Prophecy Vol 3 - Sequential Prophet 5 & 10 - Patches 1 to 20 (of 80)

video upload by GEOSynths

"Out Monday 11th August.

I'm back with another 80 Patches for the amazing Prophet 5 & 10 which are compatible with the latest Firmware (V2.06) and this Video demonstrates Patches 1 to 20, both Dry and with FX Presets (Included)

There's a wide range of Sounds from Pads to Strings, Bass to Lead, Polysynths to Bells and a whole lot more. All 80 Patches will be demonstrated over 4 Videos and you can hear them Dry at first, then with FX, which are included in the Download.

I've made FX Presets to go along with all 80 Patches, so you can reproduce everything you hear in the video. There are 2 Free Plug-ins which are available for both Mac and PC.

1 - Blue Cat Audio Chorus - https://www.bluecataudio.com/Products...
2. Valhalla Supermassive - https://valhalladsp.com/shop/reverb/v...

All you need to do is insert the Blue Cat Chorus, then Supermassive and match up the Patch Numbers...That's it.

00:00 - 1. Up Town GEO
00:31 - 2. Delta Pad GEO
01:29 - 3. Night Vibes GEO
02:16 - 4. Leading Lady GEO
03:04 - 5. Taurus GEO
03:51 - 6. Fusion GEO
04:20 - 7. Old Friend GEO
05:29 - 8. Summit GEO
06:55 - 9. Cyber Funk GEO
07:18 - 10. Dead Zone GEO
09:00 - 11. Ambient 12 GEO
09:52 - 12. Hidden Lead GEO
10:46 - 13. ClickPad GEO
11:58 - 14. Pluck You GEO
12:46 - 15. MultiPoly GEO
13:24 - 16. Church Bells GEO
14:09 - 17. Stage Brass GEO
15:04 - 18. Triton GEO
16:26 - 19. C-Beams GEO
17:52 - 20. SpaceTime GEO"

Kawai K5000R Demo

video upload by Panu M Savolainen

"Multitracked demo of Kawai K5000R. Additional reverb Eventide Space and delay has been used. These are factory patches tweaked with Macro controller. Controller looks pretty bad, but is fully working. Synth is missing power button cap, screen is worn and diskdrive won't work (should have usb-reader somewhere). I have owned K5000R without controller but also K5000S and K5000W. Later ones has pretty good keyboards in my opinions...

Whole demo at Bandcamp:"

Echolocator vs the Zen delay (lots of talk)

video upload by Richard DeHove

"Primarily this is a discussion about the various merits and abilities of each delay and how they compare."

"Although this video runs almost half an hour it feels like I was still skating on the surface. I avoided what I thought were completely obvious things or multiple sound comparisons of particular details. Even so a few areas I never got to include winding the delays all the way down and looking at various flanging and chorus effects, and maybe this deserves its own video? Likewise the Echolocator never got to its dirty mode or the alternate filter placement (although I do have no-talk videos which cover these). Nor did I play with the time parameters, long fripperish things, or drums. Ah well, so many wondrous sounds are waiting in the ether eager to be released. I'm trying.

And of course I never get to any conclusion about which delay is 'best' but surely you didn't think that was ever going to happen? Instead we only get to that forum advice favorite of 'use both'.

0:00 Basic specs
0:38 Alternative delays
1:57 Strymon Timeline
2:58 Ergonomics
4:30 More specs
4:58 Delay time
5:49 MIDI
7:05 - Audio begins! --
9:04 Both playing
9:44 Zen as a crunchy filter
12:00 Echolocator basic twiddle
13:10 Echolocator modulation
15:24 Echolocator pitch shift
17:04 Echolocator freeze
18:45 Noise tones test
22:00 Pure tone test
27:25 Cats or dogs?


Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Serum 2 – Making a Full Track from "Progressive Dream" (Part 1)

video upload by NatLife Sounds

"🎵 Made using only one soundbank: Progressive Dream for Serum 2
This pack includes 65 melodic and atmospheric presets — pads, plucks, basses, leads, drums, FXs, and more.
Perfect for progressive house, melodic techno, progressive trance, and chill vibes.

► Buy the soundbank: https://natlifesounds.com/product/pro...

🎛 In this video (Part 1), I start building a full track from scratch using only the sounds from Progressive Dream. No external instruments or samples — just Serum 2 and this pack.

