MATRIXSYNTH: Search results for Architecture

Showing posts sorted by date for query Architecture. Sort by relevance Show all posts
Showing posts sorted by date for query Architecture. Sort by relevance Show all posts

Tuesday, October 06, 2026

Introducing DMNO ON — Desktop Synthesizer


video upload by UDO Audio

"DMNO ON is the full-featured 8-voice, 2-part multi-timbral DMNO synthesizer in a compact desktop format. Built around two independent analog-hybrid synth engines, it retains DMNO’s highly flexible signal architecture, with each engine featuring our new Dynamic Multi-Core Stereo VCF. Eight creative Play Modes unlock dynamic interactions between the two timbres at the touch of a single control, while its flexible analog and digital audio connectivity make it a truly expansive and immediate sound design sandbox.

The ON System allows players to add an optional synth control unit to recreate the dual-panel DMNO interface, or choose from a range of expansion modules to extend it further and build their perfect DMNO. Play ON!

Soundtrack by ‪@hazelmillsmusic‬"

The New UDO DMNO ON! Desktop DMNO - with George Hearn

video upload by sonicstate

"‪@udo_audio‬ has introduced the UDO DMNO ON, a desktop version of its DMNO synthesizer that keeps the full voice count, the hybrid engine and the multi-timbral architecture while doing away with the keyboard. It is not a cut-down instrument: this is a complete 8-voice, 2-part multi-timbral DMNO in a box measuring 487 x 220 x 107mm and weighing 4.5kg, built around the same two independent analog-hybrid synth engines and retaining the flexible signal architecture of the original.

For anyone who liked the sound of DMNO but did not want another keyboard in the room, this could be for you.

DMNO ONE has the same voice architecture as the keyboard."


DMNO ON is the full-featured 8-voice, 2-part multi-timbral DMNO synthesizer in a compact desktop format. Built around two independent analog-hybrid synth engines, it retains DMNO’s highly flexible signal architecture, with each engine featuring our new Dynamic Multi-Core Stereo VCF. Eight creative Play Modes unlock dynamic interactions between the two timbres at the touch of a single control, while its flexible analog and digital audio connectivity make it a truly expansive and immediate sound design sandbox.

Cherry Audio Introduces Pentaphonic Synthesizer based on the Gleeman Pentaphonic


video uploads by

Playlist:

1. Cherry Audio | Introduction to Pentaphonic with Mike Martin
2. Cherry Audio | Translucent Presets for Pentaphonic Synthesizer
3. Cherry Audio | "Pentaphonic Cruise" by Steve Peglar

"Cherry Audio's Pentaphonic synthesizer revives the ultra-rare polyphonic hybrid synthesizer originally developed by Gleeman Instruments in 1981. With fewer than 70 units ever produced, this synthesizer is legendary for its rich tone, distinctive design, and pioneering sequencing capabilities. This emulation faithfully reproduces the lush sound of its digitally controlled oscillator (DCO) and analog-filter architecture while capturing the visual essence of the synthesizer "made to be seen, not just heard."

https://cherryaudio.com/products/pent... Cherry Audio has taken its capabilities to new heights with expanded polyphony, expressive performance, polyphonic and parameter sequencing, and a library of studio-quality effects. Our visual makeover offers a choice of stunning designs inspired by the various looks it sported during its brief existence."

Cherry Audio Pentaphonic: A rare synthesizer masterpiece reborn

video upload by CatSynth TV

"CatSynth presents a deep dive into the new Pentaphonic from our friends at Cherry Audio. This is a recreation of the extremely rare Gleeman Pentaphonic synthesizer, complete with its unique look featuring crystaline transparent knobs and a translucent body. The Pentaphonic was an analog polyphonic synth with a few twists, including three digital oscillators with microcontroller-generated waveforms that were fed into an analog Steiner Parker filter. We explore the emulation of these unique features as well as Cherry Audio's enhancements for modulation, effects, and motion. We also check out a few of the factory and expansion-pack presets.

