First review of the Xils-lab The Eigthty versus real Yamaha CS80

video upload by Jose's Vintage Keys

"This is a first comparison of some of the presets of the new ‪@xilslab‬ 'The Eighty' versus my orginal Hardware CS80 #cs80 #Xils-lab"

Yamaha CS80 vs Xils-Lab The Eighty: Ultimate Sound Showdown!

video upload by Andy Whitmore

See the follow-up video here.

"In this video, we dive into the ultimate comparison between the legendary Yamaha CS80, the iconic synth behind Blade Runner and countless classics, and the brand-new Xils-Lab The Eighty VST – a cutting-edge emulation of the original. I put these two head-to-head, exploring:

• Raw waveforms and the sound engine
• Ring modulation and pitch bend capabilities
• Dry sounds and FX comparisons
• Iconic licks from Vangelis and Michael Jackson

Whether you're a synth enthusiast or looking for your next VST, this video has you covered. Let’s see if the future of VSTs can truly match the past of analog synths!"

CLICK FOR MORE »

Introducing Korg multi/poly native Software Edition

KORG · multi/poly native Demo Sounds

Details follow. Demo available here.

Amazing analog sounds that only digital can provide - now in your DAW.

Inspired by the legendary KORG Mono/Poly, the new KORG multi/poly analog modeling synthesizer delivers breathtaking analog sounds combined with extraordinary digital power and flexibility. It's already garnering acclaim as one of the best synths of the year.

CLICK FOR MORE »

Details on XILS-lab's The Eighty

You might remember the teaser video and announcement video.

The press release with additional details follows:

XILS-lab launches The Eighty as virtual Vangelis soundalike homage to iconic Seventies synth classic, faithful to the original and enhanced for the future

GRENOBLE, FRANCE: XILS-lab is proud to launch The Eighty — effectively acting as a virtual Vangelis soundalike homage to an iconic Seventies-vintage synth classic that the Academy Award-winning Greek musician, composer, and producer of electronic, progressive, ambient, and classical orchestral music made into his signature sound, thanks to its exceptionally complete performer expression features (such as a layered keyboard that was both velocity- and pressure-sensitive in action, albeit, unlike most keyboards of the time, that aftertouch could be applied to individual voices, and a ribbon controller allowing for polyphonic pitch- bends and glissandos), faithful to the original and enhanced for the future as the latest entry into the audio software company’s lengthening lineup of virtual instruments par excellence — as of January 14…

It is fair to say that Bladerunner — the now-classic Ridley Scott-directed sci-fi film from 1982 set in a dystopian future Los Angeles of 2019 — is, for many, inextricably linked with Vangelis’ BAFTA- and Golden Globe-nominated score, showcasing his superlative skills with that iconic Seventies-vintage synth classic that was arguably as ahead of its time as that trailblazing score to which its sound subsequently became inextricably linked in itself. Much missed, Vangelis left this mortal coil in 2022, sadly, while the relatively few remaining fully operational examples of Yamaha’s CS-80 synth — supporting true eight-voice polyphony, with two independent synthesizer layers per voice each with its own set of front panel controls, in addition to a number of hardwired preset voice settings and four parameter settings stores based on banks of subminiature potentiometers — that musically meant so much to him are highly coveted by high-flying collectors, commanding eye-watering prices extending into high five-figure territory, putting them well beyond the reach of mere musical mortals... not that many could comfortably carry one anyway as they weigh in at a back-breaking 100kg/220lbs (including built-in hard case), regardless of how deep their pockets may well be!

CLICK FOR MORE »

Darkpsy, Dark Psytrance, Psycore, Darkprog instrument - Von Brezekhiel Treasuries VST / AU plugin

video upload by G-Sonique

"https://www.g-sonique.com/shop.html

Von Brezekhiel Treasuries VST / AU plugin instrument for Darkpsy, Dark Psytrance, Psycore, Darkprog demo in FL Studio

Dive into the world of dark sound design with our cutting-edge AU and VSTi plug-in! Perfect for psytrance producers, Forest psytrance, Nightpsy, Dark Hitech, and Psycore creators. Create spine-chilling sound textures, dark scary pads, and haunting horror voices. Explore terrifying ghost sounds, screams, and monster speaking sounds. Unleash epic hits, big bangs, and rising risers for cinematic impact.

