"Which live performer doesn't know this situation: You build the tension to immeasurable heights, add another filter here, three more effects there, hands go up in the air, everyone's waiting for the big drop... and then you realize: You can't find your way out of the chaos you've created!
The sweat on your forehead drips onto your equipment, and in a firework of spraying sparks, your devices and your fans say goodbye forever...
"::| WARNING! EXTREME FREQUENCIES AHEAD! USE CAUTION |::
A first encounter with the Audrey II Horrorscape Synthesizer from @SynthuxAcademy
yes, there are many other videos of this extremely basic, yet very epic synth, but I got one for my horror/sci-fi film scoring work, and thought you all might like to hear how it sounds... if you haven't already. My next video with it will try to incorporate other instruments in a more film score style."
"The Metropolix Backpack adds a 10-pin Intellijel Case MIDI connector to the rear of Metropolix, allowing Metropolix to interface directly with the MIDI and USB ports on Intellijel Performance and Palette cases.
When using the Metropolix Backpack, you can connect Metropolix directly to other MIDI hardware or your Computer/DAW via your Intellijel Case Jacks.
This accessory requires:
• Intellijel Metropolix
• Intellijel Performance or Palette Case
Intellijel Case Compatibility:
• Performance Case 7U x 104HP
(Full Size 5-Pin MIDI In/Out/Thru + USB-MIDI)
• Performance Case 7U x 84HP
(Full Size 5-Pin MIDI In/Out/Thru + USB-MIDI)
• Palette Case 4U x 104HP
(TRS MIDI In/Out + USB-MIDI)
• Palette Case 4U x 62HP
(TRS MIDI In + USB-MIDI, Note: no TRS Out)"
"Sequence via MIDI from your Eurorack system
The Metropolix Backpack adds a 10-pin header to the back of Metropolix for connecting to the Intellijel 10-pin header* on all of the Intellijel Cases.
Intellijel 4U Palette Cases — TRS MIDI IN and OUT**, USB MIDI
Intellijel 7U Performance Cases — 5-Pin MIDI In, Out and Thru, USB MIDI
* Please note—the Intellijel case MIDI Jacks can only be connected to a single module: MIDI 1U, Metropolix w/ Backpack, μMIDI 1U (legacy).
** MIDI TRS OUT not available on the 62hp 4U Palette.
Metropolix w/ MIDI
MIDI on Metropolix does not interfere with classic CV/GATE modulate usage, it plays alongside it. Sequence your favourite modules, hardware synths, and software plugins all at the same time.
MIDI Clock In and Out — Integrate an external MIDI Clock Sync from other hardware or your DAW, or sync everything else with the Metropolix Clock and modulate the BPM.
MIDI Output from the iconic Metropolix Sequencer—
Output MIDI Notes and CC Modulation from both Tracks
Output CC Modulation from 8 Mod Lanes.
Deep support for configuring Slide (Glide/Portamento) for any synth.
"Oh yes! Another milestone coming to the NerdSEQ ecosystem: Video Synthesis!!
Again a massive update with the upcoming firmware V3.0!
The well known video expander gets shader functionality with plenty of integrated modulators to make your music and visual sequencing one!
The release date will be at the begin of June. Stay tuned for more info!
Come over to my booth at #superbooth next week and check it out!! Booth Z235
NerdSEQ - Not just a Tracker!
"In this episode of Patch & Play, William Cas explores the Sequential Circuits Prophet-5, a legendary five-voice analog polyphonic synthesizer known for its warm sound and expanded patch memory.
Patch & Play is hosted by William Cas, featuring a new setup each series of episodes. The experience itself unfolds as a meditative dialogue with the environment, exploring its unique alchemy of sounds.
Produced by Nolan Feldpausch
IG: @noliefeldpausch"
"Join us at @superbooth_berlin (May 8-10)! Meet founder Bob Coover, get hands-on with the 3rd Wave keyboard and desktop module, and geek out with the Groove Synthesis team at booth 0246.
We're passionate about building instruments that inspire creativity and push sonic boundaries. Come experience sound that is inspiring and in the “groove”.
Who knows? Maybe you’ll even see something brand new from us in Berlin…"
"A piece created with the @SequentialLLC Prophet-10, @MoogSynthesizers Moog One, Grandmother, and @buchlausa Music Easel—minimal music built around arpeggios.
