00:00 Overview and patch demos 12:10 System Architecture 15:30 New Oscillator updates 19:42 Filters improvements, types, cascading 25:20 Sequencer modulation
'The Moog One was released in 2018 to much fanfare and high expectations. By all accounts, it was the greatest analog polysynth ever made; 16 voices, 3 oscillators, dual filters, knob-per-function, and Eventide effects. On paper at least, it was unbelievable. In person, it was astounding to play. Sounds were unlike anything ever made, and it lived up to the hype. But there were problems underneath. The volume knob was an unfamiliar taper. The filters didn't really drive much. There was very little distortion because of so much headroom in the mixer. The effects were underwhelming. And the fan noise to cool all that analog circuitry was loud and omnipresent. I know all this, because I beta tested it for over a year. All told, I entered 119 bugs and feature requests. To Moog's credit, they fixed about 89 of them.
When we set out to make this the ultimate homage version, we wanted everything possible, including improvements. But that wasn't enough; it had to play my original patches, offer all the improvements we could think of, and sound exactly like the original, but better.
TL;DR: it does.
The oscillators now include all the familiar analog shapes-- with sharpening, digital wavetables (including your own if you're bold enough), drawable shapes, and much more. The filters include the originals, modelled to within a dB at all ranges, plus most classic analog synth cart type additions, learned from all our other synth models. Plus, we added patch jacks for fast modulation routes. Plus, DRIVE and analog feedback loop lifted from Minimoog circuitry. CP3 mixer technology for even more vintage clarity. Instability along the way that isn't intrusive. Freely routable better snappy envelopes. A sequencer that outputs multiple lanes that you can drag anywhere. Effects that start with what should've shipped in the original, enhanced with legendary features. And if that's not enough, you can use your own VST3 effects inside it-- a world's first! All of this wrapped up in our EZ button. Randomize your way to your next sound and get there faster than you would've guessed. And best of all--- a cooling fan that is near dead silent, measured to within .001 dB of the original, then completely cancelled out!
All new factory patches, plus my original 161 patches for your enjoyment.
"Tim Kroker - drummer from Front 242 made us a patch to demonstrate some ideas to try on the Pulsar-23 the unique drum machine from Soma. Its been around for some time but the semi modular nature of its architecture means the possibilities are pretty endless.
Pulsar-23 includes four main instruments: bass drum, bass, snare and hi-hat, but its routing and utilities allow those sources to move way beyond standard drum roles.
For instance, Tim routed the bass drum into a short, Karplus style delay, then delay-time modulation creates pitched bass movement.
"Waldorf's Crema Ensemble looks like a simple string machine — it isn't. Under that beige lid there are 24 oscillator types: the Streichfett string engine, 17 of Waldorf's famous wavetables and 6 FM algorithms, plus a resonant filter, three ADSR envelopes and three LFOs — almost all of it hidden behind the display.
In this review and deep-dive demo I go through the whole architecture: both synth engines, the modulation nobody tells you about, the shimmer reverb, and how to get at the buried parameters over MIDI CC. Plus plenty of just playing it, because it sounds gorgeous.
If you've had enough of the same old synth design over and over again, this one is worth a proper look."
CHAPTERS
00:00 Intro — Waldorf Crema Ensemble
02:08 Two engines: Texture and Lines
04:41 Texture engine — the Streichfett
05:12 The hidden parmeters
10:58 Why I built a full control panel
11:38 The Lines engine
14:18 Detune, PWM, vibrato and tremolo
18:28 Shimmer and reverb Shift functions
22:12 Mapping MIDI CCs
23:46 Verdict
23:57 Preset demos
27:41 Outro
"Step into a dark retro-futuristic synthwave world of cold analog sounds, haunting melodies and vintage Soviet synthesizers like Polivoks, Opus or Alisa 1377. 🌌
This SovietWave track was created using real Soviet-era synthesizers, blending gritty basslines, atmospheric leads, analog strings, and cinematic chords into a journey through an alternate electronic future.
🎹 SYNTHESIZERS
• Formanta Polivoks — Basslines, gritty textures, and experimental effects
• Rodina Alisa 1377 — Melodic leads and atmospheric effects
• RMIF Opus — Analog strings, rich chords, and cinematic harmonies
No ordinary presets. Just vintage hardware, raw analog character, and the unmistakable sound of Soviet synthesizers.
