"An eventful 2025 is coming to an end, a year with incredible results.
After approximately 1.5 years of “analyzing, researching, speculating, searching, finding, trying out...”, we have relaunched the first MOON module and laid the foundations for further modules.
The most innovative keyboard in the history of analog synthesizers will be launched in 2026 after three years of development, heralding the start of our MOOG 3.0 vision.
Our new rack instrument business segment has established itself very well and has already contributed significantly to our results this year with the BODE SW 8101 BODE Barberpole Phaser and BODE 735 Frequency Shifter devices.
All of this is presented on a new website with three product lines...
PURE R.A. MOOG
All MOOG MODULAR classics, including all MOOG systems.
MOON MODULAR
The MOON Modular product portfolio.
BODE SOUND CO.
New, partly unreleased products by Harald Bode will be added to the BARBERPOLE PHASER and FREQUENCY SHIFTER in 2026, further expanding the collaboration with the ZKM and the Karlsruhe University of Music.
Many thanks to everyone who has supplied us, sold our products, and supported us!
I wish you and your families a wonderful Christmas and a hopefully more peaceful 2026!
Your SYNTH-WERK team Gerhard, Marcus, Markus, and Thomas
'There is an extremely powerful force for which science has not yet found a formula.
It is a force that encompasses all others, regulates them, and is even behind every
phenomenon that is active in the universe and has not yet been identified by us.
This universal force is LOVE.'
Ambient Drift showcases Drift in its most beautiful and organic expression. A complete two-in-one sound pack for Ableton Move and Ableton Live, it features 79 living, expressive patches with deep velocity response, 15 polished demo sets, and a fully installable Ableton Live Pack Project that includes the same instruments, samples, and drum kits, plus the demo sets specifically arranged for Ableton Live, offering a more in-depth production workflow. With 264 versatile samples, 17 flexible drum kits, and patches designed to feel alive and responsive to your touch, Ambient Drift is ideal for ambient, electronica downtempo, chill out, and beyond — delivering expressive depth and expanded creative flexibility across Move, Live, Push, and Ableton Note.
LONG DESCRIPTION
Ambient Drift is a sound pack that brings Drift to life in its most beautiful, organic, and expressive form. Every patch has been carefully crafted to feel alive, dynamic, and responsive, making each performance unique and full of movement. Thanks to its extreme velocity sensitivity and expressive modulation assignments, each preset reacts naturally to your playing in real time.
By enabling or disabling Full Velocity, you can instantly access two distinctly different sound characters within a single patch, greatly expanding expressive and performance possibilities without changing presets.
This pack is ideal for ambient, chill out, cinematic textures, and electronica downtempo music, but its versatility goes much further. Thanks to the depth of the drum kits, rhythmic possibilities, and the ability to tweak Drift parameters directly inside Ableton Move or Live, Ambient Drift can be adapted to virtually any genre.
WHAT’S INCLUDED — ABLETON MOVE VERSION
79 highly expressive Drift patches Pads, polys, basses, arps, drones, and leads — all designed to feel organic, evolving, and deeply musical.
"I continue developing the patch from the previous video, expanding the sequencing, modulation, and timbral variations using a Buchla/Tiptop modular system driven by the Arturia Keystep.
The session remains fully improvised, with real-time explanations while shaping the sound and exploring new directions from the existing patch.
🎛️ Gear used
• Tiptop Buchla modular system
• Arturia Keystep – sequencer
• Various modulation and utility modules
🎧 What’s explored
• Patch continuation and development
• Expanded sequencing and modulation
• Live sound shaping and structure
• Real-time explanation of patch changes"
F*ck With Sound ships Break On Through and Bring It On, debuting dedicated DACS Audio brand with extraordinary Eurorack modules living up to noteworthy name
GATESHEAD, TYNE AND WEAR, UK: having opened ears in October when debuting during the Bristol, UK-hosted Machina Bristronica 2025 event showcasing electronic music culture and technology, dedicated DACS Audio brand F*ck With Sound is proud to ship Break On Through and Bring It On — opening an absorbing new chapter in the award-winning high-performance, well-engineered product producer’s four-decade-spanning design and manufacturing history with a FET distortion unit (based on an extension of what was originally a microphone level limiter) and a ring modulator boasting a super-smooth sound, really low breakthrough, and switchable WEIGHT and EDGE controls (which will both be familiar to users of DACS Audio’s legacy FwS FREQue, much-lauded as a 2U rack-mount, two-channel ring modulator outboard effect), respectively, representing extraordinary Eurorack modules living up to the newly-launched brand’s noteworthy name — as of December 15…
As a FET distortion unit based on an extension of what was originally a microphone limiter, the basic circuit behind F*ck With Sound’s Break On Through module has been used — and abused! — by producers for years, more recently emulated as a plug-in, before being effectively adapted to join the ranks of the ever-expanding Eurorack marketplace. Maintains DACS Audio Managing Director Dr Douglas Doherty: “After reading about Soundtoys’ Devil-Loc plug-in, I was intrigued. We were looking for a distortion unit to go in a mic pre under development. I had heard about Tchad Blake’s work with the original Shure Level-Loc — particularly on drums, and this seemed like a bit of serendipity that had to be acted upon! The perfect fit. In the end, we didn’t proceed with the mic pre, but it was clear that this would be ideal for modular system users.”
