🎛️ MICRORACK en Superbooth 2025: Sintetizador modular en kits para creatividad ilimitada

video upload by FutureMusic.es

"En esta entrega especial desde Superbooth Berlín 2025, exploramos MICRORACK, una plataforma modular innovadora que busca democratizar la síntesis modular. De la mano de su creador y CEO, Leo Gomberg, descubrimos cómo este sistema ofrece una experiencia sonora rica y versátil, manteniendo un enfoque accesible y educativo.

#microrack #sintetizador #síntesis

Timeline
00:00 Short Demo (Leo Gomberg)
02:05 Entrevista con detalles de MICRORACK
12:41 Conclusión

MICRORACK presents itself as a highly accessible analog modular synthesizer, designed to combine dozens of modules, build unique instruments, and encourage learning and fun in sound synthesis. Its compact and portable design allows users to take it anywhere, facilitating sound experimentation on the go.

During the interview, Leo shares his vision of making modular synthesis more affordable and educational, highlighting the importance of providing affordable kits and a simple design for all types of users. MICRORACK offers unlimited variability, allowing users to customize their setup and combine it with anything they can imagine. Furthermore, its DIY and open-source approach encourages collaboration and the contribution of new ideas to the platform.

In the exclusive initial demo, Leo shows us how MICRORACK can be used to create a wide range of sounds, from textures, basslines, and drones to complex rhythms, demonstrating its potential for both beginners and experienced musicians. The system's flexibility allows for integration with other equipment via CV and MIDI, processing external audio, adding effects, and integrating it with any existing setup.

MICRORACK also stands out for its compatibility with other modular systems, including Eurorack, thanks to its compact module design and 3.5mm jack adapters. Its versatile power supply, supporting 5-14V via DC jack or 5/9/12V via USB Type-C, allows for use with standard power supplies, computers, or even power banks for portable use.

In short, MICRORACK represents a fresh and exciting take on modular synthesis, offering an accessible, educational, and highly customizable platform for exploring sound in new ways."

Elastic OSC iOS App Release Video

video upload by Oliver Greschke

"Elastic OSC is a synthesizer app based on the DSP code of the Mutable Instruments Plaits hardware oscillator module, one of the most beloved (and cloned) oscillator module in the Eurorack modular scene!
While Plaits is monophonic, Elastic OSC can also be used in 8-voice polyphonic mode. This means you can use it either as a sophisticated, experimental monophonic sound source — like the original — or as a regular polyphonic keyboard with a wide variety of great sounds. Of course, you can also combine both approaches!

Elastic OSC is designed for playability and simplicity – similar to the Plaits hardware, which has 4 Main Knobs for all essential Synth Parameters. Elastic OSC is essentially a one-screen app with no menu diving. It features two XY pads for intuitive sound manipulation of the OSC engine and the effects. Despite the simplicity of the clean interface, the sound possibilities are vast. Under the surface you’ll find 24 different oscillator models and the ability to automate parameter changes, as it is possible in all Elastic apps.

App Store: https://apps.apple.com/us/app/elastic..."

Elastic OSC Jam with Red Sky Lullaby Presets

video upload by Oliver Greschke

"Elastic OSC will get released 5.5.25 !! 🥳
In this short noodle, I play with the presets created by Red Sky Lullaby. The Arturia MicroFreak is used only as a MIDI keyboard, all sounds and effects are generated by Elastic OSC itself.

Elastic OSC is a synthesizer app based on the DSP code of the Mutable Instruments Plaits hardware oscillator module, one of the most beloved (and cloned) oscillator module in the Eurorack modular scene! While Plaits is monophonic, Elastic OSC can also be used in 8-voice polyphonic mode. This means you can use it either as a sophisticated, experimental monophonic sound source — like the original — or as a regular polyphonic keyboard with a wide variety of great sounds. Of course, you can also combine both approaches!

Elastic OSC is designed for playability and simplicity – similar to the Plaits hardware, which has 4 Main Knobs for all essential Synth Parameters. Elastic OSC is essentially a one-screen app with no menu diving. It features two XY pads for intuitive sound manipulation of the OSC engine and the effects. Despite the simplicity of the clean interface, the sound possibilities are vast. Under the surface you’ll find 24 different oscillator models and the ability to automate parameter changes, as it is possible in all Elastic apps."

Trilling Synth Modules Introduction

video upload by Dirk de Bruin

"I’ve designed a set of original Eurorack modules with intuitive interfaces and powerful features to help you create melodies, harmonies, and custom sequences in your synthesizer setup.

The T=3^x⋅2^y Midi Clock Divider makes it easy to explore rhythmic possibilities. The intuitive front panel shows the relationship between all outputs at a glance.

The 4051 Permutational Sequencer turns simple gate signals into complex sequences. This sequencer uses three gate inputs as a binary number, which determines the order of its steps.

Take your melodies and harmonies to the next level with the MC2VQ MIDI Controllable Dual Voice Quantizer.

https://www.kickstarter.com/projects/..."

Musically Meaningful Clock Divisions

The T=3^x⋅2^y Midi Clock Divider makes it easy to explore rhythmic possibilities. The intuitive front panel shows the relationship between all outputs at a glance.

Flexible Rhythms: Outputs are organized into triplet, standard, and dotted note divisions, perfect for creating musically meaningful patterns.

Seamless Integration: Combine any three outputs with the 4051 Permutational Sequencer for instant access to unique and inspiring sequences.

Reset in and out: To sync to other modules or use the reset in to make it reset itself if you want different sequence lengths.

Whether you're building complex grooves or experimenting with polyrhythms, this module simplifies the process.

