Characteristic, harsh and metallic sounds that cut through the mix like butter. A whole spectrum of sounds is now at your fingertips – rumbling kicks, barky snares and completely unique, ear-grabbing toms and hi-hats.
An effect chain to bring out what’s best of the sound
The included effect chain will make your sound bigger and fatter straight from the output.
A convenient and inspiring sequencer
A rich set of editing functions and sound articulations along with the easy-of-use interface will fill your head with tons of musical ideas.
Get under the hood
For the first time since its release in the 80s, you can explore what the 606 would have truly been capable of!
The 606 was designed as a companion of the 303 silver box; it may look deceptively simple, but it’s a very versatile unit. It’s found its place in a whole variety of music genres, ranging from the 80s pop, through to modern EDM and experimental."
Try it for FREE with a 30-day trial.
Use code THSPECIAL for 44% OFF until December 27, 2024.
Details follow:
"The legendary 80s synth sound, modernized
THING is a synthesizer suite, offering polysynth power and analog-inspired sound modeling. Inspired by and faithfully recreate the essence of one of the most iconic synthesizers of the 1980s, it delivers legendary classic tones with modern features and flexible sound design, from massive pads to huge basses and searing leads. Available in VST3, AU, and AAX formats, ensuring integration with all major DAWs.
The THING suite offers an unparalleled and faithful emulation of one of the most iconic analog synthesizers of the 1980s, preserving its legendary character and sound. This virtual instrument captures the legendary warmth, depth and character that defined countless hits, bringing its timeless sound into the modern era. With meticulously crafted sound modeling, THING allows you to infuse your tracks with the beautiful essence of the original hardware, offering the best sonic authenticity and versatility for producers and musicians alike.
Abx-3 is a cutting-edge bass line synthesizer,at first designed as a modern tribute to the legendary 303 bass line synthesizer from the 1980s.
With a completely redesigned interface, Abx-3 makes it easier than ever to craft real-time sequences and dynamically adjust them during live performances and by the way in studio situation too.
Unleash Your Creative Potential with Abx-3, the ultimate tool for live performances and studio production. This innovative bass line synthesizer is packed with powerful features, including a robust 16 to 64-step sequencer, 32 independent patterns, 8 powerful distortion types and 7 integrated effects and in addition a patch randomizer that offer unparalleled creative freedom.
In conclusion it’s not a classic 303 synthesizer it does much more than that.
Close simulation of the original hardware.
Extended Poly/Multi modes, up to 96 voices polyphony.
Oscillator with three waveforms, additional white noise generator.
Classic self-resonating four-pole lowpass filter.
Individual envelopes for oscillator, filter and amplifier.
Onboard sequencer and arpeggiator.
SysEx import/export.
Supports MTS-ESP by ODDSound dynamic micro-tuning.
Resizable user interface (not "N" version.).
MIDI Learn – all parameters can be controlled by MIDI CC.
Plug-in supports Windows and macOS."
And two user videos:
Free Synth - Six-Traq by Full Bucket Music (No Talking)
"Sequential Circuit Six-Trak simulation by Full Bucket. All melodies I play are from me and copyrighted at the SACEM.
My TOP Free Plugins (Firefox recommended): http://www.crazik.free.fr/makemusicfo..."
"Close emulation of behavior and all controls of the original hardware
Three independent polyphonic synthesizer blocks
Band-limited oscillators, classic two-pole lowpass filters
Resonators section plus two Modulation Generators per bank
Additional Sample & Hold and paraphonic Envelope Generator
Semi-modular
Micro-tuning option
Additional tweaks
MIDI Learn – all parameters can be controlled by MIDI CC
Plug-in supports Windows (32 bit and 64 bit) and macOS (64 bit)"
More than an 8-trick pony Lush 2's multilayer architecture gives you access to virtually limitless sound design possibilities and a wide spectrum of applications.