Bringing Break On Through to market as a 14HP-sized Eurorack module — based on a classic analogue microphone limiter design that was, according to legend, hijacked by an electronics-savvy record producer, and used on numerous records for ‘breaking through’ with drums and percussion, particularly — was easier said than done, however. “As always, there were many hurdles,” admits Dr Douglas Doherty, before continuing: “The original circuit was for microphones, so it had to be upped for line level; it was single voltage rail, so had to be adapted for dual voltage rail; the interaction of the threshold and input gain needed some tweaking; and we wanted to adjust the release. After a few prototypes, we arrived at the current unit, which is very responsive and versatile. Control-wise, it has an input gain [IN GAIN] and a threshold setting, which we call BREAK; as well as the manual BREAK control, there is also a CV input [IN] to modulate the threshold. There is a variable RELEASE control that can produce some very interesting results, depending on the nature of the input. On the output, we also have gain [OUT GAIN], and a CV input [IN] to modulate the output level [GAIN MOD].”
Musically speaking, the end result “…is a brick wall limiter that can — by upping the input level — be pushed into distortion,” describes Dr Douglas Doherty, justifiably proud of the fact that F*ck With Sound successfully upgraded and updated the circuit concerned to produce a colouring block with a vast pallet. “With dynamic material such as drums, it can be set for only peaks to distort — the rest remaining clean. That quality was commented upon by a couple of distortion aficionados atMachina Bristronica.” Break On Through features — hitherto unmentioned — worth highlighting here include: LED indication for distortion; solid metal sleeve jacks for longevity and stability; and custom DACS Audio aluminium knobs.
"This is the Shard harsh noise generator — a boutique power-electronics / industrial sound device known for its aggressive textures, chaotic oscillators, and fully manual performance controls.
A favorite among harsh noise, PE, drone, and experimental sound artists, Shard units are highly sought after due to their unusual interface and raw sonic power.
The panel includes multiple oscillators, pitch controls, gates, chaos switches, atrophy charge pads, and external input options for expanding or processing noise in real time. Great for standalone improvisation, modular interaction, or adding harsh layers to audio work.
⸻
Features:
• Multiple oscillators with individual pitch controls
• Patchable ports for expanded routing
• Dedicated chaos & atrophy switches
• Gate pads for manual noise triggering
• External input for additional audio processing
• Rugged metal enclosure
• Runs on 9V power (battery or adapter)
• Perfect for harsh noise, PE, dark ambient, and experimental sound design"
"Meet the Moog Messenger Preset Editor — a powerful new software tool for enhanced sound design and preset management.
This free desktop editor/librarian gives Messenger owners full visual control, deeper sound design tools, and effortless preset management… all without changing the classic hands-on Moog workflow. Whether you’re shaping patches on the hardware, dialing in precise values on-screen, or managing your entire preset library, the Messenger Preset Editor keeps everything perfectly in sync.
Alongside the editor, we’ve also released Messenger Firmware version 1.0.13, which is required to use the new app. This update introduces expressive features like duophonic mode and assignable modulation wheel control, expanding Messenger’s creative possibilities.
"🎹 Meet Osmose 61
The new 61-key version of the Osmose adds an extra octave for more freedom to explore, compose, and perform ✨.
A fully expressive keybed lets you press, bend, glide, and shape sounds naturally, whether as a standalone synth or controller."
osmose 49/61 - the ultimate expressive synthesizer
"Discover Osmose, the new standard for musical expressivity — now available in 49 and 61 keys! 🎹
Experience a new level of musical freedom with intuitive gestures that let you press, bend, shake, strum, and shape sound like never before. Whether you’re a seasoned keyboardist, a workflow-driven producer, or a bold sound designer, Osmose will take your creativity to uncharted places.
