MATRIXSYNTH


Monday, April 01, 2024

Introducing the Fauxhundred



The FAUX HUNDRED

Details from the brochure:

IN THE HANDS; WHO MAKES THE RULES? HIERARCHICAL PERCEPTIONS GRASPING ELUSIONS OF CONTROL WITH THE LIGHTEST TOUCH ON SENSITIVE PROBLEMS, MIDAS IS HANDLING - HANDLING POSSIBILITIES.

SYSTEMS OF KNOWLEDGE OVERLAP, REVEALING ZONES OF CONFUSION, THE SOURCE ABSURDITY MANIFESTS TO SUGGEST REVISITATION: TO CONTEMPLATE CERTAIN ANGLES OF REPROGRAMMING THE METAORGANISM.

TO CLOSE A KEY IS TO RELEASE THE QUESTION, EXPLORING OTHER CORNERS OF PYCSHOTELEMETRY: MEASURING KNOWN STEPS - INSERTING REPEATING INGREDIENTS - YET FACILITATION THE DEVELOPMENT OF NEW RANGES, LOCATIONAL DYNAMICS IN UNMAPPED ENCOMPASSING DIMENSIONS, AND VITAL - ALMOST IMPERCEPTIBLE - DIFFERENCES TO THE ORIGINAL MEDIA.

THE OBSERVER MAY ABANDON THEIR ROLE TO INSTEAD DEFINE THEIR EXPERIENCE; THUS, DESPITE INDUCTIVE DUST INDICATIVE OF ONE MILLION REPETITIONS, THE NEXT INSTANTIATION YIELDS SOMETHING GREATER THAN ITS SUM.

WAHT IS REAL?
FAUG GOLD IN THE HANDS?
SIXTEEN RECTANGLES NEATLY ARRANGE TEN-STAGE CURVES BY SIX MOON'S PHASE FOUR TIMES. ONCE UNDER LEAD LAMPS, THE EXTINGUISHED LIGHT BREACHES AN OLD WINDOW AND THE SCOPE NOW FRAMES THE NEIGHBORING FIELD, WHERE THE RAM RETRIEVES A MEMORY OF THE BREAKING POINTS.

SO UNREAL: AN INDEX OF CONTINUOUS IMPLICATIONS THAT THE DEFINITION OF THE EDGE IS STILL SUBJECT TO VARIATION, N-DIMENSIONAL TRAJECTORIES TRACING AXES STILL UNKNOWN.

TECHNIQUES ARE EMPLOYED, FROM WHICH UNUSUAL LINKS AND PROCESSES JUMP FUTURE ELEMENTS AN EXAMINATION OF STRUCTURE; INDIVIDUAL MUSIC; INDIVIDUAL LANGUAGE. IN TIME, EMERGENT NONLINEARITIES MERGE TO DEFINE THE USER PROGRAM: A NEW SENSE OF PERCEPTUAL MECHANICS; A SPECIAL RELATIONSHIP TO YOUR OWN EXTERNAL FEEDBACK SYSTEM; A DEPARTURE OR CONTRAST.

TO MATURE IN EXISTENCE, TO FLOWER IN PERCEPTION, EVALUATE RELATIONSHIPS, REDUCE LOGICAL ASSUMPTIONS, SKIP THE NEXT ACTION, AND CHECK THE SUM.

STOP; DON'T LOOK UP; TRANSFER OPERATIONS, SCORE MANIPULATIONS, AND UNFOLD THE OTHER PLANS.

ANOTHER ITERATION, THE TASK'S NEW BRANCH, NOW EMERGING: ADDRESS THE SEQUENCE - THE DEFAULT PERCEPTUAL HIERARCHY PROCESSION, SUCCESSION, AND CHANGE.

WHAT IS REAL?

FAUX GOLD IN THE HANDS.

- Except from Faux Gold

New Patch on the Moog Model 10 Modular Synthesizer


video upload by Beto Hale

"Three oscillators total; one using a sawtooth wave; another a pulsewave, and a third using a sine wave (used as an LFO).

The first two sent to the audio input of the voltage controlled low pass filter; the third (LFO) sent into the Control Voltage input of the filter.

The sine wave of the LFO is set to a frequency to match the tempo (in 16th notes) of the song I’m working on."

SYNTH VS EVIL | Nord Wave 2


video upload by Composer Feliciano

"Evil is an overpowering force, but do is the great synth! This epic electronic music synth jam with a Nord Wave 2 synthesizer repels the spirits of negativity. The battle ends when it ends.

As a music composer / pianist / keyboardist (keyboard player), l always practice in search of new ideas. I would love to create a soundtrack for a video game, animation, or movie. For now, let's just create!

Instagram/Tiktok: composer_feliciano

Spotify: https://open.spotify.com/artist/7fK23..."

Euclidean Sequencers Explained


video upload by Omri Cohen

00:00 - Introduction
00:15 - Eugene
05:38 - Count Modula
10:12 - QAR

Omri's links:

Pateon - https://www.patreon.com/omricohen
Want to learn Modular Synthesis? have a look here - https://bit.ly/learnmodular
Interested in more patching techniques and ideas? Have a look here - https://bit.ly/3o1Q3Sg

rare birds: Welson Keyboard Orchestra (K.O.)

