Diving deep into Cerebellum, a performance logic matrix Eurorack module from Biopower Audio

video upload by Perceptes and Biopower Audio

See the intro post here.

"In this video, we'll be diving deep into Cerebellum, a new Eurorack module from Biopower Audio that gives you a logic matrix you can perform to create lots of interesting rhythms. We'll also cover two new companion modules: DM, a three-channel gate-to-trigger converter, sample and hold, and track and hold module, and AO, a three-channel attenuator, inverter, offset, and mixer module."

00:00 Meet Cerebellum, DM, and AO
01:40 Patch previews
02:39 Cerebellum overview
03:16 Inputs and outputs
04:56 The logic matrix
06:43 Column features
07:20 Binary clock dividers
07:58 +5V and NOT switches
08:47 Column outputs
09:02 Decade clock dividers
10:52 LATCH switch
11:21 Column resets
12:11 DM overview
14:13 AO overview
15:35 Drum machine
18:10 Melodies with AO
21:30 Arps from LFOs with DM
26:45 Orchestrating events
32:13 Audio rate pulse waves
36:53 Cerebellum jam

The Florian Schneider Collection to Be Auctioned at JULIEN*S November 19

Note: links to listings are affiliate links for which the site may be compensated.

via JULIEN*S

"THE FLORIAN SCHNEIDER COLLECTION

Auction to be held at Musician's Hall of Fame & Museum, Nashville, on November 19

An incredible collection of more than 450 artifacts from the life and career of Florian Schneider, co-founder of the pioneer electronic band Kraftwerk."

Pics and videos featuring some of the gear below, and his Lederhosen for good measure (thanks greg!).

Update: the post has been fully updated with all the synth related gear. This may just well be the longest post to be featured on the site. I wanted to capture all the pics for all of the details including notes, scuffs, and of course serial numbers. It's an interesting look into what he used, the condition he keped his gear, in some cases, how he actually used his gear. Note the phonetics on the keys of the Casio CZ-101 and DX-100. Note the Midi Switch Box with a built-in speaker? What's that about? Note the camouflage key strap on the Korg RK-100 Remote Keyboard. Did he pick it out himself or did the keytar just come with it? Note the repeat midi controllers and the MIDI saxaphones. Wind was his primary instrument. You'll find a ton of the acoustic gear he used in the other listings. This is a fascinating insight into both what and how he used his gear.

Side note: there is no affiliate compensation for this post. The note at the top automatically shows for all posts with the Auction label.


Rack Mount Sennheiser VSM-201 Vocoder

Starting Bid $5,000

Estimate $20,000 - $40,000 USD

A late 1970s Sennheiser VSM 201 Vocoder with no serial number from the personal studio and collection of Florian Schneider of Kraftwerk (see images). While it’s said that only a few dozen of these Vocoders were produced, a few examples made it into the hands of forward-thinking musical artists including Herbie Hancock, Daft Punk, and of course, Kraftwerk, who used a VSM-201 like this on their albums Man Machine (1978) and Computerworld (1981). The VSM-201 has an intelligible sound that has not yet been bested by modern gear. Includes power cable. This VSM-201 has been removed from its wooden enclosure (which bears the serial number plate) and modified with a metal rack mount casing, presumably for live use. Requires 240v, IEC power cable not included.

Dimensions: 19 x 9 x 9 inches

Category: Kraftwerk, Equipment

Provenance: PROVENANCE From the Estate of Florian Schneider

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Depeche Mode Enjoy the Silence synth cover Clavia Nord Modular G1 Atari ST Steinberg Cubase

video uploads by Obsolete Nonsense

Use the player controls to skip around.

