"A 3-cabinet authentic, period correct all RA Moog modules system that dates from 1968.
This instrument forms a part of the RL Music Vintage Synthesizer Collection. We have managed to keep some of the very best examples of Vintage Synthesizers that have come through our business over the last 22 years which we kept for our pleasure and interest. Whilst having a privileged position as a specialist dealer in this genre of equipment, we managed to hang on to particular instruments that were interesting and inspiring. The RA Moog Modular IIIC is one of 40 instruments we have, but is the oldest and most historically important.
"What if your synth reshaped reality?
Alice-9 is the next-generation sample-based synthesizer forged from the chaos of the unknown and built for creators who refuse to follow.
Powered by SCO technology, and infused with analog soul, AL9 isn’t here to emulate.
It’s here to change the rules.
đ Real movement, deep stereo placement, aging imperfection, and punchy compression.
đ¶ Every preset is a twist. Every sound a move. Every session, your next breakthrough.
This isn’t just another synth.
This is the edge of synthesis.
Choose your sound. Be the one who rewrite the rules.
Alice-9 (AL9) is a next-generation sample-based synthesizer in the digital domain, part of the Marea virtual instrument series, and powered by the innovative MUST (Modular Unified Synthesis Technology). Early testers have described it as an instrument with a deeply organic and varied sound palette — evocative of iconic synthesizers from the 1990s and early 2000s. AL9 redefines what a sample-based synth can be, merging analog realism, playable feel, and modern digital power into a single instrument. Available in VST3, AU, and AAX formats, ensuring integration with all major DAWs. Use code: ALICESPECIAL at checkout for 41% off until August 31, 2025!
The first users compared AL9 to walking into a music store in the 1990s, hearing a synth that delivers something new and inspiring with each preset. That rare sensation of immediacy, depth, and musicality — the feeling of a “real instrument” — is the essence of AL9.
Made to Inspire The architecture of AL9 goes far beyond sample playback or wavetable synthesis. Its sound engine is built around SCO (Sample-Controlled Oscillator), a high-resolution resampling system capable of reproducing natural analog behaviors such as frequency drift and evolving dynamics. Unlike typical static samplers or rigid waveforms, AL9’s oscillators breathe and shift like their analog ancestors.
This realism is further enhanced by the proprietary Superstereo system for natural stereo placement , the Age control that adds subtle imperfections, emulating the warmth of aged hardware and Integrated multiband dynamics processor inspired by the popular OTT compression paradigm, delivering musical glue and energetic punch.
Whether you're chasing nostalgia or forging new paths in sound design, AL9 provides an inspiring playground that rewards musicianship and creativity.
Beyond Emulation The idea for THING originated during the development of Thing (TH8 – TH5) — an emulation of a classic 1980s DCO synth. During that process, a question arose: what if, instead of replicating digital waveforms, we could capture and reproduce the actual behavior of an analog VCO? What if we could push timbral diversity beyond the limitations of traditional synthesis methods?
"Here we have the TREPANATOR from ZLOB, which is an experimental "bent by design" synth voice. It's inspired by Rob Hordijk's Benjolin and ZLOB remaking similar ideas with their own modules and circuits. There's two oscillators, a multimode filter, many feedback points, oscillating 3 band EQ and more in this highly interactive and wide ranging abstract voice and instrument.
Like the Benjolin that inspires it, the Trepanator excels and abstract, organic and interactive self influencing textures, sounds and rhythmic ever evolving loops. In this video there's mud burping, swamps in space caves, aquatic bubbles, harsh noise, unique techno percussion and FX and plenty more.
"The Trepanator is a 14hp analog “Bent by Design” experimental instrument featuring a Dual VCO, Difference Rectifier, 3-band EQ, Sample/Track and Hold, and SVF(state variable filter) all built into one nonlinear module. Its origins trace back to a love for Rob Hordijk’s Benjolin and patching a similar pseudo chaotic feedback-based instrument from scratch using all Zlob modules.
Although not based on Hordijk’s circuit or signal flow, it uses a similar architecture of dual voltage controlled oscillators, an “interference pattern generator,” a state variable filter, and internalized cross-patched feedback. Instead of a Rungler and comparator the Trepanator uses a sample/track and hold with slew, a difference/rectifier circuit(based on NLC), and a self-oscillating 3-band EQ. Utilizing this excessive feedback between the VCO’s, EQ, S/H, and SVF, creates a completely new instrument for discovering abstract electronic sounds. The Trepanator is a highly interactive, unpredictable, and an immediate instrument capable of a huge range of organic and sounds from: snarling, plucking, bubbling, screaming, gurgling, hissing, grunting, pinging, and quacking, to machine like rhythmic loops, circuit bent broken modem sounds, no-input mixer screeching, intermittent short wave radio fizzling, and full on Harsh Noise Wall all within the touch of a fader or a small knob turn without any external audio or any control voltage in."