💽 DAW: FL Studio
🎧 No 3rd-party effects used
📦 Soundbank: Progressive Dream – 65 presets

#serum2 #soundbank #progressive #progressivehouse #melodictechno

TIMELINE:
00:00 - Demo preview
04:15 - DR Drum 3 (presets overview)
04:54 - BA Ray Traced
05:06 - FX Trambidon
05:24 - PD After Storm
05:54 - PLK Analog Man (deep explain)
06:59 - DR Drum 4 (Cicada)
07:43 FX Strange Noises
08:04 - PD After Storm (deep overview)
08:28 - BA Rollbase
08:58 - ARP FKZ V(deep overview)
14:39 - PLK Progressive
14:57 - PLK Progressive M
15:40 - BA Ray Traced Bass (deep overview)
16:50 - Final speech

Language: ENG / RU"

DeaR Sun 🖤 (Moog Minitaur / Waldorf Streichfett / Roland S1 / Korg Volca Beats / Novation Mininova)

video upload by 2-Minute Warning

"This is one of my most personal jams, hope you'll enjoy it 🖤

The NDLR is sequencing with:
Track 1: the Moog Minitaur (BASS)
Track 2: the Waldorf Streichfett (STRINGS)
Track 3: the Waldorf Streichfett (PLUCKS)
Track 4: the Roland S1 (ARP)

The DRUMS are coming from the Korg Volca Beats and the LEAD is being played in real-time on the Novation Mininova.

A couple of tricks I used here:
The Waldorf Streichfett has 2 engines (STRINGS + SOLO), which can be played independently if needed. This is what I did here, where Track 3 of the NDLR is sequencing the SOLO engine, and Track 2 the STRINGS engine.

I'm using one of the NDLR's LFO (Random wave) to modulate (by sending CC) the TONE parameter of the Waldorf Streichfett SOLO engine.

I've used a second LFO on the NDLR to modulate of the parameter the octave parameter of Track 1 (called the DRONE track on the NDLR) which is sequencing the Minitaur, hence playing from time to time a note with an octave higher 😉"

Improvising On Some Self Made Montage M Patches

video upload by Floyd Steinberg

Here are some patches I made on the Yamaha Montage M8X, making good use of poly aftertouch. You can grab these patches here: https://soundmondo.yamahasynth.com/us...

Table of contents:

00:00 Sine Piano (FM-X)
01:32 Goblins (AWM2)
03:45 Stunted / Metropolis (keyboard split - AN)
05:06 Press Arp (AN)
06:45 August Rain (AWM2)
08:27 FS EP (AN)

#synthesizer #yamahamontage #improvisation

HÄLP ZIS CHANNEL

https://www.patreon.com/floyd_steinberg
https://floydsteinberg.gumroad.com/
https://floydsteinberg.bandcamp.com/"

Melbourne Instruments - Delia. All sound, no talking. 50 FREE Custom Patches. Download link included

video upload by How To Synth

"Such an amazing synthesizer, with a deep mod matrix. I’m in love.
I made 50 custom patches for you all for FREEEEEE.

https://drive.google.com/file/d/1S1rS..."

Linn LM-1 LinnDrum Computer SN 00035 Built In Roger Linn's Home

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

"RARE piece of Linn Drum LM-1 history. This machine has been updated by the one and only Bruce Forat from Forat Electronics. Bruce is THE repairman for these machines and he has this one cleaned up oh so nice.

Debuting in 1980, these first LM-1 were $5,000 then! During my research, I found that Roger Linn created the first 35 of the machines in a room in his house.This gem is #00035 meaning this was the last one built by Roger before mass production!

This comes with a custom made dust cover and I'm guessing an original manual in a cool shade of Chevy Chase pool blue 80s folder! It will be shipped in a SKB 24x24 case built like a tank.

I've held onto this machine for 25 years and had Bruce tweak it along the way. Now it's time for me to purchase a vehicle so I hope someone else can love it as much as I have. I had Bruce to add the exact signature Prince clap sound as heard on the Purple Rain album. I can also give the winner Bruce's contact information as he is a tremendous resource."

Additional resources: Linn LM-1 page on Culture Wikia

Roger Linn on Sessiondays

CLICK FOR MORE »

TR-808 Shootout // Can they live up to the LEGEND??

video upload by Starsky Carr

"The legendary Roland TR80*8 up against the *Roland TR-8S and the Behringer RD-8 Looking only at the sounds - or listening to them! - do they come anywhere close?