Playlist:
1. Depeche Mode Enjoy the Silence synth cover Clavia Nord Modular G1 Atari ST Steinberg Cubase
2. Pet Shop Boys It’s A Sin instrumental synth cover Clavia Nord Modular G1 Atari ST Steinberg Cubase
3. Erasure Ship Of Fools synth cover Clavia Nord Modular G1 Atari ST Steinberg Cubase
4. Visage Fade To Grey synth cover Clavia Nord Modular G1 Atari ST Steinberg Cubase
5. Depeche Mode The Things You Said synth cover Clavia Nord Modular G1 Atari ST Steinberg Cubase
6. Barber’s Adagio for Strings Remix synth cover Clavia Nord Modular G1 Atari ST Steinberg Cubase
7. Madonna Into The Groove synth cover Clavia Nord Modular G1 Atari ST Steinberg Cubase
8. Yazoo (Yaz) Don’t Go instrumental synth cover Clavia Nord Modular G1 Atari Mega ST Steinberg Cubase
9. Vangelis Blade Runner (End Titles) synth cover Modal Electronics SKULPT CRAFTsynth 2 Atari ST Cubase

Video Descriptions:

1. Depeche Mode Enjoy the Silence synth cover Clavia Nord Modular G1 Atari ST Steinberg Cubase

All drum and synth sounds produced simultaneously by the Nord Modular without any multi-tracking.

This is my attempt at creating a ‘one synth’ cover of Enjoy the Silence, using only 4 sound patches on my Clavia Nord Modular G1 (with DSP Expansion), sequenced using Steinberg Cubase 3.1 on my old Atari ST.

Just for fun, I thought it might be interesting to use Logic Pro, synchronised to Cubase on the Atari using MIDI Time Code, to playback the original DM vocals (on track 1) in sync with the audio coming from the Nord Modular. Tracks 2 and 3 are recording the audio coming from the Nord Modular, along with reverb from my Soundcraft mixer recording on track 4.

Playlist:-
0.06 Nord Modular + original DM vocals
4.28 Individual sounds and sequences
8.03 Nord Modular instrumental

Nord Modular Patches:-
Slot A = Drums (CPU = 89.3% Poly = 1)
Slot B = Bassline and Bells (CPU = 49.4% Poly = 3)
Slot C = Vox Chords, Phaser Strings and Vox Melody (CPU = 76% Poly = 7)
Slot D = Guitar, Filter Sweep Bass and Synth (CPU = 95.7% Poly = 4)

Nord Modular audio outputs:-
1+2 = Dry / No effects
3+4 = Hall reverb from my Soundcraft mixer

CLICK FOR MORE »

rainy day jam. dato duo, drumkid, novation circuit tracks.

video upload by DM Switch

"just a chill melody."

JPTR-FX Add Violence on synth and drums (no talk)

video upload by Richard DeHove

"Add Violence is a fuzz pedal but I prefer the sub-heading from JPTR-FX "Planetary Disorder Unit". With just three knobs and a switch they've managed to create a very tweak-worthy machine. At first I put an EQ in front of it but soon took it away - the pedal does a better job by itself. An EQ after might be better but I haven't got that far yet. I've only been using this for a day and was so impressed by the sound I thought I'd better record it before any of the magic evaporated.
I bought this as a pre-order a few months back and am sorry to say I'm the kind of guy who constantly messages "Are we there yet?" Sorry JPTR-FX, my excuse is I'm keen. In truth I wasn't expecting too much. I've tried a lot of overdrive, distortion and fuzz pedals and at least half of them are woeful on synth. I don't know what it is but some of them do almost nothing except add an annoying insect-like buzz. So I was overjoyed at Add Violence - it loves synths and drum machine. Even better, it's silent. My dearly beloved Dark Glass B3K overdrive fizzes and hisses like crazy, but the Add Violence is silent. And when jamming I was torn between constantly turning up the volume and being worried I was going to vibrate the cones to destruction - this thing can really amplify the low harmonics.
There's still more to explore with this pedal since you can open it open and turn it into an octave fuzz. Until then I hope you enjoy this sample of its powers. I was going to blab and blather on this video but the sound seemed to warn me off - the dirt and filth must remain pure. Instead I added a few sampled quotes just to add a little color. Other than them the sound is as you see it: raw from the DB-01 into the Add Violence and a little delay every now and then from the Boss DM-2W. With the LXR-02 I took one channel from the stereo out into the pedal, the other straight into the DAW, then centred both, so the original dry sound is still there. The on-screen waveform is from the effected channel only.
If you like this format - no talk with a few little sample enhancements - please let me know so I can do more, especially since you're one of the good and true people who've read the full description :)

0:00 Drums 1
2:32 Doom keys
3:46 Drum 2
4:49 Arp
5:18 Pattern 1
5:47 Arp 2
6:31 Doom keys 2
7:22 Drum variations
8:25 Pattern 2

Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove
Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

MFB's Manfred Fricke Has Passed Away

Left: Manfred Fricke (via Amazona.de) back in the day with his first creations, the MFB-501 drum machine (right), and MFB-601 digital sequencer (left).