00:00 Introduction
00:25 History of the Gleeman Pentaphonic
01:10 UI Overview
02:06 Oscillators
07:52 Filter
13:15 Amplifier
15:19 Voice modes
16:57 Effects
19:54 Arpeggiator
22:30 Sequencer
26:38 Factory Presets
30:03 Translucent (James Dyson) expansion pack presets
33:17 Andrew Longhurst pack presets
35:50 Conclusion"
Patreon: / catsynth | https://shop.catsynth.com | https://ko-fi.com/catsynth




Press release follows:

"Made to Be Seen, Not Just Heard." Pentaphonic resurrects one of the rarest synthesizers ever made: the 1981 Gleeman Pentaphonic.

Cherry Audio is proud to announce the release of Pentaphonic, an innovative virtual instrument that resurrects one of the rarest synthesizers ever made: the Gleeman Pentaphonic. With fewer than 70 units of the original hardware ever produced, this software version is a compelling opportunity for vintage synth enthusiasts and music producers of all genres.

Monday, October 05, 2026

Sennheiser Vocoder VSM-201

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

This one was spotted and sent in via
M Me.

Listing details:

"The legendary Sennheiser VSM 201, one of the rarest and most important analog vocoders ever produced.

Developed by Fritz Sennheiser and introduced in 1978, the VSM 201 is a professional 20-band vocoder renowned for its exceptional intelligibility, sound quality, and flexibility. It has become one of the most iconic vocoders in electronic music history and has been used by artists including Kraftwerk, Herbie Hancock, Neil Young, Jean-Michel Jarre, and Daft Punk.

Features include:

Saturday, October 03, 2026

PLICATA — Patchable AUv3 Synth for iOS | Hands-On Demo


video upload by Utente Google Anonimo

"A hands-on demo of PLICATA, my first instrument in the Trambustissimo family.

PLICATA is a compact patchable monophonic synth for iOS, available as a standalone instrument and AUv3. It combines a morphing VCO, independent interval SUB oscillator, wavefolder, resonant filter, modulation, a 28-point patch system, microtonal XY keyboard, MIDI/MPE, complete-state presets, and a 32-step performance arpeggiator with probability, ratchets, HOLD/FILL, mutation, freeze and recallable scenes.

Trambustissimo instruments: https://alessandroguardascione.com/products/

Support:
support@alessandroguardascione.com

PLICATA is the first of six independently developed Trambustissimo instruments inspired by classic Moog instruments and workflows. The wider project also includes TACTA, a six-voice percussion instrument inspired by the Nord Drum 2's six-channel architecture and expanded around deeper synthesis, sequencing and performance.

These are independent instruments developed by Alessandro Guardascione. References to Moog and Nord products are descriptive only; there is no affiliation, endorsement, sponsorship or licensing relationship with those companies."

Thursday, October 01, 2026

AnalogFX Announces Availability of Limited-Run LARYNX



AnalogFX's LARYNX has arrived. You might remember the announcment post, and SUPERBOOTH demos here, and here. You can find additional AnalogFX posts here. And of course AnalogFX's official website here.

Press release follows:

AnalogFX announces availability of limited-run LARYNX, an expressive analogue formant synthesizer inspired by the seldom-seen Synton Syrinx

DEVENTER, THE NETHERLANDS: AnalogFX, a Dutch synthesizer manufacturer dedicated to creating expressive electronic instruments for musicians, producers, sound designers, and synthesizer enthusiasts, is pleased to announce availability of LARYNX — proudly presented as a performance-focused analogue synthesizer that combines the vocal character of classic formant synthesis with modern expressive control, Eurorack integration, hands-on playability, and an affectionate analogue nod towards a rare, highly-coveted 1982-vintage monophonic synthesizer built by fellow (defunct) Dutch company Synton — with its first production run limited to 50 units, as of October 1…

By being built upon the proven architecture of AnalogFX’s acclaimed SER-2020, its compact desktop synthesizer inspired by the rare Synton Syrinx, LARYNX evolves that concept into a performance-focused keyboard instrument. Thanks to its premium 37-key aftertouch keyboard, extensive real-time modulation capabilities, and unique triple-filter formant architecture, LARYNX duly delivers an organic and highly-expressive playing experience.

