Arturia Introduces the MiniFreak 49

Check with dealers on the right on pricing and availability.

Playlist:

1. MiniFreak 49 | Explore the unconventional | ARTURIA
2. MiniFreak 49 | Playthrough | ARTURIA
3. MiniFreak 49 | Overview | ARTURIA
4. Arturia MINIFREAK 49 is an Absolute BEAST! Sound Demo |No Talking| ⁨@ArturiaOfficial⁩ - Davide Puxeddu and Arturia
5. Arturia MiniFreak 49 - More Control - SonicLAB Presentation - sonicstate
6. MiniFreak 49 vs MiniFreak // There’s nothing mini about it // Review & tutorial - loopop
7. I Called the MiniFreak Synth of the Year in 2023. It Just Grew Up. - Vulture Culture
8. Arturia MINIFREAK 49 — An Almost Perfect Synthesizer - BoBeats
9. The not so Minifreak // Arturia Minifreak 49 - Starsky Carr
10. Arturia MINIFREAK 49 | MUSIC DEMO (No Talking) | Spontaneous SYNTH Patches played by Jalvac 🎹🔥 - FutureMusic.es
11. Arturia MiniFreak 49 Review: Still a Game Changer? - Sineway
12. The New Minifreak 49 Goes Hard! Exploring What Makes it Special - The Midlife Synthesist

Press release follows:

49 full-size semi-weighted keys, expanded panel controls, and a pressure-sensitive XYZ touch matrix bring a new physical dimension to the Freak architecture, while Audio-rate Filter FM and Voice Panning extend its sonic reach - making shaping a patch and playing it feel like the same act.

_Explore the unconventional

Two digital engines. Analog Filters and VCAs per voice. A restless appetite for experimentation. MiniFreak 49 puts the familiar and the unruly within reach, from rich polyphonic textures to fractured rhythms and abrasive harmonics. Play a chord, reach for a control, press into the matrix. Playing a patch is only the beginning.

_Touch, press, transform

The new XYZ touch matrix brings performance, modulation, and navigation onto one surface.

Assign modulation with direct, color-coded feedback, swipe through presets, or watch reactive visualizers follow your playing.

Switch to Freak Control and put the sound under your fingers.

Push a Macro further, tighten the Gate, or use Spice to introduce variation.

Bipolar and vector layouts let you move between contrasting settings and blend across four corners, with pressure adding a third dimension of expression.

_That's not all

Room to play

49 full-size semi-weighted keys with velocity and mono aftertouch give chords, melodic lines, and two-handed performances room to breathe. Aluminum pitch and modulation wheels keep expression under your left hand.

Push every sound further

Audio-rate Filter FM from either engine adds harmonics, grit, and vocal-like textures. Dedicated Type, Wave, Timbre, and Shape controls, plus three selection shortcuts per oscillator, make sound shaping more immediate.

Six voices in stereo

Voice Panning spreads individual voices across the stereo field, adding width to chords and spatial movement to sequences.

MiniFreak 49

Three FX slots, each with a dedicated access button and 13 algorithms, cover everything from chorus and reverb to distortion and vocoder processing.

The Freak architecture

Two digital engines offer 30+ oscillator modes, with algorithms from Arturia, Mutable Instruments and Noise Engineering. Blend their sounds or use Engine 2 to process Engine 1, then shape each voice through its own resonant analog filter.

Shape every step

A 64-step sequencer and four modulation lanes keep notes and timbres in motion. Long-press a step to adjust its length and velocity on the touch matrix. Add arpeggiator ratchets and repeats, or introduce fresh variations with Spice & Dice.

Your Freak in the DAW

Included MiniFreak V brings the hardware’s sound and architecture into your DAW, with preset management and bidirectional control. The MiniFreak 49-compatible version is exclusive to registered MiniFreak 49 hardware owners.

CLICK FOR MORE »

Roland Announces JUPITER-08 and n/vision Roland Boutique Instruments

Check with dealers on the right on pricing and avaialability.

