Rush - Subdivisions & Countdown - Covers w/ OB-X8, Geddy Lee Model D, Taurus Pedals

video upload by Tumeni Knobs

"My cover version of Rush's Subdivisions from the Signals album. Thanks to Shadowinlight on YouTube for the excellent isolated drum and vocal tracks - and of course to Rush.

I played all guitar, bass and synths on this recording. The three synths used are the Oberheim OB-X8 and the Moog Model D (Geddy Lee version), and the Moog Taurus III. The guitar is a vintage Kramer Stagemaster Deluxe 1 running through the Fractal Audio FM9 using a tweaked Alex Lifeson preset, and a Steve Vai preset for the guitar solo. The bass is a Strandberg Boden Prog 5 running through the Tech 21 GED-2112 using Geddy's setting as described in the manual.

The animation was created in Artmatic Designer.

Cheers!"

Rush - Countdown - Cover w/ OB-X8, Geddy Lee Model D, Original Drums and Vocals

video upload by Tumeni Knobs

"My cover version of Rush's Countdown from the Signals album. It's always been one of my favorites. Thanks to Shadowinlight on YouTube for the isolated vocals, Metal Overkill on YouTube for the isolated drums, Kevin Sheppard on YouTube for the isolated sound effects, and NASA on YouTube for the communications. - and of course to Rush.

I played all guitar, bass and synths on this recording. The two synths used are the Oberheim OB-X8 and the Moog Model D (Geddy Lee version). The guitar is a vintage Kramer Stagemaster Deluxe 1 running through the Fractal Audio FM9 using a tweaked Alex Lifeson preset. The bass is a Strandberg Boden Prog 5 running through the Tech 21 GED-2112 (two mono channels, Drive and Deep, are recorded on separate tracks).

The NASA communications track was painstakingly recreated using NASA's STS-1 Launch- The Complete Day video. By far it took the most time to do... I had to take some liberties, but I did find most of the bits that Rush used on the album. Cheers!"

Oberheim Xpander XP-1 6-voice Analog Synthesizer SN Y61801 w/ Original Manual

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

"Experience one of the most legendary analog synthesizers ever made — the Oberheim Xpander XP-1. Built in Los Angeles, California, this 1980s powerhouse defined modular-style flexibility in a desktop form. With six independent voices, twelve VCOs, and one of the deepest modulation matrices of its era, the Xpander remains a timeless studio centerpiece for collectors, sound designers, and film composers.

• Tested & fully functional — all six voices respond properly.

• Cosmetic wear includes two surface scratches on the top panel (see photos).

• Metal hard case included — foam interior has deteriorated due to age but still protects the unit securely.

• Clean, smoke-free environment.

• Overall: Very good vintage condition, with expected signs of use for a classic Oberheim."

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Why This 1988 Synth Crushes Modern Gear? *sound test

video upload by Rapid Flow

"In this video, I’m breaking down the Oberheim Matrix-1000 — one of the most underrated, fattest-sounding analog rack synths ever — and pairing it with the Stereo Ping programmer to turn Matrix from a “preset box” into a hands-on sound design machine.

If you want that Matrix-1000 vibe in your DAW, get Zensphere! (I sampled it note-by-note). https://www.rapidflow.shop/products/z..."

Oberheim Matrix-1000 "So many sounds, so little time" Ad

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

"Introducing the Oberheim Matrix-1000. Instant push-button access to 1,000 of the world's richest sounds.

Lush. Thick. Rich. Full. And even the highest compliment: Fat.

For more than a decade, these are the words that musicians have used to describe the uniquely satisfying quality of Oberheim sounds. Now, the very best of these sounds—1,000 professional patches gathered from all over the world-are all on-board and ready to go in the new Matrix-1000 six voice synthesizer.

You simply punch a number from 0 to 999. Instantly select from 800 permanent sounds, plus 200 in RAM that you can edit or replace through MIDI.

With no cartridges, disks, or cassettes to slow you down, you've never had so many sounds in so little time. Or in so little space. Because the Matrix-1000 is packed into a single rock space. Amazingly small, like its price: $595.

Nothing adds more warmth to your digital synthesizers, or more depth to your sampled sounds. With the richness that only Matrix Modulation con provide, and without the noise of digital.

So now that the ultimate collection of famous Oberheim analog sounds is also the ultimate convenience, you can add a thousand new dimensions to your MIDI set-up in no time at oll.

