For nearly 40 years, MPCs have shaped the sound and culture of modern music production. MPC Sample carries this legacy forward by making the art of sampling more accessible and approachable than ever before. Inspired by the legendary MPC60 and MPC3000, this portable sampler, sequencer, and effects processor puts the iconic workflow of vintage MPCs into a compact, modern format with features that empower limitless creativity.
Legendary MPC pads, a full-color display, and simple creative controls encourage hands-on sampling, looping, and beatmaking right out of the box. For immediate idea generation, this standalone hardware comes with over 100 kits, inspiring pad and knobs effects, and an intuitive chopping workflow.
MPC Sample is equipped with all the storage and connectivity options creatives need. A rechargeable lithium-ion battery, microSD card storage, an onboard sequencer, an internal microphone, a built-in speaker, and USB-C connection make it easy and convenient to record, edit, and play back audio on the go—no computer or DAW required."
"Welcome to the first episode of Signal Flow, a new podcast from Signal Sounds! Luke Palmer and Tom Churchill will be chatting about synths, modular, studio gear, patching techniques... basically, anything to do with playing, recording and performing electronic music!
Get in touch with questions, feedback and suggestions via signalflow@signalsounds.com
Berklee & Friends Honor Alan R Pearlman in Concert
Join a host of Berklee faculty and faculty emeritus, students and friends showcasing their work featuring ARP Synthesizers! Schedule and list of artists coming shortly.
Where: Berklee College of Music, David Friend Recital Hall
"The Alan R Pearlman Foundation welcomes Visiting Artist Kristina Warren to a week-long Residency as she explores new ways to work with the ARP 2500 and other synthesizers.
Culminating projects will conclude later this year as she will be offering a workshop.
About Kristina
Kristina Warren is a versatile and imaginative sound artist, composer, and performer based on Narragansett land, also known as Providence, Rhode Island [US]. Warren presents a wide variety of work, ranging from synth voyages and digital soundscapes to concertina meditations, installations, workshops, and more. All this work aims in various ways to highlight the vast and transportative ebbs and flows of individual and collective listening. Praised as “beautifully organic” (Peter Bruyn, Haarlems Dagblad) and having “a finesse of timbral traces” (Frédéric Cardin, PanM360), work by Warren has been presented internationally at venues including Flux Festival Montréal [CA], Synth Library Prague [CZ], MuseumsQuartier Wien [AT], Experimentik Berlin [DE], IOIC Zürich [CH], The Bluecoat Liverpool [UK], Elastic Arts (Chicago), Light & Sound Design (Brooklyn), and Rhizome (DC). kmwarren.org"
"Patching up both our single row skiff systems at once: Tape & Microsound Music Machine, and the New Universal Skiff System! (... and a Jumbler to boot!)
"The latest update for Elektron Syntakt, OS 1.40, includes a sample playback engine. Here I'm showing how it can be used as a simple wavetable player, in the style of the classic PPG Wave."
"There’s something special about analog synthesis. 🌿
Today the ArpoLoop found a way to mimic the sound of spring birds.
Pure generative bliss, just organic electricity. https://www.leploop.org/2024/05/14/th..."
"Showing off the new Urano VCF53 a bit :)
In this video, both filter slots are populated with VCF53, so it gets four channels of single VCF53 analog filters.
VCF53 is a further engineered VCF51, made with discrete parts only."
'GRAIN Scape' is a pack created for Polyend Synth engine GRAIN Synth.
Engine GRAIN is a granular synthesizer which scans the audio file and generates small grains of audio which can be manipulated and tuned in the engine. Great for creating rich textures and ambient backdrop pads and sounds.
Tailored for granular texture , cinematic, electronic, and experimental music production.
Whether you’re building immersive soundscapes or adding subtle movement to your compositions, these sounds will bring depth and emotion to your work.
•Designed for cinematic, atmospheric, and electronic use •Includes granular texture and ambient backdrop pads and sounds. •Works seamlessly in professional and experimental contexts
For quick searching, new Synth Scenes and Synth Presets are marked with (Gs) and new Samples with (S) in front of the name.
Ready to use: All sounds are presented as demo versions (without adding external effects or post-processing to the demo tracks) with 1 Synth Preset, allowing users to evaluate their potential in the Polyend Synth effects section.
"48 Ambient Patches for Moog Messenger. Upload instructions included.
👉 https://www.albaecstasy.ro/moog-messe...
This is what my Moog Messenger sounds under my sound signature!
Nearly all patches have aftertouch assigned and sequences with modulations - feel free to use them in your projects!
Patches are being sent in Moog Messenger format 'moogmessenger' file type and can be uploaded with the Moog Messenger Preset Editor.
Delay: Nemesis (Oil Can custom AE patch)
Reverb: Skylar
About this Pack
Serge Tcherepnin once described his instruments not as tools but as open systems for discovering relationships between sound and control. The Serge Modular Synth is built on this principle. It does not simulate acoustic behavior; it generates its own logic of vibration. Each circuit is an experiment in how voltage can behave as if it were alive.
This sample pack captures that principle through Random Source’s modern Serge system, combining the GTO, GTS, and Res EQ with the reissued 50th Anniversary Paperface. The recordings move fluidly between the precise tension of Eurorack signals and the raw, physical tone of classic 4U banana systems. Every patch was shaped through direct voltage interaction rather than digital post-processing, preserving the unpredictable complexity that defines the Serge approach.
Why Serge Matters
Serge Modular was designed in the 1970s by Serge Tcherepnin. It was created as an open-ended tool for sonic experimentation. Influenced by cybernetics and avant-garde composition, this system rejects musical hierarchies and embraces uncertainty.
In Serge, control voltages and audio signals are treated as equals. The circuits invite exploration through feedback, cross-modulation, and unpredictable interactions. Every patch is a process of discovery rather than reproduction.
This makes Serge a powerful choice for artists seeking sounds that are not pre-shaped or confined by rules. The textures you will find in this pack are unstable, alive, and deeply human.
Inside the Pack
The collection includes loops, one-shots, and drones. It extends from tonal minimalism to complex, evolving noise structures. You will find FM and AM modulations, unstable oscillations, and dark ambient layers that drift beyond equal temperament. There are moments of feedback that verge on collapse, SSG circuits running into chaotic self-modulation, and subtle rhythmic patterns that carry the unmistakable texture of analog uncertainty.
Each sound maintains the distinctive grain of Serge synthesis: harmonic richness without symmetry, motion that arises from interaction rather than programming. This is material for artists who value the tactile quality of electricity, who hear circuits as compositional partners rather than instruments.
Who This Pack Is For
Ideal for producers working in experimental electronic music, sound design, ambient, noise, or techno.
This pack suits those who are not satisfied with polished libraries and are looking for materials that add edge, texture, and risk to their work.
Continuous Evolution
This library is a growing archive. New sounds are added through regular updates at no additional cost for existing users. If you already own the pack, simply log in to your Sellfy account and new files will appear automatically. For those new to the collection, this is an invitation to enter a sonic environment that is never fixed but always evolving.
Not Just a Sample Pack
Some of the included tracks were originally composed as complete works. These can be experienced as finished drone pieces or used as inspiring source material. The lines between sample and sound art are intentionally blurred."
