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Thursday, October 01, 2026

Monster Man: Riding The Rails

video upload by John L Rice

"This started as just a sequencer experiment on my large 5U modular and eventually I tuned it into another low effort installment for my 'Monster Man' series [previuos post] since the vibe was mostly there.

Using two Moon Modular 569 sequencers in 4x8 mode I patched all 8 CV outputs into a Modcan Scanner 69B set to switch mode and patched the Scanner's mono output to a Modcan Quantizer 55B. An Oakley/Krisp1 Slim VCO is the master clock with a SSL V-Gates divider providing a divide by 8 pulse to switch the Scanner to move to the next sequencer row and also reset both sequencers to ensure synchronization. This created a 64 step sequence but unfortunately I didn't take the time to create a recognizable melody so it just sounds random! 🙄🤦‍♂️😅 The patch is still up, maybe I will work out a better demo?

The output of the quantizer goes to a somewhat basic voice: a Noise Engineering Cursus Iteritas Magnus VCO to a Grove Audio LP VCF to a Synthesizers.com VCA2++. A Marienberg Devices VC Envelope Generator modulates both the VCF and VCF with a Marienberg Sine Phase Oscillator modulating both the VCO and the EG.

I played an Expressive-E Osmose keyboard along with the sequencer track, and then later added a second Osmose track fir the very low notes that you might not be able to hear unless you have a sub woofer or very good headphones or monitors?

Everything went through my Allen & Heath MixWizard and used Strymon BigSky and timeline effects pedals and a Roland RSP-550 rack effects unit.

Thanks for watching, liking, and commenting! 😎💖🤗

#modularsynth #modularsynthesizers #electronicmusic"

Master Your Modular Rhythms! // SIGMA from Vostok Instruments

video upload by DivKid

"Sigma from Vostok Instruments takes clocks, triggers, gates, even audio (good destructive fun) and turns them into gates you can control and modulate the length of. Sounds simple, but the ability to control gate length, add NOT outputs as gate delays and the logic section which takes Sigma to a whopping 23 outputs is fantastic!"

"Sigma is a multi-channel gate processor with a strong focus on rhythm and time-event manipulation.

The module generates up to 23 simultaneous gate signals directly related to the four gate inputs, allowing you to fire an entire array of synced events in your patch by just moving pots and connecting cables.

The core of the module is composed of four identical CV-controlled gate-length processors that create exact copies of your gate signals with adjustable length.

The Logic section creates new events from each length-processed pair using analog Boolean circuits.

Pair Sigma with a trigger sequencer or clock generator, and a bunch of drum modules or voices to get a vast amount of new rhythmical patterns on the fly.

- Four CV-controlled Gate Length Processors.

- Fully adjustable Length from 1ms to infinite.

- Dedicated NOT Output per channel.

- Dedicated Logic section adding 15 extra gate outputs with AND, NAND, OR, NOR and XOR operations for each pair of channels.

- Hybrid design combining a digital length processor with fully analog logic circuits to ensure minimal latency."

CLICK FOR MORE »

Norand Mono v3 from DenverSynthLabs

video upload by manmade madman

"Here's a quick demo of the new VST from DenverSynthLabs. Showing its wide capabilities as a dual oscillator bass synth, but also much much more. Using MOD notes-- single sounds-- you can even program drum tracks monophonically."

via DenverSynthLabs

"The Norand Mono mk1 and mk2 were left unfinished — firmware issues that never got solved, a company that went insolvent before it could fix them. MONOv³ finishes the job: updated firmware for your real hardware, plus a full digital twin with infinite patch storage, easier workflow, and near bit-perfect sound. Own a mk2? Load the firmware, run the hardware as a controller sending MIDI CC to the plugin, and pair it with the software for a NORAND DUAL."

CLICK FOR MORE »

AnalogFX Announces Availability of Limited-Run LARYNX

AnalogFX's LARYNX has arrived. You might remember the announcment post, and SUPERBOOTH demos here, and here. You can find additional AnalogFX posts here. And of course AnalogFX's official website here.