Craft eerie dark soundscapes, alien sounds, and sci-fi sounds, all enhanced by real space recordings and space station radio communications. Delve into underworld sounds, parallel dimension tones, and tensor effects. Perfect for darkpsy, horror engines, and paranormal atmospheres. Whether you’re looking for darkpsy strings, digital modular psycore, or explosions, this instrument delivers.

Experience analog textures, extraterrestrial permutations, and portal sounds—the ultimate tool for creating immersive film music sounds and experimental horror sounds. From swamp sounds to darkpsy instruments, this plug-in opens the door to limitless creativity.

Sound textures Dark scary pads Horror voicesTensor Hits Big Bangs Risers Dark soundscapes Ghost sounds Screams Alien sounds Sci-Fi Sound Synthesizer Darkpsy Instrument Film music sounds Scary screams Swamps sounds Analog sounds Portal sounds Extraterestrial permutations
Monster speaking sounds Real space recordings with microphones Space station radio communications Underworld sounds Paralel dimension sounds AI sounds Explosions Darkp sytrance pads Darkpsy strings Digital modular psycore Paranormal sounds Horror engines AU plug-in VSTi plug-in instrument

Instrument for psytrance producers, Forest psytrance, Nightpsy, Dark Hitech producers, Psycore VST, Darkprog plug-in

works with all standard DAWs: FL Studio, Cubase, Ableton, Logic pro, Reason, Studio One, Reaper and many others"

Creating a horror movie soundtrack with MetaModule

video upload by 4ms Company

4ms Tapographic Delay overview and tutorial

video upload by Omri Cohen

"Here you can find the VCV Rack tricks and tips PDF - / 119073839
You can find these patches, along with many others, available on my Patreon page - / 119561290

00:00 - Introduction
00:16 - Basic functionality
06:12 - Panning
10:15 - Filter
13:41 - Patreon
14:03 - Sequence mode
17:22 - Repeate and Sync
21:06 - Meta"

Linnstrument tryout

video upload by Trigg

"Playing around with this nice MPE Controller with Surge XT VST."
---

Check out Roger Linn's tips on the Linstrument here.

VCV SEQ3 \ Improvised Patch Tutorial

video upload by Omri Cohen

"You can find this patch, along with many others, available on my Patreon page - / 119494313
I publish regularly on Patreon additional patch from scratch videos - / 411040

00:00 - Introduction
00:43 - Sequencing pitch
04:02 - Sequencing tempo
07:17 - Adding a switch
11:29 - Join us on Patreon
11:48 - Variation in pitch
15:39 - Adding another voice
20:17 - Stereo
23:44 - Third voice"

Glitchmachines Skein

video upload by Glitchmachines

"Skein is a FM synthesizer focused on experimental sound design and electronic music production.

Skein features 4 operators with skew controls and noise, as well as a flexible modulation matrix with per-cell modulation, per-operator feedback and eight user-definable algorithm presets. Key parameters can be targeted by numerous modulation sources such as 4 LFOs with 15 wave shapes, 4 modulation sequencers with various utilities and up to 32 steps, and 4 multi-mode envelopes. Easily shape and polish patches via two versatile multi-mode filters, as well as an effects processing chain that features 4 multi-effects with local randomizers and a reconfigurable chain order interface.

Much like our other creative audio plugins, we’ve taken an unconventional approach with Skein. Instead of replicating the classic digital FM synths of the past, we set out to create a new instrument that is primarily focused on sound design and sonic experimentation. With a multitude of powerful modulation sources and a variety of processors such as distortion, bit crusher, chorus, phaser, delay, reverb and buffer effects, Skein is capable of generating an incredibly diverse and expressive range of tones and timbres.