Simple Inputs, Complex Sequences

The 4051 Permutational Sequencer turns simple gate signals into complex sequences. This sequencer uses three gate inputs as a binary number, which determines the order of its steps.

Dynamic Variations: Feed it three successively halved standard notes like quarter, eighth and sixteenth notes for a standard left-to-right sequence. But the real magic happens when you replace any of the inputs with another signal, resulting in limitless creative possibilities and rhythmic variation.

User-Friendly Design: Color-coded inputs make it easy to understand and control.

CV Output Range and Level Options:

The CV output range is adjustable via a dedicated switch, allowing you to tailor it to your specific needs. Additionally, the level knob provides precise control over attenuation for fine-tuning the signal.


Trigger Output:

Each time the sequencer advances to a new step, a trigger pulse is sent from the trigger output, making it easy to synchronize with other modules or external gear.

This sequencer is a powerful tool for creating evolving patterns that push your creativity to new heights.

Perfectly Spaced Notes, Dual Voice, MIDI Control

Take your melodies and harmonies to the next level with the MC2VQ MIDI Controllable Dual Voice Quantizer.

Dual CV/Gate Output: Creates two sets of CV/Gate outputs from the same scale or chord, resulting in lovely and complementary harmonies.

Unique Mixing Capabilities: Blend the three analog inputs differently for each output using dedicated mixers, generating beautiful harmonies or cascading arpeggios.

MIDI Input: Use a MIDI keyboard or sequencer to set scales or chords on the fly, enabling seamless chord progressions and harmonic shifts.

MIDI Output: Use the two voices generated by the quantizer to control your MIDI synths, or send the output to the next MC2VQ to synchronize scales across both modules.


Smooth Transitions: The quantizer’s algorithm distributes active notes evenly across the 1V/oct range for fluid and consistent transitions.

Trigger Inputs: Optional trigger inputs let you synchronize outputs with a fixed rhythm for precise timing.

Whether you're composing melodies or creating complex arpeggios, this module provides a unique and expressive way to shape your sound.

See the Trilling label below for additional posts.

CLUB OF THE KNOBS COTK C901ABC osc/ C902 vca / C938 5U MU

Note: Auction links are affiliate links for which the site may be compensated.

via this VEMIA listing

Click the auction link on top when you get there for additional listings.

VEMIA is Peter Forrest's auction house. He is the author of The A-Z of Analogue Synthesizer Books.

"5 x COTK modules 1 x COTK to Synthesizers.com busboard (rare and hard to find)

A solid foundation for a Moog-style modular setup—just add a filter and an envelope generator.

Club Of The Knobs COTK C901ABC Oscillator MU/.com Dotcom / 5U /Moog 901 Clone

This is a Moog 901 clone from COTK The Moog 901 came out in the late 1960's .. possibly 1965 to 68 ?? It's what is called a first generation VCO. You can use this as a VCO & VCLFO (voltage controlled LFO) It's a classic, and arguably this oscillator has influenced all VCO designs..... not just of Moog, but of synth manufacturers from around the world.

901a is the controller 901b is the oscillator 901c is the output module basically moog 901s (and clones) have a lower amplitude sound that you can amplify/ slightly distort (usually with a CP3 transistor style mixer) before running them into a moog filter but with 901c output module you also get outputs in modern modular format audio level. (and you can use them as the worlds most expensive LFO i suppose)

Condition: Used, some rack rash (previous owner), small scratch on the 901A module—see photos for details.

Club of the Knobs COTK C902 VCA This is a Moog 902 VCA clone from Club of the Knobs. Its on MU/5u/Dotcom format. It does what it is supposed to do. This module is a simple transistor based voltage controlled amplifier with either linear or exponential response. But simple doesn't mean boring sounding. This is one the workhorse VCAs of SynthLand. If you are looking at this you probably know how nice it sounds. Condition: Fully functional, but the (LIN/EXP) switch has a soft feel. Given its age (10+ years), this is reflected in the price.

COTK C938 Reversible Mixer The C 938 is a reversible mixer with attenuated inputs and a master gain multiple output. It can combine both AC and DC voltages. very useful attenucerter & mixer modular utility module Module in pristine condition Power & Compatibility:

All modules have COTK power connectors. You can power them if you:
- Have a COTK busboard (included in this sale) to connect to an MU/Dotcom case
- Use a COTK system
- Have a Moon Modular case that supports COTK power connections - all COTK cables to connect to busboard are included and a dotcom cable to connecto to you dotcom case.

A solid foundation for a Moog-style modular setup—(just add a filter and an envelope generator or two)"

CLICK FOR MORE »

Introducing Samarkanda 1953 Resampling Delay Performance Station by Xaoc Devices

video upload by Xaoc Devices



"Meet the lovely Samarkanda - a monster of a delay with unlimited potential

Xaoc Devices Samarkanda is a digital quad delay module with extensive patching capabilities and a lot of flexibility for signal mangling. It can be used as four entirely independent delays, a dual stereo delay, a complex/multi-tap or multi-channel delay, a quad/polyphonic resonator, a dual chorus, a dual flanger reverb, a looper (with sound on sound!), and a granulator, or any combination of those. You can reverse the delayed signal, hold it, squeeze and stretch it beyond all recognition and still go back to the original piece of audio captured in the buffer! The internal lossless normalization (the signal doesn't leave the digital domain) combined with top-notch components (including 24-bit AKM converters and 32-bit internal processing) are responsible for high sound quality. Samarkanda has been conceived in the truly modular spirit. Not only can you control almost all its features remotely with CV/gates, but the external feedback path gives you the opportunity to process the delayed signal with other modules.

