"It just got back from Wine Country Sequential before they closed their doors for good. They went thru the whole synth, replaced the data slider and found no other problems except the after touch is not working, which didn’t bother me enough to have repaired right now. Comes with 3 cartridges."
"Welcome to Bad Gear, the show about the world's most hated audio tools. Today we are going to talk about Korg Wavestate MKII. Is this brand-new digital synth, facelift of the original Korg Wavestate, modern take on the legendary Korg Wavestation from the 90s worthy of the rich wave sequencing legacy? Should you get the much more expensive Wavestate SE, Wavestate SE Platinum or just use the plugin!!! Why not just use the plugin?"
Chapters: 00:00 Intro tune 01:06 Overview Korg Wavestate MK2 01:54 Comparison Wavestate 2 vs. Wavestation vs. Wavestation 1 02:32 Filters 02:43 More differences, UI 02:56 Wavesequencing 2.0, Synth Engine, Display 03:25 Sequencer Lanes 03:40 Timing Lane, XFades 04:00 Sample Lane 04:14 Pitch Lane 04:22 Shape Lane 04:31 Gate Lane, Step Sequencer, Master Lane 04:47 Generative Music 05:01 Mod Matrix 05:18 Envelopes, LFOs 05:30 Vector Envelope 05:38 FX Section, Routing 05:45 Criticism, Other Versions, Pricing, Thanks 06:08 Hate 06:34 Jam 1 (Micro Tech-House) 07:23 Jam 2 (90s Kitsch) 08:31 Finale (Retro Goth Rave) 09:02 Verdict
"Quetzalcoatl is a Harmonic Vector synthesiser plugin (VST/AudioUnit) for Mac OS & Windows. It features:
An 8 stage crossfading oscillator
Harmonic pitch controls for each stage
Pan per stage
Multistage, multimode filter
4 Multifunction modulation sources
A large and diverse sound library
Quetzalcoatl is open source and can be downloaded freely from my GitHub page, this listing is for an expanded version with additional sounds and presets."
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Update: The listing has the FAEMI-M as being from 1968. It seemed a little early to me so I checked my copy of Peter Forest's The A-Z of Analogue Synthesisers. It's listed but without a production date. Right before the entry for the FAEMI-M is the FAEMI children's keyboard which was released in 1972. I then checked http://www.ruskeys.net, but no date is given either. Previous posts refer to the FAEMI-M being from the 1970s. Sound on Sound's article on the Polivoks mentions the FAEMI-M but w/o a date. If anyone defininitively knows, feel free to leave a comment. A couple of interesting comments from that Sound on Sound article:
"The Polivoks is a duophonic synthesizer designed by Vladimir Kuzmin, an electronics engineer who had been the bass player and sound engineer in his student band. Having graduated in 1976, he was inspired to apply for work at the Urals Vector Company by the inventor of the FAEMI, the first commercially successful Russian electronic keyboard. That man was Vladimir Lugovetz, the Director of the bureau that controlled development of electronic instruments at the Vector company, and the father of Kuzmin's future wife."
Followed by "Interviewed by Polish synthesizer enthusiast and supplier Maciej Polak, in 2003, Kuzmin explained: "My first task was to design the spring reverberator, but I also tried to improve the design of FAEMI‑M in order to obtain some modern effects such as portamento and filtering."
Auction details:
"So, the good news: All four oscillator generators are working; I have cleaned the potentiometers, and only one couldn't be fixed, and just one is slightly crackling on movement. I replaced the output jacks with the standard 1/4" jack.
Things I couldn't fix: The vibrato section is not working. Several keys are not working at all, and some of them work when pressed harder.
The external original power supply is unusual – it is combined with the scale pedal in one housing. The pedal works, but it also has a slight crackle on movement.
To see and understand the objective condition, I recorded a video. Please watch below, where I aim to show the specific condition of the device. Despite the problems, it is still alive, and I believe you can either repair, sample, or simply enjoy the time with such an old and unusual synthesizer, even in its current state. Of course, due to these reasons, I have also objectively reduced the price.
The package is fully loaded: synthesizer, original power supply/volume pedal, original 5-Din cable to connect the pedal to the synth, power cable for the power supply, original wooden hard case
Here is some official spoecifications:
Specifications:
Keyboard volume - 4 octaves.