The TR-8S uses Roland's ACB technology, which is the same as the TR-8, Roland Cloud plugins and the Boutique TR-08 - so this has you covered for all of those. I'm using the RD-8 Mk2 - you cna tell because its got the black buttons, Mk1 had white.

I've gone through all the sounds (forgot the maracas in the demo bit) and showed how they differ. Taking into consideration no 2 808s will be identical I think they both stand up very well to the orginal TR808.

But if you want the exact sounds...

Buy my 495 samples here - every position on every knob!
https://www.starskycarr.com/patches/p..."

Super Lofi Sampling - A Quest For Sonic Destruction - Akai S20 Tape & Koala Sampler

video upload by ChrisLody

"If you'd like to support the channel you can grab a 'Pay What You Want' album from my Bandcamp. https://chrislody.bandcamp.com"

"Just for a bit of fun I thought it would be fun to push lofi sampling to it's logical extremes using a Radio Shack cassette deck I found recently. Confusingly the tape deck is a "Radio Shack TRS-80" which I'm sure is also one of their old computer models so I guess this tape deck was originally designed to work with that computer, maybe even sold with it.

The Akai S20 from '97 has some decent features for reducing sample quality further so we can get into really extreme territory!

There's also a tip for making lo-fi samples on the Koala Sampler too."

"Echoes" ambient jam with Teenage Engineering OP-XY, Walrus Qi

video upload by Aurélien Vieira Lino

"First jam with the incredible OP-XY by Teenage Engineering!
This little device is packed with potential — powerful, ultra-portable, and full of creative possibilities. I’m excited to see how it evolves over time, and I hope the updates keep coming! If you’ve got any questions about it, feel free to reach out.

Enjoyed the jam? Follow me here for more music soon: @aurelienmvl 🎧
You also can check my SoundCloud: / aurelienmb"

LFO/LFO (Circuit Tracks Version)

video upload by Guinan

"This week’s track is a version of the classic 1988 Warp records release ‘LFO’ by the UK Leeds band, LFO. Seen at the time as part of a genre then known as ‘bleep techno’ it was characterised by hard, uncompromising electronic minimalist industrial techno tracks such as this.

I’m hoping I’m not the only one who remembers and loves this track! If you like this try and find 'Testone/Sweet Exorcist' in a similar style - possibly one for a future cover too.

More details for synth nerds

I already had some ‘Speak & Spell’ samples I’d downloaded years ago so this was a great starting point. I had separate samples for the “L”, “F’ and “O” and I thought it would be fun to throw in one of the starting noises the toy makes when switched on. The same toy is featured on Kraftwerk’s ‘Computer World’ album so the sound will be a familiar one.

The main chord sequence comes from a Kawai K1 preset patch. Luckily there is a free fantastic software synth emulation of this keyboard available online so I was able to create a sample for the repeating chords. The emulator can be downloaded from the following page,
https://www.nilsschneider.de/wp/categ...
I’d encourage you to leave a donation for the author if you find this emulator useful.

All of these samples are sequenced alternately on the Drum 4 track.
There is a single repeating rhythm pattern using 909 samples played on Drum 1-3.
Synth 1 plays an FM-sounding bass patch, and Synth 2 is a representation of the staccato bleep sound (a small amount of pitch envelope helps recreate the original sound). Add lots of reverb and voila!"

Oberheim OB-1 SN 0298 w/ Upgrades

Note: Auction links are affiliate links for which the site may be compensated.

via eBay

"This Oberheim OB-1 is great condition for a rare Vintage Synth and has a really unique sound and a self oscillating VCF. It's had a MIDI and programmer PCB upgrade increasing presets to 64 in 8 banks of 8.

It's just been fully restored and serviced By Totally Technical in Brisbane Australia ( See restoration details below) - I'm happy to share a detailed report and video's on request. It's located in Brisbane Australia if you would like to inspect and have a listen."

