The Fossils of Intention | Eurorack Ambient

Published on Jan 30, 2016 r beny

"An ambient piece for my Eurorack modular system. All sounds/effects from the rack.

Patch Notes:

Piano Sound: Mutable Instruments Rings (in symphathetic string mode) being excited by Mutable Instruments Braids in "CLOU", running through a Make Noise MMG and a Laurentide Synthworks VG2. The VG is getting a quick exponential envelope from a Make Noise Maths. Rings going through a Mutable Instruments Clouds in granular mode with audio-rate random modulation from a Qu-Bit NanoRand. As the song progresses, I slowly make the envelopes on Maths longer and turn up the wet/dry mix on Clouds. Rings is also multed to an Alright Devices Chronoblob delay.

Lead: A second Mutable Instruments Rings (also in symphathetic string mode) being excited by the same Mutable Instruments Braids in "CLOU", except that the signal is multed straight from the MMG bypassing the LPG for a constant drone. This Rings is going into a Mannequins Three Sisters filter into the high input and output and then into a Make Noise ErbeVerb.

Bass: Make Noise STO running into a second Mutable Instruments Clouds in looping delay mode on the lowest quality setting and a Mutable Instruments Streams in compressor mode.

All sequencing provided by a Korg Electribe 2 via a Vermona QMi2 MIDI to CV module."

Oella | Modular Downtempo Patch

Published on Jan 17, 2016 r beny

"Another downtempo patch for my eurorack modular suitcase. Featuring a Teenage Engineering PO-12 for percussion. Heavily featuring Mutable Instruments Clouds and Rings.

Patch notes:

Main pad: Mutable Instruments Rings (fed by Bastl Noise Square) into Mannequins Three Sisters multed into Mutable Instruments Clouds (on looping delay) and Make Noise Erbe Verb.

Bass: Make Noise STO into Mutable Instruments Streams (VCF mode).

Lead: Mutable Instruments Braids (Pluk) into Make Noise MMG into Alright Devices Chronoblob Delay.

Percussion: Teenage Engineering PO-12 into Mutable Instruments Clouds (granular). Size is randomly being woggled by Qu-Bit Electronix NanoRand and pitch is being randomly woggled by Make Noise/Wiard Wogglebug.

All sequencing provided by the Korg Electribe 2 via MIDI with the Vermona QMI2."

Modular Patch/Performances by Mike Thomas

Published on May 14, 2017 Mike Thomas

Notes for each further below.

Playlist:
Modular Jam : Lords of the West : Rings, Elements, Clouds, Peaks
Modular Melody: Church of Meta Q - Tides (Parasite), Function, Clouds
Modular Jam: SynthTech E350/E355/E440, Mutable Instruments Elements/Clouds, Pittsburgh SV-1/KB-1
Modular Patch/Performance: Slow to Go
Modular Patch/Performance:- The Big Build
Modular Patch/Performance: Sargasso
Modular Patch/Performance: Fair Winds
Modular Patch/Performance - Over the Clouds
Modular Patch/Performance: March of the Shift Register
Modular Etude #1

Notes:

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Modular Jam #25 - Pumping Streams

Published on May 25, 2015 DivKidMusic

"Had some fun with this one creating the house/techno chord stabs and sidechained bass set to some simple drums. Full and detailed patch notes below.

Hit like and subscribe for more videos every week and check the Patreon link if you want to support my channel.

http://www.patreon.com/divkid

PATCH NOTES -

DRUMS
Kick and snare from Mutable Instruments Peaks mixed into Mutable Instruments Frames working as a basic mixer. Hi Hat is the white noise output from a Frequency Central System X Sample & Hold + Noise module going into the Intellijel uVCA II with an envelope from the Erica Synths Polivoks EG.

BASS
Mutable Instruments Tides with shape modulation from the System X Sample and Hold and smoothness modulation from the SSF URA Sample & Hold B output.

CHORDS
This is the WTx4 chord mode on Mutable Instruments - Braids. Chord types are changing with an RYO VC Sequencer and the System X S&H modulates the wavetable Timbre.

