MATRIXSYNTH


Tuesday, October 28, 2025

Craig Padilla - JOURNEYS THROUGH SPACE - Live June 1990 FULL CONCERT SHASTA COLLEGE THEATRE


video upload by Craig Padilla

From below:
This music was created without the use of sequencers; all of the background music was recorded in real-time on reel-to-reel tapes. I used a Kawai K1 synthesizer, a Siel DK-80 synthesizer, and a Roland TR-505 drum machine. A Peavey AddVerb II was also used for effects. For this show, I was loaned a portable Casio Midi Controller, which I connected to the Kawaii synth to use for the song "Destiny's Flight."
"Please consider donating a much appreciated monetary tip to:
PayPal.me/CraigPadillaMusic

Notes from Craig Padilla:
This was my first public performance on June 8, 1990. It was at the Shasta College Theatre in Redding, CA, and it was my college final project for my Creative Sound Design class. Many people involved with the theater department helped out with this project.

I came from a theatrical background, and I had been used to facing the audience, which is why I performed while facing the audience during this show. My Uncle Joe saw this video and suggested that I should perform sideways so that the audience can see what I'm playing. Thanks to that advice, I've been performing that way ever since. This concert is the only time that I've performed while facing the audience.

This music was created without the use of sequencers; all of the background music was recorded in real-time on reel-to-reel tapes. I used a Kawaii K1 synthesizer, a Siel DK-80 synthesizer, and a Roland TR-505 drum machine. A Peavey AddVerb II was also used for effects. For this show, I was loaned a portable Casio Midi Controller, which I connected to the Kawaii synth to use for the song "Destiny's Flight."

Please be mindful of the visual quality of this video. It has been remastered from standard definition and upscaled to 1080p HD with audio remastered from a chrome stereo cassette tape. I am fortunate that it looks and sounds as good as it does.

The original broadcast video aired on Redding Community Access TV in 1990 and 1991. It was shot on VHS tapes from two camera angles and edited on a Super VHS tape. Unfortunately, the audio on the broadcast video was recorded from the main onboard camera microphone, which had a muddy sound. (At the time, I thought that it was better to use that audio than to have no publicity for my music.) 35 years later, thanks to current technology, the stereo audio from the master cassette tape has replaced the original audio track. It has been pitch-corrected to sync up with the video, which is something I never thought would be possible! The video was also enhanced to brighten some of the shots.

There is a small black bar on the second camera angle, and that was to cover up a graphic date that was imbedded in the video of that camera. I had decided that the black bar was less distracting than a graphic on the screen whenever I switched to that camera.

I am fortunate that I knew people who would loan me their cameras for this performance, and equally thankful to my friends who offered their time to operate the cameras!

Matt Denton, a long time friend from high school, was the main camera operator. I met Bryan Arnold while attending college. Bryan loaned me his Kawaii synthesizer for the music, and was the second cameraman who had to briefly step away to perform a song. T. Owen Smith designed the light show, and he suggested that I throw a flame out of my hand at the end of the last song. I had known Dwight Husted since high school, and he was the lighting operator who ran the light-show. My college friends, Jeff Yarnell, Karen Wodsack, and Dale Gipp, were the stage crew who also contributed the idea to use actors in body bags and dress as aliens for a song. And Dale Kilpatric helped me produce the show, and he performed with his amazing classical guitar for a song. (More people helped, and their names are listed in the end-credits of the video.)

Over 100 people attended the performance which was a benefit for the Shasta Summer Theatre Festival. I give many thanks to DJ Ron Dare for hugely promoting my music on his radio show, "KCHO's Music for A New Age" in 1989 and 1990 (and years beyond that). Also, thanks to Robert Soffian, the head of the theater department, for allowing me to not only act in his plays, but to also have me record many songs for the various theatrical productions during that time. And many thanks to everybody who helped to make this concert possible so many years ago.

Extra big thanks to everybody who supported my music then and continues to support it now.

Song list:
00:00 - KCHO DJ Ron Dare Announcement
02:30 - Shanda's Song
08:05 - Waltz of the Planets (dedicated to my friend Derrick Guderian)
14:15 - Spanish Journey (featuring Dale Kilpatric on guitar)
19:50 - Destiny's Flight (dedicated to my Grandmother)
30:43 - Path of the Falling Stars (featuring Bryan Arnold)
36:00 - UFO Theme
42:05 - Other Beings (featuring many theater friends)
47:45 - Journeys through Space

A 24-bit download of this performance will be available at www.CraigPadilla.com [https://craigpadilla.bandcamp.com] in November 2025."

Arc*C is mad!


video upload by Richard Devine

"Arc*C is mad!"