Now you have an access to 110 exclusive sequences - 100 PBM, root C
directly from our soundset 'Are You Sequenced?' for Evolver.
Hi quality 24/44 samples (570 mb) in root 'C' in different octaves to transpose to any note you want.
Fields of using:
*You can use this sounds directly in your tracks
*Put in Sampler – Kontakt, Ableton, Cubase
Attention: due Evolver architecture - BPM clock is not stable, its floating, so if you want to use samples in the rhythmic tracks - take first 4 BARS from every sample - they are perfectly synced.
Note: this pack contains only SAMPLES, not PRESETS for mentioned synthesizers!
Touch the Treassure with our 'Modern Sampler' Series!
Enjoy!"
"This video focuses on the sound and functions of the VST plug-in 'SQ8L' (developed by Siegfried Kullmann), which faithfully reproduces the sound source architecture of the hybrid digital synthesizer 'Ensoniq SQ-80' that was released in 1987, and examines it from various angles, from preset playback to sound creation.
The SQ-80 is known for its unique sound character that combines lo-fi digital waveforms (8-bit single-cycle waveforms) with analog CEM filters, and has been used in a variety of genres such as synthwave, industrial, and film music. "SQ8L" reproduces this digital waveform ROM, envelope, LFO, and multi-timbral functions with high precision, allowing you to re-experience the charm of the old SQ series in a modern DAW environment.
This demo uses PlayOnLinux on WattOS, a lightweight Linux distribution, to wrap Windows VST plug-ins with MiniHost Modular and run them. It also works stably under Wine, and is a useful example of VST operation in a Linux environment.
Experience the charm of an 80's hybrid synth, where the roughness of digital and the warmth of analog intersect."
Click the auction link on top when you get there for additional listings.
VEMIA is Peter Forrest's auction house. He is the author of The A-Z of Analogue Synthesizer Books.
"Rare Oberheim OB-1 from circa 1977. serial nr: 0523. In extremely good condition / close to mint. Fully working. Keyboard is newly re-bushed and plays like new. Has the Tauntek memory board installed, which expands patch memory to 64 editable programs in 8 banks of 8, (A huge improvement from the original 8 non-editable). -- An incredibly good and fat sounding monosynth with similar voice architecture to the OB-X but with extra features/ *Dual Sub-Oscillators. *Continuously-variable waveforms (can be modulated by Envelope or LFO). *Osc Sync (modulated by Envelope or LFO). *2pole & 4pole Switchable filter. -- European/UK voltage. Will be packed well for shipping. ---- Hi-res photos here."
"Hello everyone,
We’re excited to announce the release of the new *Auratie_v2.1.0 Firmware**. You can now visit our official website at **gmxe.org* to download and install it. The update includes detailed release notes, and we’ve also uploaded the original firmware for reference.
This new firmware features a restructured architecture and introduces many new functions and improvements."
"I recently learnt that AJH Synth were celebrating 10 years since the release of their first modules with the MiniMod Eurorack range. Back then I was immediately taken by the quality of sound, vintage tone and open modular architecture capable of taking things way beyond the classic Moog MiniMoog Model D sound. I've got to know Allan over this past decade and we've worked together loads on modules that utterly nail that lush vintage analogue sound and also modern forward thinking new ideas ... so I jumped at the idea of making a celebration video!"
Click the auction link on top when you get there for additional listings.
VEMIA is Peter Forrest's auction house. He is the author of The A-Z of Analogue Synthesizer Books.
"A GX1 is an iconic instrument in any condition, but this one has had the benefit of Colin (Sequentix) Fraser's close attentions over many years. It was bought by Richard James [Aphex Twin] at VEMIA many years ago from Mickie Most's studio. It spent some years in his studio, until it was transported to Colin and eventually to his studio in Berlin, with the principal aim of getting it 100% working again and installing MIDI.
It is complete, with the main console, bench, pedals, two massive speakers, two programmers, and all cabling.
Working order: after some painstaking work at the Sequentix studio it is in full working order as envisaged by Yamaha all those years ago. The two original programmers attach to the Tone Board (patch CV controller) for the Solo keyboard. That board connects on an internal loop to the other manuals, so the programmers can be assigned to any manual for patch editing.