Imagine driving through a deserted city behind the Iron Curtain, surrounded by concrete architecture, flickering neon lights, and the echoes of a forgotten future.
If you love SovietWave, dark synthwave, analog synthesizers, retro-futurism, and vintage electronic music, this track is for you.
🎧 Listen with headphones for the full analog experience."
Check with dealers on the right on pricing and availability.
Playlist:
1. Waldorf Crema - Trailer
2. Waldorf Crema - Deep Dive with CTO - Rolf Wöhrmann
3. In the Studio with Maria Chiara Argirò ft. Waldorf Crema
4. Waldorf Crema // I’m having a hard time describing what kind of synth this is // Review and tutorial - loopop
5. Waldorf Crema Ensemble Synth - Sound Demo (no talking)
6. Waldorf Crema (Ambient improvisation and sound design walkthrough) - Martin Stürtzer
"Waldorf Music releases Crema, a compact polyphonic string and pad synthesizer designed for creating string ensembles, layered pads and evolving sound textures.
Based on the synthesis architecture of the Waldorf Streichfett, Crema expands this concept into the digital era.
While Streichfett captures the character of the analog string machines of the 1970s, Crema adds the digital pads of the 1980s and 1990s.
It enlarges the sound palette through wavetable, FM synthesis and dual effects, including a dedicated shimmer reverb."
Additional details and pics (click on them to enlarge and zoom in):
"Meet Crema – The Finishing Touch For Every Sound
Meet Crema, the compact polyphonic string and pad synthesizer that expands the iconic sound of Waldorf Streichfett to the digital era.
While Streichfett captures the character of the analog string machines of the 1970s, Crema adds the digital pads of the 1980s and 1990s, enlarging the sound palette through wavetable and FM synthesis, dual effects and a dedicated shimmer reverb.
Classic string ensembles, rich pads, evolving textures and the Waldorf touch. All in one little synth.
Let’s welcome a new chapter of special FM presets for M-Vave FM-1 & FM synthesizers, includes Yamaha DX7/DX7 II, Korg Opsix 2.0, Korg Volca FM/FM2, Native Instruments FM8, Arturia DX7 V, Dexed, Plogue chipsynth OPS7.
Ambient & Dreams V2: Analog Vibes – is a new sophisticated FM sounds with an emphasis on analog sound that will surely win your heart and mind. In this part, deep Ambient textures are mixed with retro Analog sounds for maximum sound absorption effects.
In this set you will find a variety of sounds that were created without the use of effects and they already sound good on their own, since the “feeling of the effects” methods were applied – with the help of deep FM synthesis.
6 Bass
1 special FX
5 Leads
3 Pads
8 Plucks
9 Synths
Note: On the M-Vave FM-1, you get exactly the sound you hear in the Demo Presentations. This sound will sound better on the Yamaha DX-7, Dexed, Korg Opsix and other FM synthesizers, as the FM-1’s sound architecture is slightly different."
"Nick's video of a quick visit to the show floor before the opening of Music China 2026 got a load of interest, primarily because Nick & Tami X ended up having a sneaky peek under the wraps at the Behringer stand...
Today the show officially started, so one of the first visits was a whilstle-stop tour of some of the new items - Kevin from Behringer gave us a look at Pro-16, RD-765 and several other early units at Music China 2026.
The Pro-16 is a 16-voice synth based on the Prophet-5 voice architecture. It supports poly aftertouch and includes a split mode with separate left and right parts. The unit is in final form, with global release already underway and China availability expected soon.
The RD-765 is a new drum machine with a layout that references Linndrum and classic Roland-style boxes. It includes classic FX routing, separate outputs, three trigger outputs, MIDI in and out, sync, and an input for sampling. It currently contains basic samples across 16 voices, stores kits, and allows different sounds to be assigned to pads.
We also saw the BCR-32, which includes a sequencer and four pairs of CV outputs. Other early units included a Polyvox-style synth, the JT-2 Mutator envelope follower, Mini Pops-style rhythm hardware, several controllers, and monophonic D-Mini, AKS-Mini and CS-Mini units.
