Shear Electronics RELIC bi-timbral 8-voice polyphonic analog synthesizer inspired by Oberheim OB-X

video upload by Milk Audio Store

"The Relic by Shear Electronics is an ambitious, discrete analog polyphonic synthesizer that serves as a highly authentic tribute to the classic 1970s Oberheim OB-X. Developed over nearly a decade by Jacob Brashears, it boasts fully independent voice core processors and a deeply detailed analog signal path.

Architecture: 8-voice bi-timbral analog synthesizer.
Voice Cores: Features 8 fully independent voice processors, allowing each voice to be completely autonomous.
Oscillators & Filters: Each voice includes two SEM-topology oscillators and a continuously morphable state-variable filter.
Envelopes & Modulation: Includes 4 DAHDSR envelopes and 4 LFOs, utilizing digitally simulated classic envelope profiles."

Touellskouarn Blokañ Tube Ring Modulator

video upload by Stromkult

"Blòkan is a tube-based ring modulator released by TouellSkouarn in 2021. Its unique tube and transformer-based architecture sets it apart from conventional designs."

Touellskouarn Blokañ was introduced back at SUPERBOOTH 2021.

Sinewave Reel | Make Noise Morphagene

video upload by Akihiko Matsumoto

"Drum: Machinedrum Sample Pack https://akihikomatsumoto.sellfy.store...

Sinewave Reel from Morphagene (Reels Pack)
https://akihikomatsumoto.sellfy.store...

Recomposing the Architecture of Sound
The Make Noise Morphagene functions as a system for reorganizing recorded time. Each splice and grain becomes a modular event, where sound is reshaped through control voltage, feedback, and probability.

The Morphagene Reels Sample Pack ver.2.1 extends this system by providing a collection of reel structures designed for direct use. It includes 26 sets of curated sound materials that range from TB-303 inspired acid patterns to dubstep modulations, color bass textures, rave stabs, Wave atmospheres, retro PCM timbres, breakbeats, and industrial percussive elements. Every reel is pre-labeled with accurate splice points, enabling immediate interaction within Morphagene without additional editing."

KORG Introduces NTS-4 Compact Performance Mixer Kit for Hardware Setups

Overview video upload by KORG

"The NTS-4 is a compact performance mixer kit designed for modern hardware setups. With six channels (two mono and four stereo), built-in effects, USB-C connectivity, and support for up to 10 audio signals, the NTS-4 makes it easy to bring together volca units, NTS instruments, modular gear, grooveboxes, and desktop synths into one streamlined setup.

In this overview, Fess Grandiose walks through the NTS-4’s flexible channel architecture, Eurorack-compatible mono inputs, dual stereo effects engines, per-channel CUE and MUTE controls, USB-C audio and MIDI connectivity, and the hands-on Nu:Tekt DIY assembly experience.

Features:
• Compact 6-channel performance mixer
• 2 mono + 4 stereo 3.5 mm channels
• Supports up to 10 audio signals
• Eurorack-compatible mono inputs
• Standard 1/4" main outputs
• Per-channel CUE, MUTE, and FX send
• Dual stereo effects engines
• SEND FX + TOTAL FX processing
• Stereo send/return loop
• USB-C audio + MIDI
• Record directly to computers & mobile devices
• Rugged steel chassis
• Nu:Tekt DIY kit assembly

Learn more about the NTS-4: https://bit.ly/4w0QxLQ"

And a user video from supporting member Knobs & Switches:

KORG NTS-4 Performance Mixer Kit
video upload by Knobs & Switches

"Here is my review about the new Korg NTS-4 Performance Mixer Kit together with loads of other Korg gear: MS20m, Drumlogue, SQ-1, 700Sm, Harmonic Distortion, Opsix, Sigma, Minipops-7, ISE-NIN Single Voice, Ryk M185 Sequencer and of course the NTS-4. The Nu:Tekt Mixer will be released today! Have fun

https://www.korg.com/de/

For Pedal Power i used the MyVolts CrazyChain MkII: https://myvolts.com/CrazyChainMKII/?a...