More info: https://glitchmachines.com/products/s..."

stacks singing bowl dungeon ambience

video upload by Cong Burn

"Using the new Audio In module to process and loop my voice/bowl/white noise generator (shhhhh)

Screen recorded on bluetooth headphones/mic running at 22khz for that 11khz nyquist crunch.

My iPad is a 1st gen iPad Pro (10 years old!).

TIP! Turn down the main output to avoid clipping like I did

Mac & Windows (VST3/AU) : https://www.congburn.co.uk/stacks
iOS: https://apps.apple.com/gb/developer/j..."

You can find additional demos in previous posts here.

PlantsSystem-A.E.X(The Tangerine Dream Machine By Dr Ambient)

video upload by plantssystem

"This is a screen capture of A.E.X (The Tangerine Dream Machine By Dr Ambient). Works with ATARI ST emulator."

Waldorf Blofeld Plugin - Demo by Crazik

video upload by cra.:zik

"Great emulation of the must have Blofeld, great synth, great sound, lovely pads !! The melodies I play are mine and copyrighted (SACEM). All Rights Reserved.

Check my Top free plugins (firefox recommended): http://www.crazik.free.fr/makemusicfo..."

PlantsSystem-Galaxien

video upload by plantssystem

"The equipment used is Waldorf Nave and Attack."

Roger Linn, Creator of the Original Namesake LinnDrum on Behringer's New LmDrum

The following is Roger Linn's statement on Behringer's LmDrum, written Jan 4, 2025, saved here for the MATRIXSYNTH archives:

In December 2024, Behringer released their "LmDrum", which is described on their site as:

"If you are looking for a drum machine that can recreate the classic sound of the 80’s, look no further than the Behringer LM DRUM. This amazing drum machine features an authentic 8/12-bit sampling sound engine that captures the essence of a hundred legendary 80’s drum sounds including those designed by Roger Linn such as the LM1*, LM2*, LM9000* and more. You can even record and store your own samples using the integrated line input."

Uli Behringer kindly sent me an LmDrum in August of 2024, giving me a chance to try it out. What do I think? I think it's a bit of a head-scratcher. It is clearly intended to evoke my 1982 "LinnDrum" drum machine, borrowing its visual style, control layout, colors and logo style, as well as copying its sounds and those of my LM-1 and Linn9000 drum machines. I took it apart and it even copies much of my LinnDrum sound generation circuit, even my bad ideas like the inability to tune any drums except the snare, toms and congas.

However, it uses an entirely different operating system and user interface, one that is based on earlier Behinger drum machines. Personally, I found it somewhat confusing and difficult to use, though I was given an unfinished manual. I'd imagine they will improve both the software and manual over time. I suspect the designers found it difficult to find a balance between 1) the impression of a LinnDrum clone, and 2) the addition of modern features, given that the 1982 LinnDrum's feature set is woefully inadequate by today's standards.

It's worth noting that Uli never asked my permission to either copy my visual design or my drum sounds. Though in 2020, he did kindly invite me to collaborate on a future drum machine, and I respectfully declined because of concern about Behringer's past business ethics and legal practices.

How do I feel about the LmDrum? My feelings are mixed. On the one hand, it's not unusual for companies to borrow ideas from older products in order to inspire a new and innovative design, which I've done in past. Plus, my old drum sounds are all over the web, controlling copying is difficult, and I don't enjoy legal stuff so I've generally ignored the issue so far. Also, the value in those old sounds is probably due more to Art Wood (the drummer who played the sounds, and my friend of many years), and to artists like Prince, Michael Jackson, and others, who made those sounds famous on their hits. Finally, I must admit that I've never cared much about the past, because I find the future far more exciting.