"Full restoration completed over the last 18 months

Programmer PCB installed
New Battery
Many capacitors, IC’s, Diodes and resistors changed
Portamento fixed - IC
Keybed all fixed
Bend all fixed – IC
Crackly pots applied Faderlube and OK.
DC Voltage on output fixed
MCU BASED PROGRAMMER UPGRADE

In July 2025 a new MCU-based programmer pcb was installed giving it functionality and patch storage not available in the original. More details below and available here

64 programs in 8 banks of 8
Programs are stored in non-volatile EEPROM. No battery needed.
After a program is loaded, only controls that have moved are "live", so patch editing is now possible.
Manual mode forces all controls to be "live".
Optional (non-volatile setting) periodic flash of current bank selection
Optional (non-volatile setting) quantization of coarse freq for oscillator 1 to octaves
Comes with 24 pre-programmed patches, which can be over-written later if you chose
Smaller pcb mounts on four of the existing standoffs, providing better access to pcb underneath
Implemented connectors are the same as original programmer for easy installation
All IC's are socketed. All components are through-hole.
20-turn trimpot for easier one-time oscillator tuning adjustment
SYNHOUSE MIDIJACK UPGRADE

In 2009 a Synhouse Midijack was installed - More detail below and here

MIDI channel selection (to select MIDI reception channel 1-16)
MIDI panic button (to silence stuck MIDI notes)
MIDI Off mode (useful for keeping unused synthesizers silent onstage or for selecting built-in / local analog keyboard control and external control via control voltage gate interface jacks, also known as CV/gate control)
MIDI On mode (normal operation)
4-note buffer (for musical trill effects and for relaxed performance with automatic error correction)
Single note triggering (for legato performance)
Multiple note triggering (for articulated performance)
MIDI transpose select mode (for deeper bass)
Analog CV calibration mode
Receives MIDI Note On messages (full range, MIDI notes 0-127)
Receives MIDI Note Off messages (full range, MIDI notes 0-127)
Receives MIDI sustain pedal (controller number 64)"

A soundscape built around revised "Beeps" module

video upload by ParadisoModular

"This is a demo of one of my vintage modules that I just radically updated. First, a bit of history. Circa 1988, I was browsing the Hosfelt Electronics catalog, and saw a bunch of little circuit boards there that made different 'emergency' siren sounds. Of course, I couldn't resist buying all eight of them that they had, and designed a synth module around them that allowed me to switch (manually or via external signals) the audio output from any of them into the left or right channels on a common stereo mix. In addition to a linear mix, I also combined them via a chain of exclusive ORs (the VCOs on these units produced square waves), again selected by the same gates - this produced kind of a ring modulation sound (Exclusive OR's can be thought of as 1-bit multipliers). On the front panel, I also provided outputs from each oscillator independently, as well as the ability to inject independent voltage control into each oscillator.

Despite my attempts to leverage this module into different patches, it retained a distinct identity - e.g., the sound of a major urban emergency - that limited its usefulness. You can hear a short demo excerpt I recorded on it circa 26 years ago here- http://Paradiso.media.mit.edu/Outgoin... - I'm switching outputs from the alarm circuits randomly to left and right channels throughout - the first half features the linear mix and the latter half the XOR mix. You can clearly hear that this module makes a very strong statement -as such, it didn't appear much in my pieces over the years.

But I still saw big potential in it. 8 oscillators aren't much by today's digital standards, but as I can switch them into different paths dynamically, it's got promise. The main thing I had to do was to be able to turn off the LFO control of each oscillator that made the siren sounds and think about coordinated ways to control this bank.

So a month or two back, I embarked on this journey, enabling the LFOs to be switched out of the audio oscillator voltage control paths (but giving independent access to them all, providing LFO outputs on the front panel and in most cases voltage control of LFO frequencies), plus providing adjustable voltage control of each oscillator as well as different kinds of ensemble voltage control (e.g., controlling all 8, controlling the top vs bottom 4, controlling even vs odd channels), as well as being able to adjust the base frequency of the ensemble and the base for each independent oscillator. Witness the massive augmentation of the front panel, as well as the wild nest of wiring below to do this hack in the midst of this video.

But low-and-behold it's done. This isn't a voiced device - the oscillators are linear, hence don't hold tune collectively as you shift frequencies. This, for me, justified the hack - I've got plenty of oscillators that I can already voice and track harmonically - this unit is now about nudging frequencies collectively and independently to go through different kinds of dissonances and occasionally sweet spots in a deep ensemble fashion. Plus, if I want to, I can switch channels back into siren mode, or use their LFOs in more flexible ways (each of the LFOs sports a different kind of waveform).