The fancy Audio Cables are the MyVolts Candycords: https://myvolts.com/CandyCords/?a=kas

CV and Clock Cables are MyVolts Halos: https://myvolts.de/Halo/?a=kas

00:00:00 Intro
00:00:037 Title Track (only the NTS-4’s FX were used)
00:03:04 Epilogue
00:04:41 NTS-4 Run Down
00:08:58 NTS-4 Send FX
00:14:56 NTS-4 Send/Return
00:15:58 NTS-4 Total FX
00:21:19 Conclusion
00:22:47 Outro (only the NTS-4’s FX were used)

Used Equipment: Apple iPhone 14 Pro Max, Apple iPhone 12, Sony ZV-1, Rode Wireless ME, Universal Audio Apollo Twin Solo, Yamaha MG-06, Steinberg Cubase 15 and Final Cut Pro X"



A compact performance mixer for modern hardware setups

Build the perfect bridge for your music. The NTS-4 brings the flexibility of the Nu:Tekt series to a compact performance mixer kit designed for today’s hardware setups. With six channels (two mono and four stereo minijacks), built-in effects, and USB connectivity, the NTS-4 makes it easy to mix and perform with volca units, NTS instruments, modular gear, and other desktop synths in one place, supporting up to 10 audio signals in a single setup.

From the integrated effects to the steel chassis, every part of the NTS-4 is designed to turn your collection of instruments and gadgets into a professional-grade creative hub.

Small Footprint. Massive Control.

CLICK FOR MORE »

Våld Labs Presents Vekte Algorithmic Sequencer and Tresse Polyphonic Synth Beta VST3

video upload by Våld Labs

"🚀 Vekte & Tresse VST3 Open Betas Now Live! 🚀
The wait is over. I’m incredibly excited to open up the VST3 beta versions for both Vekte (the algorithmic sequencer) and Tresse (the 39-engine polyphonic synthesizer).

This video is a quick look at the workflow, showcasing how they interact to sculpt complex, evolving sequences into structured soundscapes.

⚠️ Note: This current beta is for the VST3 plugin version only. iOS AUv3 and standalone hardware versions are coming soon!

🎛️ About the Projects
Vekte: An algorithmic sequencer designed for complex, evolving sequences. It’s all about sculpting down from complexity rather than building up from scratch.

Tresse: A polyphonic synth architecture packed with 39 engines, PlaitsDSP-inspired, tailored for grit-meets-polyphony workflow.

🛠️ Join the VST3 Beta
Ready to test them out and help shape the final release? Head to the links below:

👉 Test Vekte VST3: valdlabs.com/vekte
👉 Test Tresse VST3: valdlabs.com/tresse

Connect with the Project
📸 Instagram: @valdlabs"

Ensoniq ASR-10 Rackmount Advanced Sampling Recorder SN ASR-12849

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

Additional SYNTH CITY Listings

"Hilariously overbuilt and overengineered, this ASR sampler was Ensoniq's flagship, and with compatibility to the EPS and EPS16+ there's plenty of cool sounds that you can use right out of the gate.

The ASR-10 (Advanced Sampling Recorder) was essentially the third generation of the EPS series of samplers, sharing the same basic architecture and user interface as the earlier EPS Classic and EPS-16 Plus. The ASR-10, like its predecessors, was a true performance orientated sampling workstation, and did not require a computer or additional equipment in order to create a complete song. It included a powerful and flexible effects unit, polyphonic aftertouch, an advanced MIDI sequencer, load-while-playing abilities, and a powerful multi-layered synthesis engine. The supplied "Musician's Manual" lived up to Ensoniq's documentation practice, with a highly readable, very hands-on and quite complete description of the device. There was even an included tutorial that covered many features of the machine, including sampling and sequencing."