2nd image is Manfred Fricke with the MFB SYNTH II at SUPERBOOTH (unknown source).

We lost another legend in the synth world. Sad news in via STROMKULT: "'On June, 17th around 11am Manfred Fricke from Berlin alias MFB sadly passed away after having had a hard time with cancer for a while already. He left his wife Gloria and his son Jean-Marcel behind, we are all very sad having lost this partner, friend and father.'
HerrSchneider

Manfred Fricke was one of Berlins pioneers of analog synth and drum machine makers. He has been the weapon of choice for many (not only) starting musicians. Let’s be honest, who didn’t have one of his creations early in his or hers journey into electronic musical instruments – or at least thought about getting one – and why shouldn’t you? Manfred Fricke's machines always brought something unique to the table, they were mostly analog, affordable, in small plastic housings and just did the job. Manfred always focused on keeping his products affordable for his clients and the instruments quite often made their way to professional use later on, and the musicians often kept their first units as something almost holy, because it were these machines that paved the way into analog electronic music making.

But it would be too short-sighted to associate MFB only with budget entry-level products. Especially the drum machines Tanzbär and Tanzbär II, or the great Dominion 1 show that Manfred Fricke also built machines that met higher demands. The Tanzbär, in particular, is considered by many to be their favorite drum machine of the last few years, especially in terms of its amazing sound.

We hope that MFB will continue to exist and that it will continue to make it easier for many generations of musicians to enter the world of electronic sound production.

We wish Manfred Fricke's son Jean-Marcel continued success for the future of MFB and extend our condolences to him and his family. And lets hope that Manfred will finally meet up with all the other good guys on the other side.

Rest In Peace."

MFB TANZBAR 2 pic via STROMKULT.


video upload by 7V-STUDIO

MFB's Manfred Fricke's first procuct, the Fricke MFB-501 drum machine.

Description via this video:
"This little analog beatbox was developed in 1980 1979 by Manfred Fricke. It was offered at 380 DM. As a low-cost model on the market for analog rhythm generators the small black and white "Switch Box" quickly found a lot of friends, because its configuration could be compared to its expensive far east competitors: 64 patterns and as many fill-ins switchable via micro switches, speed ​​control via potentiometer, 10 analog percussion instruments (activated by means of micro switches), combined mono/stereo outputs (jack), In & Out (5 Vss) and trigger footswitch inputs (jack) for start and fill-in
(retail price for the switch at 16 DM). An external wall power supply provides 12 volts.

Approx. 5000 units of the MFB-501 had been sold. Not so bad for a one-man company. So this drum machine is one of the top-selling devices in the history of the Berlin engineer offices M. Fricke . If you're lucky, this iconic device can still be found on the relevant internet sales platforms.

Today, maintenance of this tiny noise machine is still easily feasible, because Fricke employed only commercially available components. Therefore, 'presumedly dead 501's' can be reanimated without major problems."

MFB 601 Vintage Digital Sequencer, Teardown, Repair and partial analysis


Published on Feb 2, 2015 FPV Electronics

Note this video is FPV Electronics of course, and not Manfred Fricke.
"This device is exclusively built from 7400 and 4000 series basic logic ICs. Making it must have been so much more difficult than just programming a generic µController as we would do today."

Timeline via http://mfberlin.de/en/about-us/:

1976: MFB was founded by engineer Manfred Fricke. So far there were more than some hundred products constructed and distributed. The first developments and products were primarly video games for industrial playmachines.

1979: A lowcost drummachine was introduced in 1979. (98 DM for the self construction kit). The legendary drumcomputer MFB-501 was finished and sold. Although it was not the most prominent drumcomputer of that time it surely was one of the best selling drum units in Germany. Some shops sold ten times more MFB-501s than Roland TR-808s. More products for the musician followed, such as the Digital-Sequencer MFB-601 and the digital drum machine MFB-512. All of these featured rich products were offered at exceptional low prices.