Playlist:
1. Roland Boutique JUPITER-08 Synthesizer | Everything You Need to Know - Roland
2. Roland JUPITER-08 Boutique - More Of Everything - SonicLAB Presentation - Sonicstate
3. Roland Jupiter-8 // Showcase & Sound Demos - Loop Rituals
4. Roland Jupiter-08 Sound Demo (no talking) - Bonedo Synthesizers
5. Roland Jupiter-08: A pocket-sized Jupiter? - Limbic Bits

Roland Boutique n/vision Wavetable Synthesizer
Playlist:
1. Roland Boutique n/vision Wavetable Synthesizer | Everything You Need to Know - Roland
2. Roland N/VISION Their 1st Wavetable Synth - SonicLAB - Sonicstate
3. Roland n/Vision Demo with Presets for Ambient and Techno - Limbic Bits
4. Roland n/vision Demo with Factory and Custom Presets - Bonedo Synthesizers
5. Roland - n/vision - Ambient/Dub/Techno Jam - Loop Rituals Press release follows:

Roland Refreshes the Popular Roland Boutique Lineup with Two Powerful New Additions

Los Angeles, CA, October 20, 2026 — Roland announces two new additions to its long-running lineup of Roland Boutique instruments for on-the-go creation, performance, and music production. The JUPITER-08 is a special release that celebrates 45 years of the Roland JUPITER-8, one of the most coveted analog synthesizers of all time. n/vision is a newly developed instrument that elevates the sophisticated character of classic wavetable synthesis with Roland's latest technologies.

Introduced in 2015, Roland Boutique is a growing world of compact instruments that drive fresh creative approaches in electronic music, expanding on legendary sounds of the past with workflows tailored for modern producers and musicians. The sound is immense and iconic—often inspired by famous Roland designs—while the small, portable form factor is made for in-the-moment creativity. Whether performing live on stage, producing in the studio, or playing for pure enjoyment, Roland Boutique delivers an exceptional musical experience for creators of all kinds.

With the latest additions, the current Roland Boutique lineup now includes eight unique models. The JUPITER-08 and n/vision carry on all the great design features that the series is known for, including built-in speakers, flexible battery/USB-C power, and USB audio/MIDI connectivity for interfacing with music software. These new models also include a K-25m keyboard dock, making them standalone instruments for instant inspiration.

JUPITER-08 Synthesizer

Widely regarded as the king of polysynths, the Roland JUPITER-8 has been revered by generations of musicians since its debut in 1981. This powerhouse instrument helped define the era's electronic music with its huge, dreamy tones, and it continues to be heard in classic synth-pop tracks, video game soundtracks, film scores, modern pop hits, and more. The JUPITER-08 celebrates the 45th anniversary of the analog legend with this special addition to the Roland Boutique series. Offering sonic capabilities and interface features inspired by the original hardware, this powerful mini synth delivers classic sound, hands-on control, and modern performance tools in a go-everywhere design.

With its flexible sound engine, the JUPITER-08 is a highly capable musical tool. By default, the synth is set for a retro experience with the eight-part/two-voice architecture of the original JUPITER-8, but users can internally expand the polyphony to 32 voices to meet modern playing needs and craft all-new tonalities. With refined voice allocation and pitch behavior, the JUPITER-08 provides a rich, animated playing experience with enhanced polyphonic performance and genuine vintage-inspired character.

The JUPITER-08 comes equipped with a two-part, 64-step polyphonic sequencer and an arpeggio function, ready to capture ideas and build dynamic, evolving sounds on the fly. Onboard processing is also available for extensive sound shaping and spatial enhancement. Users can tap into 17 unique effects—including chorus and MFX—plus dedicated delay and a reverb with five types and a unique shimmer mode.

n/vision Wavetable Synthesizer

n/vision is a small yet mighty synthesizer that elevates classic wavetable synthesis with advanced Roland sound-shaping techniques. Newly developed for the Roland Boutique series, it delivers a powerful platform for crafting rich tonalities and evolving textures, offering hands-on control for immediate creative interaction and deep menu-driven tools for sophisticated sound design.

Powered by Roland’s latest sound advancements, n/vision allows players to build evocative textures through a tactile synthesizer workflow. Users can easily blend and shape two wavetable layers to create animated movement, moving pads, aggressive leads, complex timbres, and more.