CLICK FOR MORE »

The truth about the NOVATION SUMMIT! 🫣

video upload by Isaac Rodriguez

"A deep dive into the powerful Novation Summit, one of the most versatile flagship synthesizers from Novation. This video showcases its rich sound design capabilities, expressive performance features, and hybrid analog-digital architecture that makes it a favorite among modern producers and sound designers.

Explore the sounds, textures, and creativity this synth can unlock."

UVI Introduces Synth Anthology 5

video uploads by UVI

Playlist:

1. UVI Synth Anthology 5 | Trailer
2. UVI Synth Anthology 5 | Overview
3. UVI Synth Anthology 5 | Showcase

"Synth Anthology 5 - A Synthesizer Tour de Force
https://www.uvi.net/synth-anthology-5

300 synthesizers from every era, manufacturer, and synthesis type, all carefully sampled, now finding a unique creative dimension in a dual-layer architecture.
This new version comes with 100 new hardware synthesizers, each captured with the same hands-on attention to detail you've come to expect from UVI. With the new synths come 1,000+ new sound layers, 16,000+ new samples, and 300 new creative presets to explore, alongside powerful feature updates and engine optimizations.

The entire history of electronic sound, now at your fingertips.
Also included in SonicPass ➡️ https://www.uvi.net/sonicpass"

STIGMA // Raw Analog Destruction & Tube Self-Oscillation #eurorack #modularsynth #synthesizer

video upload by Arcaico Instruments

"STIGMA is not just a module: it is a destructive, versatile analog sonic organism, powered by real vacuum tubes and designed to disrupt your Eurorack ecosystem.

Built with a flexible True Stereo and Dual Mono architecture, STIGMA offers total control over signal routing, allowing you to process independent sources or shape the stereophonic space with dense, harmonically rich tube saturation.

From Signal Processor to Pure Synthesizer
While STIGMA is designed to filter, mangle, and brutally distort any external source (drum machines, oscillators, full mixes), it also hides an autonomous and unpredictable soul.

By driving the filter into self-oscillation, the module transforms into a fully-fledged solo synthesizer or a formidable percussive sound generator. By modulating the resonance and leveraging the lightning-fast response of its circuitry, STIGMA can sculpt devastating kicks, metallic toms, and thick, industrial percussive textures, saturated directly by the tube stage.

Key Features:
True Stereo & Dual Mono: Two completely independent tube channels for maximum routing flexibility.

Warmth & Destruction: A tube saturation and distortion stage to go from subtle analog warmth to harsh, destructive clipping.

Advanced Filtering: Analog filters molded around the tube character, capable of cutting through the mix or screaming when pushed to the limit.

Self-Oscillation & Percussive Engine: Generate heavy kicks, industrial toms, and unique percussive sounds by using the circuit's self-oscillation as a sound source.

Eurorack Interface: Integrated CV controls for total, dynamic interaction with the rest of your modular system."

STIGMA – A Stop Motion Short Film by Arcaico #stopmotion #synthesizer #modularsynth #eurorack

video upload by Arcaico Instruments

""Every instrument has a manual.
STIGMA has a story."

This short film explores the world surrounding STIGMA, not through technical explanations, but through atmosphere, symbolism and imagination.

Created entirely in stop motion, this short film marks the beginning of STIGMA's journey into the world.

Every set was handcrafted using reclaimed materials, and every movement was animated frame by frame through thousands of individual photographs.

At Arcaico, we believe that instruments can be more than tools.

They can become artifacts, carrying stories, symbols and worlds waiting to be explored.

www.arcaico.eu
info@arcaico.eu"

Access Virus A - "Modular Animations" Soundset

video upload by LFOstore

"Welcome to the most vintage sounding famous red synthesizer - Access Virus A!

Soundset working with all Virus models including Osirus & Ostirus
Note that presets will sounds a bit different due dufferent architecture
between models.

The most fat & tactile sounds among all Viruses.

And our soundset "Modular Animations" with 50 organic presets!

BUY: https://lfo.sellfy.store/p/access-vir...

