MATRIXSYNTH


Tuesday, December 29, 2015

Ciat-Lonbarde Tocante - Zenert PHASHI solar powered synth

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"this is a small electronic instrument powered by solar energy... you can use it just about anywhere... and is a fantastic electronic object to play. take a search for "ciat lonbarde" and you will find some of the most unique instruments in the vein of the baschet brothers or the history of synths... these folks are magicians with low brow materials. there are three versions of the tocante - this one is the PHASHI...

here's some info:

Zenert is a simple name, deriving from the source of its noise, a zener diode, and the spectral flavoring applied by a simple resonant circuit, the twin-t. Its operation diverges from the previous Tocante pieces, where finger-touch simply connected oscillator outputs to an amplifier. In Zenert, finger-touch injects the zener noise into the inputs of the flavoring circuits. So instead of a number of discrete symbols at its rim, Zenert has a band of copper tracing, scripted to mimic the waveform of noise. The inner nodes, for circuit bending on Thyris, Bistab and Phashi, are now the injection points for each resonance. The resonators on Zenert share the same tuning-by-capacitor scheme, establishing continuity with the previous ones. Thus Tocante shares a two-faced nature with its nemesis, Ieaskul F. Mobenthey; looking backward to previous designs for the general framework and manifesto, but looking forward to new ways to break out of the mold.

The Tocante line of musical instruments is "about" and "touching" the materials of electronics. Each touchpad represents a pitch according to industry "preferred numbers," chosen by old wartime engineers for non-musical purposes. Here they form a unique and haunting musical scale, not unlike that of a gamelan or the neutral intervals of Persian music. Beyond these base pitches, three golden sandrodes flank each touchpad; touching these androgynous nodes yields intermodulation, pitch and timbral shifts, and emergent chaotic masses. The instruments come in three flavors: thyris the triangle, bistab the square, and phashi the circle. The oscillators sound like a bowed string, a most powerful clarinet, and a howling serene whistle, respectively. Each responds to touch differently. Solar panels charge the onboard batteries, that power the oscillators and a speaker. They are the perfect self-contained instrument for nightly music at the campground.

Technical Details

-Dimensions: 28x8x2 centimeters.
-Range: 24 notes, four octaves.
-Power: 6x300mah NiMH cells.
-Diffusion: 0.5watt speaker.
-Output: 3.5mm mono audio jack.
-Cloudy Day: 2.1mm tip-positive 12vdc power jack (not included)."

KORG MS20c Convertible Wedge Mod


via Carrier

"The KORG MS20c is a wedge shape that can be converted with this simple mod so that it will not take up so much room in your backpack. Just take it apart, throw aside the back and the sides, make new sides, and mount the usb connector."

Note this is the KORG MS20C controller and not the full blown synth.

Iron Ether - Pithoprakta - Trigger / Gate Sequencer


Published on Dec 29, 2015 simon

"Here's an overview of the soon to be released Pithoprakta by Iron Ether, the renowned purveyor of stunning effects pedals.
This is Iron Ether's first foray into making Eurorack modules... and it's a belter.
Please note, this video features the pre-production panel, it will look different to the finished article.

I kept everything pretty simple throughout so that it's easy to tell what's going on, and for the main part I just used it to trigger the drums of my old Syncussion DRM-1.

0:00 - Triggering drums.
2:48 - Triggering drums, with CV control over Probability.
3:06 - Triggering drums, with CV control over Probability, and CV control over Looping.
4:10 - Triggering envelopes for Akemie's Castle, and CV out to Akemie's Castle.
4:58 - CV out to oscillator.
5:45 - CV out to oscillator, and triggering drums.
6:57 - Gates mixed, quantised and sent to Oscillator.
7:54 - Gates mixed, quantised and sent to Oscillator, and CV out to filter cutoff.
9:00 - Clocked at audio rate with 8 outputs sent to a 8 way switch.
11:30 - END"


"Pithoprakta is a probabilistic gate/trigger sequencer, able to create 8 channels of gates or triggers whose probability/density can be defined by the panel controls and/or CVs. The looping function will loop up to 64 steps, the loop length being CV-controllable in powers of 2, and an external gate signal can be used to enter/exit looping seamlessly.

The Probabilities of Channel 1 and 8 are defined directly by the panels controls/respective CV inputs. The other 6 channels' probability levels are interpolated from these two values, so if channel 1 is at 10% and channel 8 is at 80%, channel 2 is 20%, channel 3 is 30%, etc. The thinking behind this is that it allows you to have 8 channels with different probability, or the same if you choose, which can be controlled by just two modulators, rather than requiring a separate modulator for each channel - good for smaller systems or if you just don't want to tie up a ton of modulation sources just to control this one module.

Div mode clocks the 8 outputs, each with a different division of the input clock - divide-by-two down to divide-by-sixteen. The upper 4 channel outputs are "on beats" and the lower 4 channels are "off beats," allowing the user to easily create drummer-like rhythms which evolve over time or improvise infinitely.

Once loop mode is active, the Probability controls become "probability of change," in other words they control the likelihood that a given step of the loop will be overwritten, rather than whether that step is on or off. To keep from deleting the loop as soon as one enters looping mode, the probability controls are ignored when entering loop mode until the user turns them down to 0% and back up.

Ideas for usage
Create rhythms that sound like an improvising human drummer, without resorting to preset sequences. Beats can evolve over time in a way you control.

MMM VCF under two channels use


Published on Dec 28, 2015 Happy Nerding

"Some options of two channels operation for MMM VCF are shown."

Prophet-6,"10 minute tweak, Sirius Symphonical" Analog


Published on Dec 29, 2015 Bob I. Gomez

"Synthesizer, Music"

Sequential Circuits Prophet 2000 / 2002 Sample Disks

Note: Auction links are affiliate links for which the site may be compensated.

A few sets in via MATRIXSYNTH Member, rosynth.

You'll find them listed with other items here. One lot is for a ton of blank disks if you are looking for them, and one set, pictured left, is from Kid Nepro. I remember seeing their ads in Keyboard Magazine back in the day.

JD-990 ambient - Dec 2015


Published on Dec 29, 2015 SynthMania

Scary Drone Patch


Published on Dec 29, 2015 AsselMC

"Using a Sample on Q-bit Nebulae as Source for Modulation of Mutable Instruments Braids (the voice!), via Doepfer A-119 (External Input/Envelope Follower)"

Gil Talmi Shares How He Composed The Lost Arcade With MS-20m


Published on Dec 29, 2015 Korg

"Film Composer Gil Talmi explains his passion for socially conscious projects and for creating scores that truly capture the emotions of the film. Talmi’s most recent score for The Lost Arcade, a documentary about the legendary video arcade culture in downtown Manhattan, utilizes real analog sounds from synths like the Korg MS-20."

Modular Jam #30 - 350 Spectral Clouds


Published on Dec 29, 2015 DivKidVideo

"A fairly simple drone playing around with random modulation with the Synthesis Tech E350, Mutable Instruments Clouds, 4ms SMR Spectral Multiband Resonator and the SSF Ultra-Random Analog. Full notes below.

http://www.patreon.com/divkid

PATCH NOTES

Main Sound Source
E350 XY output and Z output used as left and right audio.

Modulation
SSF URA modulating the X Y and Z on the E350

Processing
4ms SMR with modulation from the SSF URA of the notes and levels. SMR left and right outputs into Clouds stereo input. Modulation of Clouds from Synthesis Technology E355 which also modulates levels on two bands on the SMR.

FX
Clouds has feedback and reverb enabled as well as stereo sewing of it's grains."
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