Multiple modulation sources can influence wavetable position, layer balance, pitch, and shaping parameters, enabling highly dynamic sound movement. Roland’s innovative wave-shaper technology transforms incoming waveforms through non-linear processing, generating new harmonics and unique textures that go beyond the capabilities of traditional wavetable synthesis.

n/vision’s top-level interface supports immediate sound creation, but users can dive much deeper if they want. Step LFO, envelope modulation, oscillator modulation, motion recording, and extensive parameter control open powerful sound design capabilities. n/vision also provides additional sonic enhancement with a drive-enhanced analog-modeling filter, multiple filter models inspired by classic synths, and the same powerful effects processing options as the JUPITER-08.

Pics:

Click the pics for the full size shots.

CLICK FOR MORE »

Kanawa Music Filternator + Modules - Brooklyn SPEXPO 26

video upload by sonicstate

"We spoke to Scott from Kanawa Music about the company's Eurorack modules. Kanawa Music works from historic instruments and circuits. The filter is based on a 1940s Hammond Solovox design, using induction coils and capacitors that switch in and out. The chorus takes inspiration from Crumar string machines, with an all-analog circuit that stays close to the original architecture.

The oscillator uses early divide-down ideas, but it has 12 independent oscillators. Each oscillator is hand-tunable, so alternative tuning schemes such as Pythagorean tuning are possible. The system also includes filters, phasers, an LFO and a headphone amplifier. The LFO has adjustable bias and inverted outputs for both channels.

In the stereo layout, C through F sit on the left channel, while F-sharp through B sit on the right. A mono version is also available in a case. It uses one side of the system and includes the same phaser, filter and full 61-note polyphony. Pricing is listed on the company website.
More Info: https://kanawamusic.com"

The Machine | Multi Architecture / Max MSP

video upload by Emiliano

"The Machine / out Soon / Manual and details: https://www.peamarte.it/ae"

AJH Synth Gemini 2412 Dual Vintage State Variable Filter Review

video upload by Molten Music Technology

"Two lovely 12dB SEM-style filters baked into a configurable dual or cascade architecture with interesting modulation and a ridiculous resonance feedback option. Here's my full review and what I like about it."

Currents & Nostalgia - Using Velocity to Slot position for variation in two patches - Coming synth

video upload by Unusable Engineering

"In this video I am not showing off patches, but showing 2 different ways to utilize the slot system and velocity to generate different degrees of variation to patches. The patches are of course included as presets with the synth when it is available.

By using the velocity to position function - the velocity can move to entirely different oscillator settings or filter settings - or both at once. It can be combined with sweeping slot movement too for evolving patches.

The first patch in the video uses the oscillator slot system to increase detuning and feedback with higher velocity and some random movement from there. The filter is set up in a rather flat way across three slots letting mid velocities add extra drive and distortion to the sound.

The second patch is having 5 independent drum sounds set up by using no interpolation, thus giving 5 discrete velocity zones - one for each slot. The system is set up the same way for both oscillator and filter making it straight-forward to adjust the patch.

CLICK FOR MORE »

Inside the Legendary ARP 2500 - Every Module Explained

video upload by Anthony Marinelli Music and Rosen Sound

"I’m joined by my friend and synth technician to the stars Rob Rosen for a deep dive into one of the most legendary synthesizers ever built: the ARP 2500.

We go module by module through the instrument, exploring what makes the 2500 so unique, from its architecture and standout modules to the unmistakable character of its sound. We also look at how the ARP 2500 was configured and priced when it was introduced in 1970, how those systems compare to what they’re worth today, and why these instruments have become so desirable to collectors, studios and musicians.

And we don’t just talk about it. Throughout the video, I perform three solo pieces on the ARP 2500 to show the raw sound power that lives in this instrument.
If you’ve ever wondered what makes the ARP 2500 so special, and why it remains one of the most sought-after synthesizers more than 50 years later, this is a close-up look at the instrument from the inside out."

How to Turn Serum into Vintage Classics

video upload by Starsky Carr

Also see He Put 6 Classic Synths Inside the MiniFreak

"Max 4 Live - turning Serum 2 into a vintage synth chameleon. Let’s turn it into a Jupiter-8, Prophet-5, Oberheim OB-X, Juno and Korg DW-8000—with hardware-sampled wavetables and classic synth controls inside Ableton Live.