Samarkanda offers a wide range of delay times beginning at a mere 0.5ms and reaching up to 15 seconds per channel. That means that, by stacking its four channels, you can achieve up to one minute delay! There are two operating modes switchable individually for each channel. Analog delivers pitch changes that resemble classic analog tape and BBD delays. When you combine it with the looping Hold function, you can play Samarkanda with any 1v/octave CV source - using the Sync function you can even loop single wave cycles. The Digital mode gives you a granular buffer-scrubbing effect (no pitch change) across the whole delay time range. You can seamlessly switch back and forth between modes without losing any information. You can use Samarkanda for multiple tasks at the same time - from four independent delay lines through any combination of channels processing the same signal up to a quad behemoth. You can also use the linking feature for ease of operation (the first channel in the chain acts as the main control source for the others).

As most settings operate on a per-channel basis, you can freely combine different features (such as analog/digital behaviour, delay time range, reverse and hold functions, etc.) in a configuration of your choosing. You can synchronize each of its channels separately to a different source, either via the Sync input, or by using the tap-tempo functionality (with multiplication and division galore). Should you ever get lost, the Purge button comes in handy when/if things start to spiral out of control!

Notable features:
Quadruple resampling delay
Lossless chaining of sections
Delay range of 0.5ms to 15 seconds per channel for a total of 60 seconds when stacked
Analog (tape-like) and digital (granular) sweep behaviours
Continuous, synced, and tap-tempo operation
Clock division and multiplication from 1:8 to 8:1
Buffer freezing and 1V/oct loop playback control
Reverse delay effect
Multiple options for coupling channels

width 42HP
depth 40mm (including cable bracket)
+230mA/-90mA

PRICE: 620 EUR MSRP, available now!"

Check with dealers on the right on availability.

CLICK FOR MORE »

Confundo Funkidos: Using BURN for rhythmic fills

video upload by Noise Engineering

"Confundo Funkidos is the second version of the classic Eurorack module Confundo Funkitus.

This post supplements the blog on Noise Engineering's website here: https://noiseengineering.us/blogs/loq...

One of the greatly expanded features on the new Confundo Funkidos is Burn. The original Confundo Funkitus had a simple button that was all-or-nothing when it came to fills, but we added a CV-controllable potentiometer and added a mute behavior for Burn when we reimagined the Funkidos.

Watch the full Confundo Funkidos demo video here:
• Confundo Funkidos four-channel rhythm... [posted here]

See how the new Accent outputs work here:
• Confundo Funkidos: How Accent outputs... [posted here]

For more information or to order:
https://noiseengineering.us/products/...

Confundo Funkidos is a rhythm crossfader and mute utility. Patch two pairs of rhythms to the left and right inputs, then use the CV-controllable crossfader and three Curve algorithms to fade between them and combine them in different ways. Each channel has a mute switch which can be used to bring a voice in and out of a patch at will. Tap the Burn button for some instant fills, and your percussion performances will never be the same."

Kaona Introduces Sisyphus Granular Eurorack Module w/ 8 Original Filters

via Kaona

Google translated:

Sisyphus is organized around a granular engine and a palette of eight original filters. Its granular system allows several grains to coexist in a single stereo sound stream that combine with each other.

This filter is based on a global granular design of the sound: it is not a granular engine followed by a filter but a real integration of filtering in the process of establishing the grain. Each grain generated carries the filtering characteristics defined by the musician and will be combined with the other grains according to evolving and configurable patterns.

The filters have been the subject of a completely specific development and are not from the usual libraries: they will therefore have a specific color that we let you explore!

Filters
→ Lowpass
Attenuates high frequencies beyond the cutoff frequency. Filter at 12 dB/octave.

→ Highpass
Attenuates low frequencies below the cutoff frequency. Filters at 12 dB/octave.

→ Bandpass
Let a band of frequencies around the cutoff frequency pass. Filters at 12 dB/octave.

→ Notch
Widens around the cutoff frequency and lets the rest pass.

→ Peak
Boosts the band around the cutoff frequency, while letting the rest of the spectrum pass without cutting it drastically.

→ Comb
Creates a series of cancellations and resonances, based on an internal delay and feedback.

CLICK FOR MORE »

It's all Voltage | The Modular Classroom | Lesson 1 (feat. Serge DUSG and GTS)

video upload by Cinematic Laboratory

"OK, here's episode 1 of my modular classroom series. Again. I had to reupload due to editing errors. So I worked on it some more, added some stuff and removed a segment that went to Lesson 2.

I had to pick a reference because we all own different case layouts. I assume everyone can follow and try some of it if you own a Maths, Falistri, Rampage or Abacus. I'll be using Serge DUSG and GTS for most of this video. I did not include the 281T quad function generator because it will get its own lesson.

We're going to be taking about rise and falls a lot. They're the foundation for modular sound generation and movement. It's all voltage. When we think of a triangle wave as a basic waveform, we can break it apart and see it as a rising voltage, a falling voltage in a repeating cycle over periods of time. Time will determine if it's a VCO or LFO."

Slope Language | The Modular Classroom | Lesson 2 (feat. Maths, Rings and Clouds)

video upload by Cinematic Laboratory

"In Lesson 1 I introduced a hidden sonic world of rise and falls, a foundation for making sounds and movement and for interaction with other sounds and movements. I realized it's hard to make lessons without reference gear and I picked Maths as the No. 1 module to explain the core concepts of low level synthesis. While making this lesson, I figured out this 'slope language' which could be an alternative to patch diagrams. Diagrams only work on a system with a fixed layout and modules. In modular this just doesn't work because all modulars are different and personal.