On the other hand, even if we discount the copying of the visual design, logo style and sound circuit of LinnDrum, the LmDrum copies my sounds. So I'd have preferred for Uli to ask my permission. Even if he thinks it is legal, I question whether it is ethical.

I find it interesting that the LmDrum is being sold in the U.S. for only $399. Having taken it apart and seeing how complex the copied old circuitry was to reproduce, I doubt Behringer is making any money from it. I suspect that they originally intended to sell it for much more, then discovered that while many people may say they want a LinnDrum clone, few are willing to pay more than a low price for it.

On a related topic, GForce Software has recently released their "IconDrum" software drum sound generator. Like the LmDrum, it copies the LinnDrum's visual design, logo style, and drum sounds, but has no sequencing. Unlike Behringer, GForce did say they wouldn't release the product if I objected, but they seemed like good people so I turned a blind eye. They also offered to pay me an insignificant royalty for my association with the product and perhaps to use "LinnDrum" name, but I declined because of the low compensation and because I thought it was misleading to call a product "LinnDrum" that wasn't a drum machine but rather only played my copied drum sounds.

One last comment. What's the big deal about nostalgia? I can understand that some people value analog synthesis, though I find the many types of innovative software synthesis created in recent decades to be far more capable, versatile and interesting. But even if people value vintage analog synths, why vintage digital drum machines? I ask this because an old bit is no different than a new bit. Our collective love of nostalgia brings to mind an old Douglas Adams quote from Salmon of Doubt:

"I've come up with a set of rules that describe our reactions to technologies:
1. Anything that is in the world when you’re born is normal and ordinary and is just a natural part of the way the world works.
2. Anything that's invented between when you’re fifteen and thirty-five is new and exciting and revolutionary and you can probably get a career in it.
3. Anything invented after you're thirty-five is against the natural order of things."

As a guitarist, I recall having endless discussions in my youth about "good distortion". :)

- Roger Linn

Beginner-Friendly Generative Ambient patch from scratch

video upload by Omri Cohen

"You can find this patch, along with many others, available on my Patreon page.

00:00 - Introduction
00:32 - Random sequence
08:06 - Online courses
08:24 - Harmony
16:15 - Bass drone"

Ableton Max for Live OP-2 ver.1.1 | Stereo FM Synthesizer

video upload by Akihiko Matsumoto

"Link: https://akihikomatsumoto.sellfy.store...
Introducing OP-2: Redefining FM Synthesis for Modern Bass Music

Stereo FM Synthesis: A Game-Changer in Sound Design
OP-2 brings a revolutionary approach to FM synthesis by introducing a stereo architecture. Unlike traditional FM synthesizers that operate in mono, OP-2 lets you detune oscillators independently for the left and right channels, creating a dynamic and spatially rich sound. This unique feature is perfect for crafting the cutting-edge basslines that define modern bass music genres.

Perfect for Experimental and Bass-Heavy Music
Designed with experimental electronic music, dubstep, and bass music producers in mind, OP-2 delivers unparalleled flexibility and power. Its versatile FM engine allows you to sculpt anything from gritty, aggressive tones to lush, evolving textures, giving you the freedom to push boundaries in your music production.

Optimized for Modern Production Workflows
OP-2 seamlessly integrates into Ableton Live as a Max for Live device, ensuring a smooth and efficient workflow. Its intuitive interface and advanced modulation options enable you to explore complex sound design techniques without losing focus on creativity.

Unlock New Dimensions in Bass Design
Whether you're producing heavy-hitting drops, intricate soundscapes, or experimental compositions, OP-2 empowers you to stand out with innovative sound design capabilities. Its stereo FM synthesis is your gateway to creating impactful, next-generation bass sounds that leave a lasting impression.
Take your sound design to the next level with OP-2 and redefine what’s possible in bass music."

Grotta 3D - MaxforLive Device for Ableton Live by Outer Fields

video upload by Isotonik Studios

"GROTTA 3D is a Max for Live spatial audio effect that combines real-time granular synthesis with advanced multichannel spatial distribution, enabling compatibility with quadriphonic and Ambisonic systems in Ableton, to transform your sound into dynamic and immersive soundscapes.