Press release follows:

AnalogFX announces availability of limited-run LARYNX, an expressive analogue formant synthesizer inspired by the seldom-seen Synton Syrinx

DEVENTER, THE NETHERLANDS: AnalogFX, a Dutch synthesizer manufacturer dedicated to creating expressive electronic instruments for musicians, producers, sound designers, and synthesizer enthusiasts, is pleased to announce availability of LARYNX — proudly presented as a performance-focused analogue synthesizer that combines the vocal character of classic formant synthesis with modern expressive control, Eurorack integration, hands-on playability, and an affectionate analogue nod towards a rare, highly-coveted 1982-vintage monophonic synthesizer built by fellow (defunct) Dutch company Synton — with its first production run limited to 50 units, as of October 1…

By being built upon the proven architecture of AnalogFX’s acclaimed SER-2020, its compact desktop synthesizer inspired by the rare Synton Syrinx, LARYNX evolves that concept into a performance-focused keyboard instrument. Thanks to its premium 37-key aftertouch keyboard, extensive real-time modulation capabilities, and unique triple-filter formant architecture, LARYNX duly delivers an organic and highly-expressive playing experience.

Ultimately — unlike many modern synthesizers that rely on presets and menu-driven workflows, LARYNX puts sound shaping directly under a musician’s fingertips. From subtle pressure-sensitive modulation to aggressive vocal-like filter sweeps, every aspect of the instrument in question has been designed to create a direct connection between performer and sound.

Beating beautifully at the heart of LARYNX’s performance-focused sound are two CEM3340-based voltage-controlled oscillators — VCO 1 and VCO 2; a sub oscillator — SUB 1; a ring modulator — RM; a NOISE generator; and a unique triple CEM3350-based filter architecture — PEAK 1, PEAK 2, and LPF (Low Pass Filter). All combine to enable a wide sonic range — from deep analogue basses and cutting leads to evolving textures and speech-like timbres rarely found in traditional subtractive synthesizers.

Above and beyond that, this latest evolution of the SER-2020 platform introduces Formant MODE, making 16 preprogrammed human voice formants immediately available. As such, musicians can quickly create vocal-inspired sounds, animated basses, and expressive textures — and all without requiring complex programming. It is appropriate to note here that LARYNX also features a digital five-voice oscillator Chord MODE, although analogue monophonic and duophonic operation is always possible.

Placing expression at the core of its design, LARYNX’s 37-key velocity-sensitive keyboard with channel aftertouch is paired with AnalogFX’s Touch’n’Bend controller, allowing performers to shape sound naturally. Needless to say, LARYNX has additional performance features up its sleeve, so to speak, including extensive realtime modulation throughout its VCO, VCF, and VCA architecture; MPE (MIDI Polyphonic Expression) support; a built-in arpeggiator (ARP); a 16-step pattern sequencer (SEQ) — designed for both studio and live use, permitting performers to store patterns and instantly recall variations during a performance; 16 pattern memories; eight scenes, with 16 slots each; and stereo delay effect — DELAY L and DELAY R.

Ready for the modular world, LARYNX is designed to seamlessly integrate into modern electronic music setups with multiple front panel-positioned CV (control voltage) inputs and outputs providing extensive Eurorack connectivity, while flexible routing options allow the synthesizer to function both as a powerful standalone instrument and an expressive modular voice. Arriving at the rear panel, further connectivity conveniently comprises MIDI IN/OUT — standard MIDI DIN-5; USB MIDI — standard USB type B; EXPRESSION/SUSTAIN/HOLD pedal input; stereo line OUTPUT; and HEADPHONE output.

