"A very basic noodle with Circa, our six-track looper plugin. In this instance, Circa is on the iPad, hosted in AUM. MIDI CC from the Quad Cortex's foot switches is being routed to Circa in order to control the layers."
"Equal parts workhorse and abstract creative tool, Circa is a six track multi-layer looping environment that can do most of the things your popular floor pedal looper can while also paying homage to the serendipitous world of ambient looping.
Each layer can sync to the host, a master loop, or free run, and can be triggered in sync, with an audio signal, or freely. Circa has seven stereo outputs (including a dedicated cue output for monitoring) and built-in reverb and delay. Add in a complete MIDI control system and Circa is a full looping workstation."
"The express MPE presets pack is a set of over 40 beautifully designed presets for Xfer Serum, Arturia Pigments, Madrona Labs Aalto and Kaivo, Audio Damage Quanta, Bitwig Studio, Ableton Live 11, and the ASM Hydrasynth. These sounds can stand on their own, or mix it up in your productions: there's something for soundtrack, techno, hip-hop, pop, ambient, and whatever new genres you're inventing!"
Playlist:
1. Sensel express MPE: Arps and Pads for @bitwig studio
2. Sensel express MPE: Bell and Grain for @Audio Damage, Inc. Quanta
3. Sensel express MPE: Drops and Dated for @ASM Ashun Sound Machines Hydrasynth
4. Sensel express MPE: Glass and Steel for @XferRecords Serum
5. Sensel express MPE: Plunk for @ASM Ashun Sound Machines Hydrasynth and Mbira for Madrona Labs Kaivo
6. Sensel express MPE: "Texture Explorer" for @Arturia Pigments
7. Sensel express MPE: "FFT Contact" for @Audio Damage, Inc. Quanta
8. Sensel express MPE: "Oooo" for @Audio Damage, Inc. Quanta and "Dirt" for Madrona Labs Kaivo
9. Sensel express MPE: "Poppin" for @XferRecords Serum
10. Sensel express MPE: "Texture and Pulse" for @XferRecords Serum
"This auction is for a used Moog Multimoog analog keyboard synthesizer with serial number 1383. This was from the company's Buffalo NY years, manufactured from 78-81. I am not sure of the date of manufacture for this particular keyboard. It has an assignable ribbon touch controller as well as an assignable aftertouch keyboard. The front panel graphics and lettering are the gold variation. This is a rare Moog keyboard as only 1000 of this model were made. It's built like a tank, made for playing and handling and will last a very long time if given proper attention and care. It has a rich sound, capable of a wide palette of tones and effects with a very accessible layout and modulation routing. My understanding is that this is one of the last keyboard designs Bob Moog worked on before Moog Inc was sold to Norlin.
Introduction Published on Jan 8, 2020 Audio Damage, Inc.
"A brief overview of Continua, a virtual analog synthesizer for your Windows, macOS, or iPadOS music-making. Continua bucks the current trend of Robocop wavetable synths to bring you a somewhat more chill environment. Morphing oscillators and filters ease your sonic environment in to place, while custom chorus, delay, and reverb algorithms blend it in to a huge and complex soundspace.
Full MPE implementation and modulation routing for days make Continua an incredibly expressive synthesizer, while TUN file loading allows explorations outside equal temperament. A true player's synth, Continua is both bedrock and atmosphere. Try the demo at http://www.audiodamage.com today!"
Audio Damage Continua: A Wavetable Synth with RMR Presets
Published on Jan 8, 2020 Red Means Recording
"Audio Damage Continua is a wavetable synthesizer for Windows, OSX, and iOS. I made some presets for it. Let's check it out!"
Continua - Audio Damage - Red Sky Lullaby presets demo
Published on Jan 8, 2020 redskylullaby
"Demo of my presets included in Continua a new 3 osc virtual analog synth from Audio Damage for iPad and desktop
Loads of really deep modulation options in Continua and MPE too."
Full Automatic Looping Engine
Enso's looping engine is simple to learn, but exceedingly powerful, with "one button" looping control, both host-synced and free time.
Dub In Place
Enso can either work like a traditional digital looper, where the input is mixed with the buffer contents, then sent to effects, or like a tape looper, where the effects and speed changes are included in the feedback path.
Sector Crossfading
Define four different start and end points. Crossfade between them, and overdub or re-record within them.
Effects Section
Enso has user-controllable "tape style" saturation and hiss, high- and low-pass filters, and a stereo chorus for thickening and carving your loop.