The trick is working within the original synth’s limits. Match its oscillators, filters, envelopes and modulation options, and you start programming differently. Add unison detune and a little vintage character, and things get wonderfully wonky.

🎹 GET THE DEVICES, PRESETS & FREE SYNTH ARCHITECTURE GUIDES
https://www.starskycarr.com/patches
In this video I demonstrate my Classic Synth Mode Max 4 Live devices for Serum 2:
• YOU-NO-6 — Juno-inspired PWM, sub oscillator and chorus
• THEPRO-5 — Prophet-5-inspired Poly-Mod, oscillator sync and classic analogue tones
• SUPITER-8 — Jupiter-8-inspired strings, brass, cross modulation and unison
• OB-WAN — Oberheim OB-X-inspired basses and big filter sweeps
• DIGI-8K — Korg DW-8000-inspired digital waveforms, six-stage envelopes, delay and arpeggiator

You’ll hear how the controls interact with Serum, how vintage mode adds variation, and why recreating a synth’s architecture matters as much as capturing its waveforms.

These are my take on the classic instruments’ sound and workflow, with Serum 2 providing the sound engine. The free architecture guides are also useful for trying these ideas on your own synths."

Instruō - ceithir overview

video upload by Instruō

• Quad stereo mixing VCA Morphable filter modes
• Stereo enhancement
• Internal LFO modulation
• Optimised Oscillator mode
• Pingable resonance
• Multiple limiter types

The culmination of years of filter experimentation at Instruō, ceithir is a quad state-variable filter and resonator system that expands upon the sonic architecture first introduced in the I-ō47. Each of its four analogue filter cores can operate independently as a traditional state-variable filter, a resonant sine waveform oscillator, or a precision pitch-trackable resonator, offering low pass, band pass, high pass, notch, and morphable responses alongside extensive CV control. Integrated waveshaping and soft-limiting circuits allow ceithir to move effortlessly from subtle harmonic enhancement to aggressive resonant saturation, while dedicated strike inputs transform each filter into a playable percussive voice.

Far beyond a conventional filter bank, ceithir is designed as an animated stereo sound environment. Advanced Morph and Width controls generate immersive spatial movement through phase manipulation by all-pass filtering, while four internally routed trianglewave LFOs create evolving modulation networks capable of continuously reshaping frequency, resonance, stereo enhancement, and timbre. With parameter linking, global frequency control, and integrated master stereo routing options, ceithir delivers the unmistakably musical character of Instruō filters on an entirely new scale."

CLICK FOR MORE »

Introducing DMNO ON — Desktop Synthesizer

video upload by UDO Audio

"DMNO ON is the full-featured 8-voice, 2-part multi-timbral DMNO synthesizer in a compact desktop format. Built around two independent analog-hybrid synth engines, it retains DMNO’s highly flexible signal architecture, with each engine featuring our new Dynamic Multi-Core Stereo VCF. Eight creative Play Modes unlock dynamic interactions between the two timbres at the touch of a single control, while its flexible analog and digital audio connectivity make it a truly expansive and immediate sound design sandbox.

The ON System allows players to add an optional synth control unit to recreate the dual-panel DMNO interface, or choose from a range of expansion modules to extend it further and build their perfect DMNO. Play ON!

Soundtrack by ‪@hazelmillsmusic‬"

The New UDO DMNO ON! Desktop DMNO - with George Hearn

video upload by sonicstate

"‪@udo_audio‬ has introduced the UDO DMNO ON, a desktop version of its DMNO synthesizer that keeps the full voice count, the hybrid engine and the multi-timbral architecture while doing away with the keyboard. It is not a cut-down instrument: this is a complete 8-voice, 2-part multi-timbral DMNO in a box measuring 487 x 220 x 107mm and weighing 4.5kg, built around the same two independent analog-hybrid synth engines and retaining the flexible signal architecture of the original.

For anyone who liked the sound of DMNO but did not want another keyboard in the room, this could be for you.

DMNO ONE has the same voice architecture as the keyboard."