On the face of it, then, LARYNX lives up to its Inspired by a Rare Voice and A voice you can play tag lines with the greatest of ease. Enter AnalogFX Founder and Lead Developer Marc Stroobach, someone suitably qualified to end promotional proceedings on a high note: “With LARYNX, we wanted to create an instrument that feels alive under your hands. It’s inspired by some of the most expressive synthesizers ever made, but designed for today’s musicians who want immediate control, deep sound shaping, and a genuine connection between performance and sound. Every AnalogFX instrument starts from a passion for music and a belief that synthesizers should inspire creativity, not get in the way of it.”

Being built in limited batches in The Netherlands, the first production run of LARYNX — limited to 50 units — is now available for purchase directly from AnalogFX’s online Shop (https://www.analogfx.com/shop/) and select specialist retailers worldwide (https://www.analogfx.com/about/where-to-buy/) at a SRP (Suggested Retail Price) of €1,249.00 EUR (inc. 19% VAT).

For more in-depth information, please visit the dedicated LARYNX webpage here: https://www.analogfx.com/products/larynx/

Just Can't Get Enough - Depeche Mode - synthesizer parts on prophet 6

video upload by jami.m

Meet The New FLpad: the FL Studio grid controller range

video upload by Novation and FL Studio

Everything you need to know about the NEW FLpad

video upload by Novation and FL Studio

Novation FLpad vs FL Key 2 vs Akai Fire: Which is better for FL Studio? // Review & Tutorial

video upload by loopop

TIMELINE: 0:00 Intro 1:00 Overview 3:20 Sequencer 4:00 Notes 4:55 Patterns 5:35 Channel Rack 6:40 Mixer 7:10 Graph Edit 9:15 Custom Modes 10:40 Plugin Control 12:00 Performance 13:00 Pros & cons 14:05 FLkey 2 15:15 Akai Fire 16:30 Outro

"Explore our full FL range - https://novationmusic.com/fl?utm_sour..."

"Introducing the new FLpad, co-developed with Image-Line. FLpad Mini and FLpad were created for fast, hands-on beatmaking in FL Studio’s Channel Rack.

Teaming up with Image-Line once again, our latest collaboration brings you our very first grid controller made specifically for FL Studio.

Use the 64 velocity-sensitive, RGB-backlit pads to play or step-sequence drums and melodic parts, slice samples, create and edit Patterns, and more. Sequence up to four instruments at once, get creative with drums and melodic parts, and arrange your ideas.

From the user interface to the firmware and DAW scripts, FLpad has been designed with FL Studio in mind and shaped by our ongoing collaboration with Image-Line and features an array of dedicated controls for building tracks with Patterns, mode switching, transport control, undo/redo, and more.

Plus, with Novation Components, you can easily create custom layouts for specific FL Studio workflows or for working with other software and hardware."

Ambient Electronica w/ Prophet-10 & AM Radio Noise | Three-Year Path 2026-10-01 by atnr

video upload by atnr

"Ambient electronica where a Prophet-10 performance blends with lo-fi noise from an AM radio.

This piece was created with the Prophet-10, Field Kit, and OP-1 field.

The Prophet-10 is connected to the MICROCOSM and performed with a subtle amount of the HAZE effect and reverb.

On the Field Kit, the built-in AM tuner is slowly swept with an LFO to create a regularly pulsing rhythm from the radio signal. The AUX output is sent to the monotron DELAY for delay, while the MASTER output is processed through the blueSky with reverb.

On the OP-1 field, a synth lead is performed. Delay and reverb from LOST+FOUND are used to create a lo-fi texture.

🎵 [Gear Used in This Video]

Synthesizers
Sequential Prophet-10
OP-1 field

Mixer / Radio / Processing
KOMA Elektronik Field Kit

Effects
Hologram Electronics MICROCOSM
KORG monotron DELAY
Strymon blueSky
Chase Bliss LOST+FOUND

☕ [Support & Listen to atnr]

Music Software: https://store.atnr.net

Bandcamp: https://atnr.bandcamp.com"

Miltone 4EXP - A Four Voice Clone

video upload by Alex Ball

"The Miltone 4EXP turned a lot of heads at Superbooth back in May and I was interested to cover it my channel, so they kindly let me borrow two of the prototypes to test them out.