Powerful, yet practical. An easy-to-tweak instrument that helps you find hit sounds in seconds, unleashing its and your maximum potential
Lush 2 isn’t based on just a single machine; it’s built from modules that can be found in many modern virtual synths, combined into one compact, logical layout. Don’t let its looks fool you: though it may look benign at first, its modular, multi-layer architecture takes it beyond simplistic poly-synths to the top shelf of extremely powerful, deeply programmable and devilishly versatile instruments in your arsenal. Suspiciously accurate sound is achieved only through experience: countless hours were spent analyzing classic analogue synthesizers, and then designing and implementing DSP algorithms with close attention to every component in the signal path - not just approximating its overall output. We deliver to you a synth built on oscillators of uncompromising quality, filters with an incredibly natural warmth and character, and best-in-class effects. On top of that, with all of the layers, multi-layer options, and routing capabilities the plugin offers - there’s no end to what you can do with just a single instance of Lush 2
Synthesizer Lush 2 lets you reach “unheard of” levels of creativity - each layer works as an independent synthesizer with its own polyphony, parameters, enhanced arp, and a choice between 8 of the finest insert effects.
Modulation matrix An entire page dedicated to assigning your modulation to nearly any parameter - pick a source, pick a destination, set an amount: creative modulation!
Mixer Lush 2 also comes complete with a powerful built-in mixer, complete with layer-independent parametric equalizers and compressors that can be rearranged. Volume, pan and superb send effects allow you to put the finishing touches on the final output.
OB-Xd is a classic synthesizer with a timeless sound that continues to captivate musicians and producers alike. With its rich, full-bodied tones and expansive sound design capabilities, the OB-Xd is the perfect choice for those looking to add a vintage touch to their music. Whether you're producing electronic tracks, recording live instruments, or composing for film and television, the OB-X is an invaluable tool that will bring a unique and expressive quality to your sound. So why wait? Add an OB-Xd to your studio today and take your music to the next level!
The OB-Xd is a synthesizer that has been designed to recreate the sound and behavior of the Oberheim OB-X. However, the original design of the OB-X was limited in some ways, so the OB-Xd includes a number of additional or altered features. One key feature of the OB-Xd is its implementation of micro random detuning, which helps to create a fuller, richer sound. Overall, the OB-Xd has been designed to produce a sound that is as good and as rich as the original OB-X.
More flexible mixers/some features from the CS-15 included. Section arranged as in the CS-15. In a vintage-y 'Radio Days' GUI, as the hardware CS monosynths were butt-ugly. Includes presets based on the CS-30L patchbook.
"PS-3300 Features Exactingly faithful virtual analog emulation of the semi-modular analog polyphonic synthesizer released by Korg in 1977
Three independent "signal generator" panels, each with an oscillator, lowpass filter, three-peak resonators, envelope with velocity, amp, two mod generator LFOs, and per-note tuning:
3X VCOs with six waveforms: triangle, saw, rectangle (square), two preset pulse waves (with different widths), and PWM (variable-width pulse)
3X resonant VCF 12 dB/oct lowpass filters with the option to select between the standard "clean" PS filter or the "crunchier" MS-style filter
3X modulatable "triple resonators": 12 dB/oct bandpass filters to produce vowel and phasing tones
3X discreet ADSR-type envelope modulators with velocity control, and amplitude modulation
3X two syncable "mod generators" (LFOs) with output jacks: one with triangle, saw, ramp, rectangle, pink noise, and white noise, and the other with triangle waveform
3X temperament section with individual tuning knobs for the 12 chromatic notes, and temperament presets for Equal Tempered, Mean Tone System, Hepatonal System, and Just Intonation
Copy/paste settings from one signal generator panel to another
Polyphonic mode with up to 24 voices of polyphony and three monophonic modes: last, low, and high note priority
Semi-modular synthesizer with virtual jack and cable system, featuring unlimited mults per jack and customizable (color, transparency, animation) cables
Master signal mixer panel with sample & hold, general envelope generator, and two control voltage (CV) processors
Individual channel panning
User-selectable bend range and master tune
Studio-quality integrated effects: chorus, echo with sync, and three types of reverb (spring, plate, and Galactic)
Over 360 professionally designed presets in a dozen categories. These include a bonus Legacy collection of basic presets based on the patch sheets in the original PS-3300 Owner's Manual, a 3100-based Glissando patch, and a 432 Hz Equal Temperament patch, all to get your started in your own sound design adventures.
Standalone virtual instrument and plug-in versions
Complete MIDI control and DAW automation for all controls, with easy-to-use MIDI Learn and mapping
Cherry Audio’s popular Focus zoom-in feature, as well as standard UI zoom and resize via drag
Complete documentation available directly online from the instrument or in downloadable PDF format
User-adjustable oversampling control
Also available: With its three-synths-in-one architecture, unique resonators, and semi-modular nature, the PS-3300 is truly a behemoth of synthesizers. Sound designer James Dyson's Resonation Preset Pack (sold separately) includes additional presets that go further into the relative dimensions between light and shadow and all the way to the outer limits."