Pricing, details and release dates for many of these remain a bit of a mystery though - I'm sure we'll find out more soon."
"Thanks to @getjervis for showing up in the proper tie."
Every Bit Analog
Microvolt 3901 is a component level emulation of the Pittsburgh Modular Microvolt 3900 plus a collection of classic Pittsburgh Modular Eurorack modules from throughout our history, together in one fully patchable instrument. The original instrument and Eurorack modules have been meticulously modeled at a component level to capture the warm sound and unique quirks of the original machines. Patch cables route audio and cv (control voltage) signals between modules to create unique, polyphonic sounds. Play it standalone or use it as a VST, AU, AUv3(iOS) plugin.
Note! - The sound s comes directly from M-Vave FM-1, No other sources (fx's etc) was used! Everything you hear you can get using my sounds "Analog Vibes" in the factory firmware -V16!
Let’s welcome a new chapter of special FM presets for M-Vave FM-1 & FM synthesizers, includes Yamaha DX7/DX7 II, Korg Opsix 2.0, Korg Volca FM/FM2, Native Instruments FM8, Arturia DX7 V, Dexed, Plogue chipsynth OPS7.
Ambient & Dreams V2: Analog Vibes – is a new sophisticated FM sounds with an emphasis on analog sound that will surely win your heart and mind. In this part, deep Ambient textures are mixed with retro Analog sounds for maximum sound absorption effects.
In this set you will find a variety of sounds that were created without the use of effects and they already sound good on their own, since the “feeling of the effects” methods were applied – with the help of deep FM synthesis.
6 Bass 1 special FX 5 Leads 3 Pads 8 Plucks 9 Synths
Note: On the M-Vave FM-1, you get exactly the sound you hear in the Demo Presentations. This sound will sound better on the Yamaha DX-7, Dexed, Korg Opsix and other FM synthesizers, as the FM-1’s sound architecture is slightly different.
"Get an overview of Massive XL and explore new ways to create, shape, and perform with sound."
"Step into a synth that hits hard fast, then keeps opening up.
Massive XL builds on its iconic heritage to guide you to your own distinctive sound with grit, weight, and character.
Break out of fixed signal chains. Route oscillators, noise, filters, inserts, phase modulation, and feedback into unexpected combinations and effects. Explore hundreds of wavetables, reshape them with ten oscillator modes, and build evolving sounds with expressive modulation, open routing, and powerful effects.
Massive XL intro pricing:
Update for Massive X customers: $49
Crossgrade from Massive: $79
New customers: $99"
Press release follows:
NATIVE INSTRUMENTS UNVEILS MASSIVE XL, A NEW FLAGSHIP SYNTH DESIGNED TO HELP PRODUCERS REACH ORIGINAL SOUNDS FASTER Building on Massive’s Iconic Sound, Massive XL Combines Deep Sound Design, Faster Workflow, A New Preset Generator, And Powerful Tools in A Reimagined Synthesizer.
BERLIN, Germany (October 27, 2026) – Native Instruments today announced Massive XL, the latest generation of its flagship synthesizer platform and successor to Massive X. Designed for producers who demand both sonic depth and creative speed, Massive XL combines the character, flexibility, and modulation power that made Massive an industry standard with a redesigned workflow that helps users move from inspiration to original sounds faster.
New tools including Preset Generator, Mutator, Morpher, and Animator make it easier to discover, shape, and personalize sounds while preserving the deep synthesis engine and open routing architecture that Massive users have relied on for years.
"In this direct head-to-head audio shootout, we compare two popular compact FM synthesizers: the ultra-affordable M-Vave FM-1 (running the custom Baud Girl firmware) and the industry-standard Korg Volca FM2.
Can a budget FM module truly rival the Volca FM2 in raw sound quality, dynamic range, and character? Listen to the side-by-side audio test and judge for yourself!
🎹 Test Methodology & Sound Settings:
To guarantee an objective, 100% fair comparison:
🔍 Unified Preset Bank: We gathered a variety of classic and modern FM patches (compatible with Yamaha DX7 SysEx architecture) into a single, identical test bank loaded onto both devices.