OK, IMO it grew into the monster that I hoped it would become, as you can hear in this live recording. Here I routed both the linear and XOR outputs through different complex reverb units, fading them up in different ways and at different times, and switching the oscillator outputs dynamically into different channels using digital gates coming from other modules in my system (occasionally I would hold some or all of the gates to just let the thing drone). I also injected different kinds of ensemble control (all, even/odd, top/bottom) at different times to bend the frequencies a bit, driven by triggered envelope generators. All sounds come from this revamped 'Beeps' unit - one voice was routed through an octave divider to bring it lower, and some effects were used, plus the reverbs nicely put this beast into a dense dreamy space. Despite the complexity, it's one of the simplest patches I've made - you can see it in the little bit of pan-around video I put into the middle of the clip.

My usual disclaimer - heck, only 8 oscillators with simple control paths could be done trivially in software now (one of my hero-pieces, Dave Wessel's 'Antony', an inspiration here, used hundreds on IRCAM's 4x (or 3x back then?) circa 30-40 years ago), and there are probably Eurorack modules around like this now too, including some that I may already have. But this connects to something I made in my relative youth, turning it into the sonic tool that it wanted to be. I hope you enjoy this demo!"

Why To Love The Prophet 5 / 10

video upload by Devin Belanger

"Get the Miles Away Custom Patches for Prophet 5 & 10: https://shop.milesawayofficial.com

Stream my new song 'F*** It, I'm Alright' with SABAI: https://links.milesawayofficial.com

Is the Sequential Prophet 5/10 the greatest synth ever made? The vintage Prophet 5 and the modern reissue Prophet 10 are famous synths that shaped synthesizers in music —but are they still worth it today? Review, deep dive, walkthrough, tips and tricks and more.

0:00 - intro, what makes the Prophet 5 special
1:06 - original demo song
2:40 - one huge caveat about the Prophet
3:45 - demo jam with reverb and chorus FX
4:52 - using the Prophet 10 on my original music
5:55 - vintage jam, dry with no FX
6:58 - the argument for why the Prophet is the GOAT
7:38 - ambient jam with Nightverb
9:21 - panel walkthrough, oscillators
11:50 - my favourite tip for the waveforms
12:57 - the famous polymod section
14:06 - analog fm sound design
15:43 - vintage knob & my biggest complaint
17:13 - why polymod is so versatile and great & LFO mode
19:04 - saving a happy accident patch we discovered
20:05 - what makes the LFO special
22:09 - the best tip for making lofi patches
25:01 - comparing the difference btween the filters
27:06 - resonance bass compensation feature
27:42 - the philosophy of no menu diving
29:16 - poly unison mode
30:37 - pros and cons, is it worth the price?"

IG00151 VCA Clone for YAMAHA CS Synthesizers (CS5,CS15,CS30,CS50,CS60,CS80)

Note: Auction links are affiliate links for which the site may be compensated.

You can find them on Reverb and Ebay.

"The clone is fully drop-in replaceable and is able to coexist with the original vintage chips in the same synthesizer. It can function as VCA and current source for envelope controller on M-cards, or control voltages for TRG boards (and on any other board that uses that chip). It has the same control voltage cutoff point and similar non-linear control curve as the original, so all the control sliders work the same."

Additional details follow:

"The iG00151AP is a replicant of the rare IG00151 Voltage Controlled Amplifier (VCA) chip, which was used by Yamaha in their CS-series analog synthesizers and organs from the 1970s and 80s. The iG00151AP was carefully engineered from the original chip, retaining all of its characteristics and properties, including the peculiar non-linear control curve and cutoff, input and output impedances, and identical power consumption at the same gain setting. This makes the iG00151AP the only "clone" available today that is fully drop-in replaceable and is able to coexist with the original vintage chips in the same synthesizer. While the originals are getting more expensive and harder to find, the availability of the iG00151AP ensures that the CS-series analog synthesizers remain serviceable. One CS-80 synthesizer contains 210 of these chips!

INSTALLATION

To install the iG00151AP, ensure that the marked PIN 1 location on the part matches PIN 1 location on the circuit board. With the pins pointing down, PIN 1 on the original chip is on the left when facing the part number, while the iG00151AP has PIN 1 on the left when facing the component side (not the part number). Carefully orient the part properly and solder it to the circuit board. Clip excess leads as necessary.

WARNING: As with the original chip, a reverse installation will damage the part when power is applied!

CALIBRATION

After installing the part, allow the instrument to warm up and stabilize for at least 30 minutes, then recalibrate the circuit following the procedures of the original manufacturer. Similar to the original chip, the gain may vary from unit to unit. Proper calibration will ensure that the new part performs the same as the original.