SEQUENCING
Is done with 1 RYO VC Sequencer controlling pitch attenuated by an RYO Vertmix before going into an ADDAC 207 Quantizer. This goes to both Braids to change the root of the chords and also the bass from Tides. The second RYO VC Sequencer as mentioned above modulates the chord types. All clocks for modulation and sequencing comes from the ALM Busy Circuits Pamela's Workout. The rhythmic trigger for Braids internal envelopes modulating the internal VCA is also from Pamela's Workout in euclidean mode.

MIXING & PROCESSING
Frames mixes the 3 drums and chords and then goes into Streams in compressor mode for some gentle glueing. The bass goes into Streams and as sidechained in the bonus compressor mode against the kick. Frames output goes into one channel on the Erica Synths Fusion Series Tube Mixer. The bass comes into channel 2 and the Braids chords sound is split with a stackable and taken into a Doepfer A-199 Spring Reverb which is then brought into the third channel of the Tube Mixer before going to my soundcard."

Laurentide SynthWorks - PRM2 Demo (Dual Passive Ring Mod)

Published on Sep 9, 2015 Laurentide SynthWorks

http://www.laurentidesynthworks.net/

"The PRM2 is a dual passive ring modulator with a twist. There are two toggle switches that are connected to 2 of the 4 diodes (per ring mod). Each toggle controls one + and one - diode. They can be switched off and removed from the circuit. This creates an unbalanced modulation between the audio transformers, lending to some pretty gritty and interesting results. This demo has both diodes switched off. In this configuration, there are a lot more "dead spots" causing a more dramatic rise and fall resulting in more pronounced VCA type modulations.

The PRM 2 is using a Make Noise STO Saw Wave for the Carrier and a Mutable Instruments Braids set to CSAW for the input. The output is fed into Mutable Instruments Streams (Left Channel) which is set to compressor (and maxed out). The Streams output is fed into the Synthroteck Echo and the rate is controlled by a Synthrotek Sequence8. The output of the Echo then goes into a Music Thing Srping Reverb set to about 10 o'clock. Finally it is sent to the Sputnik 6 Channel Mixer.

The drums are a Mutable Instruments Peaks (Kick & Snare) which are mixed with the Manhattan Analog Discrete SVVCF and sent into the right channel of Streams which is also set to Compressor mode (and obviously maxed out). The output is then sent to the the Sputnik Mixer. The individual kick and snare hits are sent untouched to the Sputnik Mixer as well to maintain low-end and shape."

New Ornaments & Crimes Polymorphic CV Generator Euorack Module

Uploaded on Apr 23, 2016 Tim Churches

"This video provides a very brief overview of version 1.0.0 of the Ornaments & Crimes firmware for the ornament & Crime DIY eurorack synthesier module by Max Stadler (mxmxmx). This enhanced firmware has been a collaborative effort by Patrick Dowling (pld) (who did a great deal of the work, and all the heavy lifting), Max Stadler (mxmxmx) (who designed the module and wrote all of the original firmware) and Tim Churches (bennelong.bicyclist)."

via GitHub:

"ornaments & crimes is a collaborative project by Patrick Dowling (aka pld), mxmxmx and Tim Churches (aka bennelong.bicyclist) (though mostly by pld and bennelong.bicyclist). it (considerably) extends the original firmware for the o_C / ASR eurorack module, designed by mxmxmx."

And additional details via mxmxmx:

"it can now be found here. and it runs on the (almost) eponymous module.

huge props go to pld and bennelong.bicyclist who've basically rewritten the firmware from scratch and mutated the thing beyond recognition, both in terms of functionality and performance.

everything is, of course, open source and we've even made a little schematic for you (NB: post-hoc). speaking of: special thanks must also to the ever-generous olivier gillet, on whose code much of this new functionality builds. (and the hardware, too, gradually gravitated towards being fairly MI-esque). not so much the user interface, which does everything the one-knob-per-function doctrine interdicts: displays, menus, encoders ... the payoff is that you get a polymorphic module that can serve several functions somewhat more transparently:

there is still a improved and enhanced quantising ASR (analogue shift register) function in ornaments & crimes, now named CopierMaschine, but several other "apps" have been added. these "apps" are selectable on-the-fly, without having to reboot the module or power-cycle.

