Dirtywave MX (Single Device Demo)

video upload by Dirtywave

"Since the previous video introducing the MX (below), the most asked question has been about if the looper can be used to mix a single device. MX supports up to 24 seconds of stereo looping, so hopefully this answers it.

For this demonstration, we're using only a GBA running @ForsFM FMS."

M8 Tracker Discord Meetup #31 (Version 6.2)

video upload by Dirtywave

0:00:00 Going over firmware v6.2.0 (again)
0:01:28 Song Backups
0:02:24 WAVsynth Triangle Scan
0:04:05 ModFX
0:05:28 Reverb Shimmer
0:06:00 OTT (Over The Top Multiband Compressor)
0:12:05 Line-In Gate
0:14:35 M8 Model:02 Orders (Sept 8th, 2025)
0:15:10 M8C iOS App
0:16:20 Chat Q&A Time

CLICK FOR MORE »

M8 Tracker Discord Meetup #34 (M8 Tracker iOS)

video upload by Dirtywave

"Meetup #33 is coming shortly... we have to fix some things in post :)

M8 Tracker is now available for iPhone and iPad. M8 for iOS brings the complete M8 workflow to iOS, with full song and bundle compatibility with M8 hardware.

⬇️ M8 Tracker on the App Store ⬇️
https://apps.apple.com/app/id6806721202"

[055] Endless summer. Sketching with Dirtywave M8

video upload by super secret submarine

"The new Hypersynth shape parameter is awesome! #dirtywave #m8"

The M8 Tracker Continues To Blow His Mind // OS 6.6 Release

video upload by EZBOT

"Today I wanted to take a bit of time to explain my deep love for the Dirtywave M8 Tracker while going over the patch notes for the new OS that was released last week. The new OS brings a slew of upgrades to the device in both sound and presentation. Let's check it out and make some tunes."

EZBOT resources: https://www.patreon.com/ezbot, https://ko-fi.com/ezbot/, https://www.modbang.com

M8 Changelog on github

Makes for an intersting look back on the development history of the M8:

CLICK FOR MORE »

[054] Commuter jams. Sketching with Dirtywave M8

video upload by super secret submarine

"The Dirtywave M8 is so fun to play and the portability is unparalleled. I’ve tried sketching on flights with Teenage Engineering pocket operators and the OP-XY and have had some fun jams but the M8 is next-level commuter-friendly."

M8 Tracker Model:02 Sequence & OP-1 field Hand-Play | Floating Island 2026-08-26 by atnr

video upload by atnr

"An electronica piece combining sequenced patterns with hand-played performances.

This piece was created with the ‪@Dirtywave‬ M8 Tracker Model:02, OP-1 field, and monotron DELAY.

On the M8 MODEL:02, the basic patterns for drums, synthesizers, and other parts are played back.

On the ‪@teenageengineering‬ OP-1 field, an FM synth is performed by hand. Bit reduction is applied using the built-in TERMINAL effect, followed by reverb through the external blueSky.

The ‪@KORG_INC‬ monotron DELAY is connected to the MOOD MKII and processed with reverb."

Dirtywave m8 MK1 Tracker Synthesizer + Sampler + Sequencer

Note: links to listings are affiliate links for which the site may be compensated.

via this listing

Additional Perfect Circuit listings

CLICK FOR MORE »

[048] first jam with Dirtywave M8 tracker #dirtywavem8 #synthesizers

video upload by super secret submarine

Dirtywave M8 Tracker // Atmospheric First Sketch

video upload by Dexba

"Only good things to say about the M8 Tracker.
I briefly owned the mk1 version (which I still prefer from a purely aesthetic standpoint: it was so cyberpunk!), and I had many plans for it, including a convoluted recording featuring the Wingie 2 outside, but I had to sell it because, as usual, money!
Now we're back with the mk2, which, aesthetic preferences aside, is better in any way: usb-c, battery, structural integrity, comfort in the hands, and I am starting again from zero.
The reverb now sounds way better, I have a tiny bit more experience with trackers, and I've digested hours of tutorials (but I am still scared of using Tables, lol)
It might seem a very basic jam, and it probably is for seasoned users, but I want to treat this channel as a diary for my journey with the various instruments I try, so here is my first sketch!
Recorded with the LOVELY 'Render' feature, which should be almost mandatory on all the digital grooveboxes around (OPXY, I am looking at you...)
Hope you'll like it!"