🔍 Pure & Unprocessed Audio: All presets are played in their original, unedited state. No external EQ, compression, saturation, or stereo enhancement was added in post-production.
🔍 Firmware Note: The M-Vave FM-1 is tested using the community-favorite Baud Girl custom firmware, which unlocks improved stability and enhanced SysEx / MIDI handling.
🔍 Signal Chain: Both units were recorded at matched line levels through professional audio converters into a DAW at 24-bit/48kHz.
🎹 Key Areas to Listen For:
🔍 DAC & Output Noise Floor: How do the converters compare when sustained chords decay into silence?
🔍 Frequency Response: Pay close attention to low-end sub presence on bass patches and high-frequency alias brightness on bells and plucks."
"M-VAVE FM-1 running the Hortator custom firmware! Can a $60 groovebox sound like the legendary Elektron Machinedrum? Here is a raw techno sound demo.
With the Hortator firmware, the M-Vave FM1 turns into a powerful 8-track drum machine featuring 45 drum engines — including 21 models inspired by the Elektron Machinedrum.
In this first live jam session, I explore punchy kicks, FM textures, and industrial electronic grooves built entirely on this compact synth.
M-Vave FM-1: Turning the synth into an Elektron Machinedrum! Hortator firmware review
video upload by AutoHot
"An Elektron Machinedrum for pennies? New Hortator firmware for the M-Vave FM-1. Eight tracks of drums, inside the M-Vave FM-1. A stunning Elektron Machinedrum-style drum machine from the M-Vave FM-1: Exploring the Hortator firmware. 45 drum engines in three banks: 21 measured from the Machinedrum (13 TRX, 8 EFM), 10 modern, 14 classic. 151 factory presets, 128 user slots. The Elektron spirit is definitely present in this firmware.
Transforming the budget M-Vave FM-1 synthesizer into a full-fledged drum machine in the style of the legendary Elektron Machinedrum!
In this video, we explore the alternative Hortator firmware from DEADACTIVE. It completely transforms the functionality of this small synthesizer, turning it into a powerful 8-track drum machine similar to the renowned Elektron Machinedrum, with authentic electronic sound and flexible control.
Hortator Architecture and Sound Engines: 8 drum tracks inside the compact M-Vave FM-1. 45 Drum Engines in 3 banks: 21 engines lifted from the Elektron Machinedrum (13 TRX models and 8 EFM models); 10 modern engines (Modern); 14 classic engines (Classic).
So, I'm pleased to present the official release of firmware B16 for the M-Wave FM-1, which includes the following major changes:
8-Part Multitimbral Architecture: You can now layer up to 8 different sounds or play 8 independent patches simultaneously via separate MIDI channels. Expanded Polyphony: Total synthesis voices increased from 12 to 20, dynamically shared across all 8 parts. Upgraded Sequencer Grid: Up to 64 steps (increased from 16) with a brand-new 8-track, 8-column arrangement layout for seamless live playback. - Global Stereo FX Architecture: The 6 built-in effects are now fully stereo. However, they now function as a single shared global FX chain for all 8 voices. Changing individual voice presets no longer alters the shared FX settings. Per-Voice Tuning & Pan: Each of the 8 parts features independent volume, level, pan, and fine-tuning (-100 to +100 cents). Expanded MIDI CC Control: Added support for MIDI CC11 (Expression), CC7 (Master Volume), and dedicated CC70–93 range for external FX modulation. Enhanced Workflow: Features direct patch import/export, DX7 standard SysEx (.syx) bank transmission, and customizable RGB UI color schemes.
"Nick takes a walk on Friday through Beijing Modular 26 as the venue moves from setup into performances, with a focus on The Cube, the exhibition halls, installation spaces and live rooms.
The Cube includes large atrium areas, exhibition halls, video walls, projection installations and multiple performance spaces. The layout includes an ambient room, a techno room, a modular stage and a Dolby Atmos stage. Several rooms use Void sound systems, while the Atmos space uses a Genelec multichannel setup.
The event is free to attend, with artists playing short sets throughout the day and into the night. The ambient room runs in an EMOM-style format, with tables set up for compact live rigs and performances happening in close succession.