In fact, in less time than it takes to read the names of all the Matrix-1000's on-board patches, you could be down at-your Oberheim dealer hearing them."

OBERHEIM MATRIX-12 OWNERS MANUAL

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

Additional Tone Tweakers Listings

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OBERHEIM MATRIX-1000 OWNERS MANUAL

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

Additional Tone Tweakers Listings

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Tempera Space Jam

video upload by Corbusier

"This track is part of the Beetlecrab February/ March Challenge. The theme is 'Epic Lofi Space Opera'

There were no additional effects used.
Sound sources: Sequential Rev2, Oberheim TEO5, 3rd Wave 8m, Lyra-4 and a singing bowl

Enjoy!

Corbusier on SoundCloud:
/ l7eieqmnaauhs9jl7i"

RetroSound Studio Tour: Analog Polyphonic Synthesizers

video upload by RetroSound

"RetroSound Studio Tour
Classic Analog Polyphonic Synthesizers from the 1970s and 1980s

In this episode of RetroSound Studio Tour, I explore the sound, design, and history of legendary analog polyphonic synthesizers from the golden era of electronic music. These vintage poly synths defined the lush pads, warm brass sounds, and cinematic textures heard in synth-pop, progressive rock, disco, film scores, and early electronic music.

This studio tour focuses on true analog polyphonic instruments featuring multiple voices, voltage-controlled oscillators , classic analog filters , and rich modulation systems. Unlike monophonic synths, polyphonic synthesizers allow full chords and layered harmonic textures — making them essential in 1970s and 1980s music production.

In this RetroSound Studio tour, you’ll discover:
0:07 Roland Jupiter-4
5:54 Roland Juno-60
9:49 Roland Juno-106
14:10 Roland Alpha Juno 2
15:42 Roland JX-3P
18:21 Roland JX-8P
21:28 Korg Polysix
24:48 Korg Mono/Poly
26:59 Oberheim OB-X
32:32 Oberheim OB-Xa
35:35 ARP Quadra
37:11 Sequential Prophet-600
39:48 Tiracon 6V
41:56 Oberheim Matrix-1000

Full Studio Tour playlist:"

TAL Sampler + Baby Audio Tekno Jam

video upload by Coastal Satellites

"TAL Sampler (using Loopop's Oberheim TEO 5 sample library) + Baby Audio Tekno.

Bass Station 2 as a MIDI controller and using its onboard arpeggiator, controlling TAL Sampler. I loaded a pluck patch, from Loopop's Oberheim TEO 5 synth sample library, running through an Akai S100 style DAC in TAL sampler, to give it an even more vintage/lo-fi feel.

Lastly added an analog style delay to the synth arp via Valhalla Delay. There's also a shaker loop on top of Tekno, also using Valhalla Delay (on the phaser setting). No external FX on Tekno."

Oberheim OB-S(ix)till, my beating heart: an OB-6 Preset 007 exploration

video upload by Pork Chop Synthesizers

OBERHEIM TEO-5 : Blue Lies

video upload by Gianfranco Carone

https://natlifesounds.com/product/dre...

OBERHEIM TEO-5 (64 CUSTOM PATCHES)

video upload by Gianfranco Carone

https://natlifesounds.com/product/dre...

"THE EXPANSION INCLUDES 64 PRESETS FOR THE TEO-5

TRANCE LEADS
LUSH AND DREAMY PADS
WARM AND FULL-FULL BASSES
INNOVATIVE AND CRAZY ARPEGGIOS
TRANCE SEQUENCES
WARM PICK MELODIES
CATHEDRAL PAD EXCELLENT FOR THE AMBIENT

NO USELESS OR UNUSABLE SOUNDS"

Matrix 12 vs Matrix 6: Is the $13,000 Oberheim Actually Worth It?

video upload by Vulture Culture

"What if the most hated Oberheim is actually the smartest buy in vintage polysynths right now?

Tomorrow night I’m putting the legendary Oberheim Matrix 12 head-to-head with its often-maligned sibling, the Matrix 6. With current prices hovering around $13,200 for a Matrix 12 and roughly $1,750 for a Matrix 6, the value gap is enormous—but does the sound actually justify it? Most classic 80s polysynth patches live almost entirely in a 4-pole lowpass filter world, so the real question isn’t whether the Matrix 6 can replicate every multimode trick of the 12, but whether it can convincingly live in that core tonal territory.