As with the original chip, the iG00151AP may have a similar input offset that varies from unit to unit. This manifests itself as a control voltage (CV) feedthrough to the output. Depending on the application, it may be necessary to trim the offset, but this is usually provided in the vintage circuit, if required. No additional offset trim circuitry is necessary if it is installed in the original circuit.

The iG00151AP is compatible with Yamaha CS-80, CS-70m, CS-60, CS-50, CS-40m, CS-30, CS-20m, CS-15D, CS-15, CS-10, CS-5, and other synthesizers and organs that use the IG00151 VCA chip."

CLICK FOR MORE »

Polyend Pedals // MESS Step and Press

video upload by Starsky Carr

"Some things ooze quality ... welcome to the Polyend MESS, Step and Press guitar pedals. But just like my MoogerFoogers I'm not going to be stomping on them any time soon!

The MESS is a Multi Effect Step Sequencer with 4 tracks containing one of 74 on-board FX and sequenced in 16 steps.

The Step is a beats machine. Filled with 50 kits and 2000 samples and room for 1000 songs. With per step parameter setting and onboard FX, limiter and saturation it's much more than a simple drum machine.

Press is an ANALOG stereo VCA compressor (everything else I've used from Polyend has been digital), with a sidechain input, LP and HP for the sidechain plus a dry/wet mix knob and a tilt EQ. A super little desktop/stompbox compressor."

0:00 What's all this then?
1:10 Demo - under PRESSure
1:27 Press... it's a comPRESSor
6:14 Step .. it's a beats machine
8:38 Demo - Musical Interlude
9:18 Back to the Step
15:06 Demo - time for a miniCHILL
15:58 Per STEP parameters
19:51 MESS Demo - Getting Glitchy
20:55 MESS.. it's a Multi Effects Step Sequencer
24:49 Demo - Huge and Spacey
25:34 MESSing it up from scratch
30:08 Demo - More Glitches
30:21 In a Nutshell...

TOMITA, CASIO & THE COSMO SYSTEM

View this post on Instagram

A post shared by Drew Schlesinger (@drewschlesinger)

This one was spotted and sent in via deejayiwan.

Click the arrow in the right of the image to go through the set.

Don't miss the links further below.

"TOMITA, CASIO & THE COSMO SYSTEM: Casio collaborated with Casio way back in the early 1980’s to create the COSMO synthesizer which was a huge rack of custom devices and computer system that ultimately became the CZ-101 Synthesizer and FZ-1 Sampler…the first 16bit sampler. From what understand the CZ-101 has in its code something like 64 different waveforms of which only 8 were selected for the CZ. I’ve seen someone post about this and was trying to make them accessible. Phase Distortion synthesis is the “real” FM (again as I’ve read somewhere) and Yamaha’s FM is different though I’m not sure what those differences are. The CZ started my career as a sound designer and remains one of my Top 3 instruments though I use the Virtual CZ soft synth by Oli Larkin. I have my entire collection of sounds from all the way back to 1986 and all the ones used on my “Lost Childhood” albums that were done with just two CZ-1’s run from a Roland MC-500 MIDI sequencer in real time through a Roland R880 digital reverb direct to DAT. A fantastic and classic synth! 🎛️ 👽"

Also see:

CASIO COSMO SYNTHESIZER

Casio ZZ Sampler System From 1986

The TOMITA Memorial Museum : Isao Tomita tribute exhibition at Gakki Fair 2016

OXI ONE MkII CV & Gate Basics

video upload by Alec Sea

"In this video, I'm showing the basics of the CV & Gate functions in the Oxi One MkII."

00:00 - Start
00:30 - OXI Pipe
01:06 - Basic CV & Gate sequencing
02:37 - CV: Pitch settings
03:27 - Gate: Trigger settings
04:08 - Clock: Clocking a delay
05:59 - CV: Velocity
07:09 - CV: Velocity Gated On/Off
08:21 - CV: LFO
10:41 - CV: Mod Lanes
11:50 - CV: Track Envelope
13:36 - Gate: Accent
14:44 - Gate: Threshold
15:47 - MIDI-to-CV converter

M-Audio Venom synth demo

video upload by SynthAddict

Some useful info from a previous post:

Note for extensive editing you need an external editor that came with the synth or this one from Patch Base. There was one for TB MIDI Stuff and Touch OSC as well. The physical synth only gives you access to a small number of parameters. You can find a review, interview, and tips and tricks posted back in 2011 here.