It's an amazing space, and a really interesting mix of art, architecture and music - quite an experience!
Flow Field is a dedicated preset pack for all varieties of the Waldorf Blofeld (hardware and plugin) compatible with the Blofeld Keys, Blofeld Desktop and the Blofeld Plugin, engineered specifically for cinematic scoring with a distinct sci-fi techno twist.
Taking full advantage of the Blofeld’s big, liquid sound architecture, this collection delivers a raw, eclectically technological sonic palette designed to inject futuristic tension and atmospheric depth into your productions.
The collection includes over 142 presets delivered in both the Blofeld .bpz format and .nksf format for NKS support. The sounds cover a wide range of scoring and production needs, featuring cinematic pads, alchemical atmospheres, rich textures, evolving arpeggios, crispy keys, and gnarly effects.
"Turn the Cheap M-VAVE FM-1 into a SOMA Lyra Drone Engine using the Caravel patch.
In this video, we explore how to turn the budget-friendly M-VAVE FM-1 into an organic, massive, self-oscillating drone machine inspired by the legendary SOMA Laboratory Lyra-8. No talking, pure sound exploration from subtle harmonic hums to crushing feedback layers.
🔊 Sound Architecture & Concept (Caravel Engine):
• Lyra-8 Emulation Concept: Cross-modulated FM operator voices, interconnected drift, and unstable tuning behavior.
• Voice Interaction: Simulating organic pitch drift, cross-modulation feedback loops, and chaotic interplay between voices.
• Textures: Slow evolving drones, ambient washes, harsh metallic overtones, and massive sub-bass frequencies.
Here it is in white, and below, next to the original Xpander.
It is not yet avaiable but the ACME website is up taking interest inquiries and pre-orders, although no price is given.
Verbiage from the site follows:
The Xpander architecture, thoughtfully rebuilt for today.
Six analogue voices, the original modulation concept and carefully chosen refinements for contemporary studios.
Faithful where it matters.
XP60 carries the acclaimed voice architecture and modulation logic of the Oberheim Xpander into a newly built desktop instrument.
Two analogue oscillators, the versatile multimode filter and the deep modulation system form the familiar foundation. The signal path is centred on the AS3372 and tuned towards the character of later Rev D instruments.
The original dual-processor architecture preserves the way the instrument behaves, with 100% compatibility with Xplorer, the established SysEx editor for the Xpander. There is no software emulation and no FPGA recreation.
Smaller footprint.
Same depth.
At 19 inches wide, XP60 brings the full six-voice architecture to a purposeful desktop format—substantially more compact than the instrument that inspired it.
Built to belong in a working studio.
Individual voice outputs and extensive control connections allow the XP60 to sit at the centre of a modern or vintage setup.
Made with intent,
in small batches.
XP60 is a specialist instrument for musicians and studios who know why this architecture matters. Every unit is assembled with close attention to calibration, feel and long-term serviceability.
Check with dealers on the right on pricing and availability.
Playlist:
1. MiniFreak 49 | Explore the unconventional | ARTURIA
2. MiniFreak 49 | Playthrough | ARTURIA
3. MiniFreak 49 | Overview | ARTURIA
4. Arturia MINIFREAK 49 is an Absolute BEAST! Sound Demo |No Talking| @ArturiaOfficial - Davide Puxeddu and Arturia
5. Arturia MiniFreak 49 - More Control - SonicLAB Presentation - sonicstate
6. MiniFreak 49 vs MiniFreak // There’s nothing mini about it // Review & tutorial - loopop
7. I Called the MiniFreak Synth of the Year in 2023. It Just Grew Up. - Vulture Culture
8. Arturia MINIFREAK 49 — An Almost Perfect Synthesizer - BoBeats
9. The not so Minifreak // Arturia Minifreak 49 - Starsky Carr
10. Arturia MINIFREAK 49 | MUSIC DEMO (No Talking) | Spontaneous SYNTH Patches played by Jalvac 🎹🔥 - FutureMusic.es
11. Arturia MiniFreak 49 Review: Still a Game Changer? - Sineway
12. The New Minifreak 49 Goes Hard! Exploring What Makes it Special - The Midlife Synthesist
Press release follows:
49 full-size semi-weighted keys, expanded panel controls, and a pressure-sensitive XYZ touch matrix bring a new physical dimension to the Freak architecture, while Audio-rate Filter FM and Voice Panning extend its sonic reach - making shaping a patch and playing it feel like the same act.