Full sound range (all the registers are switched on) - from F in the controctave to E in the fifth octave.
Output voltage at the load of 100 kOhm - not less than 0.1 V.
Power supply: -from an external DC source - 12 V +10\-20 %;
Power consumption from AC mains - not more than 15 W.
Current consumed from the battery of dry elements - 350 mA.
"A new patch bank for the Prophet X. Also available in the SF2 format for Logic and the Tal Sampler. 50 multi-samples from the Kawai K1 and Yamaha FB-01. Great sounds to add texture and depth to your music and productions.
The samples were originally meant for MY Prophet X, for my live needs. A way of having all my vintage synths in one keyboard when doing live gigs doing MY own songs as faithful as possible to my albums. Every sample in here has been recorded by me personally and sounds exactly how I want them to sound. They've all been recorded through the Yamaha DMP7 digital mixer for extra mojo. Many of the samples are velocity layered multi samples, some upwards of 30-50 samples per set. Be aware that this pack is the multi-samples only. IMPORTANT info for Prophet X users: This sample user add-on pack is imported like this : px/u01
If you want to purchase this bank, please send me an email and I'll give you the download details. Please specify if you want the Prophet X or SF2 bank. They cost the same.
My CONTACT email address is this: espenkraft69@gmail.com Price is $15 USD or €15 Euros if that's your preferred currency. PayPal only. * The above email is NOT the one to use for payment. That will be given upon ordering.
If you haven't already bought my big epic Prophet X sample- and patch bank from before, I'll be happy to offer both that AND this new one in a bundled price of $40 USD (or €40 Euros) combined. Let me know in the email."
Modbap Modular announces availability of Osiris WavPak Volume 3, carefully crafted by Chris Meyer to integrate seamlessly with Eurorack module namesake
LOS ANGELES, CA, USA: Modbap Modular is proud to announce availability of Osiris WavPak Volume 3 — carefully crafted by Learning Modular’s Chris Meyer to integrate seamlessly with the black-owned electronic music instrument manufacturer’s own Osiris BI-FIDELITY WAVETABLE OSC (originally introduced to a captive audience at Knobcon Number Nine, Hyatt Regency Schaumburg, IL, USA, September 10-12, 2021), providing four banks of all-new custom 32 x 32 wavetables which have been meticulously curated and designed to expand anyone’s approach to wavetable synthesis using its Eurorack module namesake — as of November 2…
As the owner of Learning Modular, an online resource to help anyone master their modular synthesizer, Chris Meyer is perfectly positioned to help expand anyone’s approach to wavetable synthesis using Modbap Modular’s Osiris, operating powerfully in and of itself as a (frequency modulation- and phase modulation-including) seven-plus TIMBRE MODE 12HP BI-FIDELITYTM WAVETABLE OSC (oscillator) module, neatly-packed with an independent sub-oscillator, LOFI processing, extensive CV (control voltage) modulation capabilities, a PITCH quantiser, four banks of 32 x 32 wavetables, the ability to load user wavetables via Micro SD card (not included), and its own free open-source wavetable editor (OsirisEdit). After all, Chris Meyer is the talented individual responsible for creating the-then-trailblazing Vector Synthesis technology behind the 1986-vintage Prophet VS DIGITAL VECTOR SYNTHESIZER, supposedly intended to revive the flagging fortunes of US synth ‘giant’ Sequential for whom he worked in an engineering role. Subsequent stints at Digidesign, Music Maker Publications, and Tom Oberheim’s Marion Systems soon ensued, before becoming the Chief Engineer at the now-defunct Roland R&D US while serving also as Technical Chairman of the MIDI Manufacturer’s Association. A transition into the video and film industries followed thereafter as his storied career continued, coming full circle to ultimately end up where he originally started — playing with modular synthesizers.