I also needed to find a way to combine high level music making with low level modular techniques and explain why it's worth it to dive a bit deeper. I used Rings and Clouds as a methaphor for 'fastfood' because it's really easy to make great music. This often sounds like a bad thing but it's not. Too easy is good. It confirms that modular synths can be cool. But it's even cooler to hear what happens when we add a bit of low level movement. Sticking to the metaphor of cooking with sound, it becomes a Chef's kitchen, where Rings/Clouds are the signature ingredients, and Maths is the secret sauce.

The goal for these classes is to learn how to think in voltage slopes (rise and falls) and these 'slope language' diagrams seem to work for lots of module combinations. I was able to 'translate' a Maths patch to Tides and Blinds. It works because we're taking a step back from the panel layout, and focus on what the voltage is doing. The recipe. For me, it felt like a missing link that really helps me to explain things. Now let's hope this works for you too."

Noise Engineering Introduces the Confundo Funkidos Four-Channel Rhythm Crossfader Eurorack Module

video upload by Noise Engineering



Press release follows:

Los Angeles, CA — Noise Engineering, known in part for their innovative utility modules, has released the highly anticipated Confundo Funkidos, a rhythm crossfader and performance utility, and successor to the immensely popular Confundo Funkitus.

Inspired by DJ performance techniques, Confundo Funkitus takes in eight trigger patterns, then uses a crossfader to combine them, apply probability, or swap between them as the user desires. Each channel also features a mute switch so that channels can be added and removed from a patch at will.

New to the second version is the addition of algorithmically generated Accent outputs, which create high and low gates based on input patterns and automatically bring life to any modulation destination. The BURN section of Confundo Funkidos has also been expanded with a new parameter, making it even easier to create fills on the fly. The Mute switches have also been upgraded, featuring a center position that removes a channel from BURN fills and sets its Accent output low while still outputting triggers.

“We’ve been thinking about a new version of Confundo Funkitus for a long time,” says Markus Cancilla, Noise Engineering’s Chief of Destruction. “Confundo Funkidos brings together everything we’ve learned in the years since the original was discontinued, and makes the original concept even more fun. We’re really excited to hear what people do with it.”

While Confundo Funkidos has double the outputs and even more parameters than the original, it’s still contained in the same 12 HP package. At this small size, it’s easy to integrate into performance skiffs, while its extensive inputs and outputs make patching it with larger systems a creative dream. And while it was designed with compactness in mind, its interface features excellent ergonomics, maintaining excellent performability.

Confundo Funkidos is now open for preorders. It ships starting January 9th at https://noiseengineering.us and at retailers globally.

Features
● Four-channel rhythm crossfader
● Incredible utility for hands-on jamming and performance
● Inspired by DJ performance techniques
● Algorithmically generate accent gates based on input patterns
● Use Mute switches to bring percussion in and out of your mix
● Create fills on the fly with unique BURN controls

Availability and pricing:
Confundo Funkidos: In stock. Shipping from Noise Engineering and retailers starting January 9th, 2025; MSRP US$345 Preorders now open.

https://noiseengineering.us/products/confundo-funkidos

Check with dealers on the right for availability.

Clatters Machines Introduces EXP-FX, il Sole e la Luna (Sibilla expander)

video upload by Clatters Machines

"EXP-FX, Il Sole e la Luna (eg. The Sun and the Moon) is a 6HP expansion module for Sibilla, aiming to let you admire the same panorama under two different glows.

Depending on the Sibilla uploaded firmware, EXP-FX can either act as an actual Sibilla expander, giving you direct control on more Sibilla’s parameters, or can turn your module into and effect, allowing you to process your favourite oscillator the same way Sibilla processes its internal waveforms.

EXP (il Sole)
Expands your Sibilla by giving you more control on the internal AR envelope and filter resonant frequency.

FX (la Luna)
With configurable eurorack/line stereo inputs, turns your Sibilla into an intricate stereo pitch shifting delay effect. Split your incoming sound in two separate pitch shifted tracks whose stereophony is affected by LFOs movements, white noise, delay lines and sampled bits of audio."

Chapters:
0:00 Meet Sibilla's new expander module
0:35 What's EXP-FX?
1:23 Programming your Sibilla
1:48 EXP - controls and graphic overview
2:30 EXP - separate Q control for resonant LPF
2:54 EXP - slow envelopes for complex evolving pads
4:02 EXP - fast envelopes for percussive sounds
5:19 FX - controls and graphic overview
7:14 FX - stereo pitch-shifting
7:58 FX - LFOs movements and filtering
8:45 FX - layering new sine waves
9:15 FX - the sampling delay network
11:10 FX - glitchy jam
12:45 Ciao!

How to flash the EXP-FX firmwares on Sibilla

video upload by Clatters Machines

"Flash one of the two new firmwares on Sibilla to use it together with EXP-FX!
In this video we'll take a walkthrough on how to flash firmwares on Sibilla using both the Sibilla Web Programmer and the Daisy Web Programmer."

Chapters:
0:00 Introduction and what you'll need
1:07 Sibilla Web Programmer
1:44 Written instruction on the small question mark!
2:01 Let's start and connect Sibilla
3:40 Using the Daisy Web Programmer
5:28 Enjoy and test your new expander!