All parts are driven by MIDI in Ableton Live.
Prophet-10: Plays the main arpeggio, processed with @strymon blueSky for reverb.
Music Easel: Also plays a primary arpeggio, but heavily processed with @ChaseBlissAudio LOSSY.
Grandmother: Handles the bass line.
Moog One: Provides the harmonic layer.
I record while tweaking parameters on each synth."
"I can't imagine using my modular without having a sampler present to capture the unique and one-time sounds you get from your modular synthesizer. My go-to sampler for everything is the Digitakt II, if not that, than the Octatrack or M8 Tracker. Today we will dive into the workflow of writing music and sampling a eurorack system built around 2 voices with lots of effects."
Futureretro Swynx available in super limited quantities ONLY through our online store.
Using recently found old stock parts, Futureretro has built and is offering the long out of production SWYNX in super limited quantities (less than 10 units available). These use the same chassis, circuit boards, and parts as the original run (knobs are slightly different) and serves as a test for a possible re-introduction of the unit into the Futureretro catalogue in the near future.
The Swynx is a sync box that converts incoming MIDI messages to MIDI clock, DIN sync, CR-78 clock, and Analog clocks. In addition, the Swynx provides the ability to swing the timing of all these clock outputs and select different time signatures in real-time with the front panel controls, and can also act as a CR-78 pattern programmer. After you try it in your setup, you will realize just what you've been missing. For instance, many DIN sync devices do not provide a built-in swing function. And many MIDI sequencers and drum machines suffer from poor implementation of swing, preventing changes to be made live, or only providing swing for 4/4 patterns. Quite a few MIDI sequencers don't offer any swing function, including our own 777 and Mobius products. Now you can apply swing to any MIDI sequencer, and select new time signatures as well Need to sync your analog sequencer or arpeggiator with MIDI gear? No problem! Not only can you do so, but now you can swing the timing of those devices as well. You can even use the analog clock output to Gate the envelopes in a synthesizer. The clock duty cycle is 50% of a note duration. If you are a Roland CR-78 owner, you may have realized finding a WS-1 or TS-1 to program the CR-78 is next to impossible. The Swynx can replicate the programming capabilities of these units, plus provide sync to MIDI, and realtime swing adjustment. The ability to add swing to the CR-78's preset patterns alone will breathe new life into this old friend. The Swing value is accurate to 0.5% providing much more control resolution than is typically found in sequencers and drum machines. The Swynx provides 12 different time signatures to choose from. Some time signatures are duplicate, but provide different shuffle patterns for that time signature. Time signatures include 9/8, 7/8, 6/8, 5/8, 2/4, 4/4, 8/4, 3/4, and 6/4. The Swynx is all about making the gear you have sound better!
Swynx Features Converts MIDI messages to MIDI clock, DIN sync, CR-78 clock, and analog clock Can be used as a CR-78 pattern programmer Control over the swing amount Swing - 50% - 75% (0.5% resolution) Time-signatures include 9/8, 7/8, 6/8, 5/8, 2/4, 4/4, 8/4, 3/4, and 6/4
No more NEW Vectra units will be sent out to stores after this month.
We have a very small order to fill with one US Store that will be filled by the end of May. After that, we will be out of Vectra parts and do not plan on restocking the product. The build time and cost is too excessive for us to continue this unique product. If you are wanting a Vectra and have not yet ordered a unit, the time to get them is now. Please check with your favorite stores for availability.
The 777
Many have asked, many are waiting and wanting to know details. ALL we can say at this point is that this product has been sent back to engineering. The 777 project has been a major undertaking and while close, seemingly minor issues have been exaggerated by parts availability. We continue to work towards this goal but no further information is available.
Furthermore, NO NEW manufacturing can be put in place until tariff issues are worked out.
"Rebuilt of the ultra rare SYNTON SYRINX Dutch keyboard synth.
I cannot compare but the unusual filter setting of
2 bandpass and 1 lowpass VCFs, with 4 different routings
give a lot of modulation freedom and rendition of rather unusual sounds.
Since I am not a fan of black gear. I tried my best in 2023 and contacted
ANALOG FX. And they had been so kind as to manufacture a
custom blue face synth which I have only seen in some
preproductions units and, of course, in the historic
SYRINX which was available also in red.