Free Synth - Vintage by Behringer (No Talking) video upload by Elektronick Musick
"Stand on the Shoulders of Giants
Get classic subtractive synthesis and retro sounding filters with the Behringer VINTAGE PLUGIN! Download this completely free plugin today (yes, you read that right) and help the Playing for Change Foundation who support music education.
Legendary Tone
The VINTAGE is packed with all the features you need to effortlessly get those lush, classic synth tones that made the 70s and 80s roar or you can also create your own wild patches! And when we say “all the features” we mean it. Sine, square, saw, and noise waveforms Lowpass, bandpass, highpass, and notch modes Dual LFO with controls for rate, attack delay and retrig
Synthesizer engine based on meticulous modelling of the analog circuitry of legendary vintage synthesizers Carefully crafted UI for intuitive sound sculpting and vast sonic possibilities Two high-quality oscillators with hard sync function and selectable waveform: sine, square, saw, noise and sub-oscillator Pulse width modulation of square wave oscillator Two versatile filters featuring 12/24 dB switchable lowpass, bandpass, highpass, notch and formant modes, plus selectable drive curves for lush harmonic saturation Filter ADSR controls are easily accessible on the main UI and a flexible routing scheme allows for serial or parallel filtering Noise generator with Color knob controlling low pass cut-off Following the filters two amplitude modules allows for panning and levelling with controllable ADSR envelope Powerful dual LFO to modulate Oscillator, Filters and Amplifiers. The two LFOs have separate controls for rate, attack, delay, retrig and waveform, which encompass triangle, sine, random and square wave with pulse width control"
"Invader 2 is an 8 voice polyphonic synthesizer. It was designed to be easy to program while still offering a wide range of sounds and possibilities.
Features
Knob-per-function interface, what you see it what you get.
2 oscillators + 1 sub oscillator (tri, saw, pw, sync pulse, sync saw, saw to pulse)
Polyphonic stereo unison with optional low CPU unison emulation mode (up to 48 voices)
3 low pass resonant filter types (low pass clean, low pass raw and band pass)
Filter drive or high pass option
Stereo noise generator
Ring modulation
2 LFOs with delay function
2 Envelopes
Delay effect with normal, ping pong, tape and diffusion delay modes
Arpeggiator / 16 step sequencer
4 x oversampled engine
Medium and high quality modes
200+ preset
"The Fury-68 is a software instrument for Microsoft Windows (VST2/VST3/CLAP/AAX) and Apple macOS (VST2/VST3/CLAP/AU/AAX) simulating the KORG Poly-61 polyphonic synthesizer from 1982. It is written in native C++ code for high performance even on 'lighter' systems. Main features are:
DrumTraqs is a software instrument for Microsoft Windows (VST2/VST3/CLAP/AAX) and Apple macOS (VST2/VST3/CLAP/AU/AAX) simulating the classic Sequential Circuits Drumtraks drum computer from 1983. It is written in native C++ code for high performance and low CPU consumption.
Main features are:
Simulation of the original Z80 system used in the hardware
Original factory and some additional ROM samples
Old-school Pattern and Song building
Built-in stereo mixing options
SysEx and MIDI import/export
Resizable user interface (not "N" version!)
MIDI Learn – all parameters and buttons can be controlled by MIDI CC
Plug-in supports Windows and macOS
DrumTraqs is not intended to be the latest hot-stuff power drum plug-in with bells and whistles (although there are some bells), the most cunning AI-driven super- human composition assistance tool, nor the coolest mega spawn of those magical 80s sound machines. Instead it is a faithful recreation of the original hardware with all its limitations and only a few extensions. Don't be afraid of time travel - this is the way drum computers were handled more than 40 years ago!"