Choose between the compact 49-key version or the extended 61-key model for more range and comfort. Both deliver the same unmatched expressive experience. 🤍
49/61-key gesture-sensitive keybed (semi-weighted)
Custom expressive sound engine (by Haken Audio)
More than 500 presets with custom macros
Built-in Effects: Reverb, Delay, Compressor/Drive/2 convolution engines, pre & post reverb/delay, EQ
External MIDI control w/classic & MPE keyboard configurations
Large color screen & ergonomic UI
Built-in MPE arpeggiator & innovative glide control
Custom sensitivity controls
Sleek & rugged design
Everything you need to know about Osmose: https://www.expressivee.com/2-osmose"
"Take your expression further than ever before with the Osmose 61, an expanded range version of Expressive E's advanced MPE keyboard synthesizer and controller. Adding another octave to Osmose, this 61-key version provides ample room for a wider range of melodic and harmonic playing, supporting two hand performance with plenty of room for dynamic performance across the Osmose's uniquely capable 3D keybed. Beyond this expanded range, the Osmose 61 delivers every innovation that made the original 49-key version a mainstay for musicians around the world. Deep control with MPE-enabled keys that add nuance to every touch, premium build quality, and the vastly powerful EaganMatrix synth engine are all at your fingertips, now with even more room to make your musical mark.
Now built in Expressive E's Polish manufacturing center, the Osmose 61 offers a premium standard for build quality, ensuring an uncompromising experience that's built to last. From rich and velvety acoustic tones to daring and dreamy synth patches, the EaganMatrix engine under the hood is your window to a world of captivating expression, now with an optimized interface for intuitive sound design and control. Physical modeling, FM, classic subtractive synthesis, and so much more are at the ready, bending deftly to every keypress, lateral wobble, and aftertouch press for a playing experience akin to the nuanced feel of acoustic instruments. Expressive E's mighty MPE control goes beyond even this core sound engine, readily expanding with Expressive E's software ecosystem of original and third-party developed sound libraries, proprietary instruments, and more. Whether you're using the Osmose 61 as a dedicated performance instrument or integrating its powerful expressive features into your DAW workflow, the Osmose never misses a beat to empower your creative vision.
If you're ready to dive into a lifetime of expressive control, the Osmose 61 is here to offer a dedicated platform for performance and control that's designed to grow with you. Twenty-four voices of polyphony, built-in effects, and 580 factory presets with 2048 slots for saving your own creations provide a deep well of musical possibilities to explore right out of the box, while the powerful engine, expanded software ecosystem, and premium build ensure a lifetime of sonic exploration. For MPE mastery without limits, look to the Osmose 61 from Expressive E.
OSMOSE 61 FEATURES
61-key MPE keyboard synthesizer and controller
3D keybed provides deep expressive control
Gestural controls include press, pitch bend, vibrato, aftertouch, pressure glide, and note off control
Expressive arpeggiator for nuanced sequence performance
EaganMatrix sound engine by Haken Audio enables vast sound design options with physical modeling, FM, subtractive, and more
24 voices of polyphony
Built-in effects processing
Intuitive interface with color LCD screen, 6 encoders, pitch and mod sliders, and octave & preset buttons
Expanded ecosystem of sounds and synths made specifically for Osmose by Expressive E and third-party partnerships for limitless sound exploration
MIDI input, output, and thru
USB type B connectivity for direct DAW control
2x continuous pedal inputs for sustain or parameter control
Balanced audio outputs for professional sound on stage and in the studio"
"ZENOLOGY GX brings the full power of Roland’s ZEN-Core Synthesis System into GALAXIAS, giving you access to over 11,000 tones—from iconic vintage synths to cutting-edge hybrids. Explore the massive library of sounds or build your own from scratch using the same engine found in flagship instruments like FANTOM and JUPITER-X.
ZENOLOGY GX also includes a powerful browser to help you stay organized. Search, rate, and recall presets with ease. Each tone is built from up to four partials, each with its own oscillator, filter, amplifier, dual LFOs, and effects. Shape your sound with over 90 effects, including spacious reverbs, classic Roland choruses, and more.
Inside GALAXIAS, ZENOLOGY GX becomes a super instrument. Layer up to four instances, assign key ranges, apply per-layer effects, and use creative tools like ARPS and CHORDS to build massive Scenes. You can also export your sounds to ZENOLOGY Pro or compatible ZEN-Core hardware."
GALAXIAS brings 50 years of legendary Roland synths and drum machines together into one powerful Super Instrument. Access thousands of iconic sounds and freely combine authentic Roland instruments from vintage to modern. Explore supermassive GALAXIAS Scenes filled with intricate layers and deep macro controls. And discover exciting new worlds with infinite creative possibilities.