The apps currently available in ornaments & crimes are:

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Lo-Pass Gates (LPG) | From the Buchla 292 to Mutable Streams

video upload by Cinematic Laboratory

"I've been using a lot of LPG models, including a few that don't use vactrols. However, I use the Buchla 292 as a reference because it represents the original design. If it doesn't (at least) sound like a 292, it's not a LPG in the classic sense. But it can still be something better or cooler. Manufacturers have the freedom and creativity to build on it, and make it their own, like the QMMG, Streams and the Steady State Gate.

The MakeNoise modules are strongly represented, because it's cool to see all the subtle (and not so subtle) differences between modules. They're all unique signs of the times.

I wish I could include the Rabid Elephant Natural Gate because it may be the most natural gate around, and seriously missing in this collection. It is advertised to be 'strike speed aware', and it also knows that a high note rings shorter. I managed to find a reasonably priced one in Germany and it's on its way to the Lab. It also seems the Rabid Elephant website came back to life, so hopefully they're producing again.

It's funny, but I got Mutable Streams about six years ago and couldn't position it next to the Veils VCA. I remember buying it for the compressor. At the time I had no idea what a LPG was. The manual talked about Buchla, but what the hell did I know. I remember watching DivKid's video, but at the time it sounded like Russian poetry.

Now I know what an LPG is, but my encounter with Streams is about 24 hours young. I remembered a little vactrol symbol on Streams (I am blessed with photographic memory), so I looked it up in my box of forgotten modules, read the manual and was surprised to read it's a dedicated LPG module. All modes have something to do with a low pass gate. I patched it up and was blown away by the possibilities you probably already know about. But I need to learn too, especially stuff I have lying around unused for many years.

00:00 Introduction
00:21 Plaits 2 OP FM as a source and the built in LPG.
01:27 Buchla/TTA 292T - The Reference
03:32 MN Optomix LPG
04:26 MN Dynamix VCFA
05:46 MN LxD
07:29 MN DXG
08:51 MN QMMG
10:18 SSF Steady State Gate
12:39 Noise Engineering Sinc Bucina
13:28 Endorphines Sqwk Dirty
14:14 Mutable Instruments Streams"

Mutable Instruments - Streams (basic features)

Published on Dec 20, 2014 synthemodulaire

"Demo of Streams by Mutable Instruments, a dual signal processor.
It includes an analog VCA, an analog VCF and a digital signal processor.
The module shines while processing CVs, the purpose of this demo was to show the basic use of the module.
Please listen with headphones or good speakers, the original dynamics have been preserved so some examples may sound quite low.
http://mutable-instruments.net
www.synthemodulaire.com"

amygdala.exe | Eurorack Composition

Published on Jul 10, 2017 Head[Space]

"Modules used and some brief patch notes:

All sequencing is programmed on a pair of ER-101's, one of which is coupled to a ER-102 sister controller module.

Continuing on my journey of creating music solely on a modular synthesiser, this song has been in the works for a while (a lot longer than I would usually spend on a patch anyway) partially because i'm expecting an ER-301 any day now after a long lead time, I wanted to integrate the 301 as i'm interested how the 301 is going to affect the music I can create in a modular environment, i'm excited to sink my teeth into it. Secondly to that, I felt an emotional connection with this track i've enjoyed listening to it, exploring it and programming it.

At the heart of my rack is a pair of ER-101's that do all of the sequencing, each one has 4 tracks, each track has 3 outputs (CV-A,CV--B and GATE) I will often use CV-A for melody or pitch and CV-B for distributing control voltages to parameters around the rack, if however CV-A is on a track that is only outputting Gates that gives me 2 channels of CV that can be fine tuned to any value, lots of control just the way I like it. I've always written music in a DAW, and the ER-101 pair allows me to approach sequencing in a similar, reserved and meticulous way.