Ultimately — unlike many modern synthesizers that rely on presets and menu-driven workflows, LARYNX puts sound shaping directly under a musician’s fingertips. From subtle pressure-sensitive modulation to aggressive vocal-like filter sweeps, every aspect of the instrument in question has been designed to create a direct connection between performer and sound.

Beating beautifully at the heart of LARYNX’s performance-focused sound are two CEM3340-based voltage-controlled oscillators — VCO 1 and VCO 2; a sub oscillator — SUB 1; a ring modulator — RM; a NOISE generator; and a unique triple CEM3350-based filter architecture — PEAK 1, PEAK 2, and LPF (Low Pass Filter). All combine to enable a wide sonic range — from deep analogue basses and cutting leads to evolving textures and speech-like timbres rarely found in traditional subtractive synthesizers.

Above and beyond that, this latest evolution of the SER-2020 platform introduces Formant MODE, making 16 preprogrammed human voice formants immediately available. As such, musicians can quickly create vocal-inspired sounds, animated basses, and expressive textures — and all without requiring complex programming. It is appropriate to note here that LARYNX also features a digital five-voice oscillator Chord MODE, although analogue monophonic and duophonic operation is always possible.

Placing expression at the core of its design, LARYNX’s 37-key velocity-sensitive keyboard with channel aftertouch is paired with AnalogFX’s Touch’n’Bend controller, allowing performers to shape sound naturally. Needless to say, LARYNX has additional performance features up its sleeve, so to speak, including extensive realtime modulation throughout its VCO, VCF, and VCA architecture; MPE (MIDI Polyphonic Expression) support; a built-in arpeggiator (ARP); a 16-step pattern sequencer (SEQ) — designed for both studio and live use, permitting performers to store patterns and instantly recall variations during a performance; 16 pattern memories; eight scenes, with 16 slots each; and stereo delay effect — DELAY L and DELAY R.

Ready for the modular world, LARYNX is designed to seamlessly integrate into modern electronic music setups with multiple front panel-positioned CV (control voltage) inputs and outputs providing extensive Eurorack connectivity, while flexible routing options allow the synthesizer to function both as a powerful standalone instrument and an expressive modular voice. Arriving at the rear panel, further connectivity conveniently comprises MIDI IN/OUT — standard MIDI DIN-5; USB MIDI — standard USB type B; EXPRESSION/SUSTAIN/HOLD pedal input; stereo line OUTPUT; and HEADPHONE output.

On the face of it, then, LARYNX lives up to its Inspired by a Rare Voice and A voice you can play tag lines with the greatest of ease. Enter AnalogFX Founder and Lead Developer Marc Stroobach, someone suitably qualified to end promotional proceedings on a high note: “With LARYNX, we wanted to create an instrument that feels alive under your hands. It’s inspired by some of the most expressive synthesizers ever made, but designed for today’s musicians who want immediate control, deep sound shaping, and a genuine connection between performance and sound. Every AnalogFX instrument starts from a passion for music and a belief that synthesizers should inspire creativity, not get in the way of it.”

Being built in limited batches in The Netherlands, the first production run of LARYNX — limited to 50 units — is now available for purchase directly from AnalogFX’s online Shop (https://www.analogfx.com/shop/) and select specialist retailers worldwide (https://www.analogfx.com/about/where-to-buy/) at a SRP (Suggested Retail Price) of €1,249.00 EUR (inc. 19% VAT).

For more in-depth information, please visit the dedicated LARYNX webpage here: https://www.analogfx.com/products/larynx/

The Usual Suspects Blue Giant – Novation Supernova II Emulation


video upload by Autodafe

"A quick NO TALKING sound demo of Blue Giant by The Usual Suspects, the new simulator of the legendary Novation Supernova II.

Blue Giant recreates the original hardware using DSP56300-series DSP emulation and the original Novation ROM. Like the Supernova II, it offers an 8-part multitimbral architecture, up to 24 voices, three oscillators per voice, multimode filters, extensive modulation, arpeggiators and the original multi-effects system.