AVAILABLE HERE: https://isotonikstudios.com/product/g..."

ScratchBud Vinyl Scratch AUv3 FX Plugin

video upload by Cem Olcay

"ScratchBud is an AUv3 FX plugin and standalone app for iOS and Apple Silicon.

You can either load your own samples, or record the audio input up to 3 seconds as your scratch source. The classic aaah and fresh samples are included! With the LFO, you can automatically scratch. The crossfader cuts the scratch sound and the control behavior could be changed on the settings menu if you’d like to tap it like a hardware crossfader. It’s also MIDI controllable."

https://keybudapp.com/scratchbud

Jamming the TRS-80 - with a MIDI/80 and Orchestra 90 Sound Card

SundayJelly video upload by Joel Hilliard

This one is in via Michael Wessel [additional posts here] with some notes from him further below, but first the video description:

"Another tune using the TRS-80 Model 4(s) and the Orchestra 90, MIDI80 and classic analog tape!

Using the Technics 616 tape deck to capture audio, part 1 is composed using a TRS-80 Model 4P paired with the MIDI80, using TRACKER playing general midi drums from its onboard S2 module (Lower Computer)

The TRS-80 Model 4 is connected to the Orchestra 90 (reproduction) and George Phillips's newest update of the Orchestra 90 Organ (Available with the MIDI80 software). For the 1st part, the sound was routed through a EH BlackFinger, into a Bass Amp IR Cab.

The 2nd part is routed to a Boutique Amp IR setup, using the Mutron III as an added envelope filter for the 'jelly' sound.

Everything was fed to a digital mixer (Behringer X2222) and recorded directly to the cameras audio via USB. (No multitracking here)

I realize there are errors, clicks, hiss, pops, and all the other things we try to control from an analog perspective, but even with Dolby NR there is still some artifacts that accompany my terrible playing. Technically, you just watched me write this so, ENJOY! Thanks for watching!"

Additional videos:



Additional notes via Michael:

"A while ago, you posted about my MIDI/80 project for the TRS-80 - a MIDI sound card and MIDI interface. [posted here]

https://github.com/lambdamikel/MIDI-80

In the meantime, Joel Hilliard has been making some awesome music with his TRS-80 Model 4 and Model 4p, MIDI/80, and another extension called the "Orchestra" sound card.

He is playing the Model 4 using George Phillips' music synthesizer program for the Orchestra soundcard, "STORCH".

Back in the the day, the TRS-80s didn't really have great sound capabilities, other than their cassette interfaces which could be used for rudimentary sound output. However, this was extremely primitive in comparison to what the competition offered later (e.g., the SID in the C64, POKEY in the Atari 8bits, the AY 3-8910 in various other machines, etc.) Hence, the "Orchestra" sound card quickly became a popular add-on that added more advanced sound capabilities - basically, the Orchestra is a stereo DAC, but all the waveform generation had to be done by the CPU. Back in the day, the Orchestra was used in a "batch programming" mode where a music score was created in a textual special-purpose music programming language, that would then be "compiled" by the TRS-80 to be played back by the Orchestra sound card. Unfortunately, there was never an "interactive" music program that would allow users to use the card in an incremental way, as a musical instrument - until October 2024, when George Phillips released the "STORCH" Orchestra synthesizer program! This is what Joel playing in the video. Given that the Orchestra is a stereo DAC and all the sound generation heavy lifting has to be done by the CPU in realtime, the polyphony is limited to 2, and there are no filters, envelopes, etc. However, STORCH offers basic waveforms such as Saw, Triangle, and Sine. In addition, you can hear MIDI/80 for the the drum track - drums are coming from an S2 Waveblaster plugin, and he is using the TRACKER program on the TRS-80 Model 4p. You can find all the software in the MIDI/80 Github above."