"Quanta is a ten-voice true-stereo hybrid subtractive/granular synthesizer with dual filters, four FEG (flexible EG, essentially a 99-stage totally arbitrary breakpoint generator), two FLFO (arbitrary waveshape LFO), two multi-mode filters, a virtual analog oscillator, full modulation matrix, and over 120 factory presets from yours truly [Chris Randall], Richard Devine, Joseph Fraioli, Chris Carter, and Marcus Fisher."
The iOS version will be along in approximately 2 weeks.
Granulate!
Quanta is a full-featured ten-voice true stereo granular synthesizer, with up to a hundred 1000ms grains per voice, and full control over the grain state, with direct randomization and modulation of most parameters. Drag-and-drop a sample (WAV, AIFF, Ogg, or FLAC) on to the window and go to work.
Synthesize!
With two multi-mode filters (with LP, HP, BP and notch in 2-pole and 4-pole topologies), and a "sidecar" virtual-analog oscillator and noise generator that can be used in addition to, or injected into, the grain engine, Quanta is a fully capable subtractive synth in its own right, and will work as a granular or subtractive (or both) synth without any sample at all.
Modulate!
Quanta has mod coming out its ears. First up are four of our new FEGs (Flexible Envelope Generator), a 99-point looping function generator with optional host tempo sync. Then add two arbitrary-waveshape LFOs, a multi-source sample-and-hold module, and fully user-controllable MIDI assignments, with nearly every control on the panel as a destination.
Control!
Quanta is customizable to your taste and playing style. With full MPE support, it can take advantage of the extended control set of your Linnstrument, Seaboard, Soundplane, Continuum, or other MPE controller, and support for TUN files lets you use tuning tables. The resizable Hi-DPI GUI lets you adjust the size to match your visual needs, and the cross-platform preset mechanism lets you share your creations with you.
"Filterstation2 is the Audio Damage take on the classic serial/parallel/stereo dual filter topology, made famous (and some would say "indispensable") by the Sherman Filterbank and its many clones. With twelve filter algorithms, an envelope follower with stereo sidechain input, a full FSU section for extra signal hacking, and an easy-to-use interface, Filterstation2 is a valuable addition to any producer's toolkit.
Features
• Twelve different filter algorithms, including MS20 emulation and our classic 914 bandpass and Filterpod lowpass models.
• VCA mode for tremolo and gate effects.
• LFO with twelve different patterns, and both internal and tempo sync modes.
• Envelope follower for dynamic control of filter frequency.
• Serial, parallel, and true stereo operating modes.
• Easy-to use interface for quick programming.
• Vector-based resizable GUI. Use just the filter screen, slide the controls over it, or (in hosts that allow it) open up the whole UI.
• Cross-platform XML-based preset manager; copy your desktop presets to the iOS version using Handoff, or share them with your friends and in forums.
"One of the original buffer effects, and still one of the best, Replicant is essentially a randomized looper/buffer reverse, with a randomized stutter effect inside the loop. From a simple delay or panning effect, on up to massive random "instant Autechre" beat mangling, Replicant is a capable plugin well in line with today's electronic music styles. Stuttering buffers and filter drops are easy to program, and the comprehensive randomization features give it a mind of its own, if so desired. If you're looking to add some chance to your production, you've come to the right place!
IMPORTANT!!!! PLEASE READ!!!
Replicant 2 is a tempo-based effect, and requires a host that provides transport information. A standalone application is supplied, but it requires an Inter-App Audio connection to a host with a transport to work. We strongly advise using the (identical) AUv3 instead. We recommend BeatMaker 3, AUM, Cubasis, ModStep, GarageBand, AudioBus 3, and similar AUv3 hosts that have a transport.
And finally, we have made an iPhone version available for cross-compatibility, but note that the controls are very small. It can be difficult to use in this context, and we do not recommend it.
Replicant 2 is an aggressive buffer-rearranger. It is primarily meant for percussive straight-time material such as drum loops. If the track has a lot of swing, we suggest using loop sizes no smaller than 1/8, as shorter times will nip off the front of the off-beat slices. Furthermore, on legato material Replicant 2 will inevitably choose slice times that contain non-zero-crossing samples. Hence, you will hear clicking on duller material with long decays. This is expected and known. It is a glitch effect. :-)
Replicant 2 for iOS is otherwise identical to our Replicant 2 desktop plugin. Visit the Audio Damage website for audio samples, a video overview, and a full manual.
FEATURES:
» Tempo-based delay and looping effects, from 1/128th note to an entire measure.