1984: The E-Drum module series 1000 and 2000 followed with corresponding pads.

1986: A new construction period started in 1986 with product launches of the MIDI-CV converter MFB-201 and the MIDI drummer MFB-SYNTH was finished in 1997, although its development dates back to the eighties. The machine never went into production since 2001, the year of the company´s 25th anniversary because of decreased interest in analogue synthesizer technology especially in the sales channels.

From 1986 Manfred Fricke specialized in products for video applications. Alone 20 different framegrabbers for the Apple II, C-64 und IBM compatible PCs were constructed. A very high percentage of these framegrabbers were and are still in use for special industrial purposes. Custom development is still done here, so these specialized tools are not available for other customers.

1994: MFB introduced the world´s first videomixer below 1.000 DM, the MFB-901. Its successor MFB-902 was available in 1995. Another important development in the video section was the model MFB-912, a digital video memory. This 1998 product was highly acclaimed by the press.

1999: The successor MFB-915 added sound and higher picture resolution. It´s available since October 1999. Another successor is the model MFB-920 with an integrated harddrive offering better options for nonlinear cutting and post processing of the recorded material.

2001: During this year, Manfred Fricke also developed another new MIDI drum-module. MFB-KULT, includes most of the famous sounds of the older machines. Both MFB-SYNTH and MFB-KULT are availabale since December 2001. Because of constant requests for the digital sequencer MFB-601 a successor MFB-602. was introduced in May 2002.

2002: Since August 2002 there´s also a little brother of the MFB-SYNTH, the MFB-SYNTH LITE

And of course the MFB DOMINION series and the MFB SYNTH PRO.

There have been 1747 MFB posts on the site prior to this one. MFB has been a mainstay on the site and Manfred Fricke will be greatly missed.

Waldorf Demos with Saga's Jim Gilmour at the Frankfurt Musikmesse in 1992

Saga - Jim Gilmour Demo - Musikmesse Frankfurt 1993 1992 Published on May 12, 2013 MadSevenFilms

"Jim Gilmour ( Saga keyboardist) in a demo at the Waldorf stand during the musikmesse in Germany.
Humble Stance, Wind Him up, Don't be late, Careful where you step, On the loose,etc ...."

Update: according the swissdoc, these videos are actually from 1992. That would make the appearance of the prototype Wave in 1992, not 1993. This post has been updated to reflect that. Note swissdoc's write-ups are from 1993 as you can see in the datestamps for the links, and I believe the production model Wave was indeed released in 1993.

Here's a blast from the past featuring a bit of Waldorf history in via swissdoc. This may very well be the only Waldorf footage from the event. Check out the non-working prototype of the Waldorf Wave in the background. 1992 was the year it made its first appearance to be released in 1993. Note the Microwave rack was released earlier in 1989. Further below you will find some notes on Musikmesse 1993 (the following year after these videos) from swissdoc, followed by a transcription of the Wave flyer. This is a fascinating look back on synth history. But first, one more video from the 1992 Musikmesse.

Update2 via swissdoc: "In addition, for those who can read and understand German, there is a big series of three articles available for download (email has to be provided) from the German Keyboards magazine. Inside Wave. Amazing level of detail plus in part three an interview with developers and users plus additional interviews with the people behind the Wave.

https://www.keyboards.de/heftarchiv/1994-10/inside-wave-1-wave-intro/
https://www.keyboards.de/heftarchiv/1994-11/inside-wave-2-tech-talk/
https://www.keyboards.de/heftarchiv/1994-12/inside-wave-3-wave-story/"

Update3: The following scans have been added to the bottom of this post:
Messe.1992.TSI.Messeinformation
Messe.1992.Preliminary.Wave.Info
Messe.1993.TSI.Show.Information
Messe.1993.Wave.Flyer

Saga - Jim Gilmour Scratching the surface - Musikmesse Frankfurt 1993 1992

Published on May 13, 2013 MadSevenFilms

"Jim Gilmour ( Saga keyboardist) in a demo at the Waldorf stand during the musikmesse in Germany.
Scratching the surface"

---

The following is a Musikmesse 1993 recap via swissdoc aka George Mueller, who attended, from way back in 1993 (you'll find a transcript of the Waldorf Wave flyer text further below). P.S. for a quick look at the gear released at the 1993 Musikmesse see here and here, both from swissdoc.