In this video I’m simply browsing through a selection of sounds and presets — no talking, just Blue Giant in action.

More info about Blue Giant / The Usual Suspects: https://theusualsuspects.io/

The Supernova II was one of the iconic virtual-analog synths of the early 2000s, and Blue Giant finally brings its distinctive sound into the DAW."

Tuesday, September 29, 2026

Dub Techno Patches for Circuit Tracks - 18 Ready Projects


video upload by Isotonik Studios

"Dub Techno Novation Circuit Tracks Sound Pack by A Force Truly Evil puts 120 meticulously designed patches and 18 fully programmed projects straight into your Circuit Tracks, ready to pull apart and make your own. Hear the chords bloom through delay and reverb, feel the sub bass settle deep in the low end, and watch stripped-back sequences grow into wide, immersive soundscapes without ever leaving the instrument.

GET DUB TECHNO NOVATION CIRCUIT TRACKS SOUND PACK BY A FORCE TRULY EVIL
https://isotonikstudios.com/product/d...

EXPLORE MORE A FORCE TRULY EVIL PRODUCTS
https://isotonikstudios.com/brand/a-f...

Your download contains 120 patches built around the core grammar of Dub Techno: space, repetition, and subtle movement. The 56 Dub Chord patches span soft, warm atmospheric textures all the way to darker, mechanical stabs designed for driving club rhythms, because that range is exactly what keeps a Dub Techno set breathing across a full night.

Monday, September 28, 2026

Free Roland D-110 Editor Librarian | Web MIDI Patch Manager


video upload by Ian Dixon

"A hands-on walkthrough of my free Roland D-110 Editor Librarian, a browser-based Web MIDI tool I developed to make the D-110 much easier to manage and edit from a modern computer.
https://thedigitallifestyle.com/w/TDL...

In the video I show how the editor reads the D-110's tones, patches, rhythm setup and system settings, then saves everything into a reusable library. I also go through tone editing, partial mute/solo style workflow, PCM sample selection, synthesis partials, envelopes, filters, patch editing, multi-timbral setups, SysEx import and why the D-110 can be more flexible than a D-50 when you want layered parts and MIDI-channel based arrangements.

The editor runs locally in the browser, uses Web MIDI, and does not send your synth data to the cloud. It is part of my free editor/librarian tools for bringing classic synths back into a modern workflow.

Timestamps
00:00 Why I am building modern editors for vintage synths
00:47 Introducing the free Roland D-110 editor
01:17 Web MIDI setup and reading tones
01:48 Reading patches, rhythm and system settings
02:23 Saving and reopening a master library
02:47 Loading presets and sending sounds to the buffer
03:14 D-110 architecture, partials and PCM/synthesis structures
04:17 Editing PCM samples and synthesis partials
05:09 Filters, envelopes and shaping the sound
06:16 Saving edited tones back to the synth
06:39 Editing multi-timbral patches and MIDI channels
07:39 Layering D-110 sounds in a way the D-50 cannot
08:25 Why editing from the front panel is fiddly
09:21 Importing SysEx and expanding the library
10:06 Managing patches, running locally and wrap-up"

Friday, September 25, 2026

Waldorf Wave (48 voice) Emulation in Software


video upload by Dave Whiting

"This video showcases my software recreation of the legendary Waldorf Wave—a hybrid wavetable synthesizer known for its huge digital oscillators, analogue filters and unusually complex hardware architecture.

The project is built in C++ using JUCE and is available as a standalone instrument and plug-in. Rather than simply making a modern synth that sounds similar, I’ve tried to reproduce the structure and behaviour of the original machine.