GRADIENT NOISE Coming to ICMC 2026

Gradient Noise: Work in Progress with Dirtywave M8 and Processing.org
video upload by John C.S. Keston

https://audiocookbook.org/gradient-noise-at-icmc-2026/

"I'm pleased to announce that I will be performing the world premiere of my piece Gradient Noise at the International Computer Music Conference (ICMC) in Hamburg, Germany on May 11 at 9:30pm. The following video except represent the work in progress. The final piece will be 10 minutes long and contain up to four layers of instruments with independent, corresponding, video objects.

Since 2019 I have been composing animated graphic scores for ensembles and soloists. Examples include Parking Ramp Project, SYNTAX, and Rhodonea. These generative works are projected for both the performers to read and audience to experience. I write software to generate and animate the geometric forms, and establish rules on how the forms are read, whilst allowing improvisation and the emotional response of the performer to play an integral part in each piece.

Gradient Noise, written using the Processing.org language, translates values generated by the Perlin noise algorithm into independent layers of seamless loops repeating at variable intervals. These loops are visualised as geometric forms, abstract visualizations, and evolving structures. The data generated is aleatoric, but the values can be tuned to range between slowly moving gradients or rapid, angular forms. When the sound and visuals are synchronized I respond not only to the animation but also to the changes in the timbre of my instruments.

Through Gradient Noise I am rethinking the relationships between musicians and machines. By translating the properties of n-dimensional Perlin noise into a musical language, the piece presents a unified ecosystem with coordinated timbres and geometric forms. Thus generating a living environment that requires active participation and improvisation. Ultimately, the work presents a contemporary model for computer music where the performer does not simply follow a score, but negotiates a path through a responsive, multi-sensory experience.

More on AudioCookbook.org:
https://audiocookbook.org/gradient-no...

ICMC Official Conference Website:
https://icmc2026.ligeti-zentrum.de

Audio in this video entire produced using the Dirtywave M8 tracker:
https://dirtywave.com/"

Drift DJ Industries Unveils Zero Pocket-Sized Mixing, Playback and Recording Device

video uploads by Drift DJ Industries

Press release follows:


Drift DJ Industries Unveils Zero, a pocket-sized mixing, playback and recording device for djs and electronic musicians

CHICAGO, April 13, 2026. Drift DJ Industries announces Zero, a palm-sized, battery-powered, all-in-one audio mixing, performance and recording system. With its portability and instant-on playability, Zero’s standalone 2-deck DJ system empowers DJs to break outside of the booth and bring their sound to any space. Through it’s DAWless and hybrid DJ-oriented external device sync, audio signal mixing, deep routing configuration and built-in recorder, Zero collapses key functions into a single machine, reducing the amount of hardware required to craft any sound.

Zero: Portable DJ, DAWless, Mixing and Recording

Big-Rig DJ-Features in the Palm of Your Hand

Don’t be fooled by Zero’s small size. Its robust feature set includes DJ-quality time-stretching, dedicated headphone cues, filters and FX for each playback deck. With physical controls organized in a familiar-two channel DJ mixer layout, our device is perfect for DJs who want to forgo larger laptop and controller-based setups while retaining the tactile feedback not found on mobile apps. Leave the cables and power supplies at home. Never get a meeting invite in the middle of a mix.