They provide me with all the brushes I need for my paintings.

There are 3 main voices,
- Elements in Ominous Voice mode 4x4 FM operator, which is the main melody. Damping controls the amount of filter modulation from the internal envelope on the output of Elements, so to add accents and introduce more frequency content. CV-B track 3 on the ER-101 controls damping, and the entirety of track 3 controls Elements.
- Loquelic Iteritas - in SS mode playing chords with rings. Some modulation sent from Ornament and Crime controls FOLD (introducing more frequency content) using the same gate to trigger a different envelope.
- Rings in 2x2 FM operator mode, tuned to a nice interval for nice dispersion of harmonics. This plays chords with Loquelic (and itself, polyphony is set to 4 voices), small amount of modulation to the POSITION on Rings, controlling the feedback between oscillators creating some really nice beating on the lower frequencies. Rings is sent to the Erbe-verb which is always modulating itself so the internal Lfo is set to 11.30, decay is set to 12.00, Depth at 14.00 decreasing the depth of modulation, Tilt at 10.00 filtering out some of the upper harmonics and absorb is at 12.00 also filtering / dulling, ultimately thickening the sound the Erbe-verb is fantastic.

Clouds is processing Loquelic, creating random grains and adding reverb

DPO - is used for the kick created using Streams as a VCA / Envelope combo Exponential envelope and a second envelope from MATHS to modulate the exponential FM input on the DPO for a sharp descending pitch.

DPO second oscillator FINAL output is used to create the percussion, fm sent from VCO-A to VCO-B FM index all the way up, Exponential attenuator full lock, linear at 10.00. Sent to Dual looping delay, the DLD's parameters are modulated by the ER-101.

Braids is used to create a snare, using its internal envelopes / modulation. Also sent to the DLD, delay time is modulated from really short times to slower, to create fills.

Belgrad is filtering the Loquelic Iteritas' more digital harmonics out. with 2 different resonant peaks, allowing me to pick out the harmonics I thought sounded best.


ER-101 x2 - Orthogonal Devices
ER-102 - Orthogonal Devices
TEMPI - Make Noise
Ears - Mutable Instruments / Music Thing Modular
Ornament and Crime
Belgrad - XAOC Devices
Clouds - Mutable Instruments
Dual Looping Delay - 4ms
Erbe-verb - Make Noise
A-138b - Doepfer
Elements - Mutable Instruments
Rings - Mutable Instruments
Loquelic Iteritas - Noise Engineering
Optomix - Make Noise"

The Witch (Pittsburgh Modular,Mutable Instruments,4ms)

Published on Dec 1, 2016 Metatron's Cube

"Deep in the northern forests, a witch collects Amanita under the canopy of trees. Frosted air, overflowing streams, a deer's gaze from a hilltop.

Some experimentation trying to figure out some these crazy modules. I sort of want to add some other stuff on top, we'll see how that goes(The Korg Arp odyssey desktop module just came so that might get some attention). Thanks for watching and listening!

Gear pile:
Tiptop Audio Mantis rack
Pittsburgh Modular system 10.1 + TC Electronics Hall of Fame reverb
Pittsburgh modular Game system (drum sequencing)
Mutable Instruments Rings
Mutable Instruments Clouds
Mutable Instruments Peaks (drums)
4ms Spectral Multiband Resonator
Sputnik 6 input mixer
Arturia Beatstep Pro
Zoom R24"

First patch with the Mutable Instruments, Clouds, Elements, Streams and Shelves modules

First patch with the Mutable Instruments, Clouds, Elements, Streams and Shelves modules from Richard Devine on Vimeo.