This soundset working with VIRUS A,B,C, Osirus & Ostirus and based on previously released “Cinematica” minus reverb & unison options cause there are
no reverb in Virus A.

This unique soundset – contains 50 unique sounds:

CLICK FOR MORE »

MARS Vacuum-Tube Synthesizer: The Most Aggressive Modern Synth I've Ever Tested

video upload by Vulture Culture

0:00 Intro Jam
2:17 Mono Mode & Basic Oscillator Shapes
4:16 The Vacuum Tube Filter
7:49 Duo Mode / Polivoks-Style Duophony
8:47 Poly 1 Mode / Korg Mono/Poly Behavior
10:47 Ensemble Mode & Supersaw Sounds
14:14 LFO Shapes, Retrigger & One-Shot Mode
17:31 Sample & Hold Filter Modulation
20:16 FM Synthesis Overview
29:00 Pros & Cons
37:43 Closing Thoughts

"What happens when you build a vacuum tube-based hybrid synthesizer in a Soviet space lab and send it back from the future? Today we’re demoing, reviewing, and explaining MARS from Eternal Engine Electronic Musical Instruments — one of the strangest, most beautiful, and most aggressive modern synthesizers I’ve ever played.

MARS is often described as a four-voice polyphonic tube synthesizer, but architecturally it’s more accurately a paraphonic synthesizer. The four digital oscillator voices can be played across multiple notes, but they all share the same tube-based filter and vactrol-based amplifier. That puts MARS more in the tradition of instruments like the Korg Mono/Poly and Formanta Polivoks than a conventional analog polysynth.

In this video, I walk through the full architecture of the Eternal Engine MARS: the digital oscillator section, mono / duo / poly voice modes, pulse-width modulation, ensemble mode, FM synthesis, modulation matrix, envelopes, LFO, sample & hold, the gorgeous Nixie lamp interface, the resonant vacuum tube filter, and the asymmetric tube overdrive that gives this synth its raw, snarling character.

This is not a safe, polite, modern analog synth. MARS is boutique, unusual, heavy, beautifully built, and absolutely vicious when pushed. The tube filter and drive section give it a sound that feels alive in a way most modern synthesizers don’t — somewhere between vintage analog synth, industrial bass machine, experimental sound design box, and Soviet sci-fi artifact.

If you’re into industrial music, EBM, darkwave, synthwave, experimental electronic music, vintage synthesizers, boutique synths, tube distortion, paraphonic synthesis, analog filters, FM basses, PWM pads, or Polivoks-style aggression, MARS is worth hearing.

I also talk through who I think this synth is actually for — and who should probably pass on it. Because while I absolutely adore the sound, MARS is not a cheap “do everything” synth, and it’s not trying to compete with mass-market analog polysynths. It’s a character instrument. A monster. A special machine for people who want something truly different."

UDO Audio DMNO Binaural Dynamic Synth Review - SonicLAB, Sample Pack

video upload by Sonicstate

Superbooth videos mentioned posted here.

"In this SonicLAB, we look into the @udo_audio UDO Audio DMNO, an 8-voice polyphonic binaural analog hybrid synthesizer with dynamic signal architecture.

The DMNO is sonically different from the Super Series, featuring a grittier, more aggressive sound. With dual synth engines, though each DMNO integrates the familiar Super DDS oscillators and custom wavetables and both support both stereo and binaural modes. With 8 voices total, when running two DMNOs in Binaural mode, in split or layer, that will reduce the voice count to 2.

The oscillators can cross mod and route with plenty of audio rate modulation , the LFO 1 also can run tracked and in Audio Rate mode too.

There's lots of configuration, routing and drive with the stereo analog filter, these have multiple modes, stereo, parallel and series routings with Frequency delta between each 'side' of the filters for some lovely formant and vowel like articulations.

Mod matrix has 7 slots plus two fixed routings for wheel and envelope velocity - perhaps the selection of source and destinations could be increased if the FPGA pathways allow for it, and it would be nice to see FX parameters as a destination at some point.