Duly derived from Chris Meyer’s sizeable studio modular synthesizer — affectionately called The Monster, the four banks of all-new custom 32 x 32 wavetables included in Osiris WavPak Volume 3 are a result of undergoing a meticulous sampling process drawing upon the talents of one of the industry’s leading experts to offer Osiris owners a wide range of timbral possibilities catering to different sonic aesthetics: BANK A — otherwise known as the ‘East Coast’ bank — features wavetables that have been carefully crafted as a result of working with Livewire Electronics AFG’s Animated Pulses and Alien Saws waveforms, as well as Serge-filtered waveforms, using techniques such as audio rate waveform crossfading to offer a diverse palette of sounds, ranging from smooth and evolving textures to aggressive and cutting tones; BANK B — the ‘West Coast’ bank — incorporates techniques like Serge rectification, wave folding, and Serge resonant EQ, the resultinwavetables providing a more experimental and abstract sonic experience suited to those interested in pushing the boundaries of sound design and diving into harmonious tones and textures; BANK C — Formants — focuses on different vowel sounds with a sound design approach anchored around both digital and analogue formant filters for creating expressive vocal-like textures and tones that are ideal for adding a human touch to compositions or exploring more abstract and otherworldly sounds; and BANK D — Harmonics — utilises tube overdrive, filter banks inspired by both Buchla and Moog stylings, as well as featuring analogue and digital additive oscillators.
On the face of it, then, the results are all a testament to the expert craftsmanship involved in ensuring the highest-quality sound production possible. Put it this way: Osiris WavPak Volume 3’s four sound banks were sampled at 96kHz, perfectly aligning with the Osiris BI-FIDELITY WAVETABLE OSC module’s unique, high-quality 96kHz sample rate operation. Ultimately, users can enjoy pristine audio clarity, enabling exploration of full depth sonic landscapes.
Lending themselves a knowing nod in the direction of Chris Meyer’s trailblazing achievements, the X-axis in all the banks contain different waveforms, while the Y-axis introduces different harmonics for each X-wave; the harmonic series used in Osiris WavPak Volume 3 are: H1 (root up), H2 (one octave up), H3 (one octave, plus perfect fifth), H4 (two octaves up), H5 (two octaves, plus major third), H6 (two octaves, plus perfect fifth), and H8 (three octaves up). It is worth noting that in some cases — especially the filter banks, formant filters, and resonant EQ — the waveform also changes with ‘harmonic’ on the Y-axis, allowing for sculpting and refining patches with extraordinary detail thanks to this precise control over harmonic content. Modbap Modular encourages experimentation with different modulation sources patched to its Osiris BI-FIDELITY WAVETABLE OSC module’s WAVE Y to further enhance sonic explorations with the texture-rich Osiris WavPak Volume 3 — think velocity/accent from a sequencer or keyboard, a mod wheel, aftertouch, ribbon controller, or even a sample & hold triggered on each new note to create dynamic and evolving timbres that respond to playing style.
Watch Learning Modular’s Chris Meyer mentioning the-then-upcoming Osiris WavPak Volume 3 — while talking about Modbap Modular’s Osiris BI-FIDELITY WAVETABLE OSC module as a new way to wavetable — at Knobcon Number Eleven, Chicagoland, USA, September 8-10, 2023 here: https://youtu.be/tYkDT82wxx0
a NEW way to WAVETABLE! with Alias Zone & Osiris // Chris Meyer & ModBap at Knobcon 2023
"Chris Meyer of Learning Modular & Alias Zone has A NEW WAY TO WAVETABLE!
Chris has been working on a new X and Y based wavetable systems that does two fascinating things, firstly it "samples" his whole large studio system while keeping that performable and responsive in the ModBap Modular Osiris and secondly he's using harmonics and interval sets to create morphing tunings within those sounds too.
"A demonstration of map01/12/21, an electronic musical instrument that focuses on random, chaotic, and gestural interconnections between its constituent structures. map01/12/21 has been succeeded by map02/21, which offers nearly identical functionality; this video serves as an archival demonstration of the older prototype.
map01/12/21 combines three modules: the map01 Delta Scan Mapping Interface (a chaotic audio generator), the map12 Windowed Temporal Drag Processor (a dynamically re-writable audio buffer), and map21 Multiple Vector Source + Translation Matrix (a MIDI controller that combines two joysticks, sixteen random number generators, a timing generator, and a data routing matrix). map01 and map12 have been abandoned in favor of the newer map02 Delta Scan Mapping Interface + Windowed Temporal Drag Processor, which combines their functionality into a single device.
