonic analog bass synthesizer married to a pattern-based step sequencer released in 1982. It features a single analog oscillator with two waveforms (ramp or square) and has a simple but excellent VCF filter with resonance, cut-off, and envelope controls. There are also knobs to adjust tuning, envelope decay, tempo and accent amount.

How does it work? Well, it's not a performance synthesizer because you have to program a pattern of notes and timing info into it (sort of like a drum machine). Patterns can then be linked into songs. It was originally made to accompany a drum machine, the TR-606 specifically, and provide bass-line accompaniment to guitarists, keyboard players, etc. It was not a successful product in its time. As a result, creative DJs and aspiring electronic musicians found them for next to no money and began using them for techno and acid music. Usually a single pattern is continuously played while the performer tweaks the knobs creating an exciting and expressive musical event.

The TB-303 has become one of the most sought after vintage synths ever! It has helped develop and stylize many forms of electronic music including House, Acid, Trance and Ambient. If ever there was a need for a repetitive bassline/groove or an extremely resonant and bubbly sound, the 303 is KING. Truly a unique machine with a very identifiable sound! It has spun off several imitators as well: Novation BassStation, ReBirth, Doepfer MS-404, MAM MB-33, Syntecno TeeBee, and more (see Related & Alternative Gear sidebar).

Ironically, these days it's become trendy to dislike the 303 again, now because of over-use. But I don't and you shouldn't either because it is one-of-a-kind and it's just got that sound that everyone loves! Fatboy Slim says it best in his song "Everybody Needs A 303".

The LinnDrum was the second machine from Linn Electronics. It's basically an upgraded version of the original LM-1 with added crash and ride cymbals to the kit. The LinnDrum uses samples of acoustic drum sounds. At the time, they sounded great and much more realistic and they were a fresh alternative to the analog drum sounds of the '80's drum machines. The LinnDrum also had a handy upgrade option, a well designed layout and interface, and live drum trigger inputs.

The LinnDrum had beefed up the sampled sounds from 28 to a 35kHz sample rate. It features 15 sounds including bass, snare, rimshot, hihat, crash, ride, three toms, cabasa, tambourine, high and low congas, cowbell, and clap. Up to 12 sounds are available simultaneously. Individual controls are available to tune, pan, and mix each drum sound via dedicated knobs and sliders. An Accent is available for the kick, snare and hats. The handy upgrade options involve inserting new chips containing new sets of sampled drum sounds created by many session drummers of the time.

The sequencer had some innovative features (for the time) such as swing, quantizing and memory storage! Two-bar patterns can be recorded in real or step time, with or without quantizing. There are 56 user patterns for storing your drum patterns. There are also 42 preset drum patterns. Patterns can be arranged into Songs for which there are 49 memory locations. Old songs and patterns can be off-loaded to cassette tape for storage. Designed for the studio, there are 15 individual outputs for each sound around the back as well as external sync and trigger but no MIDI (unless modified by a 3rd party). The LinnDrum's features made it the most professional drum machine of its time. It was widely used throughout the 1980s and there are about 5,000 of them which have been used by professionals (such as Sting, Prince, Jean-Michel Jarre, Sheila E., Todd Rundgren, Jimmy Edgar, Jan Hammer, Peter Gabriel), hobbyists, and educators alike!"