Legendary instruments. Iconic sounds.
Roland has been a pioneer in music technology for over half a century, delivering a continuous stream of influential instruments and effects that have fueled countless hits, defined genres, and driven cultural trends. With GALAXIAS, you can now explore and experience them all in one creative environment. From historic icons such as the JUPITER-8, TR-808, and D-50 to modern instruments like ZENOLOGY GX and SYSTEM-8, GALAXIAS harnesses Roland’s evolving sonic legacy within a single intuitive workflow.
A voyage of discovery.
Choose from your favorite Roland synths and drum machines, search specific sound types, or mine the ever-expanding collection of over 25,000 sounds to spark new ideas and build compelling tracks. GALAXIAS puts unlimited albums’ worth of inspiration at your command—from vintage sounds to futuristic hybrid tones—with more added each month.
Roland Super Instrument.
GALAXIAS lets you layer up to four instruments to create massive sonic superclusters called Scenes. Build an intricate setup of your favorite Roland instruments, such as a full stack of JUPITER and JUNO synths, or multiple eras of TR drum machines locked in perfect sync. Dial in an arpeggiator pattern (or four), quickly define key ranges and macro controls, and then play the whole thing as a single instrument in the studio or on stage.
Next-gen ZEN.
Seamlessly integrated into GALAXIAS, ZENOLOGY GX delivers over 11,000 genre-defining Roland sounds in one powerful instrument. Layer up to four instances with definable key ranges, sophisticated macro controls, per-layer effects, and creative tools like ARPS and CHORDS. Explore the vast collection of presets or craft your own using 23 authentic oscillator and filter models, over 7,000 PCM waveforms, 11 LFO shapes—including a versatile Step LFO for rhythmic movement—and 90+ effects. From studio to stage, ZENOLOGY GX puts limitless sonic potential at your fingertips.
Effectively awesome.
In addition to the formidable effects within each individual instrument, GALAXIAS gives you two insert effects per layer and two global send effects. Choose from the growing collection of authentic Roland and BOSS effects and take your sounds to new frontiers. You can also route layers to external outputs or channels in your DAW for further processing.
"Just serviced by the very talented Vintage Standards in Japan October 2025. In my opinion top 3 techs in the world. PSU replaced, every pot disassembled cleaned and re lubricated, crucial caps replaced, tropical fish caps still in perfect condition, brand new Tauntek CPU board installed to keep it reliable for much longer than the original and expanding its memory to 64, uses through hole and modern components for longevity and serviceability. Crucial trimmers replaced to keep tuning and voltage stable. Keyboard cleaned and bushings replaced. Literally everything you need to do to these to keep them going for another 50 years reliably. This is the early SEM version that uses the same discrete VCA as the SEM instead of the chip based version most of them have which is more like the OB-X, love the way these SEM envelopes react. Sound is incredible and it's so awesome having instant preset recall on a SEM and a great interface to control it. These will only go up in value and im only selling because I recently obtained an TVS and its a bit over kill to have both (although awesome having a 3 voice). Selling at a loss already so please be considerate if making an offer."
1. Yamaha | MODX M | Elevate Expression Everywhere - Official Overview
2. Yamaha | MODX M | Sound Demo - Hear the Future of Expression
"Discover the new Yamaha MODX M Series, a next-generation synthesizer that elevates sound, control, and creativity for musicians everywhere.
Building on the DNA of our flagship MONTAGE M, MODX M delivers expressive performance and a professional workflow in a compact, lightweight design. Built for stage, studio, and beyond.
🎹 Key Features:
• Three powerful engines: AN-X (vintage analog), FM-X (modern digital), AWM2 (realistic acoustic instruments)
• Motion Control Synthesis: Shape sound in real time with the Super Knob, Motion Sequences & Envelope Follower
• High-resolution control: Smooth faders, knobs, and key response for ultimate expression
• Expanded Softsynth Plugin (E.S.P.): A virtual version of MODX M for your DAW (available early 2026)
• Compact, portable design: Perfect for working musicians on the move
🎧 Designed to inspire, wherever your music takes you."