In this stream we’ll dig into the heart of both instruments. I’ll compare the true analog VCO architecture of the Matrix 12 against the digitally controlled oscillators of the Matrix 6, focusing on oscillator stability, drift behavior, and how each responds over time. While the Matrix 6 uses DCOs, they are driven by three Hartley LC high-frequency oscillators that are still subject to temperature-based drift, which makes this comparison far more interesting than a typical VCO versus DCO shootout. We’ll look closely at how those shared and distributed HF oscillators influence tuning behavior across voices.

From there, we’ll zero in on the filters. The Matrix 12 uses discrete CEM3374 dual VCOs paired with CEM3372 filter, mix, and VCA stages, while the Matrix 6 relies on the CEM3396 integrated voice chips that combine waveshapers, filters, and VCAs. Even when both synths are restricted to a simple 4-pole lowpass configuration, the resonance character, saturation behavior, and overall musical response can tell very different stories—and that’s where the real verdict lives.

To add a third angle, I’ll also bring in my favorite polysynth of the 1980s: the Fender Chroma Polaris. Why the Polaris? Because it uses the exact same CEM3374 and CEM3372 combination found in the Matrix 12, but without the multimode filter architecture. Considering you can still find a Polaris for around $2,500, it becomes a fascinating middle ground—a potential sleeper alternative for players chasing that Matrix 12 tone without entering five-figure territory.

This livestream isn’t about declaring winners or dunking on underdogs. It’s about understanding what actually matters in these designs, how component choices translate to sound, and whether the Matrix 6’s reputation is deserved—or wildly outdated. If you love 80s polysynths, Curtis chips, and uncomfortable truths about vintage gear pricing, this one’s going to get interesting."

An evening with Tom

video upload by Franz Schimmel

"DSI OB-6 - ambient impro with an additional short percussive loop.
A nice patch for playing live - thanks to the Tom Oberheim voiceboards on the Obie, this thing sounds very decent in the mix."

Modern Oberheim 4 voice inspired STG Musonics “Lyle” polyphonic analog modular synth #synth #analog

video upload by INHALTVIDEO

Misery of the faith

video upload by MIDERA

"Radikal Technologies Spectralis 2: Drums and sequencing
Moog Minimoog: Bass
Access Virus TI: Keys
Sequential OB-6: Keys, intro melody
Oberheim Matrix 1000: Leads/Pads
Native Instruments RAUM: Reverb
Reaper DAW

#minimoog #accessvirus #RadikalTechnologies"

Most Iconic Synth Sequences

video upload by Nicolas Melis

"Most Iconic Synth Sequences

Iconic synth sequences recreated on Oberheim SEM, programmed by hand on OXI One MK2.
All music in this video is performed and recreated on the Oberheim SEM module, using the OXI One MK2 as the sequencer. No original recordings, MIDI, or samples were used.

Note: I recreated the Axel F bass line with the OXI One and the Oberheim SEM. While it isn’t originally a sequenced line, I loved how it sounded on the SEM, so I included it at the end."

TEO-5 Sound

video upload by MusicYet

He Hates This Synth Because…

video upload by Anthony Marinelli Music

"In this video, I pick one thing I think I hate about 12 classic synthesizers—and then follow that feeling wherever it leads.
We’re talking about legendary instruments:
Minimoog, MS-20, Prophet-5, Jupiter-8, ARP 2600, Moog IIIc ('Plantasia'), Oberheim 4-Voice, Oberheim OB-X, Synclavier III, Elka Synthex, and Yamaha CS-30.
What starts as frustration with a workflow choice, a knob, or a design limitation slowly turns into something else entirely.
Along the way, I realize this video isn’t really about hating synths at all. It’s about relationships.
Every one of these instruments has limitations—and so do we. In any good relationship, not everything is perfect. But when you stop fighting what something isn’t and start understanding what it is, those limitations can become the very thing that leads you somewhere creative and unexpected.
Instead of endless options, boundaries create focus.
Instead of frustration, they create identity.
And in learning to understand these instruments more deeply, I ended up learning something about myself.
This is a video about synthesizers—but it’s also a small morality tale about creativity, acceptance, and finding freedom inside constraints.
Let me know in the comments:
Which synth do you love… even though it drives you crazy? 🎛️"

https://anthonymarinellimusic.com/pages/about

Oberheim Matrix-6R Analog Vintage Synthesizer w/ Original Manual

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

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