DMNO ON is the full-featured 8-voice, 2-part multi-timbral DMNO synthesizer in a compact desktop format. Built around two independent analog-hybrid synth engines, it retains DMNO’s highly flexible signal architecture, with each engine featuring our new Dynamic Multi-Core Stereo VCF. Eight creative Play Modes unlock dynamic interactions between the two timbres at the touch of a single control, while its flexible analog and digital audio connectivity make it a truly expansive and immediate sound design sandbox.

CLICK FOR MORE »

Cherry Audio Introduces Pentaphonic Synthesizer based on the Gleeman Pentaphonic

video uploads by

Playlist:

1. Cherry Audio | Introduction to Pentaphonic with Mike Martin
2. Cherry Audio | Translucent Presets for Pentaphonic Synthesizer
3. Cherry Audio | "Pentaphonic Cruise" by Steve Peglar

"Cherry Audio's Pentaphonic synthesizer revives the ultra-rare polyphonic hybrid synthesizer originally developed by Gleeman Instruments in 1981. With fewer than 70 units ever produced, this synthesizer is legendary for its rich tone, distinctive design, and pioneering sequencing capabilities. This emulation faithfully reproduces the lush sound of its digitally controlled oscillator (DCO) and analog-filter architecture while capturing the visual essence of the synthesizer "made to be seen, not just heard."

https://cherryaudio.com/products/pent... Cherry Audio has taken its capabilities to new heights with expanded polyphony, expressive performance, polyphonic and parameter sequencing, and a library of studio-quality effects. Our visual makeover offers a choice of stunning designs inspired by the various looks it sported during its brief existence."

Cherry Audio Pentaphonic: A rare synthesizer masterpiece reborn

video upload by CatSynth TV

"CatSynth presents a deep dive into the new Pentaphonic from our friends at Cherry Audio. This is a recreation of the extremely rare Gleeman Pentaphonic synthesizer, complete with its unique look featuring crystaline transparent knobs and a translucent body. The Pentaphonic was an analog polyphonic synth with a few twists, including three digital oscillators with microcontroller-generated waveforms that were fed into an analog Steiner Parker filter. We explore the emulation of these unique features as well as Cherry Audio's enhancements for modulation, effects, and motion. We also check out a few of the factory and expansion-pack presets.

00:00 Introduction
00:25 History of the Gleeman Pentaphonic
01:10 UI Overview
02:06 Oscillators
07:52 Filter
13:15 Amplifier
15:19 Voice modes
16:57 Effects
19:54 Arpeggiator
22:30 Sequencer
26:38 Factory Presets
30:03 Translucent (James Dyson) expansion pack presets
33:17 Andrew Longhurst pack presets
35:50 Conclusion"
Patreon: / catsynth | https://shop.catsynth.com | https://ko-fi.com/catsynth




Press release follows:

"Made to Be Seen, Not Just Heard." Pentaphonic resurrects one of the rarest synthesizers ever made: the 1981 Gleeman Pentaphonic.

Cherry Audio is proud to announce the release of Pentaphonic, an innovative virtual instrument that resurrects one of the rarest synthesizers ever made: the Gleeman Pentaphonic. With fewer than 70 units of the original hardware ever produced, this software version is a compelling opportunity for vintage synth enthusiasts and music producers of all genres.

CLICK FOR MORE »

Sennheiser Vocoder VSM-201

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

This one was spotted and sent in via
M Me.

Listing details:

"The legendary Sennheiser VSM 201, one of the rarest and most important analog vocoders ever produced.

Developed by Fritz Sennheiser and introduced in 1978, the VSM 201 is a professional 20-band vocoder renowned for its exceptional intelligibility, sound quality, and flexibility. It has become one of the most iconic vocoders in electronic music history and has been used by artists including Kraftwerk, Herbie Hancock, Neil Young, Jean-Michel Jarre, and Daft Punk.

Features include:

CLICK FOR MORE »

PLICATA — Patchable AUv3 Synth for iOS | Hands-On Demo

video upload by Utente Google Anonimo

"A hands-on demo of PLICATA, my first instrument in the Trambustissimo family.

PLICATA is a compact patchable monophonic synth for iOS, available as a standalone instrument and AUv3. It combines a morphing VCO, independent interval SUB oscillator, wavefolder, resonant filter, modulation, a 28-point patch system, microtonal XY keyboard, MIDI/MPE, complete-state presets, and a 32-step performance arpeggiator with probability, ratchets, HOLD/FILL, mutation, freeze and recallable scenes.