For the image angle had to use the wide angle and so only a quite low resolution. So there is not much detail. Sorry for that."
"Here we have the 3 new Nekyia Circuits Eurorack modules - Occult, Ouija and Wand. We'll focus on the star of the show here, the TZFM, sub octave generating, Ian Fritz double pulser wave shaping and external crossfading oscillator OCCULT! However we use Wand to crossfade at audio rates into new tones and Ouija for some musical ring mod too.
It's been a pleasure to check out the existing modules and to use those alongside the new ones here. As always the focus is to provide ideas and techniques while demonstrating how things work. So I hope you can take some of the patches to try out.
Info, manuals etc // https://nekyiacircuits.com"
*TIMING INDEX // CHAPTERS*
00:00 Hello & patch previews
01:31 Occult feature run down
04:09 Wand & Ouija feature run down
05:35 Pulser harmonic shaping - big drones ahoy!
08:41 Aggressive Pulser harmonics
11:21 Expand your VCOs with OUIJA
14:48 Stereo PWM sub mega stacks
16:59 Crossfade your way to HUGE waveforms with Wand
20:35 Occult LFOs - sub audio modulated modulation
22:35 Diving into the CLANG! Exploring TZFM
24:56 Animated sub octave feedback TZFM
27:59 Soft sync & TZM - musical alternative tones
31:55 Occult Shaping - harmonics & fade
36:21 Creatively embed ambience in your oscillator
39:15 For the ULTRA SYNTH NERDS - Occult + Ouija F**K YEAH
Occult is an analogue TZFM Triangle-core VCO/LFO with a wide frequency range and unique waveshaping capabilities! It features nine simultaneously available wave outputs: Sine, Triangle, Square and Pulse, a PWM Saw, Sub -1 and Sub -2, plus the outputs of Shaper and an interesting Pulser waveshaper circuit. Pulser is a waveshaper based on the “double pulser” circuit by Ian Fritz, able to produce exotic, rich sounding waveforms. The Shaper section adds a crossfader which can mix between the normalized Sine wave or any other external input and the Pulser or the also includes a TZFM input with an attenuator control, capable of producing more musical and complex FM tones than for every parameter as well as FM options make Occult a very versatile oscillator for sonic exploration!
"4/27/25 RYK 185 + Roland System 100m & SPH 323 Phase Shifter + Peavey 1300 + Ace Tone MP-4 + Alesis MIDIVERB II
I was going for Burzum low fidelity with the Peavey 1300 overloading and the Ace Tone MP-4 spring reverb feedbacking. Anyways, ALM Pamela’s New Workout clocks the right RYK Modular 185, which gates one of the Roland 140 envelopes and the left RYK 185, which gates the other envelope. Each 185 modulates the pitch of one Roland 110 VCO and VCF, while the VCFs are also modulated by LFOs from the 140 and 150 modules. The 140 envelopes control the two 110 VCAs, which are mixed on a Roland 132 and sent through the Roland SPH-323 Phase Shifter into the Peavey 1300 delay. The Ace Tone MP-4 is patched into itself for feedback as it further distorts the delayed signal and adds spring reverb."
"A performance on the Elektron Digitone II & Digitakt II.
Digitone II into Digitakt II.
Recorded in one take.
Mastered in post.
As always ... the project files & music on Patreon.
The great support from my patrons makes all of this possible ... thank you so much guys !! / substan
"What's the difference sonically? I've not heard these 2 demo'd side by side in depth. We know the specs - Melbourne Instruments Nina has 12 voices, each containing 2 VCOS plus a digital oscillator, and the Melbourne Instruments Delia uses virtual analog to do the same thing with 6 voices - with some 'Paraphonic PLUS' 12 voice modes.
There are other additions in the Delia, like FM, an extra LFO and envelope plus oyu can have dual effects in parallel or serial.
BUT.. what's the consequence of replacing the VCOs with the VA oscillators?"
0:00 Delia Panning Demo
0:31 An Intro to both synths
3:31 Quick Audio Comparison
5:48 Similarities and Differences
6:57 Lovely FM demo
10:46 Let's Go! Sound demos start with Oscillators
15:44 Comparing a Musical Patch
20:11 Delia's Vintage Mode
24:38 LP Analogue Filters
28:49 Delia's HP Sauce
30:20 OVERDRIVE!!
32:06 Rounding Up