The 4EXP is a component level clone of the legendary Oberheim Four Voice (FVS-1) done to a very high standard (and price) as either a stand alone synthesizer or as an expander to turn an original Four Voice into an Eight Voice.

Miltone are doing an initial batch of 50 of them, built to order. Their website is here: https://miltone.fr/

0:00 Intro Jam
1:13 What is the 4EXP?
2:42 Demo 1: Quatre Voix
3:58 A look at the electronics
4:29 Midi / CV & Gate Setup
5:55 Demo 2: Huit Voix
6:49 Splits
7:26 Demo 3: Deux Plus Deux Plus Deux
8:44 Comparison to an original Oberheim
9:04 The Riff Off
10:29 My Thoughts on the 4EXP
13:01 Patron Outro Jam"

See the Miltone label below for additional posts.

Side note: only KORG PS3200 on Google Maps?

Marimba Legio: Percussive physical-modeling voice on the Legio platform

video upload by Noise Engineering

"Marimba Legio is a physical-modeling voice and resonator based on the sounds of struck and bowed resonant bars.

Get a Legio module and swap to this firmware today:
https://noiseengineering.us/products/...

Let's start with Type. This gives you three different resonant materials to work with, from woody marimba tones to metallic bars and glassy tubes.

Decay controls how long those resonances ring out, from short percussive hits to long, sustained tones.

Tone changes the character of the strike itself, going from softer, rounder hits to much brighter attacks.

Then there's Mode. You can use Marimba as a traditional struck voice, or bring external audio into the Excite inputs to strike or bow those resonators in completely different ways.

And since Pitch tracks 1 volt per octave, Marimba can be sequenced just like an oscillator.

Today your Legio is a marimba. Tomorrow it can be a supersaw, a snare, a wavefolder, or something considerably stranger. And they're all free to swap over a USB connection.

23 Firmwares.One Legio.

Visit noiseengineering.us or your favorite retailer to get a Legio module in your case."

The Modular Synthesizers of Don Buchla - System 100, 200, 200e

video upload by HAINBACH

"At my recent residency at EMS Elektronenmusikstudio in Stockholm I had the rare chance to experience the modular synthesizers of Don Buchla first hand. From an exact replica of the System 100, an original system 200, a large mixed System 200 and the more recent 200e, it felt like travelling through time. Join me on this trip, and have a listen to my 'Buchla Stories' EP here:"

(name your price until October 4th)

00:00 Intro
01:50 Buchla 100
17:40 System 200 (Blue)
31:47 System 200 (big & mixed)
47:29 System 200e (Nensen Electronics)

Tangerine Dream – Love On A Real Train | PPG Wave 2.2 & Waveterm | Vintage Synth Cover

video upload by RetroSound

"A synthesizer tribute to Tangerine Dream’s iconic “Love on a Real Train”, recreated using original vintage equipment including the legendary PPG Wave 2.2 synthesizer and PPG Waveterm A.

This cover explores the distinctive digital-analog sound of the PPG system and its role in creating the atmospheric, hypnotic textures associated with the classic Tangerine Dream sound. The performance is inspired by the original recording while using the character, limitations, and unique sonic qualities of vintage PPG hardware.

Love On A Real Train it’s the hypnotic instrumental from the Risky Business soundtrack, originally recorded in 1983. It became one of Tangerine Dream’s best-known film pieces.

Equipment:
• PPG Wave 2.2 Wavetable Synthesizer
• PPG Waveterm A (Sampling, Wave Sequencing)
• Doepfer Dark Time Step Sequencer
• Analog & digital signal processing

🎧 Headphones recommended for the full stereo experience."