Trambustissimo instruments: https://alessandroguardascione.com/products/

Support:
support@alessandroguardascione.com

PLICATA is the first of six independently developed Trambustissimo instruments inspired by classic Moog instruments and workflows. The wider project also includes TACTA, a six-voice percussion instrument inspired by the Nord Drum 2's six-channel architecture and expanded around deeper synthesis, sequencing and performance.

These are independent instruments developed by Alessandro Guardascione. References to Moog and Nord products are descriptive only; there is no affiliation, endorsement, sponsorship or licensing relationship with those companies."

AnalogFX Announces Availability of Limited-Run LARYNX

AnalogFX's LARYNX has arrived. You might remember the announcment post, and SUPERBOOTH demos here, and here. You can find additional AnalogFX posts here. And of course AnalogFX's official website here.

Press release follows:

AnalogFX announces availability of limited-run LARYNX, an expressive analogue formant synthesizer inspired by the seldom-seen Synton Syrinx

DEVENTER, THE NETHERLANDS: AnalogFX, a Dutch synthesizer manufacturer dedicated to creating expressive electronic instruments for musicians, producers, sound designers, and synthesizer enthusiasts, is pleased to announce availability of LARYNX — proudly presented as a performance-focused analogue synthesizer that combines the vocal character of classic formant synthesis with modern expressive control, Eurorack integration, hands-on playability, and an affectionate analogue nod towards a rare, highly-coveted 1982-vintage monophonic synthesizer built by fellow (defunct) Dutch company Synton — with its first production run limited to 50 units, as of October 1…

By being built upon the proven architecture of AnalogFX’s acclaimed SER-2020, its compact desktop synthesizer inspired by the rare Synton Syrinx, LARYNX evolves that concept into a performance-focused keyboard instrument. Thanks to its premium 37-key aftertouch keyboard, extensive real-time modulation capabilities, and unique triple-filter formant architecture, LARYNX duly delivers an organic and highly-expressive playing experience.

Ultimately — unlike many modern synthesizers that rely on presets and menu-driven workflows, LARYNX puts sound shaping directly under a musician’s fingertips. From subtle pressure-sensitive modulation to aggressive vocal-like filter sweeps, every aspect of the instrument in question has been designed to create a direct connection between performer and sound.

Beating beautifully at the heart of LARYNX’s performance-focused sound are two CEM3340-based voltage-controlled oscillators — VCO 1 and VCO 2; a sub oscillator — SUB 1; a ring modulator — RM; a NOISE generator; and a unique triple CEM3350-based filter architecture — PEAK 1, PEAK 2, and LPF (Low Pass Filter). All combine to enable a wide sonic range — from deep analogue basses and cutting leads to evolving textures and speech-like timbres rarely found in traditional subtractive synthesizers.

Above and beyond that, this latest evolution of the SER-2020 platform introduces Formant MODE, making 16 preprogrammed human voice formants immediately available. As such, musicians can quickly create vocal-inspired sounds, animated basses, and expressive textures — and all without requiring complex programming. It is appropriate to note here that LARYNX also features a digital five-voice oscillator Chord MODE, although analogue monophonic and duophonic operation is always possible.

Placing expression at the core of its design, LARYNX’s 37-key velocity-sensitive keyboard with channel aftertouch is paired with AnalogFX’s Touch’n’Bend controller, allowing performers to shape sound naturally. Needless to say, LARYNX has additional performance features up its sleeve, so to speak, including extensive realtime modulation throughout its VCO, VCF, and VCA architecture; MPE (MIDI Polyphonic Expression) support; a built-in arpeggiator (ARP); a 16-step pattern sequencer (SEQ) — designed for both studio and live use, permitting performers to store patterns and instantly recall variations during a performance; 16 pattern memories; eight scenes, with 16 slots each; and stereo delay effect — DELAY L and DELAY R.