Compact Machine with DAW-Like Powers
Zero’s wildly-flexible signal routing UI lets users control every link in the signal path. Glue together any collection of music-making gear by routing signals from aux busses and the decks between the analog and USB I/O ports.

For example: Route audio from a Dirtywave M8 and a Roland S-1 into Zero’s analog input ports, and individually trim and EQ each device. Bus those signals together and send/return to a Hologram Chroma Console. Route that signal into the crossfader to mix the effected M8 and S-1 sound with the DJ decks. Add an OXI E-16 and map individual knobs to the M8 and S-1 bus’s post-fader, EQ controls and bi-modal filter cutoff (input control mapping is slated for post-launch release). Record several minutes of knob-tweaking as a .wav file to Zero's internal storage. Re-import that .wav file, add cuepoints and a beatgrid, and loop and layer it in with other inputs and DJ playback.

Built to Evolve
Zero is a new hardware platform and a custom Linux distribution running front-end software from our own publicly-available open source SDK. It ships with the DJ playback, library, external sync, signal routing and recording features, and it includes on-device software management for easy install of future updates. Planned updates include control input mapping, video output for streamers, third-party library support (including rekordbox and Engine DJ) and accessibility features. It fits in a fanny pack, but Zero will develop new capabilities by the truckload.

See our device specs and release roadmap for more info.

Meet Zero in Person
Stop by our exhibitor tables at the following events:
SynthFest France, Nantes, April 17th-19th
Superbooth, Berlin, May 7th-9th

Pricing and Availability
Zero is in presale and priced at $899, with an expected release date of Summer 2026.

CLICK FOR MORE »

Just a Jam 01 with Dirtywave M8 and Waldorf Protein

video upload by Nicolai

"Music from the Bedroom #1 – My first lazy jam, built completely from scratch.

I start with a simple percussive foundation on the Dirtywave M8, then layer a single-oscillator patch on the Waldorf Protein and just explore where it takes me. Nothing polished, just raw ideas in the bedroom."

Acid exploration Jam 02 with Dirtywave M8 and Waldorf Protein

video upload by Nicolai

"Music from the Bedroom #2 – Acid exploration jam from scratch on Waldorf Protein with Dirtywave percussion presets.

Starts with a clean init patch on the Protein, evolves into full acid lines while the M8 runs live-mode percussion and pattern switches. Calm, repetitive, but constantly varying kick, snare, hats and acid lead. Raw 11-minute bedroom take.

Timeline:

00:00 Init Patch
00:20 Patch evolution
01:00 Acid - here it comes
02:30 Filter and FX added
03:35 Notes variation
04:14 Adding Percussion
06:40 Feels complete, now "live" mode
07:47 Now it really makes fun!

Patch sounds rough? Video quality questionable? Tell me in the comments – I can take it.
If you actually like it, I’d love to hear your feedback too.

Links
Tracks on Bandcamp: https://nicolai-creates.bandcamp.com
Homepage: https://nicolai-creates.art/"

Ambient Electronica with LYRA-8 and OP-1 field Strings | Curb Stones 2026-03-29 by atnr

video upload by atnr

"Ambient electronica built from simulated string tones and sustained synth textures.

Created with ‪@somasynths‬ LYRA-8, ‪@Dirtywave‬ M8 MODEL 02, ‪@teenageengineering‬ OP-1 field, and monotron DELAY.

On the LYRA-8, sustained tones are performed. The signal is processed with ‪@KORG_INC‬ monotron DELAY for filtering and delay, then through MICROCOSM with deep reverb.

On the M8 MODEL 02, simple harmonies are played and looped using Hypersynth. The sound is processed through ‪@ChaseBlissAudio‬ LOSSY with filtering and reverb.

On the OP-1 field, simulated string tones from the STRING synth are looped using the ENDLESS sequencer. Reverb is added with MOOD MKII, and the MICRO LOOPER is occasionally engaged to introduce variation."