With EQ, Chorus and Drive per DMNO and a shared Delay/Reverb on send, there's some decent additional sound sculpting to be had.

Priced at £2,599, this synth gives an alternative to the other synths in the UDO range"

Exclusive DMNO Sample Sets For Decent Sampler

video upload by sonicstate

"Spent the afternoon sampling the excellent UDO Audio DMNO - our review is now online.

The result is 10 DMNO Samples as multi-samples instruments for our custom Decent Sampler instrument with our custom UI from @VenusTheory . Some sampled from custom patches during he review, and some of the presets already on board.

Here's the link to download them on YouTube (16-bit members)

And on Patreon (Star level and up): / decent-samples-160904082

note: you can also purchase them from our Patreon store: / shop

Decent Sampler is free!
https://decentsamples.com"

Novation Nova II / Supernova II — The Most Complete Synth Ever?

video upload by A Force Truly Evil

"Sound Packs available here: https://sci-fiaudio.com/

The Novation Nova II / Supernova II is one of the most powerful virtual analog synthesizers ever made.

In this video I explore its architecture, sound design capabilities and performance mode.

Six-part multitimbral engine. Independent effects per part. Massive digital power."

Vintage ARP 2600 w/ 3604 Keyboard - 110 Volt Unit

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

"The ARP Instruments 2600 is a highly revered analogue synthesiser, renowned for its incredible flexibility and rich sonic palette. First introduced in the 1970s, this semi-modular synthesiser became an instant classic, revered by musicians and producers for its distinctive sound and intuitive design. The 2600 features three versatile oscillators, each capable of producing a wide range of waveforms, from warm, deep basses to piercing leads and complex textures. Its unique filter section, with a resonant low-pass filter, imparts a characteristic tone that has become synonymous with the ARP brand. Additionally, the synthesiser includes an envelope generator, an LFO, and a noise generator, providing users with a comprehensive toolkit for sound design.

What sets the ARP 2600 apart is its semi-modular architecture, which does not require patch cables for basic operation, yet offers extensive patching options for advanced users. This design allows for easy exploration for beginners while satisfying the creative demands of experienced synthesists. The synthesiser also features a built-in spring reverb unit and a pair of stereo speakers, adding to its versatility. Its rugged, roadworthy construction, combined with its distinctive 3-octave keyboard with aftertouch, makes the 2600 a reliable and expressive instrument for live performance. The ARP 2600 is not just a synthesiser; it's a piece of musical history, offering a unique blend of vintage sound and timeless functionality, making it a coveted piece for collectors and a valuable tool for modern musicians.

Includes three power supply cables, a collection of patch cables, lids for both cases, and printed patch manual. This unit is 110 volt, and requires a stepdown transformer for operation in Australia."

CLICK FOR MORE »

Macbeth Elements EL2 Analog Synth By Ken Macbeth SN 015

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

"Up for sale is a super rare Macbeth Elements EL2 analog synth, hand-built by Ken MacBeth back in 2019 in extremely limited run of only 30 units, as said by himself - the best ever analog synth he ever built in his life… Described by him as “Elements on steroids, circuit wise”. Please do not mislead this with a regular silvers Elements - EL2 is one of a kind the way different unit. It features a striking black aluminium chassis, gold plated touch up keyboard and a very deep vintage style circuitry using through-hole components and 70’s vintage new old stock semiconductors and metal ICs. Three highly versatile discrete voltage controlled oscillators with individual audio outputs and advanced sync capabilities, classic architecture with subtractive signal path featuring unconventional filter slopes, a built-in spring reverb and a tape echo simulator. All this mixed up with a wide-ranging modulators and large tactile potentiometers for deep sound sculpting. Also, Ken decided to completely remove MIDI support making the priority to CV: he noted that most musicians use the instrument with Control Voltage and modular setups anyway. Removing MIDI parts freed up physical space and optimised the pure analog circuitry. VCO1 and VCO2 now get their own knobs instead of sharing just one. New spring reverberation circuit in EL2 provides a much deeper, different sound than the first model. Cross-modulation expanded as well: VCO3 syncs to VCO2 and VCO2 can now syncs to VCO1 directly. Of course, inspired of the legendary EMS Synthi, but ones you came across both in one room - you will definitely can’t choose which one is better here. EL2 will be never produced again and it’s already a holy grail in the world of analog synths. This exact one is number 15 of 30. Comes with the original power supply. Everything you can see in the pics is included in that sale. Was a beloved studio toy, but now it’s time to go! In excellent overall and technical condition. Please see all pics cause they are a part of description. Free shipping within the US from Brooklyn, NY. International shipping from Brooklyn, NY to any place in the world with a tax free service."