Under the surface there has been an incredible amount of work from Colin: he is in the process of producing a preliminary brochure for his MIDI retrofit, which makes fascinating reading and shows the depth of his exploration of the GX1's architecture - and his huge ability to problem-solve and create new possibilities as well. This brochure would of course be included with the GX1, along with all other literature available. It can also be emailed to prospective buyers on request via Peter Forrest.
At present the polyphonic manuals have full MIDI control. The Solo and Pedal manuals have external CV input Colin has been driving from Cirklon CV outputs. The Rhythm machine has external trigger inputs added, and they are being controlled by a Cirklon D-mux drum trigger module.
Extras: there are a lot of further permutations that could be arranged direct with Colin after the auction. This would depend on the new owner's wishes. For instance one person might want the GX1 as original as possible, and another might want bells and whistles - Colin has designed and prototyped a programmer for the extended sound capabilities he has envisaged, and if required, could extend the MIDI capabilities to the bass pedals.
Cosmetic condition: please see the photos. It is generally in gorgeous condition. The louvred flap on top of the keyboard seems to have some paint damage on the two inner sections, but that looks simple to remove to respray if necessary.
Transport: this is not as daunting as you might imagine. Colin has devised an excellent system for moving it, so that either transporting it by road or crating it for air or sea shipment will be well practicable and safe.
Extras: if the new owner is tempted by Colin's possible add-ons, such as his improved additional Sequentix GX1 Programmer, MIDI bass pedals, or other add-ons, these would be negotiated separately directly with him after the main auction payment."
"Here's me going through all the screens and controls of #Yamaha's #AN-X synth engine (found in the Montage M #synthesizer keyboard). So if you found yourself asking "can I fold that slightly beveled saw wave there?" recently, you will find answers here. Table of contents:
00:00 intended audience for this video 00:47 user interface basics 01:43 create a new patch 02:16 AN-X architecture 02:42 basic wave forms 03:12 wave shaping 04:09 fm and ring modulation 04:56 pulse width modulation (pwm) 05:31 oscillator sync 06:17 noise 06:47 wave folding 08:25 filters 10:12 filter envelope, lfo, drive, velocity 11:39 amplitude envelopes, lfo and panning 12:30 global effects send 12:57 pitch envelope and lfo, portamento 14:30 modulator modulation 15:03 per-voice effects 15:50 global effects 16:41 per-voice equalizer 17:04 motion sequencer 18:58 polyphonic aftertouch (poly at) 20:24 oscillator drift, aging and spreading 22:01 my thoughts on the AN-X engine 23:22 some favourite sounds (23:53, 24:24, 24:55, 25:26, 25:45, 26:22, 26:53, 27:22, 27:53, 28:17) 28:48 do the youtube thing!
Click the auction link on top when you get there for additional listings.
VEMIA is Peter Forrest's auction house. He is the author of The A-Z of Analogue Synthesizer Books.
Pic of the inside below.
"Vintage Sequential Circuits Prophet 10 Dual Manual Keyboard Synthesizer with Flight Case This Prophet 10 is in very good condition, and is fully functional, although the Braemer tape drive has not been tested. Has factory MIDI and sequencer, and the original blue Prophet-10 flight case on wheels. This may be one of the last Prophet-10s made, as the S/N is 0444. It's big and heavy!! Includes power cord, electronic copies of the operation manual and service information, and one original Sequential footswitch. The flight case foam is serviceable, but could use replacement. The synth is wrapped in plastic within the flight case. Full pictures are here [captured below]. By far the most prevalent of the original Prophet 10 models, the Prophet 10 Rev3 was a better built version than the previous 2 iterations for more consistent and reliable performance. It used Curtis Electronics Manufacturing chips, and featured 2 VCOs per voice, a low pass resonant filter with ADSR, LFO, & cv/gate controls. This rarely seen monster analog synth is by far one of the fattest and nicest vintage synthesizers.
"The Novation K-station synthesizer, a descendant of the legendary Supernova, is renowned for its distinctive late 90s techno trance sound. But it would be wrong to limit it to this use only. Thanks to its advanced sound architecture with its three oscillators, the FM, the Ring modulator, and its precise 12-24 dB filter (nicknamed "Liquid filter"), it is capable of exploring the sonic worlds of legendary analog and digital machines with a very convincing result.
This library contains 100 new sounds for the Novation K-station synthesizer.
It covers a wide range of sound styles:
Arpeggios
Synthesizer basses
Large pads
Classic polyphonic sounds from the 70s & 80s
Special effects
Here is the 'Swiss Army Knife No. 1' library that will transform your little K-station.
"1st test of the new version of the SynthR10 : A performance combining left-hand arpeggiator (mode created) and right-hand polysynths, with aftertouch (monophonic with this keyboard). The effects are internal, made by Yves Usson.