Note: Auction links are affiliate links for which the site may be compensated.
video upload by ohm_studi_ohm

"I've seen many string synths and this one is still one of my favourite. It's one of the happy few string synths I keep. I have one always plugged in my studio and it's actually the one I use the most (along with the Arp Omni 2). It's not the lushest, not the smoothest, not the fatest one and yet there is something I'm particularly attracted to. I like the combination of the 2 strings sounds with the harpsichord one. And on the other hand I really like the piano sound, played alone. It's my favorite of all the electronic piano sound I could hear, except for the Farfisa Professional Piano that is the best electronic piano there is (and with dynamic !).
Design is very close to the Elka Rhapsody 610 but I definetly favor the sound of the Welson. Like the Rhapsody it only embeds a double chorus, and that explain why the sound is not as lush as other stringer that uses triple chorus (most of them). Still they sound very nice IMO."



via this listing

"Quite rare italian polyphonic keyboard with 4 sounds: cello, violin, piano and harpsichord.

Very simple design and yet very nice sounding. Check the demo I made.

You can mute evey section with its dedicated switch and you have control over individual volumes, as well as "sustain" for the string presets and "decay" for the keyboard presets.

Inside there is of course a BBD based chorus, using classic TCA350Y chipsets, like many famous string synth: Eminent Solina, Logan/Hohner String Melody, Elka Rhapsody etc

Like on the Elka Rhapsody it's only a double chorus, not a triple one, so string sound is not as lush as on the Solina or Logan. But these strings sounds very nice, better IMO then the Elka.

There are also seperate outputs for both sections. And furthermore the instrument is quite compact and leightweight (13.5 kilos) for a string synth, which makes a great live performer."

AVP Synth SD-6


video upload by AVP Synth

"Tracks made with SD-6 and various synthesizers. Multitracked with DAW and effects."

0:00 - Track 1
2:04 - Track 2
3:49 - Track 3

Vintage Sequential Circuits - Prophet-20 Revealed


video upload by Vintage Synths & Co

"Designed on the basis of 2 Prophet~10, this is - to our knowledge - the only example of the Prophet~20 that has ever been produced ! This project remained at the prototype stage due to the company’s financial difficulties and the development of the Prophet~VS, which Sequential’s teams considered more relevant and viable."

Yamaha DD-8 1992 Drum Machine with Custom Mods

Note: Auction links are affiliate links for which the site may be compensated.
video upload by Canned Sound



via this listing

"Yamaha DD-8 1992 drum machine featuring a 20-point modulation patch bay. The unit also includes a joystick for immediate performance of four additional effects which are also combined on the diagonal axes for further processing options.

Both of these custom modifications unlock an array of original sounds and rhythmic variations; making a single connection on the patch matrix alters the output but applying multiple connections produces an increasingly complex, sometimes aleatoric range of reversed, tonal, bit crushed, flanged, distorted, aliasing and delayed sounds, additional accents, rhythmic patterns and digital noise. Additionally, the five included patch cables can be stacked for further sonic manipulation.

The DD-8 includes a wide range of rhythmic styles, sound effect samples, 9 percussion sets and echo, flam and roll effects.

The patch bay and joystick affect the 100 tempo adjustable onboard rhythms and, depending on the connections, the velocity sensitive drum pads. The 20 different preset drum and percussion sounds can be individually assigned to each pad. The unit functions as normal when the patch bay is not implemented.

Mains (9- 12v DC) and battery powered (6 x AA), features a 1/4" output, no onboard speaker."

A Motor Synth MKII vs. MKI comparison video


video upload by

"I have the Motor Synth MKII here as well as the older MK1. Here are some comparisons. Table of contents:

00:00 short impression
00:22 hello
00:38 unboxing / a short story
02:19 notable new features and UI comparison
06:02 mechanical noise level comparison
07:28 comparing similar patches (1)
08:54 comparing similar patches (2)
10:00 preset demo 1
11:38 preset demo 2
13:38 preset demo 3
14:43 preset demo 4
15:10 preset demo 5
16:32 preset demo 6
17:29 preset demo 7
18:41 preset demo 8
19:37 a short keyboard improvisation
21:55 bye bye"

HÄLP ZIS CHANNEL
https://www.patreon.com/floyd_steinberg
https://floydsteinberg.gumroad.com/
https://floydsteinberg.bandcamp.com/"

Dark jam with Ableton Push 3, PWM Malevolent, and Hologram Chroma Console


video upload by Jay Hosking

"A live synthesizer jam performed entirely on hardware.

This is the third track I've made specifically for the Push 3, and I'm having a better and better time as I go. There are a few behind-the-scenes videos about this particular setup over on my Patreon.

The idea is that the set/album is playable live without requiring too much mental juggling, but since I'm only presenting them as individual songs, I thought I'd add in the PWM Malevolent for fun. The Malevolent adds well to the overall feeling I'm going for in these songs, and the Chroma Console helps shape the sound even more. Makes me wonder what I could add next time for fun!

Looking forward to playing these all as a set. Hopefully soon!

Thanks for listening.

Reason 12 (behind the scenes) — a lot of the songwriting and structuring
Ableton Push 3 — most sounds, effects, and performance
PWM Malevolent through Hologram Chroma Console — gritty synth bass thing

Performed and recorded live, with EQ, compression, and limiting on the master.

https://jayhosking.bandcamp.com"
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