Press release follows:


Clatters Machines announces availability of EXP-FX (il Sole e la Luna) as Eurorack expander module for Sibilla stereo digital oscillator

SAN BENEDETTO DEL TRONTO, ITALY: small town lovers of music and electronic instruments Clatters Machines is proud to announce availability of its EXP-FX (il Sole e la Luna) — latterly translated (into English) as the Sun and the Moon, marketed as a 6HP Eurorack expander module for its Sibilla stereo digital oscillator (that translates the beauty and harshness of a semi-barren mountain into a 10HP Eurorack module that sculpts sound with various saw and sine waves running through intricate delay networks altered by LFOs — Low Frequency Oscillators — and white noise to create constructive and destructive interferences, enabling ever-evolving soundscapes that can be both droning and/or melodic in nature) to allow anyone to use this majestic modular pairing in two different ways, depending on the uploaded firmware — as of November 15…

Same panorama under different glows. With wonderfully evocative words like those framing Clatters Machines’ concept of being able to see the same panorama — in this case, the mountain of Sibilla that lends its name to the small town lovers of music and electronic instruments’ much-loved Eurorack module — under different lights and shadows, EXP-FX (il Sole e la Luna) literally sounds interesting. Indeed, depending on the uploaded Sibilla firmware, it can either act as an actual Sibilla expander — enabling direct control over more of that module’s parameters — or a stereo pitch-shifting drone effect — enabling users to process an external oscillator in the same way that Sibilla processes its internal waveforms.

Digging deeper, the EXP firmware adds more control of Sibilla’s internal AR (Attack Release) envelope and filter resonant frequency. For instance, it is possible to transition from long release droning pads to crazy and noisy percussive sounds as a result of this.

The FX firmware, for its part, turns the Sibilla-plus-EXP-FX (il Sole e la Luna) modular pairing into an intricate stereo pitch-shifting drone effect, effectively splitting the incoming sound into two separate pitch-shifted tracks whose stereophony is affected by the movements of the LFOs, multiple instances of white noise, delay lines, and sampled bits of audio. Thanks to the configurable Eurorack/line stereo inputs, it is possible to process an external oscillator, instrument, or sample in the same way that Sibilla processes its internal waveforms — by creating an intricate network of pitch-shifted delay lines, freezing them, and looping them, thereby creating a complex architecture of resonant frequencies and pitch-shifted audio tracks moving through the stereophonic field, in other words.

'As an intricate and evolving drone machine, Sibilla has been a major inspiration for both us as musicians and also many customers — couldn’t be prouder of this.” So states Clatters Machines Co-founder, engineer, electronic designer Michelangelo Nasso, before delving into the enticing EXP-FX (il Sole e la Luna) backstory by way of ending with some wonderfully evocative words of his own: “As a result of product showcases at festivals and fairs where we chatted with musicians, friends, and customers, we started wondering how well-known oscillators and instruments would have sounded if processed in the same way that Sibilla does with its internal waveforms; we realised at the same time that Sibilla would not be complete without more control over basic elements such as its internal envelope, so we decided to combine two ideas for two new expander modules into a single unit — namely, EXP-FX (il Sole e la Luna), a ‘dual’ expander that allows Sibilla to be used in two different ways... like looking at the same mountain under different tones and glows.'

EXP-FX (il Sole e la Luna) is available worldwide — with a choice of silver- or black-coloured aluminium front panels — from Clatters Machines’s growing global network of retailers (https://clattersmachines.com/retailers-3/) or directly via its online Store (https://clattersmachines.com/shop/) for €164.00 EUR (plus VAT, if applicable).

Check with dealers on the right on availability.

Xaoc Devices Lublin

video upload by Xaoc Devices

"Lublin [ˈlublin] is a dual, DC-coupled, high-quality VCA module with exponential control characteristics. It features a gain control circuit that prevents distortion from excessive amplification, which is common with traditional VCAs.

Besides audio and CV inputs, it features additional pinging inputs that use an elaborate analog circuit to model the dynamic behavior of vactrols, allowing you to trigger a carefully crafted gain response that mimics the natural decay of plucked and struck acoustic instruments.

Note that despite this emulation, Lublin is not a lowpass gate type module as it retains the full frequency bandwidth when reducing gain. Unlike many modules that use vactrols, Lublin's dynamic profile can be varied within a wide range.

Dual Voltage-Controlled Amplifier ∙ High quality, low noise and distortion, DC-coupled signal path ∙ Ping inputs for emulating vactrol response ∙ Three variants of ping response ∙ Exponential CV response with adjustable sensitivity ∙ Gain limiting circuit for protection against signal clipping

Timeline:
00:00 - Intro
00:29 - Ping response controls
00:43 - Bass!
00:54 - Combine CV & ping
01:37 - Generate envelopes"

Xaoc Devices Lublin | Dual VCA with vactrol-style envelopes

video upload by Tom Churchill

Chapters:
00:00 Intro & patch previews
01:24 Lublin overview
02:46 Twin VCA with pinged envelopes
07:56 Patching a low pass gate
12:07 Dialling in the perfect kick drum
16:34 Creating vintage hi-hats
19:08 Stereo plucked chords

Xaoc Devices Lublin: pinging for the new era, or strike your VCA!

They say you can never have too many VCAs. So we decided to make another one, actually two in one. After our modern classic that is Tallin, lauded for its inimitable saturation circuit, it's time for Lublin [ˈlublin]! Lublin is a high-quality dual VCA module with exponential CV inputs. On top of that, its two identical channels feature additional inputs for pinging. These inputs use an elaborate analog circuit to model the dynamic behavior of vactrols, allowing you to trigger a carefully crafted gain response that mimics the natural decay of plucked and struck acoustic instruments. Unlike lowpass gate modules though, Lublin reduces gain while retaining the full frequency bandwidth, so it is perfect for harmonically rich signals, like our Odessa additive VCO. The vactrol-like behavior is just a starting point as the envelope may be varied within a wide range using a switch (natural, shortened and prolonged response) and a potentiometer, so you are not stuck with one decay characteristic. Therefore, you can use it not only to create bongos, but also for fat compressed kicks! The built-in gain control circuit (saturating CV instead of the audio signal) prevents distortion from excessive amplification. Lublin is DC-coupled, so you can use it to process CV as well as audio signals.