"For this final demo, I'm using only the SynthR10 in two live sessions:
1 - Left-hand sequencer / / Right-hand melodies and effects
2 - Xpad polyphonic pad accompagment.
All reverb and delay effects are internal.
"The Analogue Solutions TC5000 reimagines the essence of classic synthesiser design, merging timeless analogue principles with contemporary innovation. Its modular architecture provides unparalleled flexibility, allowing you to sculpt sound with precision while exploring limitless sonic possibilities. Crafted for those who appreciate both artistic expression and technical mastery, the TC5000 is a modern evolution of the analogue synthesiser, connecting the rich history of synthesis with future-facing sound design.
Key Features:
-Modular design offering limitless routing options for sound exploration.
-Customisable configurations, allowing for tailored setups to suit your creative needs.
-Dual full-width patch matrices for seamless modulation connections.
-Multiple oscillators and filters, including CEM and SEM-style, for rich and dynamic sound creation.
-Dual spring reverbs for lush, immersive soundscapes.
-Innovative sequencer controls with parallel and chained operation for complex, evolving sequences.
-Extensive CV control for flexible integration with other modular systems."
"You're looking at the majestic Oberheim OB-Mx, with four voice cards, meaning eight voices of polyphony. OS 2.00. Works without problems. I will add another full OB-Mx without voice cards in the sale, which you can use for spare parts or to split the four voice cards into, so you have two full synthesizers. Yes, you read that right, there are TWO OB-Mx synthesizers included in the sale. The second unit runs OS 1.00. I will add several spare 2.00 ROMs as well.
The Oberheim OB-Mx is a rare and powerful analog synthesizer module released in the mid-1990s under the Oberheim name, though designed and produced by Gibson after acquiring the brand. Engineered to compete with classic vintage synths, the OB-Mx offers a modular voice architecture inspired by the Oberheim OB-series and Moog’s legacy. It features up to 12 voices, with each voice card containing dual multi-mode filters capable of emulating both Oberheim and Moog filter designs, making it highly flexible for sound design.
Its rich and authentic analog tone, deep modulation capabilities, and rarity have made it a coveted piece among synth collectors and sound designers looking for a unique blend of classic Oberheim warmth and Moog-style punch.
The architecture of the Oberheim OB-Mx was designed by Don Buchla, the legendary synth pioneer best known for his work on modular synthesizers and alternative synthesis approaches. While the OB-Mx was produced under the Oberheim brand, Buchla’s involvement brought a distinct modular and experimental edge to its design. His influence is evident in the flexible voice architecture, extensive modulation capabilities, and the combination of Oberheim and Moog-style filters, making the OB-Mx a unique hybrid of classic analog warmth and modular flexibility.
It's hard to find an equal in terms of analog sound and modular flexibility, so in many ways it's in the very top echelon of synth design."
Enzo X is a supernova expansion from the original Enzo into the highest quality and most flexible polyphonic synthesizer ever created in a pedal format (with no pickup installation required). All of our passion for pro audio has made it into both the algorithms and hardware performance of this pedal. Enzo X combines 5 synth modes and incorporates those into a modular system UI/architecture from both award winning LVX and MercuryX pedals. Including: 6 polyphonic voices (each voice includes a set of 2 oscillators, filter, filter envelope, amplifier envelope) + 3 reverbs are adapted from Mercury X (Prism algorithm) + 5 Drives (including Bitcrush) + full stereo 2.5 second Delay + 5 modulation types. To make this complex system immediately intuitive to navigate, we again leveraged the simple and easy to use UI first developed for LVX. Exploring the factory presets (and pressing the HOLD MODIFIER) will be your gateway into experiencing the power and flexibility within this instrument. As you discover all of the new ways to create with Enzo X, your own sonic visions will be unveiled.
"Demo, tutorial, walkthrough and review of the brand new Meris Enzo X synthesizer guitar pedal. The EnzoX builds off of the LVX and MercuryX workflow and top sound quality, but aims to be the most powerful synthesizer guitar pedal ever made. With midi playability, a full mod matrix and arpeggiator, and great effects, this is one powerful pedal!"
0:00 - intro jam, what is EnzoX?
2:48 - original demo song
4:37 - how I used the pedal
6:23 - can it Blade Runner?
7:29 - pedal UI walkthrough
9:17 - oscillator and voice mode section
13:28 - filter and envelope section
18:06 - drive, ambience and modulation fx
26:49 - mod matrix, aftertouch and other settings
30:26 - final verdict & who this pedal made for
34:07 - outro jam
The Pedal That Turns Your Instrument into a Synthesizer | Meris Enzo X