CLICK FOR MORE »

Chase Bliss BIG TIME Delay Showcase | Sound Demo (feat. Modal Element One) ‪@ChaseBlissAudio‬

video upload by Davide Puxeddu

"A pure audio demonstration of the Chase Bliss Big Time hybrid analog/digital echo, utilizing the newly released Modal Electronics Element One virtual analog synthesizer as the main sound source.
No talking, just hardware.

Designed in collaboration with John Snyder of Electronic Audio Experiments (EAE), the Chase Bliss Big Time is a true-stereo hybrid echo that revisits the mixed-up, unique circuitry found in rackmount delays from the early 1980s. In that era, advanced analog engineering was functionally used to prop up crude digital systems. The Big Time intentionally embraces and pushes this hybrid architecture to its absolute extremes.

This video showcases how the Big Time's interactive controls and dual stages of analog coloration transform incoming synthesizer signals:

• Stereo Analog Preamp (Color): Adds beautiful, warm saturation to the input stage, designed to handle a wide variety of instruments.
• Feedback Loop Limiter (State): An analog clipping limiter in the delay path that creates everything from smooth compression to crumbling, misbiased overdrive that slowly disintegrates your echoes.
• Cluster Slider: Blends in additional delay taps and diffusion, smudging and expanding the sound into rich ambient delights and multi-tap clusters inspired by vintage space station units.
• Scale & Motion: Controls creative transposition, Thermae-like musical sequencing, and stereo modulation (Sine, Square, Envelope).

Watch how the Big Time's motorized faders react and seamlessly transition through different delay modes—from tight modulations (3-46ms) to Short (46-736ms) and Long delays, across HiFi, Focus, Warm, and Analog voicings.

Providing the core audio tracking is the Modal Element One. Its 8-voice virtual analog engine, morphable filters, and rich stereo waveforms offer the perfect high-quality sonic canvas to test the Big Time's true-stereo capabilities, input saturation, and analog dry-thru.

🎧 Headphones or studio monitors are highly recommended to capture the full true-stereo imaging and analog character of the pedal.

Special thanks to Chase Bliss!"

Full MPE Firmware Test: 700 VOICE MPE Architecture with iPad Bluetooth MIDI

video upload by Gm Xe

"This video showcases the full MPE system firmware test for the 700 VOICE synthesizer.
All audio in this recording is generated directly from the 700FM VOICE module. We put the device’s MPE control system and native 700 VOICE MPE architecture through a comprehensive functional test.
We use an iPad as our controller, sending MIDI data wirelessly via Bluetooth MIDI for this evaluation.
Tested features cover all 4 dimensions of MPE expression, note quantization, key tracking playability, as well as MIDI CC mapping functionality.
The 700 VOICE MPE implementation supports slider modulation mapping for all available parameters, enabling independent modulation control for every polyphonic voice assigned to each individual touch gesture.
In this demo, we use slider controls to modulate Filter Cutoff (Index 3, Index 2, Index 1) and Oscillator 4 parameters.
#700VOICE #MPE #MIDIController #BluetoothMIDI #iPadMIDI #Synthesizer #Eurorack #MPEController #SoundDesign #hardwaresynth

gmxe.org
ins: wuxiaoen1984"

EEH / SSB Banana 6-voice Analog Polyphonic Synthesizer

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

Ad scan below.