"Before I go into this Wave stuff, I'd like to tell you a little about the Frankfurt Musik Messe. Those restless gear junkies, skip the next 24 lines.

The Frankfurt International Music Fair was held for the 14th time and was attended by a record number of exhibitors: 1194 from 40 contries. So it's the leading event for the music business.

The Messe Frankfurt has 10 halls of different sizes, three of them are used by the Musik Messe. Hall 9.0 is the most interesting, it's for electronic instruments, 9.1 is for guitars and amps, 9.2 is for stage light, sound and mixers. These halls are middle in size, rows range from A to F, with booth numbers up to 90 each. Hall 8 is for acoustic instruments and publishers; it's funny, all that noise from test-playing violins, flutes and so on. This is the biggest hall, rows from A to P. The monster booth of Yamaha is in the back of this hall with all their synths, FXs and personal keyboards. So it's a long walk to Yamaha. It's a bit risky in this hall, if you enter one booth, browse thru the pages of some book, after talking to the salesman you probably lost your orientation. Hall 10.1 is reserved for grand pianos and uprights. No elctricity allowed there.

It's funny, when you change from 9.0 to 9.1, all those long haired heavy metal guys. One amp or guitar company has a Hard Rock Cafe at their booth, evertime overcrowded with guys drinking cocktails or beer.

So, here we are, the promised report on the TSI shows WAVE MUSIC DEMO and INSIDE THE WAVE.

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32-BANKS ENSONIQ ESQ-1 SQ-80 ESQ-M ROM CARTRIDGE (1280 PATCHES)

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

"1 in 16 cartridge with a total of 1280 patches. (32 Banks* 40 Patches)

The sounds are from the previous volume 1 and 2. The card has all kind of patches (instruments, synths, FX...)

Compatible with the ESQ-1, ESQ-M and SQ-80.

This cart is read only, patches cannot be written on it. (only read)

3D printed case, gold plated contacts and LED power indicator.

Patch List:

ESQ CARD A
--------------------------------
1: STRBAS 2: 5OFSWE 3: ELZPNO 4: JBELL5 5: FLTORG
6: DGSLAP 7: BASS2 8: BRSBAS 9: PSTEEL 10: KETTLE
11: FIDDLE 12: PANPNO 13: BASTE 14: SEQ 3 15: DG-BRI
16: SQREEJ 17: DGWHO? 18: KEBASS 19: DGPNO2 20: MINIM5
21: SHRTST 22: MODSTR 23: 12 STR 24: SQR SAW 25: ICESAW
26: BLPNO3 27: NOBHRN 28: GRIND 29: ARIEL 30: SITAR
31: PWRHIT 32: VELSAX 33: BRUSH 34: HITBAS 35: HARP 5
36: STARK 37: HELIO3 38: FALOUT 39: BAS R2 40: E STR

ESQ CART B
--------------------------------
1: ATMOS2 2: CTHDRL 3: ATMOS3 4: SLITAR 5: SLITDR
6: LOWSAW 7: BRETH2 8: AIRVIB 9: ZEUS.. 10: MEOWST
11: GRVYRD 12: SPOTS 13: CATBEL 14: PLKORC 15: ZIFSTR
16: BONES 17: BRETH8 18: ALLEY1 19: DRIZLE 20: DRAMA
21: CUTTER 22: SPONGE 23: WASTRG 24: CRIKET 25: THRUSH
26: FOREST 27: QUISIL 28: SKITS 29: BRETH9 30: STLGUT
31: CRYSTL 32: VOXRES 33: AUHARP 34: PIANO4 35: REVERB
36: COWBEL 37: MINIM3 38: VIBES1 39: HRPSI2 40: MINIM3

CLICK FOR MORE »

Roland Museum Germany Massive Synthesizer Selloff - Most Gear for Sale in a Single Auction

Note: links to listings are affiliate links for which the site may be compensated.

This one in via Marko of Retrosound.de.