Notable features:
- Dual Voltage-Controlled Amplifier
- High quality, low noise and distortion, DC-coupled signal path
- Ping inputs for emulating vactrol response
- Three variants of ping response
- Exponential CV response with adjustable sensitivity
- Gain limiting circuit for protection against signal clipping

- width 6HP
- depth 33mm (including cable bracket)
- +40mA/-20mA

PRICE: 170 EUR MSRP, available now!

Check with dealers on the right for details.

Machina Bristronica 2024

video uploads by sonicstate

Playlist:

1. Bristronica 24: MyVolts The Silent Alchemist Nears Shipping

We caught up with Caroline who gave us the latest update to the *Silent Alchemist*, a versatile power hub designed for musicians. Featuring five isolated USB-C outputs and a high-wattage sixth output capable of delivering 100 watts, the device can power a Mac with the remaining outputs providing 20 watts each. Its independent circuits ensure noise-free operation, catering to a variety of devices including the Dreadbox module and Sysmo slope generator.

The Silent Alchemist uses innovative step-up power tips to convert USB-C input to the correct voltage for various devices. There's also new feature: an uninterruptible power supply allowing seamless transition between wall and power bank sources. Also introduced were updated cables, such as silver candy cords and floating ring TRS to TS cables, expanding connection flexibility. The Silent Alchemist is expected to be available in December with a competitive pricing strategy.

More Info:
https://myvolts.com/

2. Bristronica 24: Circuit Happy ML2M Clock Sync module updates

At Bristronica 2024, we caught up with the creator of the *ML2M*, who introduced us to the latest version. The ML2M is a compact Eurorack module with Wi-Fi capabilities, allowing seamless synchronization with Ableton Live, Bitwig Studio, and iOS music apps using Ableton Link without the need for cables. It either connects to an existing network or creates its own, ensuring robust sync even in environments with unreliable Wi-Fi. The module, which retains its 2HP size, now features MIDI integration through TRS jacks. Users can access a web interface to configure each output for different clock divisions and reset triggers, making setup straightforward and flexible.

Alongside the ML2M, there's also the Missing Link Junior. This desktop version offers the same functionality but in a box format, complete with MIDI and CV clock outputs. Both products are now accessible, with a starting price of $250.

3. Bristronica 24: Archaea Exchange Patching Module

At Machina Bristronica 2024, we caught up with Arran from ‪@archaea_modular_synthesis‬ who presented the *Exchange Module*. This programmable patcher, a year in the making, evolved from its early prototype stage to a fully functional module. Arran explained how the Exchange can route synth voices via a beam controller and three exchange modules installed within the skiff, allowing for versatile patching. Operating like a matrix patchbay, it enables users to select inputs and outputs with the push of a button, create presets, and chain multiple modules for synchronized patching.

Communication between the modules occurs over the Eurorack power bus as well as over MIDI via the USB-C connection. The Exchange maintains analog integrity, ensuring there’s no conversion latency. The forthcoming release expected in late November 2024, includes a USB-driven editor for enhanced control capabilities.

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Der Mann mit der Maschine Introduces DROID MASTER18 - Compact Universal CV Processor with MIDI/USB

"The MASTER18 is a very flexible generic CV processor.

You can think of the MASTER18 as a smaller and cheaper version of the DROID MASTER without CV inputs and LEDs, but with an integrated USB and MIDI, six additional gate jacks, two of which are inputs and four are outputs.

Details:

It has 8 CV output jacks with a voltage range from -10 V to +10 V, driven by highly accurate low jitter 16 bit DA converters,
2 gate inputs switching at 0.1 V
4 gate ouputs switching between 0 V and 5 V
2 MIDI interfaces via MIDI standard B (mini jack)
MicroSD card reader and a button for reloading the MicroSD card
USB C to access the SD card from your computer or to send/receive MIDI
MASTER18 comes with two interesting bonus features:

It can be connected to the Sinfonion as a follower of the Harmonic Sync.
It has an integrated tuning device for VCOs (can measure their frequency).
The MASTER18 is a good choice if you intend to just create CVs and don't need to process incoming CVs. It’s perfect for building sequencers and MIDI to CV converters.

MASTER18 can do almost any CV task you can imagine, such as sequencing, melody generation, slew limiting, quantizing, switching, mixing, working on clocks and triggers, creating envelopes and LFO or other fancy voltages, or any combination of these at the same time. While doing this, is very precise both in voltage and in timing.

You can attach several different DROID controller modules, such as the E4, the P2B8, the P10, the B32, the P4B2 or the M4 in order to get direct hands on access to all parameters and values of these patches.

Easily create your desired DROID patch utilizing our simple and easy-to-use editor with built in tutorials - the DROID Forge. It is available for Windows and Mac (both Apple Silicon and Intel).
The file created with the DROID Forge is a simple text file named "droid.ini" and needs to be loaded on the micro SD card that goes into the MASTER18.

Hint: If you'd rather use a simple text editor to alter the "droid.ini" pick one you like and go for it.

The building blocks of a DROID patch are called circuits. Every type of circuit performs some basic task. Just like a Eurorack module each ciruit has inputs and outputs. You can wire these either directly to the eight inputs and/or outputs and even connect them internally. Every parameter can be CV controlled. You can attach up to 16 controllers to your DROID. Controllers have faders, buttons and potentiometers and allow you to map assign to any parameter or function you like. This gives you direct control over your DROID patch and allows you to create you own instrument.

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Expert Sleepers disting NT

video uploads by Expert Sleepers

Playlist:

1. disting NT - Factory preset demo

A brief demo of some of the presets included on the disting NT's MicroSD card.