Sequence starts with a cable connection to the clock output from the Steady State Fate Ultra Random module. This clock output was sent to a intellijel hub mult. From here the clock was sent to first to a 4ms RCD/QCD, Delptronics Trigger Man, and to the MakeNoise Rene. First output gates from 4ms RCD 4 divide output to the trigger input on the Braids module top row, running in "WLM" mode. Second multi output was sent to a 4ms QCD output green channel 4, set at division trigger time of 16. This would trigger single notes on the "Elements" module, that begin at 1:42. The playback mode is running in "Secret Easter Egg Mode" :-) The selected note sequence from the QCV output from Rene. Final output from Elements was sent to the Eventide "Pitch" pedal using the "Crystalizer" algorithm.

Clouds - was processing recorded chunks from the drum percussion, kick used from the top row "Peaks" 808 kick drum synthesis model. Then a snare created from the "grey" noise output from the SSF Quantum rainbow running through right side of Streams to make a snare drum, which was running in envelope mode with shape position to the left, short decay. Then a third voice using the blue noise output from the SSF quantum rainbow for hi-hats. Amplitude triggered/controlled by a HexVCA. The drum sequence was programmed from the Delptronics Triggerman, using all 8 patterns stringed together running in pattern play mode but being CV controlled by the S&H # 1 output from the SSF Ultra Random. Output for all voices was grouped and multiplied into two separate mixers. First three channels of the Intellijel Mutamix, which was then sent to output channel B. From there the summed mix was sent into the "left" side input of Clouds. Then triggered in time with the sequence by a 8th division trigger from the 4ms RCD. The freeze input in Clouds was triggered in time 7th divisions from the 4ms RCD, so that the chunks would process and record then play back in spurts of timed randomness. The mode was set in the pitchshifter/timestretcher configuration, where the grains where spliced so that created interesting granular pitching repeats and percussive glitch effects, as the rhythmic beats played through. Focused ranges where selected for the "Density/Pitchshifter" and "Timestetcher/Texture" controls. These where being controlled by the S&H #2 output from the SSF Ultra Random. The 1/volt pitch input was controlled by the toggle A/B output from the SSF ultra random. The clean drum outputs also sent to the channels 5, 6, and 7 on the Blue Lantern "Mix 'Em Up" module.

Streams left side processing from the MakeNoise Mysteron output, which was being triggered by the 5th division output, for the metallic ripple delay like sounds, with the mutation knob set to counter clockwise, low bit mode.
The "Shelves" module was processing the acid like filter parts that get un-muted at 12 seconds. The sound source running into "Shelves" was the "Braids" module bottom row, running in "CSAW" mode. CV controlled by the CV output from the MakeNoise Rene sent to another intellijel hub mult. From here each CV output was sent to the "Frequency" inputs pink, green and white jacks on "Shelves". The "Tides" high tide output modulation the CV controlling the top frequency input on "Shelves" Each filter knob was set so the incoming "CSAW" input was being processed like a formant filter effect.

Smooth Sub OSC bassline coming from the MakeNoise STO. This was being CV controlled by a intellijel µScale (B) output. Playing back 8 notes while being triggered from the 2nd division trigger on the 4ms RCD. Triangle wave output from a Intellijel Dixie (syncd) to the sequence controlling the input (1V/Oct). Second STO at 55 seconds, alternating high note triggers from the 1 channel output from the 4ms QCD 6th division output. The second STO output sent to a MakeNoise Optomix for short quick plucks.

The light reverb soft lead at 1:15 from sine wave output from another intellijel Dixie, being CV played from the 1V/Oct input from MakeNoise PressurePoints. The output was then ran into a Strymon "BigSky" pedal running the "nonLinear" reverb algorithm. The Chords coming in at 1:35 played by a Qu-Bit Nebulae module. The 4 chord sequence was hand played and recorded from a Roland Jupiter-6,. The sample was then cut into a 32 bar loop and then was restarted/played from a the 3rd output trigger on the 4ms QCD. This output was manually volume controlled by a Intellijel µAttQuad log/lin attenuator. Grids was being clocked from multi output from the SSF Ultra Random, from here the first output trigger channel was sent into a Addac 101 .WAV Player. Notes sequenced and recorded from the Mutable Instruments "Elements" Module. 4 notes in a specific order was played 4 times 32 bars/samples. This was triggered by the gate input triggered by the Gate Y output on Rene. Trill high notes from Microbe Modular Equation Composer running in Synth3Osc is a 3 osc synth mode.