See the announcement post on the Destiny+ Arc*C here.

Oberheim TEO 5 Exploration demo


video upload by Infested Alien

"Let's play around a bit with the Oberheim TEO-5."

PĒRKONS + PERfourMER


video upload by Electric Bear

#vermona #ericasynths #electronicmusic

Liam and the Pro Soloist V4


video upload by Alan R. Pearlman Foundation

"Liam and the Pro Soloist

Presented by:
Liam Duggan
Lucky Winner of an ARP Pro Soloist
Signed by Tony Banks

Liam has been active in the UK music scene since the late 80’s. From playing in punk bands in his teens, djing in Bristol’s early acid house scene to working in the studio with Mr Scruff and DJ Krust, touring as keyboard player for the reknowned Bristol band Breakbeat Era, and working as a synth programmer for Bryan Ferry.

Liam has a deep love of music and synthesizers. ARP Synthesizers in particular. His email address ends in 2600.

This raffle was made possible by:
Andrew Ward, Tony Banks and Machina Bristronica

Thanks also to: Alex Ball, Alison Cassidy, Bell Tone Synth Works, the Board of the Alan R Pearlman Foundation, Cherry Audio, Gino Wong, Korg UK, Mike M. Martin, Moog Music, Nick Carlisle, Robbie Puricelli,
Robert Saint John, Rupert Greenall,
Sweet Discrete and Vito Nando"

https://alanrpearlmanfoundation.org/

Polyphonic Aftertouch with Glasys – Pitch Modulation


video upload by Sequential

"In this short clip, Glasys demonstrates how polyphonic aftertouch can be used to add expressive pitch modulation to individual notes — creating bends, slides, and vibrato-like effects with just finger pressure. It’s a powerful way to bring more nuance and emotion into your playing.

Learn more about Fourm at Sequential:
https://sequential.com/modern-analog/fourm/"

Freeez – I.O.U. (Novation Summit Recreation) #80smusic #novation #shorts


video upload by Nicolas Melis

KORG Announces New Leadership Team


Press release follows:

KORG Announces New Leadership Team:
Miyou Kato Named CEO, Hironori Fukuda Appointed COO

Melville, NY – KORG Inc. announces key leadership appointments aimed at reinforcing its management foundation and guiding the company into its next chapter of growth and innovation.

Effective immediately, Miyou Kato has been appointed Chief Executive Officer and Representative Director, while Hironori Fukuda has been named Chief Operating Officer and Representative Director. Together, they will lead KORG with a focus on strategic development, operational excellence, and continued innovation in the music technology industry.

In conjunction with these appointments, Makoto Kato, has transitioned to the role of Chair of the Board. He will continue to support the executive team and provide guidance rooted in the company’s legacy and values.

These changes follow the passing of former President and CEO, Seiki Kato, in February 2025. In June 2025, Makoto Kato stepped in as President to ensure stability and continuity. After thoughtful consideration and collaboration with the new leadership team, he now assumes the Chairperson role to support the company’s long-term vision.

Miyou Kato, daughter of Seiki Kato, represents the third generation of the founding Kato family to lead KORG. She brings a fresh perspective and deep commitment to the company’s heritage. She will work alongside Hironori Fukuda, a 20-year veteran of KORG whose experience spans software engineering, product planning, and executive leadership. Together, this new leadership team blends tradition, experience, and forward-thinking strategy to shape the future of KORG.

Elektron Machinedrum: Synthetic Percussion Sample Pack | Audio demo


video upload by A Force Truly Evil

"Available here: https://sci-fiaudio.com/?product=elek...

THE ELEKTRON MACHINEDRUM EXPERIENCE IN SAMPLE FORM: FROM IDM TO TECHNO

A vast collection of 987 kicks, snares, percussive elements, glitches, and synth sounds crafted from the Elektron Machinedrum. Inspired by IDM and avant-garde sound experimentation, this pack blends factory selections, TR-808/909-inspired kits, and deep explorations of the TRX, FM, PI, and E12 synthesis engines. Perfect for producers of IDM, techno, and forward-thinking electronic music.

This collection is a tribute to sound experimentation and the IDM / avant-garde electronic aesthetic, fully exploring the creative potential of the Elektron Machinedrum.

It’s divided into two main sections:

1️⃣ Kits Section – Includes a diverse range of IDM-style kits, factory kits, and TR-808/909-inspired sets, offering a balance between experimental rhythm design and classics. Inside you’ll find a massive range of kicks, snares, percussive hits, glitch elements and synhts, all processed with the Machinedrum’s distinctive digital character.