0:01 Aleatoric Piano
1:30 Granulated Piano
3:39 MIDI Song Player
4:20 "Rahoy" (Kirbinator demo)
06:14 Mixer

2. disting NT - Quickstart

An introduction to installing the module, understanding some basic concepts, navigating the UI, loading and editing a factory preset, and creating a basic preset from scratch.

00:08 Unboxing and installation
01:12 Power up
02:12 Loading a preset
03:45 Hiding (and showing) the help
04:38 Concepts and terminology
08:32 Navigation
12:08 Starting a fresh preset
12:49 Adding an algorithm
15:35 Saving the preset
16:14 Adding another algorithm and connecting them up
19:09 Adding an independent sub-patch
22:06 Removing an algorithm
23:12 Reordering algorithms
24:03 Modifying the Aleatoric Piano preset for external clock
26:55 Algorithm "specifications"
29:30 Navigation recap

3. disting NT - USB disk mode

A quick demo of the "USB disk mode" feature of the disting NT, which allows you to mount the module's MicroSD card as a removable drive on your computer.

4. disting NT - Introduction to Mappings

A demonstration of setting up CV, MIDI, and I2C control over the disting NT.

00:01 Introduction
01:42 CV Mappings
05:22 MIDI Mappings
07:48 I2C Mappings

5 disting NT - Connecting the breakout

The disting NT is supplied with a 'TMB' breakout module. This video shows one way this can be used, to provide TRS MIDI input and output, and to expose the two additional audio outputs.

via Expert Sleepers "The disting NT is the latest in the line of modules from Expert Sleepers that started with the original disting in 2014, which performed one of 16 very different functions at the turn of a knob. This concept has evolved through the disting mk3 (2015) - which added the possibility of firmware updates, and so a continually improving selection of functions - and the disting mk4 (2017) - which added a display, and brought the MicroSD card slot onto the front of the module, emphasising its increased importance for functions such as sample playback - to the disting NT’s predecessor, the disting EX (2020).

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TrebleSynth single chip modular synthesizer

video upload by profdc9

"This video presents the TrebleSynth modular synthesizer based on the Raspberry Pi Pico. It is a six voice polyphonic subtractive and FM synthesizer with MIDI USB and serial support. One can create instruments by connecting together modules and adjusting analog controls. All processing occurs on the Pico. It is open source software and hardware. You can find the project at https://www.github.com/profdc9/Treble..."

"The TrebleSynth is a "Modular Synth on a Chip" based on the Raspberry Pi Pico. It is a through-hole design that is easy to assemble yourself and uses only inexpensive generic parts that are widely available to minimize costs. One can create various modules on the chip and interconnect them by specifying which unit takes input from another input, assign the controls of these modules to potentiometers, and then adjust the potentiometers to achieve your desired sound. It also has a fully capable effects module on the chip as well. The modular synth supports six note polyphony.

The synth has a 25 key, two-octave keyboard (though external MIDI controllers are highly recommended, as the built-in synth keys are rudimentary and more suitable for testing). The TrebleSynth accepts notes over serial MIDI input and outputs the synth keyboard presses over the serial MIDI output. There is also a USB MIDI input/output, and notes can be played from a computer to the TrebleSynth over USB and similarly the synth keyboard presses are sent over the USB MIDI output. The are two jacks available for expression and selection pedals.

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Introducing the Hexajam! - 3-in-1 Musical Instrument

video upload by Kyle Fakhoury

via Hexajam

"The Hexajam is a musical instrument design for maximizing improvisation and collaboration. It is simple, yet endless fun for musicians of all ages and skill levels. Learn more about it at: Hexajam.org"

KEYBOARD, BASS, DRUMS
The Hexajam is perfect for beginners of any age. ​

Each instrument is intuitive and requires no prior knowledge or technical skill to start making music. ​

Three instruments in one unit creates an instantly fun and collaborative musical experience.

EXPLORE SCALES AND TONES
Each instrument module has 6 unique tone settings so players can explore and combine different sounds.

There is a universal switch to select a scale such as major, minor, lydian, and blues. Within the selected scale, there are no "wrong notes," and the keyboard and bass are always synced.

INDIVIDUAL HEADPHONES + AUX Three headphone outputs allow multiple Hexajams to be in the same room.

This feature is ideal for an education environment because it allows different groups of students to simultaneously explore their own musical worlds.

The Hexajam can also be played from an amp or PA system."

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Dannysound / Tobinski System Test

video upload by Dannysound

"Testing the system for Superbooth 24 - The new modules also feature a name change as the brand is slowly moving over to Tobinski.
New modules due to be released this year are:

Sequencer - 2 banks of 8 voltage sliders, each bank referenced by 2 independent 8 step sequencers for a total 4 sequencers. Each sequencer features start and end loop points plus external clock inputs. The sequencer has 8 voltage outputs, 6 gate outputs plus transport controls for the internal clock.

Sequencer Expander - Adds a host of extra functions to control each of the 4 sequencers. Including CV over loop start and end points, gate length, step order and many more...

Dual LFOs - 2 LFOs with 16 waveform types. One LFO can be synced to a clock while the other resets to an incoming pulse, plus cv and cross-modulation options for all parameters.

Harmonic Timing Generator - Can be used as a Harmonic Oscillator or Harmonic LFO that can clock each the 4 sequencers in the Sequencer module. The module features multiplier inputs x2, x3, x5 and x7 to multiply the internal oscillator or external sources. It also has 3 outputs for the multiplied waveforms that can be CV or manually addressed using the pushbutton switches or pots.