Ready for the modular world, LARYNX is designed to seamlessly integrate into modern electronic music setups with multiple front panel-positioned CV (control voltage) inputs and outputs providing extensive Eurorack connectivity, while flexible routing options allow the synthesizer to function both as a powerful standalone instrument and an expressive modular voice. Arriving at the rear panel, further connectivity conveniently comprises MIDI IN/OUT — standard MIDI DIN-5; USB MIDI — standard USB type B; EXPRESSION/SUSTAIN/HOLD pedal input; stereo line OUTPUT; and HEADPHONE output.

On the face of it, then, LARYNX lives up to its Inspired by a Rare Voice and A voice you can play tag lines with the greatest of ease. Enter AnalogFX Founder and Lead Developer Marc Stroobach, someone suitably qualified to end promotional proceedings on a high note: “With LARYNX, we wanted to create an instrument that feels alive under your hands. It’s inspired by some of the most expressive synthesizers ever made, but designed for today’s musicians who want immediate control, deep sound shaping, and a genuine connection between performance and sound. Every AnalogFX instrument starts from a passion for music and a belief that synthesizers should inspire creativity, not get in the way of it.”

Being built in limited batches in The Netherlands, the first production run of LARYNX — limited to 50 units — is now available for purchase directly from AnalogFX’s online Shop (https://www.analogfx.com/shop/) and select specialist retailers worldwide (https://www.analogfx.com/about/where-to-buy/) at a SRP (Suggested Retail Price) of €1,249.00 EUR (inc. 19% VAT).

For more in-depth information, please visit the dedicated LARYNX webpage here: https://www.analogfx.com/products/larynx/

The Usual Suspects Blue Giant – Novation Supernova II Emulation

video upload by Autodafe

"A quick NO TALKING sound demo of Blue Giant by The Usual Suspects, the new simulator of the legendary Novation Supernova II.

Blue Giant recreates the original hardware using DSP56300-series DSP emulation and the original Novation ROM. Like the Supernova II, it offers an 8-part multitimbral architecture, up to 24 voices, three oscillators per voice, multimode filters, extensive modulation, arpeggiators and the original multi-effects system.

In this video I’m simply browsing through a selection of sounds and presets — no talking, just Blue Giant in action.

More info about Blue Giant / The Usual Suspects: https://theusualsuspects.io/

The Supernova II was one of the iconic virtual-analog synths of the early 2000s, and Blue Giant finally brings its distinctive sound into the DAW."

Dub Techno Patches for Circuit Tracks - 18 Ready Projects

video upload by Isotonik Studios

"Dub Techno Novation Circuit Tracks Sound Pack by A Force Truly Evil puts 120 meticulously designed patches and 18 fully programmed projects straight into your Circuit Tracks, ready to pull apart and make your own. Hear the chords bloom through delay and reverb, feel the sub bass settle deep in the low end, and watch stripped-back sequences grow into wide, immersive soundscapes without ever leaving the instrument.

GET DUB TECHNO NOVATION CIRCUIT TRACKS SOUND PACK BY A FORCE TRULY EVIL
https://isotonikstudios.com/product/d...

EXPLORE MORE A FORCE TRULY EVIL PRODUCTS
https://isotonikstudios.com/brand/a-f...

Your download contains 120 patches built around the core grammar of Dub Techno: space, repetition, and subtle movement. The 56 Dub Chord patches span soft, warm atmospheric textures all the way to darker, mechanical stabs designed for driving club rhythms, because that range is exactly what keeps a Dub Techno set breathing across a full night.

CLICK FOR MORE »

Free Roland D-110 Editor Librarian | Web MIDI Patch Manager

video upload by Ian Dixon

"A hands-on walkthrough of my free Roland D-110 Editor Librarian, a browser-based Web MIDI tool I developed to make the D-110 much easier to manage and edit from a modern computer.
https://thedigitallifestyle.com/w/TDL...

In the video I show how the editor reads the D-110's tones, patches, rhythm setup and system settings, then saves everything into a reusable library. I also go through tone editing, partial mute/solo style workflow, PCM sample selection, synthesis partials, envelopes, filters, patch editing, multi-timbral setups, SysEx import and why the D-110 can be more flexible than a D-50 when you want layered parts and MIDI-channel based arrangements.

The editor runs locally in the browser, uses Web MIDI, and does not send your synth data to the cloud. It is part of my free editor/librarian tools for bringing classic synths back into a modern workflow.