The emulation models:

• The Wave’s 250 kHz, 8-bit time-multiplexed wavetable oscillator system
• Signed mixer overflow—including the characteristic Waldorf “ASIC Mix Bug”
• Digital 12 dB high-pass filtering
• CEM3387-style reconstruction filtering, resonant four-pole low-pass filtering, VCAs and panning
• 12-bit stepped control voltages, sample-and-hold behaviour, saturation, noise and output coupling
• Three independent 16-voice WDV boards, matching a fully expanded 48-voice Wave
• The original 480 × 64 monochrome LCD and front-panel workflow

The instrument can also run authenticated Waldorf Wave OS 1.700 firmware. An emulated 68000 CPU executes the original main operating system, while a second runtime executes the genuine WDV voice-board program. Their shared-memory communication, voice-update masks, semaphores and hardware-register writes are reproduced and traced inside the model.

The oscillator ASIC itself remains undocumented, so its internal operation is represented by a behavioural model based on the Wave’s published architecture, firmware activity and known hardware characteristics. This is therefore an ongoing reverse-engineering and preservation project—not a claim of perfect, bit-exact emulation.

Waldorf and Wave are trademarks of their respective owner. This independent project is not affiliated with or endorsed by Waldorf Music.

#WaldorfWave #WavetableSynth #Synthesizer #AudioPlugin #MusicTechnology #ReverseEngineering #JUCE #VintageSynth"

Explore the project and source code on GitHub: https://github.com/mo0kid/wave

Thursday, September 24, 2026

Drone | Serge La Bestia 3, Siegfried & Medusa


video upload by Akihiko Matsumoto

"Reverb: AethelVerb https://akihikomatsumoto.sellfy.store...
A deep bloom reverb for building large, smooth, slowly expanding ambient spaces.

Serge Modular Synth (Sample Pack) https://akihikomatsumoto.sellfy.store...
This collection documents a complete system built by Random Source, based on the architecture of the Serge Modular Synthesizer. It is not a stylistic imitation. It is a direct capture of a signal philosophy that has shaped experimental electronic music for decades."

Tuesday, September 22, 2026

Technos Acxel VST3 from DenverSynthLabs


video upload by manmade madman

"I always lusted after a Technos Acxel from 1984, but they didn't really exist. There were only about 4 ever made and those barely made it into public view. But there were pictures of them, and I had my imagination. So, 30 years later, I made it myself, and then I made it better.

Now available at: store.denversynth.com"


"AXCEL

Every partial, hand-drawn.
Modeled after the Technos Acxel — a Quebec-built additive synthesizer from 1986-1992, with somewhere between 30 and 40 units ever made. Two engine slots share one wave bank, one Grapher, and one mod bus: Slot A is the Acxel's additive and sinusoidal resynthesis engine, Slot B is a wavetable machine, and you can run either or both at once.

AXCEL plugin GUI

- Acxel-accurate additive engine: up to 32 partials per voice, each independently addressable on the Grapher for amplitude, phase, and detune

Ober-Moog Prototype from DenverSynth


video upload by manmade madman

"The bassline from @nineinchnails The Becoming has always haunted me. Originally done on a borrowed 'OberMoog' prototype [matrix note: see prior posts here], the original synth underwent massive engineering changes, management, and versioning until it finally became the OB-Mx, which was a "better" synth, but didn't quite sound the same. I know this, because I owned an OB-Mx. Anyways, our Ober-Moog VST gets pretty close, and goes beyond. Plus, it's got 500+ presets, an EZ button for randomization, and Hand Of God for impossible automated modulation. Available now at store.denversynth.com

How close does this get?
I guess only TR can say for sure.

#nineinchnails #vst #denversynth #obermoog #obmx"


OBERMOOG

The synth that wasn't.
A 1:1 recreation of the Oberheim OB-Mx panel, voiced as the ‘Ober-Moog’ — the pre-production prototype Trent Reznor borrowed from Richard Bugg and used for the bassline of Nine Inch Nails’ The Becoming. Never officially released, barely documented, and rebuilt here from every source that exists, contested claims included.