26.000,00 Euro gets it all.

via eBay

Someone needs to contact the Guiness Book of World Records. Longest list of gear for sale ever:

CLICK FOR MORE »

Control Audiobus From a Second iOS Device with Audiobus Remote - Holderness FX Demo

Introducing: Audiobus Remote for iPhone and iPad

Published on Jul 22, 2015 AudiobusApp

Update: New intro video added above. Also corrected the title of this post to reflect true functionality of Audiobus Remote.  I originally thought the app allowed you to process audio between iOS.  The app actually allows you to a second iOS device as a remote for easier control.

Using Holderness FX with Audiobus Remote

Published on Jul 22, 2015 HoldernessMedia .

"Quick demo of Holderness FX remote triggers used in the new Audiobus Remote app."

iTunes:
Audiobus Remote - Audiobus Pty Ltd
Holderness FX apps

iTunes: Audiobus Remote - Audiobus Pty Ltd

"With Audiobus Remote, transport your Audiobus-compatible music apps’ controls onto a second iPad or iPhone: it’s a second screen for your Audiobus session, powered by Bluetooth LE and Apple's iBeacon technology.

Start Audiobus Remote for the first time, then simply hold it near your other iPad or iPhone running Audiobus: the two devices will pair immediately, and you’ll see the apps running on your Audiobus device appear on Audiobus Remote’s control surface. You will see all the Audiobus Connection Panel controls you’re used to, including app switching, transport and record controls.

Apps can also define Remote Triggers, providing access to app-specific functions within Audiobus Remote. For example:

- Record or toggle individual loops in Loopy HD.
- Trigger drum samples in DM-1.
- Move between presets in Bias FX and JamUp.
- Change presets and adjust effect controls in Holderness Media’s effects apps including Johnny and Caramel.
- Trigger individual sections in Sector, and switch modes.
- Play a mini version of SoundPrism Electro in Audiobus Remote.

All this on a second screen, while you can stay focused in one app on your main device.

Audiobus Remote. More space for play.

Discover apps with Remote Triggers on our compatible apps directory at http://audiob.us/apps

Audiobus Remote requires the Audiobus app and two Bluetooth Low Energy-compatible iOS devices: iPhone 4S, iPad 3 or iPad Mini, iPod Touch 5th gen, and newer."

CLICK FOR MORE »

1983 BME RattleSnake Demos

via GEORGSCHNEIDER.COM

Googlish: "The Rattlesnake was built by the Luxembourg company BME 1983. The price was DM 1,400. Der Beat the analog tone generator was controlled with toggle switches and knobs.

Technical Details:
Combinable preset patterns, tunable instruments, distortion, Break function, stereo out, footswitch for fills, foot switch for start / stop, clock-out, trigger-in"

BME also made the BME 700 analog mono synth keyboard & modular systems. See the BME channel at the bottom of this post for more.

Vintage Steiner Parker Synthacon

via this auction

"The year, 1971, 16 years old from Japan, on a trip to NYC.Walk into Manny's Music in Manhattan. Excited that I'm getting my first "real" guitar, a new Gibson Les Paul Deluxe ( still have it!! finish is cracking nicely!!). Strange keyboard with a ton of switches catches my eye. Way cooler than the Mini-Moog I had seen before. My Dad, being cool that he is, urges me to check it out. Makes all kinds of weird noises. Gotta have it!!! Wow everybody back home, groove to Walter Carlos, pre Wendy, Morton Subotnick, etc. Awesome tones and crashes when I intertwine the oscillators, envelope generators, VC filters. Many a stoned headphone journeys taken. 2010, Synth hasn't seen the light of day in 30 years, packed away the whole time. Plug it in, move around the oscillators, and BAM, wacka-wacka memories!!!!!! I have no use for it now.But I know that it'll make someone's fantasy come true!!! The workout.... Every switch works, every knob works, every key works in tune ( all keys are uniformly stiff. they will need to be re-conditioned.. felt?) As you can see, no dings, a little dusty. This machine has never been played outside. Never been onstage like my Paul. Just in great condition for its age. Let me know how you would like it wrapped for shipment. Merry Christmas!!!!"

Update via Micke in the comments: "The Synthacon first appeared in 1975 so there's no way the seller could've bought it back in 1971. It's obviosly a typo.