Bad Gear - He tried his best to HATE IT

video upload by AudioPilz

[Funny side note: I just saw that episode of Myth Busters with the truck plowing through cars, just yesterday.]

"Welcome to Bad Gear, the show about the world’s most-hated audio tools. There are a few learnings to be taken from years of ploughing through music production gear like an 80s rock band shopping in a liquor store: don’t believe the hype, everything has been done before and never trust a stylish instrument sold with the promise to give you all you need in a compact form factor without compromising sound quality and usability.

Today we are going to talk about Dirtywave M8. This hardware tracker and mini DAW comes with more red flags than the average dating app experience like a cult-like following, a Game Boy-inspired workflow and believe me - I tried my best to hate it.

CLICK FOR MORE »

introducing midiphy zetaSID: expandable modular SID synth voice

video upload by midiphy

"midiphy proudly presents: zetaSID expandable modular SID synth voice

The legendary SID chip reimagined as an expandable modular synth voice: powerful synthesis engine, animated OLED display, and polyphony-expandable.

zetaSID is a powerful eurorack modular synthesizer voice packed into just 4 HP, expandable via the new midiphy phybus backplane link. Start with a single monophonic voice controlled via CV/gate and scale it to a full polyphonic MIDI synthesizer with up to six stereo voices with MIDI control. At its core lies the legendary MIDIbox SID synthesis engine, featuring six LFOs, dual envelopes, quad wave sequencers, eight modulation paths with dozens of sources, algorithmic operations, and an extensive trigger matrix.

It ships with 100 carefully crafted patches in its ROM bank, ready to use as-is or as inspiration for your own creations.

zetaSID is an expandable powerful SID voice covering a wide range of tones and textures, from classic chiptune staples to sounds you might not expect from a SID chip.

Try out the free web-based emulator (no installation required) here:
https://www.midiphy.com/en/zetasid-em...

More info:
https://www.midiphy.com/en/zetasid"

midiphy 4 x zetaSID Song

video upload by Avrilcadabra

"Hi everyone, These are midiphy eurorack modules.

Disclaimer I have marked this video as Paid Promotion although I was not paid to make this or any video, I was sent these to test before release.

The zetaSID modules are based on the legendary Midibox Sid Synthesizer.
They contain the lead and drum engines from the Midibox Sid and use Hermits (creator of Sid Wizard tracker) Sid emulation.

Each zetaSID contains 3 voices and filter as you would expect from an Sid chip ( The Sid chip is the sound chip from the legendary Commodore 64 home computer from the 80's )

So each zetaSID is a like one commodore 64. If you have multiple zetaSID's they can be linked together with supplied ribbon cables internally to add them to the Phybus, midiphy's way of having all modules being able to talk to each other. They then can work in unison, as stereo pairs, monophonically or for polyphony so a lot of different ways to use them. Of course I wanted to test how I could use them multitimbrally, and in this example I have them unlinked (not physically you can do it from the menus)

The midi module is Nexus Midi by midiphy and allows you to control the zetaSID's via regular midi over the Phybus (they do support cv gate also)

zetaSID 1 is using the drum engine, here I have split, kick, snare and hats over different voices on a single zetaSID, so indeed you can play a kick, hat and snare at the time time if patched this way.

zetaSID 2 is the lead sound, it is going through some hall reverb in this example. It shows off legato bends and using the impressive wave sequencer to increase vibrato over time (like tables if you are familiar with trackers)

zetaSID 3 Uses the Arp to provide classic c64 Arp sounds, I am just sending chords to this module over midi and it is handling the arps itself. It actually has 3 arpeggiators, one per voice, so a stereo pair of zetasids can run SIX arps with completely different settings at the same time from a single patch, impressive.

zetaSID 4 Is using one of the factory presets Den of Saws, I've just high passed it a bit since we are using a lot harmonically rich voices in this song.

This was midi sequenced via a Dirtywave M8 Tracker.