- Full OB-Mx architecture: dual VCO per voice, MM-VCF and SEM-VCF in series or parallel, four-stage envelopes with free-run and repeat

- Voiced specifically as the Ober-Moog prototype, not a stock OB-Mx — the one unit with its own name, its own history, and no official spec sheet


- Unison/spread/detune matching the OB-Mx's card-based voice architecture, mono or up to full polyphony

- Modulation matrix covering breath, pressure, velocity, note number, wheel, and pedal across twelve assignable destinations

- Built from every documented source on the instrument, with the honest gaps left as gaps rather than guessed at EZ button gets you into a usable patch in seconds; the panel underneath goes as deep as the original hardware did

ElectroComp EML-101 VST from DenverSynthLabs


video upload by manmade madman

"Heres a short demo showing how analog this thing sounds.

Now available at store.denversynth.com"


ELECTROCOMP 101

A faithful emulation of a machine older than your dad's synth collection.
Four oscillators, a full patch bay, and a state-variable filter with an INPUT DRIVE stage that distorts inside its own resonant loop — the original's signature scream, modeled all the way down to the resonance itself breaking up under drive. Duophonic voice architecture, a MODULATOR that goes OFF → AM → RING, a sample & hold SAMPLER clocked off OSC 1, and enough patch points to make questionable routing decisions like it's still the Nixon administration. Patch it by hand for hours, or hit EZ to find something you wouldn't have thought of in a million years.

- Four oscillators — OSC 1 steps through triangle/saw/square/pulse/sine across HI/LO range, OSC 2–4 morph continuously via COLOR — feeding a duophonic voice architecture (KB1/KB2)

Saturday, September 19, 2026

VAEMI Releases Its First Plug-in: R2R Ladder for VCV Rack



Press release follows:

"The hardware R2R Ladder Eurorack module is now available as a free virtual module, marking the first release in VAEMI’s expanding software line.

Istanbul, Türkiye – September 2026 – Istanbul-based electronic musical instrument manufacturer VAEMI – Volt Age Electronic Musical Instruments has released its first plug-in and first software product: R2R Ladder for VCV Rack. The new virtual module is a software adaptation of VAEMI’s physical R2R Ladder Eurorack module, preserving the original hardware’s bidirectional architecture and core musical concept. The plug-in is available free of charge through the official VCV Library.

Inspired by the fundamental architecture of an R-2R digital-to-analog converter, R2R Ladder uses eight weighted connections representing eight binary bits. Together, these provide 256 possible binary combinations, opening up a wide range of applications for audio, CV, gates, modulation and waveform processing.

The module can operate in two directions.

JvR Spin F1 Elektor Formant Dual


video upload by Jos van Ras

"The JvR Spin F1 Formant Dual is a high-performance Digital Signal Processing (DSP) multi-effects unit designed for the DIY Elektor Formant Synthesizer system. Powered by an ATmega328P microcontroller (standalone DIP-28 package) and a Spin Semiconductor FV-1 DSP chip, this module architecture bridges old-school analog synthesis with modern digital studio effects.

For more info contact me on http://www.josvanras.com/"

"Elektor Formant in a new Design

Modules are all for sale and also complete systems. See under DIY-Projects."

Friday, September 18, 2026

Animal Factory x Philtersoup Asura || Polyphonic Wavetable Synthesizer with Analog Fuzz from India


video upload by Animal Factory Amplification

00:00 Intro
01:13 Control Layout
02:54 Analog Fuzz (Distortion) Controls
06:23 Shift Parameters
06:43 Shift Parameters: Detune, Melt FM & Glide
09:48 Shift Parameters: Delay Section
13:31 Shift Parameters: LFO Shape, Tempo Sync & Sustain
15:26 Assigning Modulation: LFOs
16:18 Assigning Modulation: Global vs Local Depth
18:15 Assigning Modulation: Envelopes
20:43 Arpeggiator
20:55 Arpeggiator: Modes
21:13 Arpeggiator: Latch & Half-Latch
22:27 Arpeggiator: Subdivisions
23:25 Randomizer
24:42 Sequencer
25:13 Sequencer: Parameter Lock
26:30 Sequencer: Randomizing with Pressure
27:52 Voice Modes: 3 Voice Polyphony (4 Oscillators per Voice)

"Your ears lust for the sacred and the profane; Asura, our first standalone synthesizer, satisfies the desire for both.