» Stutter adds further subdivisions, down to a 1/16384th note (otherwise known as a "tone".)
» Seven independant randomization controls, for subtle changes or extreme aleatoric madness, including a global randomize button.
» Our unique "Hold" feature, to store a random sequence you like.
» Resonant low-pass and high-pass filters that change over time.
» Pan position that changes over time.
» Two separate direction modes, for entire events or individual repeats, with randomization.
» Front panel triggering of loop events for live playing of effects."
"Axon 2 is a drum synth driven by artificial intelligence. (Well, "intelligence" might be a strong word. Artificial something-or-other.) An experimental instrument, Axon uses a modified artificial neural network as a sequencer, and features seven FM-based percussion voices, that are really a single 18-operator FM voice.
If that sounds weird, you ain't seen nothing yet. It is surprisingly intuitive once you get the knack of it, and is capable of all-new, complex rhythms that repeat in surprising ways. It often gets referenced as a "random sequence generator," but there is nothing random in Axon; it is entirely determinative.
The sequencer features seven "neurons" that trigger a voice and send a pulse when they have received a predetermined number of pulses. You can wire the output of any neuron to the input of any other (with built-in loop detection to prevent runaway feedback), and in this manner pre-program the artificial neural network without having to go through a "learning" phase.
The seven individual drum voices, each triggered by its attendant neuron, are 2-operator FM voices in a configuration to best make percussion sounds, with additional FM and AM busses that all voices send to and receive from. Each voice has a HPF, distortion circuit, and white noise generator to provide a full range of percussion-oriented voicing individually, while interacting with each other in new and unique ways.
Features
• Artificial Neural Network sequencer features seven neurons, and is easily programmed to create strange new repeating rhythms.
• Seven FM percussion voices that also buss together to create a single monolithic complex percussion synthesizer.
• Full mixer with pan, level, mute, and solo on each voice.
• Built-in stereo delay with X/Y pad control over feedback and filter frequency, for live playability.
• MIDI input, including Bluetooth MIDI, for driving Axon from DAW and hardware sequencers, and Virtual MIDI Output (standalone only) for driving other software with the Axon sequencer.
• Inter-App Audio, including transport synchronization, in standalone mode.
• Internal transport for non-synchronized playback.
• Resizable vector-based user interface.
• Drawn reciprocation dingle arm to reduce sinusoidal depleneration.
• XML-based cross-platform, human-readable preset system, with copy/paste, for easy transferring of your own presets and third-party offerings.
Please Note: This application will work fine on an iPad Mini, but the user interface may be difficult to use due to the size."
A pair of Axon 2 instances. The one on the left is doing the rhythm, and the one on the right is doing the melody. A bit of Eos 2 on the melody instance’s outputs."
"Hello guys. It's time for a new episode of ...? ...yes, you guessed it, Live Sessions.
This time i used ARTURIA Beatstep Pro to trigger Elements, Peaks and ADM014 from Audio Damage, Inc..
First drone is made with the beloved Mother32 from Moog Music Inc., three of them in sync and hold by the Keystep.
Bassline by Circuit from Novation. Hats from the little KORG Volca Beats. And the final mixdown with Presonus 16.0.2."
"What do you do when you need the sidechain pumping effect in an iOS DAW that doesn't have sidechaining? Pumphouse to the rescue!
Pumphouse is a simple and excellent compressor (taken straight from our RoughRider 2 codebase) coupled with a step sequencer driving an envelope generator. In this manner, you can sidechain-compress your pads or bassline against a 1-measure pattern, no other inputs required.
With an easy-to-understand interface, Pumphouse is a quick method for getting That Sound.
Pumphouse requires transport information to work. Please note that some iOS AUv3 hosts do not have a transport. (At this time, Auria Pro that we're aware of.) There is an Inter-App Audio version supplied, but it also requires transport info.
We have tested and approve the AUv3 with AudioBus 3, Cubasis, GarageBand, AUM, ModStep, Zmors Modular, and Beatmaker 3."
"Audio Damage's Phosphor 2 is a cool additive synthesizer for the iPad. In this video I use StudioMux to run a few Audio Damage iPad apps into Ableton Live and create a short jam."
"FuzzPlus 3, a direct 1:1 port of our popular free desktop plugin, is an AUv3 or standalone audio effect that consists of a resonant lowpass filter (modelled on the MS20 LPF) and a distortion engine (modelled on the Distortion+ pedal) with a feedback loop.
Easy-to-use, this audio toolbox can do everything from simple filtering and "warmth" to full metal audio destruction."