Sea People - Hardware / No DAW Jam #36

Published on Sep 6, 2018 Jay Hoskins

Title: Sea People
Genre: Electronic Melodic Ambient Downtempo
Artist: Rite Rain Causality - Jay Hoskins

In this track the Tonestar 2600 provides the bass line sequenced by the Timbrewolf. I wanted to try longer patterns in the eurorack so all four channels of the Timbrewolf are used and switched through a sequential switch. The gates are independent of the cv and generated by the Turing machine. The Minilogue provides an initial pad and then a melody is recorded live into the sequencer. The circuit is doing drum duty and additional bass reinforcement. Finally the MS-20 is adding some lead pads. Delay and reverb are from the Flashback and Hall of Fame.

Played live without a computer and recorded directly from the mixer outputs.

Equipment

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Modular Jam #33 - Beatstep Pro

Published on Jun 6, 2016 DivKidVideo

"Just a quick edit from some video I captured when I first got my beatstep pro. Which is mainly my drum sequencer at the minute.

PATCH NOTES

Beatstep pro is providing triggers for the drums and also using a spare drum trigger out providing the swung clock for the patch.

Drums

The HexInverter Electronique Mutant Drums providing the backbone for the jam with the Mutant Bassdrum, Clap, Hats and Mutant Machine all mixed within the Mutant Hot Glue.

Bass

Sequenced by the Audio Damage Sequencer 1 with ratchets and accents the sound source is the Sputnik Modular Dual Oscillator. Timbre and waveshaping modulation comes from two of the modulators in the Sequencer 1. Both in LFO mode one set to a 7 step length sine wave and one a 16th note random stepped LFO. The gate out on the Sequencer 1 is triggering the Sputnik Modular Quad Function Generator which also modulates the Dual oscillator and also the Sputnik Modular Quad VCF/VCA (LPG!). This then going into the Make Noise Erbe Verb for some basic reverb FX with plenty of hands on control for jamming with.

Arpeggio

This is Mutable Instruments Braids going into Mutable Instruments Streams for basic envelope control over the on board analogue VCF and VCA. The sequence comes from the sample and hold on the SSF Ultra-Random Analog. This is then quantized by the ADDAC 207 Quantizer. Playing with the level of internal noise of the Ultra-Random Analog and the active notes on the quantizer we can get a moving and changing random arpeggio.

FX

Sputnik Modular Dual Four Tap Delay and Crossfader is taking the square wave output of the Dual Oscillator (as opposed to the waveshaped out we hear for the bassline) which is first processed through the low pass gate in the patch. Feedback on the delay is set up with the Mutable Instruments Ripples filter in band pass mode also taking LFO modulation from the sequencer 1. Patching in feedback on the delays gives us another element to modulate with a phaser style swirling sound from the LFO on the filter as well as some reflective delay sounds."

Mutable Instruments Blinds super duper secret handshake hidden easter egg mode!*

Published on Oct 24, 2017 Comparative Irrelevance

a.k.a.: "You won't believe what happens to this Mutable Instruments Blinds module."

a.k.a.: "374 things you never knew about Mutable Instruments Blinds – number 97 will shock you!"

a.k.a.: "Sorry, I couldn't help myself."

*(not super duper secret handshake hidden easter egg mode, Streams sold separately, all characters portrayed are entirely fictional).

Intellijel Shapeshifter, Dual ADSR & Mutable Instruments Streams, Clouds

Published on Feb 9, 2015 bigcitymusic

"The Critter and Guitari Pocket Piano is sending MIDI to the Vermona Quad Midi Interface which is controlling the pitch of the Intellijel Shapeshifter and triggering the Intellijel Dual ADSR. The Dual ADSR is cycling through Shapeshifter presets. The Shapeshifter is being processed by the Mutable Instruments Clouds and the Streams module in Vactrol Mode. The Planar joystick is used to control parameters of Clouds."