In Indian and other Asian mythologies, Asuras are depicted as celestial beings of immense power; sometimes benevolent, sometimes evil, and in opposition to the Gods.

Our synth distills these values into its sonic soma. It models itself after no known synth, and does not wish to. With a six-voice polyphonic wavetable architecture, an inbuilt delay and a signature Animal Factory analog fuzz circuit, it creates soundscapes that range from ethereal lushness to visceral devastation.

How serious is it? With a multitouch pressure sensitive keyboard, bidirectional USB MIDI, compact form factor, web editor and a comprehensive modulation matrix, this might just replace your current polysynth.

Vintage Digital Synth Sounds: E-MU Ultra Proteus "Morphing Worlds"


video upload by Synth Cloud

"▬▬▬ Download Link ▬▬▬▬
🚀 https://www.synthonia.com/marketplace...
📩 Mail: info@synthonia.com

E-MU Ultra Proteus is one of the most unique digital rack modules of the 90s, and Morphing Worlds was created to bring out exactly what makes it special: Z-Plane filter movement, evolving pads, drones, textures, sweeps and expressive digital sound design.

This video demos Morphing Worlds, a 128-preset soundset for E-MU Ultra Proteus, built for musicians, producers and hardware synth users who want more than static preset sounds.

The Ultra Proteus is known for its PCM-based engine, its internal waveform ROM and its powerful Z-Plane filter architecture. This soundset focuses on that character, with presets designed to move, morph and respond through Modulation Wheel and Aftertouch.

Wednesday, September 16, 2026

Sonicware Introduces ELZ_1 core


video upload by SONICWARE

Tuesday, September 15, 2026

Free Round Robin VST Sampler - Robin Control Lite

conduit.dsp - Robin Control Lite - Randomized Sampler Audio Plugin Prototype Features
video upload by conduit dsp



via the maker:

"I made a free VST3/AU plugin called Robin Control Lite. It's a simple monophonic round robin style-sampler that features controlled randomization for all parameters. It's a simple concept, but I created it primarily to facilitate the sample randomization for sound design projects.


Here's a link to the product and the following are some bullet point features:

Dead Simple UX/UI: Every MIDI key triggers the current sample pool at its natural pitch, with controls designed for quick, intuitive adjustments.

True Monophonic Round Robin Playback: Samples cycle intelligently in series or random order so no two hits ever sound identical — essential for natural-sounding SFX and percussion

Monday, September 14, 2026

Phantom Exposure Interphase Cartograph Sound Demo - Casio VZ range emulation expanded


video upload by Runningonair

"In this video I test out the new Interphase Cartograph from Phantom Exposure.

https://phantomexposure.org/instrumen...

This synth is based on iPD synthesis as used by the Casio VZ range, but it has been significantly expanded."

Music/Support: New Album, BandCamp, Spotify, Merch, PayPal



Interphase Cartograph

"Interactive phase distortion, the Casio VZ engine rebuilt and then extended — two modules per line, one bending or ring-modulating the other, with AM and through-zero FM added.

Interactive phase distortion — iPD — is the technique behind Casio’s VZ-series synthesizers of the late 1980s. Rather than mixing raw oscillator waveforms, it pairs two sound-generating modules into a line and lets one shape the other: bending its phase, or multiplying into it as a ring modulator. The character sits between subtractive and FM — glassy, bell-like, vocal or metallic, and equally capable of plain tones when the interaction stays subtle.

Classic reproduces the original four-line, eight-module architecture with eight iPD waveforms and eight-stage envelopes. Extended adds two more lines, twelve modules, a sixteen-waveform bank, and two interactions the hardware never had: amplitude modulation and through-zero FM. The two are switchable from the header at any time.

Around the engine sit a sixteen-route modulation matrix, a bipolar pitch envelope, patch vibrato and tremolo, an arpeggiator, microtonal tuning with historical temperaments, six performance macros, unison, two LFOs and a randomiser that can roll a whole patch or mutate the one you have. The display is drawn in an OLED style with cyan and amber themes."
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