This improvisational demonstration highlights many of the unique possibilities of each of its constituent parts; ranging from blasts of noise to whistling tones, stuttered repeats, aliasing, goofy computer-generated bleeps, and gesturally-controlled chaos."
"Before breaking down this patch I thought I'd explore a few permutations with the joysticks of the Nested Vector Oscillator by https://thehumancomparator.net/
"All DivKid videos from my trip to Chicago, USA for Knobcon 2023"
Playlist:
1. 73-75 era Serge in the black panel 'Quasar' system // Prism Circuits at Knobcon 2023
Here we meet Sky from Prism Circuits who takes us through what he offers in the 4U Serge format, specifically taking us through his black panelled QUASAR system which uses classic 1973 - 1975 era Serge circuits.
2. Uncontrollable Rhythms from Moon Cycles and beyond // Pet Rock at Knobcon 2023
Here's Jonah from Pet Rock taking us through his sell out, sold at cost, first Eurorack module 'Pet Rock'. The module uses moon cycle data and random number generations to create two complimentary or drifting rhythms of varying step lengths and pattern densities. It's a fascinating concept that could lead to "good days and bad days" for your rhythms.
3. QV-L a POWERHOUSE of a Eurorack modulation source // Five12 at Knobcon 2023
Here's Jim Coker of Five12, of numerology and Vector fame, taking us through his new QV-L 'quad variable LFO'. It's a real powerhouse of a modulation module with 4 outputs, multiple clocking and frequency options, internal modulation, random generators, customisable control/performance options, syncing to the Vector sequencer for additional program changes and lots more.
4. NEW way to WAVETABLE! with Alias Zone & Osiris // Chris Meyer & ModBap at Knobcon 2023
Chris Meyer of Learning Modular & Alias Zone has A NEW WAY TO WAVETABLE!
Chris has been working on a new X and Y based wavetable systems that does two fascinating things, firstly it "samples" his whole large studio system while keeping that performable and responsive in the ModBap Modular Osiris and secondly he's using harmonics and interval sets to create morphing tunings within those sounds too.
This wavetable pack will be released for free through the ModBap site in the near future.
5. A Modular Approach to Eurorack Mixing with BARTENDER & BARBACK // After Later Audio at Knobcon 2023
Here we have several new modules from After Later Audio from Knobcon 2023. Lenny takes us through Bartender, Barback and Cast Iron which make up a new expandable, modular approach to Eurorack format mixing.
6. Simple solid clock sync! The Missing Link & ML:2 (Ableton Link) // Circuit Happy at Knobcon 2023
Giving the demo without any audio to listen to is a big move. A bold move made possible by rock solid behaviour from the devices from Circuit Happy. We have The Missing Link Junior and ML:2 Eurorack modules that are both Ableton Link enable devices for not just clock sync and reset but bar position aware behaviours for triggering and syncing to the patterns too. Impressive all round.
7. Better Spring Reverb! (with more filter features than your filter?) // Bubblesound at Knobcon 2023
It was great to meet David from Bubblesound at Knobcon 2023. I've been a long time user of his modules and he's consistently made quality modules over the years. The upcoming Spring Reverb module looks at Spring Reverb options in existence and aims to make them better, a fully featured SEM style multimode filter is on the module so you can really shape what's going into the physical spring, changing it's behaviour and sound. There's on board feedback which David is leaning into in this video too for more experimental patching.
"I'm just receiving the new Neuzeit Instrument WARP.
Because I'm a bit obsessed by additive synthesis, I wanted to try it quickly...
So here a test of the additive synthesis part of this module.
Yes: I'm not doing a full review of it: only the spectrum edition (and a bit of the SPEC menu too)
To resum, I must admit that contrary to what we may think, the edition is pretty easy and fast. It just need to spend few minutes to read the quick start guide. So it's quite easy to build evoltive and complex sound.
(Ok...it takes time, but it's because there a lot on it, not because of ergonomic issues)
In addition to the WARP, I'm checking the VECTOR WAVE from RYK, which seems similar in some ways. Also easy to use.
And finally, a small reminder of the Kawai K5000R, beast of additive synthesis but too hard to program."
Modbap Modular announces availability of Osiris WavPak Volume 3, carefully crafted by Chris Meyer to integrate seamlessly with Eurorack module namesake