2️⃣ Synth Engines Section – Focuses on the instrument’s synthesis engines (TRX, FM, PI, and E12) to generate not only percussion but also synthesizer-style tones, textures, and FX. Each engine contributes its own flavor — from punchy analog-style hits and metallic FM tones to physical-modeled resonances and lo-fi 12-bit grit.

Altogether, this 987-sound library pushes the Machinedrum beyond its traditional role, becoming a source of innovative percussion and evolving sonic textures ideal for experimental, IDM, and modern electronic production.

All samples are provided in 44.1 kHz / 16-bit mono format, fully compatible with any DAW or sampler"

Mimetic Digitwolis Firmware Update: Microtones, Randomization, MIDI improvements


video upload by Noise Engineering

"The latest firmware update for Mimetic Digitwolis is here, and it’s packed with new features!

Explore microtonal scales and quantization, new randomization options like Nudge and Distribute, CV control for sequence length and clock division, plus a MIDI upgrade with note length control, octave shifting, and internal MIDI clock output.

Update your firmware here, and use the Wizard to help guide you through the swap: https://noiseengineering.us/portal/fi...

You can also follow along on our blog that covers this video extensively. Click here to read the details: https://noiseengineering.us/blogs/loq...

Order Mimetic Digitwolis or check out the complete manual here: https://noiseengineering.us/products/..."

ARCAICO MATRIOSKA STEREO MIXER/VCA #eurorack #synthesizer #modularsynth #mixer


video upload by Arcaico Instruments



"MATRIOSKA is a modular VCA mixer
designed as a layered structure:
each level hides and reveals another.
Six independent channels, each with its own identity,
intertwine in mono or stereo configurations,
building ever-changing soundscapes.

The first four channels include CV-controllable panners,
allowing you to sculpt the space and create
dynamic movements between outputs.
Pairs 1+2 and 3+4 can act as independent
crossfaders or as internal sub-mixes,
while each channel remains free to exist independently
through its own direct output.

The final stereo output (L/R) brings all the voices together
into a single form. When used in mono,
the L output automatically sums the signal,
transforming Matrioska into a flexible node that
can be adapted to any configuration of your system.

Within each sound, another sound.

Manual and other information on our website www.arcaico.eu"

Korg ARP 2600 FS Semi-Modular Synthesizer

Note: links to listings are affiliate links for which the site may be compensated.


via this Reverb listing

"Faithful recreation of the ARP 2600 analogue synthesizer. The Korg reproduction retains all of the ease of use and sound of the original semi-modular legend and adds real improvements for integration in a modern studio, not least MIDI, USB and vastly improved outputs.

Choose between the pre and post lawsuit filters, both retain the unique "ARPness' of the filter tone

This particualry synth has only had the lightest of use in a home studio and really needs to be properly cherished and played.

All original pieces included such as flight cases manuals cables etc.""

MAXED OUT - 160 Fresh sounds for PolyMAX by Solidtrax


video upload by Solidtrax

"160 New and fresh #presets for ‪@UniversalAudio‬ #PolyMAX - These #sounds are suitable for ambient, documentary, EDM, house, IDM, techno, trance and various sorts of electronic dance music genres.

All sounds in this video are sourced directly from UADx PolyMAX - recorded dry, using only the onboard effects of the synth. No external EQ, compression or other processing has been applied. Even the drums come straight from PolyMAX.

Get the sounds here: https://www.solidtrax.nl/product/maxe...

Read my full review of PolyMAX (includes 10 free patches!): https://solidtrax.nl/universal-audio-..."

Ocean Swift Rusted Signal Bundle - Halloween Sale 89% off | €31.13

Rusted Signal Bundle | Dystopia Diary + 20 Sample Packs for Cinematic Sound Design
video upload by Ocean Swift / Faxi Nadu

https://oceanswift.net/product/rusted-signal-bundle/

Ocean Swift Synthesis Presents Dystopia Diary | Cinematic Sound Design | Tell Your Story

video upload by Ocean Swift / Faxi Nadu



"Can you stay awake, Alan? They say that on October 31st, the veil between worlds is at its thinnest. It’s a time of whispers in the static, of messages from places unseen. It’s a time for ghosts in the machine. At Ocean Swift, they say they have captured those ghosts.

The Rusted Signal Bundle was built from the echoes of fractured futures and the whispers of forgotten transmissions. It’s a complete toolkit for crafting vast, dystopian atmospheres, haunted soundscapes, and the chilling sounds of a world coming undone. With its core of "Dystopia Diary" and 20 curated sample packs, you can weave narratives from AI echoes, corrupted radio signals, and synthetic prophecies.

Grab it here on sale for 89% off 31.13 until November 2 - Happy Halloween!"