_Explore the unconventional
Two digital engines. Analog Filters and VCAs per voice. A restless appetite for experimentation. MiniFreak 49 puts the familiar and the unruly within reach, from rich polyphonic textures to fractured rhythms and abrasive harmonics. Play a chord, reach for a control, press into the matrix. Playing a patch is only the beginning.
_Touch, press, transform
The new XYZ touch matrix brings performance, modulation, and navigation onto one surface.
Assign modulation with direct, color-coded feedback, swipe through presets, or watch reactive visualizers follow your playing.
Switch to Freak Control and put the sound under your fingers.
Push a Macro further, tighten the Gate, or use Spice to introduce variation.
Bipolar and vector layouts let you move between contrasting settings and blend across four corners, with pressure adding a third dimension of expression.
_That's not all
Room to play
49 full-size semi-weighted keys with velocity and mono aftertouch give chords, melodic lines, and two-handed performances room to breathe. Aluminum pitch and modulation wheels keep expression under your left hand.
Push every sound further
Audio-rate Filter FM from either engine adds harmonics, grit, and vocal-like textures. Dedicated Type, Wave, Timbre, and Shape controls, plus three selection shortcuts per oscillator, make sound shaping more immediate.
Six voices in stereo
Voice Panning spreads individual voices across the stereo field, adding width to chords and spatial movement to sequences.
MiniFreak 49
Three FX slots, each with a dedicated access button and 13 algorithms, cover everything from chorus and reverb to distortion and vocoder processing.
The Freak architecture
Two digital engines offer 30+ oscillator modes, with algorithms from Arturia, Mutable Instruments and Noise Engineering. Blend their sounds or use Engine 2 to process Engine 1, then shape each voice through its own resonant analog filter.
Shape every step
A 64-step sequencer and four modulation lanes keep notes and timbres in motion. Long-press a step to adjust its length and velocity on the touch matrix. Add arpeggiator ratchets and repeats, or introduce fresh variations with Spice & Dice.
Your Freak in the DAW
Included MiniFreak V brings the hardware’s sound and architecture into your DAW, with preset management and bidirectional control. The MiniFreak 49-compatible version is exclusive to registered MiniFreak 49 hardware owners.
Check with dealers on the right on pricing and avaialability.
Playlist:
1. Roland Boutique JUPITER-08 Synthesizer | Everything You Need to Know - Roland
2. Roland JUPITER-08 Boutique - More Of Everything - SonicLAB Presentation - Sonicstate
3. Roland Jupiter-8 // Showcase & Sound Demos - Loop Rituals
4. Roland Jupiter-08 Sound Demo (no talking) - Bonedo Synthesizers
5. Roland Jupiter-08: A pocket-sized Jupiter? - Limbic Bits
Roland Boutique n/vision Wavetable Synthesizer
Playlist:
1. Roland Boutique n/vision Wavetable Synthesizer | Everything You Need to Know - Roland
2. Roland N/VISION Their 1st Wavetable Synth - SonicLAB - Sonicstate
3. Roland n/Vision Demo with Presets for Ambient and Techno - Limbic Bits
4. Roland n/vision Demo with Factory and Custom Presets - Bonedo Synthesizers
5. Roland - n/vision - Ambient/Dub/Techno Jam - Loop Rituals
Press release follows:
Roland Refreshes the Popular Roland Boutique Lineup with Two Powerful New Additions
Los Angeles, CA, October 20, 2026 — Roland announces two new additions to its long-running lineup of Roland Boutique instruments for on-the-go creation, performance, and music production. The JUPITER-08 is a special release that celebrates 45 years of the Roland JUPITER-8, one of the most coveted analog synthesizers of all time. n/vision is a newly developed instrument that elevates the sophisticated character of classic wavetable synthesis with Roland's latest technologies.