"In near mint condition, with factory MIDI. Voice boards and PSU recapped, calibrated. The autotune function has been deactivated because we have calibrated the filters to be able to self-oscillate and apparently that is incompatible with the autotune check on startup, but the synth is fully tuned. Copy of user manual (in german), schematics and docs included. 220V version.


The Banana is a 6-voice polyphonic synthesizer that, in terms of design, strongly resembles the famous Oberheim OB-Xa, but it is not an OB-Xa clone. It features an OB-Xa-like voice architecture with two CEM3340 VCOs, a switchable 24dB lowpass/highpass filter based on the SSM2044 chip, and CEM3360 VCAs and CEM3310 Envelope Generators for the six voices. This provides a rich, warm analog sound that is still relevant in modern music productions. The Banana allows for sound editing with the versatile 2 ENVs (envelopes), similar to those found in the OB-Xa, making it a powerful instrument for both complex soundscapes and powerful leads and basslines.

The Banana was produced in West Germany by Electronic Engineering Hoffmann (EEH), in collaboration with Synthesizer Studio Bonn (SSB), and it is the only synthesizer ever released by EEH and distributed by SSB. In 1983, Electronic Engineering Hoffmann (EEH) completed the development of the Banana in collaboration with Synthesizer Studio Bonn (SSB), the world’s first specialized synthesizer store, located in West Germany. SSB had already made a name for itself by creating custom sequencers, including the Synthorama, which was used by Kraftwerk to control their Minimoogs on the legendary Trans-Europe Express.

Production of the Banana ran from 1983 to approximately 1985, after which the synth was discontinued. Only 100 to 300 units were made. This makes it a particularly rare model for collectors or musicians looking for a unique synth.

This model offers a unique opportunity for the serious synthesizer enthusiast or collector who is searching for a rare instrument with historical value.

Don’t miss out on the chance to own a piece of synthesizer history!"

CLICK FOR MORE »

Intellijel Swells Explorations

video uploads by Intellijel

Playlist:

1. Swells Explorations | X-3: Shadow (No Talking Demo)

This is an exploration of Swells model X-3: Shadow

A classic sounding 'dark hall' reverb. This reverb sounds like a natural space, which makes it perfect for lots of different applications. But of course, being Swells, we can bend it and shape it for some more experimental patches too.

2. Swells Explorations | Y-2: Asterion (No Talking Demo)

This is an exploration of Swells model Y-2: Asterion

Asterion is our 'gateway to the stars' - based on the architecture of a certain digital reverb unit from the 1980s. It brings out the lush sound of the original, but expands its capabilities through the medium of Swells.

3. Swells Explorations | Z-1: Buckets (No Talking Demo)

This is an exploration of Swells model Z-1: Buckets

A matrix of BBD Delays that create a dark, noisy reverb. Oozing with character and grit, this reverb is great for complimenting all kinds of audio material, as demonstrated in these patches.

Moog Liberation Keytar Analog Synth w/ Interface & Power Supply SN 1727

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

"This unit includes the original-style external synth interface/power supply unit and connecting cable, allowing the keytar to operate as intended.

The Moog Liberation is known for its rich analog sound, featuring dual oscillators, a classic Moog low-pass filter with resonance, and expressive real-time performance controls built into the neck grip.

Features:

Moog Liberation Analog Keytar Synthesizer
Dual Oscillator Analog Architecture
Classic Moog Low-Pass Filter with Resonance
Ribbon-Style Pitch Bend Control
Onboard Modulation, Filter, and Volume Controls
Designed for Stage Performance and Mobility
External Interface System for Power and Audio

Included:

Moog Liberation Keytar Unit
External Synth Interface / Power Supply
Connection Cable (approx. 20-foot style cable)

Condition:

Unit is fully functional and shows cosmetic wear consistent with age and normal use. Overall it remains in very good vintage condition."

CLICK FOR MORE »