"The Stigma is a software instrument for Microsoft Windows (VST2/VST3/CLAP) and Apple macOS (VST2/VST3/CLAP/AU) simulating the KORG Sigma KP-30 Performing Synthesizer from 1979. It is written in native C++ code for high performance and low CPU consumption. Main features are:
Nineteen Presets with individual filters, envelopes, and amplifiers Two band-limited oscillators with four footages (32' to 4') Synthe preset section: Eight presets including Noise and Ring modulator Individual lowpass and global highpass filters Instrument preset section: Eleven presets, Delayed Vibrato effect Effect section: Portamento, Quarter Tone, Keyboard Sensor (aftertouch) and more Tweaks (not to be found in the original Sigma): Up to 64 voices polyphony with Velocity Chorus/Ensemble section Preset editor Supports MTS-ESP by ODDSound dynamic micro-tuning Resizable user interface (not "N" version!) MIDI Learn – all parameters can be controlled by MIDI CC 40 additional presets by kraftraum"
"Paralogy is a software instrument for Microsoft Windows (VST2/VST3/CLAP/AAX) and Apple macOS (VST2/VST3/CLAP/AU/AAX) simulating the paraphonic Crumar Trilogy and Stratus keyboards from the early 1980s. It is written in native C++ code for high performance and low CPU consumption. Main features are:
Close simulation of the original hardware
Fully "polyphonic" paraphonic madness
Organ, Synthesizer and String sections
Additional Phaser and Delay effects
Resizable user interface (not 'N' version!)
MIDI Learn – all parameters can be controlled by MIDI CC
Plug-in supports Windows and macOS (32 bit and 64 bit)
Special credits go (again!) to Kraftraum who did the Beta testing!!!"
"JP6K is a virtual synthesizer dedicated to emulating the famous Super Saw sound, first found in the Roland JP-8000 synthesizer in 1997. It aims to capture the essence of the sound and the behavior of the original oscillator. Even after decades, the Super Saw is still an important tool for producers and musicians all around the world, and is a crucial part of many kinds of electronic music!
Features 32 Voice Polyphony 2 Super Saw oscillators with Panning 1 Noise oscillator Resizeable GUI 3 Filter modes: Low Pass, Band Pass and High Pass with -12 & -24 dB/Oct 3 independent LFOs controlling the Filter, Amp and Pitch Pitch envelope Glide (Portamento) / MIDI pitch-wheel support Built in Delay and Equalizer 114 presets, which includes presets from CFA-Sound, MASCHINENBAUERMUSIC, Mikey O’Hare and Grzegorz"
In 1975, Tom Oberheim revolutionised synthesiser design with the original TVS – Two Voice Synthesizer. By combining two SEMs and a keyboard, he introduced true duophony to the world—enabling musicians to play two independent voices simultaneously and explore harmonically rich, evolving soundscapes. It was a bold step forward, embraced by visionaries including Martin Gore, Adrian Utley, Peter Baumann, Lorn, The Prodigy, and Nils Frahm.
Decades later, the TVS Pro modernised that vision, adding a built-in sequencer, extended modulation, and refined controls—all while staying true to its unmistakable sonic DNA.
Now, with the GForce Oberheim TVS Pro plugin, this landmark instrument enters a new era. Developed in collaboration with Oberheim, this recreation captures not only the depth, warmth and character of the original, but also the spirit of innovation that made it extraordinary.
Credits
Alex Ball - audio & video production and narration
Çağatay Çetin - 3D animation"
"GForce pulls the two-voice, duelling SEM, sequence and keyboard-driven TVS Pro into the software realm. It's effortlessly retro, sumptuously old fashioned and plays very differently to regular synths."
Oberheim TVS Pro Synthesizer by GForce Software (No Talking)
"In 1975, Tom Oberheim revolutionised synthesiser design with the original TVS – Two Voice Synthesizer. By combining two SEMs and a keyboard, he introduced true duophony to the world—enabling musicians to play two independent voices simultaneously and explore harmonically rich, evolving soundscapes. It was a bold step forward, embraced by visionaries including Martin Gore, Adrian Utley, Peter Baumann, Lorn, The Prodigy, and Nils Frahm.
Decades later, the TVS Pro modernised that vision, adding a built-in sequencer, extended modulation, and refined controls—all while staying true to its unmistakable sonic DNA.
Now, with the GForce Oberheim TVS Pro plugin, this landmark instrument enters a new era. Developed in collaboration with Oberheim, this recreation captures not only the depth, warmth and character of the original, but also the spirit of innovation that made it extraordinary.
Whether you’re a long-time Oberheim fan or new to SEM-based synthesis, TVS Pro is a tool you’ll return to again and again—for its tone, flexibility, and sheer playability.
Key Features
The most authentic duophonic TVS Pro experience available
The most playable SEM ever – full of character, now with an additional 3rd VCO
Over 635 patches, with 220+ new sounds and 400+ adapted SEM patches