I will show more of the zetaSID's, as they are very powerful and very deep, the amount of modulation they have is outstanding even has Logic Gates, you can literally XOR lfo's together and I need to say if you are seeing this video and thinking you want like to write songs on these that program change isn't currently implemented, but is a high priority on the roadmap.

If you like my music I have a bandcamp here https://avrilcadabra.bandcamp.com/
And you can find me on streaming services and socials also."

Waldorf Protein in the hands of a beginner makes "Bang!"

video upload by Nicolai

"I just bought the Waldorf Protein. They said it is their entry level, so I unboxed it, did a test drive, created some own patches and guess what: "Bang!" a tight techno track was born.

🎧 Original "Bang!" track (the one born from frustration): [below]


It is a lovely wavetable synth: portable (fits my setup perfectly), flexible and most importantly: accessible! Sure, there are menus and a shift button for deeper tweaks, but most of the time you just coast on the sound, dialing it in directly with the tons of hands-on knobs. How cool is that?

Watch the full video: unboxing, preset demos and evolution, honest critique, Nicolai patch building which lead to the 'Bang!' track."

CLICK FOR MORE »

Dirtywave M8 and Torso S-4 Jam 260117

video upload by Indra Perkasa

"technical notes / self-reminder.

both M8 and S4 connected to mac desktop using usb.
then using Loopback, i route audio from M8 to S4 with details:
M8 Main Out to S4 Track 4
M8 Track 4 (Pads Hypersynth) to S4 Track 2
M8 Track 1 (FM Bass Synth) to S4 Track 3

S4 Track 1 is playing back sample that i also recorded from M8 via usb-Loopback.
more on this, at first i tried to connect directly using usb from M8 to S4. it worked, but there's audio crackles. i assumed this happen because of the different sample rate. M8 is 44Khz and S4 is 48KHz. so i found a workaround that is working nicely (no crackles) using Loopback as a bridge.

M8 also sending midi to S4 to send clock, control Start/Stop, and send midi cc to control Mix FIlter of S4 Track 1 and 2. i did this using Midi Patchbay app, its an open source app. very handy app with for this kind of situation, just want a simple routing without needing to use DAW.

then i use ableton just to record, set audio input to S4, audio out to my audio interface for monitoring.

its amazing nowadays how you can multitrack record music gear without using audio cables, only 2 usb! and just want to say Loopback is really really nice. simple, but very useful."

Range (Dirtywave M8 Tracker)

video upload by The Way Up

"A new track I put together on the Dirtywave M8 Tracker. I've been goofing around with the Lydian mode more, and finding it really inspiring. This was just a short/simple thing that came out of that. I also found a midi controlled video playback app (SmashCut for iPad) and used a spare channel to send some fun CC to make the background. The video is from the 1920 film "A Trip to the Moon"

https://thewayup.bandcamp.com/
https://open.spotify.com/artist/64qqi..."

Tech House on M8 Tracker Model:02 & MPKmini : Selectable 2025-10-05 by atnr

video upload by atnr

"A piece created with ‪@Dirtywave‬ M8 Tracker Model:02 and ‪@Akai_Pro‬ MPKmini. Tech house where even kicks and intricate synth tones pass through filters and delay.

The MPKmini is used to control the M8 via Ableton’s MIDI thru. The knobs on the MPK control the filter cutoff of the synth tones and the DJ filter cutoff.
The keyboard is used to play the M8’s MACROSYNTH, with the arpeggiator turned on to generate detailed phrases."

Mixing it up w/ Zeptocore, AudCalc & Dirtywave M8

video upload by Arman Bohn

"Chill generative beats...

Using the M8 to randomly sound off drone-ish sine waves with some of the new 'shimmer' reverb in the latest firmware.

Zeptocore is synced to M8 via MIDI clock and providing some chopped samples I fed it.

AudCal is running three different sounds that I'm triggering by hand. I created a pattern of notes on each of the sound/channels to help me differentiate which one was selected."