Interpolating Scanner - Internally connected to the Harmonic Timing Generator and features not only an 8 input scanner with CV options but also has 8 VCAs that act separately from the scanner with their own outputs, plus mixer outputs for ODD, ALL and EVEN for both the scanner and VCAs to allow for stereo effects among other possibilities.

Dual LPG/VCA - 2 x LPG/VCAs in one 6hp module that combine the Dannysound MM VCA based on the classic Mini Moog VCA and also the classic Buchla LPG design (used throughout this clip!) so famous for it's acoustic tone.

Come say hello at Superbooth, I'll be in the Bungalow Dorf with some other great manufacturers!"

sequencer sync

video upload by Dannysound

"Sequencer synced to malekko varigate 8 doing the drums and resetting the bass line coming from sequencer CH1. Voltage block is controlling the step order of sequencer CH3 that does the percussion sounds.
Percussion and bass sounds from the EN129 and Cali oscillators using Timbre and Dual LPG/VCA modules. Drum compression using the Dynamics with some added noise to glue the drums together a bit."

Building a Buchla 248 MARF with Stages, Stages, Stages and Marbles

video upload by Cinematic Laboratory

"Sorry about that title. The MARF is short for the Multiple ARbitrary Function generator, a huge Buchla design carrying the model number 248, and is part of the 200 series. It's not easy to compare it with anything, but you could see it as a 16 step 0-CTRL, a Rossum Control Forge and maybe even the 250e circular Dual Arbitrary Function generator (DARF) like Frap Tools USTA. I contacted Todd Barton (thanks so much!) to be able to study a few MARF images. The sliders made me think of Mutable Stages, and the control section reminded me of Marbles. While getting lost on the way, I finally got a patch that sounded similar: 'music that sounds like dancing butterflies'.
The recipe involves variable timing, notes, a quantizer, and a transpose. You may also need a trigger or gate when a segment runs or finishes. There's a lot to explore here, and I don't think you can find a MARF in a single eurorack solution. I tried to approximate it, but I also needed Maths to do envelopes and gate extraction. It took a while to make this video and I wasn't sure about the results until the very end. Then suddenly, it worked.

You'll need a lot of stuff to do it, but there may be smaller solutions. I'll revisit this idea when my Control Forge arrives and I'll be able to combine USTA with the CF.

This is a complex video so I hope it will make a bit of sense. It would have been better to figure all this out and then make a video. But you'd be missing the fun of exploration. There are plenty of useful examples of how 'factory' Stages can be used, but I installed the Qiemem firmware for max flexibility. In the end I only used its 'random segment' feature in this video, but it doesn't play a role in the MARF patch. You can do this with factory Stages but it still requires a chain of 2 or 3. You can use any sequencer with a clock input for this. A DFAM will also help you to cover the time/level sequence.

Installation requires playing a .WAV into the module which can be bit of a drag. I recommend using a eurorack sample player like the BitBox for a high success ratio. Using a phone, PC or pad can be a nightmare. Also, I am not sure if the firmware works on a clone, please comment if you tried it.
https://github.com/qiemem/eurorack/re...

I am still trying to wrap my head around it. Even though Stages and Marbles are now discontinued, they're easy to find as fully functional clones. With Eurorack, we have the 'power' to build our own synths, or get inspired by designs which are still amazing and modern after +50 years. I hope it inspires you too."

Tiptop Audio Officially Releases ART Line of Eurorack Modules

via Tiptop Audio

"Today, we are celebrating the release of the first set of ART-equipped modules, marking the first time this technology is ready for purchase. We are starting with the release of the ATX1 Analog VCO, Vortex Digital OSC, Octopus USB/MIDI interface, ART V/OCT Quantizer, and Control Path dual analog envelopes plus VCA.

On our website, we have dedicated the ART landing page as the knowledge base HQ for ART. There, you will find plenty of educational videos, module video manuals, and uploaded video playlists of music filmed during beta testing. ART is simple to use and easy to understand, and with those videos, we made sure all aspects and potential misinformation have been addressed. Additionally, more information is in the process of being added in the coming days for both DIY enthusiasts and module makers on how to implement ART, including a free reference design that adds ART to Mutable Instruments Braids and Plaits.

The creative process of making music on a modular synthesizer is a unique tactile and aural experience. With ART modules, we are entering the territory of tunable instruments and polyphonic multi-timbral compositions but with the sound design power and immediate interface of a modular synthesizer. The initial release focuses on the mono VCOs that you can use to build voices quickly or combine for discrete polyphony. Very soon, we will extend the lineup with the fully polyphonic ART modules and the release of the Polytip patch cable."

Individual modules below. Systems:

Pictured Top: The Analog Bundle S1 $945 Save 33%

Middle: The Analog Bundle S2 $999 Save 33%

Bottom: Vortex 6, Octostages Poly Envelope, Octapass Poly Filter, Octagain


ART Demo Videos

ART Beta Testing recordings


ART Essentials


ART modules video manuals


Demo patches, tips for sound design

ATX1

A classic all analog saw VCO core with 3 switchable modes, ART, 1V/Oct, LFO and is recommended as the basic building block for ART systems. It is designed for patching analog polyphonic synths from discrete modules or multi-mono patches in ART mode. When using ART the ATX1 takes care of the tuning including accounting for temperature changes. In 1V/Oct mode the ATX1 runs as a standard old school modular VCO. LFO mode drops the frequency range and is great for patching vibrato to other ATX1s among other things. The ATX1 outputs variable waveshapes with manual or CV control. Classic FM, PWM and hard sync are provided. A dedicated Gate Out in ART mode manages the voice envelopes or any modulation synced to that voice. We consider the ATX1 the best sounding analog VCO we ever created.

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