Much more interesting than DM's use of this synthesizer is, in my opinion, its use on the Apocalypse Now soundtrack (1979). The Steiner EVI, synthasystem modular and double-synthacon are all over the score."

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Endangered Audio Research AD4096

"Endangered Audio's latest project, the AD4096, is a hand-built analog delay with features that elevate it beyond your garden-variety 3-knob delays. With the flick of a switch, you can choose between true bypass or spillover, allowing you to stop your delays dead (in true bypass) or let them carry over into your next phrase (with spillover). Engaging the infinity switch is like turning the Depth knob all the way up instantaneously. Once you lift your foot off the momentary switch, the depth knob takes over again and the signal is subdued to its original setting. The LED, normally red, turns green when you step on the switch to indicate that you have just engaged infinity.

With the Time knob, you can take your sound from boxy, bathroom-like reverb at 20ms all the way up to a full 300ms of delay. The Depth, Delay, and Echo knobs are all very interactive with one another. Turning up the Delay knob, you'll notice a familiar smooth and creamy analog delay sound. Set the Delay knob relatively low and the Echo knob much higher, you'll find the character has changed to resemble darker, tape-based delays, with harmonic "glitter" or "sparkle" added to the delayed signal. Subtle blending of the Echo and Delay knob gives you a large tonal palette with lots of flexibility - so much that it's like having two delays in one!

Set the Delay and Echo knob up together, and you'll realize that the "Echoed" delay comes back just a fraction of a second later than the first, so that what you're really hearing is a lo-fi "echo" of the delay. The effect is subtle, but totally unique to the AD4096. Also, unlike many delays, both analog and digital, it is very easy to set the AD4096 so that is sounds like it is constantly self-oscillating with feedback without the signal getting carried away and blowing up your amp. This allows you to play lines over a swirling, churning background of delayed signals.

In addition to all of those features, the AD4096 also has an always-on buffered direct out. This allows you to send your dry signal to a seperate pedal chain without any loading.

The AD4096 owes its heritage to the Boss DM-3, though we cannot stress enough that it is NOT a clone! The AD4096 sounds very different and it has expanded tonal possibilities. The Coolaudio chips we use for the BBD and clock are clones of the Panasonic chipsets used in the DM-3 (and, to our ears, sound very "cool" indeed - so much for the N.O.S. voodoo!).

If you've been looking for the most tonally versatile analog delay out there, then you've just found it: the AD4096 by Endangered Audio Research.

The AD4096 features 100% analog circuitry and is hand-built and assembled right here in our shop. We use only through-hole components, and we make an effort to source environmentally-friendly components whenever possible. Our knobs are all high quality custom-made in the USA. We also have all of our boxes powdercoated locally here in Asheville, NC.

Features:
* 20-300ms of analog delay
* Direct out
* Switch for True Bypass or Spillover
* Momentary "Infinity" switch that shoots the Depth to 100% and also turns the normally red LED to green
* Two different delay controls - "Delay" and "Echo" each with their own distinct characteristics
* High quality plate-through-hole circuitboard that is made to last
* Durable Metalphoto control faceplate - will withstand years of abuse
* Large, custom-made knobs that invite tweaking
* Locally powdercoated aluminum enclosure
* Hand-built and assembled in our shop to assure total quality control
* Footprint: 5.3" by 4.3"

Projected Price:
$375
(Available for preorder in 2 weeks)."
http://smashingguitarsasheville.com/products/ad4096-analog-delay

Via Smashing Guitars. Note this is a stompbox. A synth module with expanded control will follow.

A fast theme

YouTube via attorks

"An uptempo piece of sequencer music. The first sequence you hear is performed by the Synthesizers.com Modular using the CGS Steiner filter. The second sequence is performed by the MFM Modular using the Synthesizers.com Q150 filter. The AKAI AX80 is on chord memory so I can use one note to play chords. The AX80 also controls the pitch of the Synthesizers.com sequence. The difficulty was that the scale to play the chords and change the Synthesizers.com pitch (in Cm) was 2 semitones below the scale for the solo (in Dm). But I didn't wanted to scale down the Doepfer MAQ16/3 which would involve retuning all the knobs. The solo is performed on the Korg 900PS with the Funky Trumpet preset. In the last section the pitch bend switch is engaged."