Website ► https://retrosound72.wixsite.com/home

Day Project: Meet Nibbi - CHOMPI Goes Virtual

video upload by TemeculaDSP

"Don’t mean to throw you for a loop, but… meet NIBBI.

The folks at Chase Bliss and CHOMPI Club released CHOMPI’s firmware under the MIT license [see the announcement post], so I’ve adapted it to run in your DAW as a VST, Audio Unit, and AAX plugin for Pro Tools.

Record and sample sounds, play them across the keyboard, layer tape-style loops, and get weird with lo-fi saturation, wow and flutter, delay, reverb, and filters.

Big thanks to Chase Bliss and CHOMPI Club for opening this up!

Check it out: https://www.temeculadsp.com/nibbi"

Update:

Nibbi - How to start!
video upload by TemeculaDSP

Schmidt Vi Beta - Schmidt Synthesizer als Plug-in

video upload by Heiner Kruse - The Green Man(TGM) - sound.report

Follow-up to this post.

The Usual Suspects Blue Giant – Novation Supernova II Emulation

video upload by Autodafe

"A quick NO TALKING sound demo of Blue Giant by The Usual Suspects, the new simulator of the legendary Novation Supernova II.

Blue Giant recreates the original hardware using DSP56300-series DSP emulation and the original Novation ROM. Like the Supernova II, it offers an 8-part multitimbral architecture, up to 24 voices, three oscillators per voice, multimode filters, extensive modulation, arpeggiators and the original multi-effects system.

In this video I’m simply browsing through a selection of sounds and presets — no talking, just Blue Giant in action.

More info about Blue Giant / The Usual Suspects: https://theusualsuspects.io/

The Supernova II was one of the iconic virtual-analog synths of the early 2000s, and Blue Giant finally brings its distinctive sound into the DAW."

BLOT - Experimental Modal Synthesizer

video upload by Laboratory 0

"BLOT is an experimental modal synthesizer played by shaping matter instead of turning knobs: the geometry of a lump on screen is the patch.

Every piece of the lump is a modal resonator, eight damped oscillators tuned by its size. Smaller pieces ring higher, and sizes settle on just-intonation ratios of the MIDI root. How far apart the modes spread, how bright they are and how long they ring follow the piece's shape and heat. They are excited by a slow breathing noise, by strikes, by friction as you sweep over the matter, and, when it runs hot, by droplets: short tones above the ringing that rise as they burst.

Pull out a tendril and it becomes a plucked waveguide string, pitched by its length. Press in a dent and it becomes a formant filter, a mouth whose position sets the vowel. Cut a piece and its modes split into two pitches. Pieces that come close ring-modulate each other, and pieces that meet fuse back into one.

Rubbing heats the matter: the modes stretch and each piece's drive saturates. Pushed harder, a 4× oversampled multiband saturator with a feedback comb tuned to the root takes over from clipping. Memory, an eight-line feedback delay network, holds what the matter has played. MIDI notes move the root and strike every piece. Two engines play the same matter: default stays clean until the matter is rubbed or overloaded, while intense heats and drives it with every cut and strike, and makes hot pieces crackle. “Pause" freezes the matter in place while it keeps sounding.

VST+AU, macOS only
Free Download: https://laboratory0.gumroad.com/"

Map Audio: PAM

video upload by DATABROTH

"Read my full review here: https://www.databroth.com/blog/pam-re...

check out my wavetables and presets at https://gumroad.com/databroth
join my Patreon / databroth"

00:00 Initial Exploration
00:44 Further Exploration
01:16 Crystal Processor
02:07 Croissant
03:36 I'd M
04:42 Fugue State

► New sounds of Korg Opsix by Jexus.

video upload by Jexus (sounds-for-synths.com)

😎 Presets / patches compatible with keyboard + rack & desktop. All sounds in all videos come from the 'Jexus Opsix Soundset' with over 300 custom presets."

Thoughts & info: https://sounds-for-synths.com/korg-opsix