Battle For BroSynth


video upload by HanzVolt and 3 more

via supporting member, HanzVolt

Part 1 of 2
@synthsamuraiproductions
@EchoKraft
@TheMachinesWon
@SYNTH-RENEGADE-MAFIA

Aggression Therapy | Looking for mean and vicious sounds in Eurorack


video upload by Cinematic Laboratory

"The word 'aggression' is used in this video to express a certain quality of sound and music. It's not indended and should not be associated with any form of violence. In music, it can emphasize the emotion or reveal what's happening in an actor's mind. It's an element of storytelling. Use it wisely.

For some reason, people love aggressive sounds and we wouldn't be having heavy metal, noise muisic and industrial grunge without it. Some brands, not calling names, specialize in it. So I've been thinking. Does an 'aggressive' VCO exist? Modules like Three-Body, Plasma Voice, Loquelic Iteritas Percido and WaveRazor came to mind, but the level of rudeness completely depends on who's patching it. Not calling any names again. I think 'aggression' - it's a bad word, I know - is a recipe where you'd drive your gear into distortion, self oscillation and cross modulation. However, it's often about grit, dirt, filth and grunge. You don't need violence to enjoy it, it's just 'colors' and many of these colors are all over mother nature.

The ultimate showcase would be Noise Music, but I think that noise doesn't tell a story and emotions need to develop. So it needs some kind of storytelling. In this video, I'll explore some VCO's and combos that will balance the edge of noise, and then try to manage it. Even the most brutal noise becomes percussion when you sculpt it, and even the most civilized module can reap havoc and bring chaos."

Runningonair EMT-1 (Music Video)


video upload by Runningonair

"This video comprises images and video taken in Tunisia in March 2025. The music will be release on the upcoming album 'Everything is fine' to be released sometime in 2026 (probably).

https://runningonair.bandcamp.com/

https://open.spotify.com/artist/5fNUf...

https://paypal.me/runningonair?"

PlantsSystem-GranCho


video upload by plantssystem

"PlantsSystem – GranCho
Microscopic particles swell, resonate, and eventually melt into a single flow.
'GranCho' is an experimental soundtrack by PlantsSystem, combining elements of 'Granular' and 'Chorus'.
The sound, woven with granular modulation that distorts time and space and deeply enveloping harmonic processing, evokes a sense of floating between electronic and natural.
The interplay of stillness and movement, structure and decay, reveals a different expression with every listen. Digital yet organic—PlantsSystem enters a new sonic realm."

Control Synths from Your Phone: Piano Improv on Blade Runner Riff | iOS MIDI (Beta)


video upload by Cristián R. Villagra

"Live piano improvisation over synth riffs driven by my in-development iOS MIDI control app (no name yet). The app sends MIDI to my computer to play arpeggiators and tweak sound parameters in real time (filters, tone, mix, FX) using on-screen faders, knobs, XY pads, mini keyboards, and pitch bend.

Session routing (Kontakt):
• CH1: Noire Piano — played from Arturia KeyLab 88 Mk3
• CH2: Two synths — driven by the app’s Bass Arpeggiator (riff inspired by Vangelis’ Blade Runner theme)
• CH3: Lead synth — performed from the app’s mini keyboard
• CH4: Minimal electronic drums — driven by a second arpeggiator

Why this app? Many keyboards I use on stage have few (or zero) surface controls—sometimes not even pitch bend—so I built a mobile controller to unlock hands-on control: shape filters, automate movements, morph textures, balance layers, and keep playing fluidly. If this helps me, I know it can help other players too.

This video is a 6-minute+ live jam to show the workflow: arpeggiators keeping motion underneath while I improvise on piano and ride parameters on Page 2 of my scene (faders/knobs/XY). The app is still in development and I plan to release it as soon as possible.

If you’re into MIDI control, live keys, or sound design, tell me what you’d like this app to do next—your feedback will shape the release.

Additional Keywords: iOS MIDI app, mobile MIDI controller, live arpeggiator, synth arps, Kontakt Noire, Native Instruments, Arturia KeyLab 88 Mk3, phone MIDI, DAW performance, synth filters, XY pad, faders and knobs, pitch bend on mobile, live improvisation, Blade Runner inspired, Vangelis, sound design workflow"

ROLAND SH-01 BOUTIQUE Sound Demo


video upload by Woody Piano Shack

"All the best sounds on the ROLAND SH01 BOUTIQUE sound model, a faithful recreation of the legendary ROLAND SH-101. Full review coming !"



"Lesson packs available for one-time purchase on Patreon.

MORE WOODY PIANO SHACK
https://woodypianoshack.com"
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