Mutable Instruments Streams LPG, Tiptop Z-DSP delay eurorack

Published on Feb 25, 2015 bigcitymusic

"The left and right channels of Streams are set to Plucked Vactrol mode (fed by the left and right channels of Elements). Streams is output into the Tiptop Z-DSP Dragonfly Stereo Delay. Each gate of the MIDI sequence is striking the EXCITE input of Streams."

http://bigcitymusic.com/

29²

video upload by Ebotronix

"Mutable Instruments System ~ even in the odds 29/8
5x Stages , Yarns,Marbles.Grids,Blinds,Kings,Elements,Edges,Frames,Streams,Clouds,
2x Links,2x Rings ,2x Braids,2x Beads,2x Ripples V1,3x Tides, 3x Blades,
6x Shades, 6x Ripples V 2, 6x Stages, 6x Veils V 2,12x Plaits
Eurorack 2x R B 182 to DMX Light by Sound Machines SY1 Synesthesia to
Fun Generation LED BARbara 24
Tunefish Modular 3x Ornament and Crime Mixolylian Scale
29.02.2024
video # 2346"

29

video upload by Ebotronix

"Mutable Instruments System ~ even in the odds 29/8
5x Stages , Yarns,Marbles.Grids,Blinds,Kings,Elements,Edges,Frames,Streams,Clouds,
2x Links,2x Rings ,2x Braids,2x Beads,2x Ripples V1,3x Tides, 3x Blades,
6x Shades, 6x Ripples V 2, 6x Stages, 6x Veils V 2,12x Plaits
Eurorack 2x R B 182 to DMX Light by Sound Machines SY1 Synesthesia to
Fun Generation LED BARbara 24
Tunefish Modular 3x Ornament and Crime Mixolylian Scale
29.02.2024
video # 2347"

Erica Synths - PICO DSP *first patch*

Published on Nov 15, 2016 DivKidVideo

"Here's my first play around with the PICO DSP joined by the PICO DRUMS and RND modules too. There's also a kick from the Hexinverter Mutant BD9, Snare like thumb from an "FM'd" Mutable Instruments Rings and a short 16th note like clave sound from a resonant "FM'd" Mutable Instruments Ripples into Streams. This is all mixed into the WMD Performance Mixer."

via Erica Synths

"Erica Pico DSP is a small brother of our recognized Black Hole DSP module. It features 8 custom effects with two adjustable parameters and CV control over the first parameter.

Features:

8 great sounding stereo custom effects
2 adjustable parameters per effect
CV control over the first parameter
Dry/Wet control
Stereo output
Colour coded effects selection
With Pico Series we challenged ourselves – can we make ANY superior functionality synth module 3HP wide and affordable? Yes, we can.

Price: 120EUR
+ 21% VAT for individual customers in EU without EU VAT registration number + shipping"

eurorack modular synthesizer ambient jam

Published on Feb 27, 2015 bigcitymusic

http://bigcitymusic.com

"Patch notes:

Melody from Intellijel Shapeshifter to Mutable Instruments Shelves and Streams to Sputnik Quad VCF/VCA to Tiptop Z-DSP Dragonfly Delay
4ms QCD/QPLFO to Sputnik Quad VCA/VCA CV input
Sputnik West Coast Random Source to QCD Div/Mult
Percussion from Mutable Instruments Elements to Tiptop Z-DSP Dragonfly Delay"

Angular Distance Amplifier - Mutable Instruments Elements

Published on Apr 22, 2016 A Box In The Sea

"All sounds are made via the Mutable Instruments Elements and parallel processed through Twin MI Clouds, Mannequins Sisters, guitar pedals - Echo Degrader, Take 5, El Capistan, Big sky and Afterneath . The gates and all modulation are self generating. The Octatrack is sending clock to Tempi to control all modulation including the Tempi itself. I'm sampling into the Octatrack all throughout the piece and jumping back and forth between the modular and the OT to constantly mix in and out all parallel streams."