MATRIXSYNTH

Chill ableton beat making Live with itijik [Twitch Highlights]

itijik

"The Chop Shop 1020 sample pack includes Comakid Dusty Guitar Shots, itijik 96BPM CYBER synth loops, itijik 96BPM wtf synth loops and the itijik Collective version of the NOX 1.0 Drums. I decided to make a chill beat this morning, which turned out to be a challenge in itself. I'm really happy with how it turned out though!

The itijik Squad has a monthly challenge called the Chop Shop. Our samples and recordings are added into a limited sample pool. Then everyone has one month to strictly use these samples to create their 'Chops'. On the first of each month we submit them for the club to hear and give feedback. It's all about regular practice and elevating your production, and a little bit of showing off your chops! I will be posting the chop results and clips of the fresh music we're making here on YouTube and Instagram.

All itijik Collective members will get a selection of samples from each pack the itijik Squad releases, royalty free, for their own projects! There's already some samples and tools posted on the discord server, so be sure to join up if you haven't already. https://itijik.com/join/collective"

SONICWARE LIVEN 8bit warps : live jam with built-in looper

Masaki Takada

"LIVEN 8bit warps is equipped with a 4-track looper, and 1-3 can record internal sound sources and 4 can record external sound sources up to 128 STEPs.
If you prepare the drum, bass, and Uwamono patterns individually, you can gradually add and remove sounds like this 😋"

Erica Synths DB-01: Using it as a drum machine

Richard DeHove

"The DB-01 makes an interesting and unusual drum machine, keeping sync beautifully while being manually played. It also uses features which tend not to get as much love in the usual bass-duties mode, such as the triangle wave, drone mode and FM.

0:00 Creating a simple starter pattern
0:25 Adding pitch envelope
0:42 Copying and adding steps
1:38 Adding accents
1:46 Modifying the pitch envelope
2:22 Changing octaves
2:57 Filter modulation
3:29 VCA on drone mode & tweaking
4:17 LFO on the filter
4:40 Square wave nmode
5:08 Adding noise
5:27 LFO for basic beat
6:24 Step Roll mode
6:58 Fun noodlings
9:00 Changing the Arp pattern style
9:20 Arp in latch mode

https://www.patreon.com/richarddehove
On Patreon you'll also find some DB-01 loops in wav format"

Richard DeHove DB-01 posts

Sequential Circuits Prophet 5 Rev 3 SN 3876

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Recently serviced by Rosen Sound, Burbank, CA.

Sounds amazing, fully functional with MIDI."

CLICK FOR MORE »

J3PO - "Morse Code" - Prophet 5 Reissue - first track

J3PO

"This is the first track I made with the Prophet 5 reissue after I had finished making a bunch of presets for it (still looking forward to seeing which ones will be chosen for the factory banks). The lead patch that I'm playing in this video utilizes the famed poly-mod section. Oscillator 2 is being used as a key-tracked polyphonic LFO (pulse wave) modulating the filter to create different tempos of the "morse code" sound.

All sounds in this video are made by the Prophet 5 except for the drums, which are mostly Roland TR-808 samples, constructed in XLN Audio's XO drum plugin.

Hope you enjoy this one. :)

Follow our good friends at Sequential:

IG: @sequential_llc
www.sequential.com
Youtube: @Sequential

Follow me:

IG: @iamj3po
Web: www.j3po.net
Spotify: J3PO; Julian Pollack; Julian Waterfall Pollack Trio

You can purchase my siganture sound banks for the Prophet-6 and the OB-6 from my website."

Sequential Prophet 5 Rev4 - track snippet

peterkeys88

"I had the privilege of doing beta-testing, and some factory patches for the incredible Sequential "Rev4" Prophet 5 (or 10) this summer. Its a lovely and beautifully simple instrument thats a true joy to play. I started this "all prophet 5" track before i had to send the beta down the road to the next tester. Some FX were added."

Threetom Modular - Steve's MS-22 Now Available from SynthCube

via Threetom Modular

"I'm excited to let you know that Full and Partial DIY kits for building your own Steve's MS-22 are now available from SynthCube. Get 'em while they're hot, they seem to be selling fast!"

Check out Threetom at Dutch Modular Fest 2020 Stream Day posted below at 2:21:25.

Dutch Modular Fest 2020 Stream Day

Dutch Modular Fest

Watch the full stream of our Covid-19 friendly version of Dutch Modular Fest 2020
Held on Saturday 29th of August, live (mostly...) from TAC Eindhoven

TIMING INDEX // SECTIONS
00:00 Intro
00:15 Dirge Seçil Kuran
18:00 Majella Audio
47:11 Allert & Bart talk about Stream Day program
52:53 Mieke van Dam
1:24:17 Joranalogue Audio Design
1:58:55 Cengiz Arslanpay
2:21:25 Threetom Modular Synthesizers
2:44:03 G.T. Thomas
2:59:25 Allert & Bart recap
3:09:20 Synthesis Technology
3:42:36 Space drone beer break
3:58:14 Max & Kyra Frimout
4:21:05 ReBach
4:42:43 Space drone break with Kokkel the Parrot
4:59:48 Mike Lee Birds
5:31:31 Gijs Gieskes
5:56:22 RESISTER
6:31:36 Erica Synths
6:47:49 JacqNoise & Magnetrixx
7:14:58 XOR Electronics: Alten Herren Abend with Thomas Margolf
7:56:21 LudoWic
8:20:34 Ending words

0-Coast Ambient::Fragile:Threaded

C Nich0lls

"This track is composed with Makenoise 0-Coast synth and the 0-CTRL touch sequencer. The principal part is a single-take recording from the 0-Coast. In this piece I was revisiting some ways that I used to use the Korg SQ-1 sequencer. The 0-CTRL allows you to take those ideas further using touch interactions, having 3 rows and a more subtle approach to stage tuning and timing. This recording uses all of these features.

Timing and tuning were dialed in by ear and are deliberately elusive. The main 0-Coast patch uses a 'plucky' setting of it's dynamics, taking advantage of the 0-CTRL's ability to organically modulate the 0-Coast dynamics and contour. it's a relatively simple patch, but all 3 rows of the 0-CTRL are routed to make it expressive.

In addition to the main melodic line there are 3 additional recording takes. 2 are percussive; one a 'kick' and the second a high-pitched/noise burst. The last take is a variant of the melodic line, effectively 'ghosted' by widening the attack of the contour and pitching it up. All of the additional tracks were derived from the same 0-CTRL settings.

All the effects are from the new Strymon NightSky pedal. Each track has it's own custom patch, exploring some of the range of the pedal. All tracks recorded though UA Apollo Twin X."