Introduced in 2015, Roland Boutique is a growing world of compact instruments that drive fresh creative approaches in electronic music, expanding on legendary sounds of the past with workflows tailored for modern producers and musicians. The sound is immense and iconic—often inspired by famous Roland designs—while the small, portable form factor is made for in-the-moment creativity. Whether performing live on stage, producing in the studio, or playing for pure enjoyment, Roland Boutique delivers an exceptional musical experience for creators of all kinds.
With the latest additions, the current Roland Boutique lineup now includes eight unique models. The JUPITER-08 and n/vision carry on all the great design features that the series is known for, including built-in speakers, flexible battery/USB-C power, and USB audio/MIDI connectivity for interfacing with music software. These new models also include a K-25m keyboard dock, making them standalone instruments for instant inspiration.
JUPITER-08 Synthesizer
Widely regarded as the king of polysynths, the Roland JUPITER-8 has been revered by generations of musicians since its debut in 1981. This powerhouse instrument helped define the era's electronic music with its huge, dreamy tones, and it continues to be heard in classic synth-pop tracks, video game soundtracks, film scores, modern pop hits, and more. The JUPITER-08 celebrates the 45th anniversary of the analog legend with this special addition to the Roland Boutique series. Offering sonic capabilities and interface features inspired by the original hardware, this powerful mini synth delivers classic sound, hands-on control, and modern performance tools in a go-everywhere design.
With its flexible sound engine, the JUPITER-08 is a highly capable musical tool. By default, the synth is set for a retro experience with the eight-part/two-voice architecture of the original JUPITER-8, but users can internally expand the polyphony to 32 voices to meet modern playing needs and craft all-new tonalities. With refined voice allocation and pitch behavior, the JUPITER-08 provides a rich, animated playing experience with enhanced polyphonic performance and genuine vintage-inspired character.
The JUPITER-08 comes equipped with a two-part, 64-step polyphonic sequencer and an arpeggio function, ready to capture ideas and build dynamic, evolving sounds on the fly. Onboard processing is also available for extensive sound shaping and spatial enhancement. Users can tap into 17 unique effects—including chorus and MFX—plus dedicated delay and a reverb with five types and a unique shimmer mode.
n/vision Wavetable Synthesizer
n/vision is a small yet mighty synthesizer that elevates classic wavetable synthesis with advanced Roland sound-shaping techniques. Newly developed for the Roland Boutique series, it delivers a powerful platform for crafting rich tonalities and evolving textures, offering hands-on control for immediate creative interaction and deep menu-driven tools for sophisticated sound design.
Powered by Roland’s latest sound advancements, n/vision allows players to build evocative textures through a tactile synthesizer workflow. Users can easily blend and shape two wavetable layers to create animated movement, moving pads, aggressive leads, complex timbres, and more.
Multiple modulation sources can influence wavetable position, layer balance, pitch, and shaping parameters, enabling highly dynamic sound movement. Roland’s innovative wave-shaper technology transforms incoming waveforms through non-linear processing, generating new harmonics and unique textures that go beyond the capabilities of traditional wavetable synthesis.
n/vision’s top-level interface supports immediate sound creation, but users can dive much deeper if they want. Step LFO, envelope modulation, oscillator modulation, motion recording, and extensive parameter control open powerful sound design capabilities. n/vision also provides additional sonic enhancement with a drive-enhanced analog-modeling filter, multiple filter models inspired by classic synths, and the same powerful effects processing options as the JUPITER-08.
"We spoke to Scott from Kanawa Music about the company's Eurorack modules.
Kanawa Music works from historic instruments and circuits. The filter is based on a 1940s Hammond Solovox design, using induction coils and capacitors that switch in and out. The chorus takes inspiration from Crumar string machines, with an all-analog circuit that stays close to the original architecture.
The oscillator uses early divide-down ideas, but it has 12 independent oscillators. Each oscillator is hand-tunable, so alternative tuning schemes such as Pythagorean tuning are possible. The system also includes filters, phasers, an LFO and a headphone amplifier. The LFO has adjustable bias and inverted outputs for both channels.
In the stereo layout, C through F sit on the left channel, while F-sharp through B sit on the right. A mono version is also available in a case. It uses one side of the system and includes the same phaser, filter and full 61-note polyphony. Pricing is listed on the company website.
More Info: https://kanawamusic.com"