Timestamps
00:00 Why I am building modern editors for vintage synths
00:47 Introducing the free Roland D-110 editor
01:17 Web MIDI setup and reading tones
01:48 Reading patches, rhythm and system settings
02:23 Saving and reopening a master library
02:47 Loading presets and sending sounds to the buffer
03:14 D-110 architecture, partials and PCM/synthesis structures
04:17 Editing PCM samples and synthesis partials
05:09 Filters, envelopes and shaping the sound
06:16 Saving edited tones back to the synth
06:39 Editing multi-timbral patches and MIDI channels
07:39 Layering D-110 sounds in a way the D-50 cannot
08:25 Why editing from the front panel is fiddly
09:21 Importing SysEx and expanding the library
10:06 Managing patches, running locally and wrap-up"

Waldorf Wave (48 voice) Emulation in Software

video upload by Dave Whiting

"This video showcases my software recreation of the legendary Waldorf Wave—a hybrid wavetable synthesizer known for its huge digital oscillators, analogue filters and unusually complex hardware architecture.

The project is built in C++ using JUCE and is available as a standalone instrument and plug-in. Rather than simply making a modern synth that sounds similar, I’ve tried to reproduce the structure and behaviour of the original machine.

The emulation models:

• The Wave’s 250 kHz, 8-bit time-multiplexed wavetable oscillator system
• Signed mixer overflow—including the characteristic Waldorf “ASIC Mix Bug”
• Digital 12 dB high-pass filtering
• CEM3387-style reconstruction filtering, resonant four-pole low-pass filtering, VCAs and panning
• 12-bit stepped control voltages, sample-and-hold behaviour, saturation, noise and output coupling
• Three independent 16-voice WDV boards, matching a fully expanded 48-voice Wave
• The original 480 × 64 monochrome LCD and front-panel workflow

The instrument can also run authenticated Waldorf Wave OS 1.700 firmware. An emulated 68000 CPU executes the original main operating system, while a second runtime executes the genuine WDV voice-board program. Their shared-memory communication, voice-update masks, semaphores and hardware-register writes are reproduced and traced inside the model.

The oscillator ASIC itself remains undocumented, so its internal operation is represented by a behavioural model based on the Wave’s published architecture, firmware activity and known hardware characteristics. This is therefore an ongoing reverse-engineering and preservation project—not a claim of perfect, bit-exact emulation.

Waldorf and Wave are trademarks of their respective owner. This independent project is not affiliated with or endorsed by Waldorf Music.

#WaldorfWave #WavetableSynth #Synthesizer #AudioPlugin #MusicTechnology #ReverseEngineering #JUCE #VintageSynth"

Explore the project and source code on GitHub: https://github.com/mo0kid/wave

Drone | Serge La Bestia 3, Siegfried & Medusa

video upload by Akihiko Matsumoto

"Reverb: AethelVerb https://akihikomatsumoto.sellfy.store...
A deep bloom reverb for building large, smooth, slowly expanding ambient spaces.

Serge Modular Synth (Sample Pack) https://akihikomatsumoto.sellfy.store...
This collection documents a complete system built by Random Source, based on the architecture of the Serge Modular Synthesizer. It is not a stylistic imitation. It is a direct capture of a signal philosophy that has shaped experimental electronic music for decades."

Technos Acxel VST3 from DenverSynthLabs

video upload by manmade madman

"I always lusted after a Technos Acxel from 1984, but they didn't really exist. There were only about 4 ever made and those barely made it into public view. But there were pictures of them, and I had my imagination. So, 30 years later, I made it myself, and then I made it better.

Now available at: store.denversynth.com"

"AXCEL

Every partial, hand-drawn.
Modeled after the Technos Acxel — a Quebec-built additive synthesizer from 1986-1992, with somewhere between 30 and 40 units ever made. Two engine slots share one wave bank, one Grapher, and one mod bus: Slot A is the Acxel's additive and sinusoidal resynthesis engine, Slot B is a wavetable machine, and you can run either or both at once.

AXCEL plugin GUI

- Acxel-accurate additive engine: up to 32 partials per voice, each independently addressable on the Grapher for amplitude, phase, and detune

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