Yamaha MODX M Synthesizer w/ KRAFT Music
video uploads by Kraft Music
Playlist:
1. Yamaha MODX M Synthesizer - Advanced Tutorial with Blake Angelos
"Yamaha has taken the brains in its flagship synth Montage M, and put it in a much less expensive package. Here are the details and comparison to MODX+ and Montage M
Get plenty of multi-samples for it, and my In-Complete Book of Electronic Music Ideas, Tips and Tricks
► Patreon: / loopop"
Vintage groovebox charm reimagined for today’s electronic producers. xemptyz This sample pack is a tribute to the iconic Roland MC-303, a machine that helped define the DIY electronic sound of the late 1990s. Originally released as an all-in-one groovebox, the MC-303 offered a bold vision for accessible music-making, with digital tones that felt futuristic yet playful. Even if you have never used the original hardware, this pack brings its spirit to life through carefully curated sounds designed for modern workflows. xemptyz
The Crow Hill Company works with Bleeding Fingers to proudly present PREHISTORIC STRINGS as unique string library built from bespoke instruments
EDINBURGH, UK: working with award-winning composers collective Bleeding Fingers, Edinburgh-based enterprise The Crow Hill Company is proud to present PREHISTORIC STRINGS as a truly unique string library — literally built from one-of-a-kind bespoke instruments incorporating horns and teeth with a few ancient bones thrown in for good measure, making for hybrid monstrosities to create tones that are haunting, primordial, and staggeringly beautiful in their truly primitive nature — as of September 25…
Putting PREHISTORIC STRINGS into its rightful perspective involves delving deep into the past in more ways than one — not least The Crow Hill Company’s ongoing relationship with its collective friends at Bleeding Fingers. For it all started when the latter’s talented Anže Rozman and Kara Talve worked with Hollywood hotshot Hans Zimmer — arguably one of the greatest, certainly one of the most prolific film composers of our time, noted for his innovative integration of electronic sounds with traditional orchestral arrangements — on the primetime television series Prehistoric Planet (2022-2025). As always with both Bleeding Fingers’ and Hans Zimmer’s approach to composition, the creation of truly unique sound-worlds played a fundamental role in the development of said score. An audacious project, indeed, it involved the construction of a selection of string instruments built with bones, horns, skulls, and cannibalised classical instruments, including a cello, frame drum, resonating dulcimer, and many more besides. But credit where credit’s due to the killer composing team involved in instinctively understanding that the resulting score’s success merely represented the tip of the iceberg in terms of the potential of their unique inventions and agreeing to share them with the rest of the composing community.
Ali Modular enters Eurorack marketplace with Esu’s Trifecta available as powerful multi-effects module with Triple FX engine
WASHINGTON, DC, USA: deep joy-encouraging Eurorack module-maker Ali Modular is proud to announce availability of Esu’s Trifecta — readily representing its inaugural entry into the ever-expanding Eurorack marketplace as a powerful multi-effects module, albeit one which stands out from the sound of the crowd courtesy of an ability to run three different serial effects at the same time, thanks to the Triple FX engine driving its intuitive tools that unlock new ways to shape sound and manage the creative process — as of October 2…
As a powerful stereo multi-effects Eurorack module, Esu’s Trifecta is designed to be the ultimate tool for manipulating, shaping, and transforming sound, duly delivering creative possibilities for musicians, live performers, and sound designers alike — whether used as an all-round sound manipulator, end-of-chain effects processor, or sound design tool. Digging deeper, Esu’s Trifecta draws its essence from an orisha — orishas being divine spirits that play a key role in the Yoruba religion of West Africa and several religions of the African diaspora that derive from it — called Èṣù, the mischievous trickster and guardian of the crossroads, who works to promote balance, order, and harmony, ultimately, despite being known for bringing confusion and unpredictability. It is fair to say that this ethos is effectively embedded deeply into the module’s design. As a result, Esu’s Trifecta creates opportunities for unpredictable sonic exploration while providing the tools to mould sound into harmony and order. On the face of it, the module itself opens up limitless pathways for creativity and sound sculpting — just as Èṣù signifies infinite possibilities.
"Step back to 1978 and discover the iconic Roland CR-78, the first programmable drum machine that changed the way artists approached rhythm. Before the 808 and modern drum machines, the CR-78 gave musicians the power to create and store their own drum patterns. In the hands of artists like Phil Collins, Peter Gabriel, and Blondie, it became iconic. For this Vault, we’ve preserved the much-loved character of the CR-78 and expanded its sonic potential with some tasteful effects."
The Crow Hill Company creates …RHYTHM MACHINE as latest free VAULTS… VI, preserving vintage classic’s character while expanding its sonic potential
EDINBURGH, UK: The Crow Hill Company is proud to announce availability of VAULTS - RHYTHM MACHINE as its latest VI (Virtual Instrument) release ready for all to download and make music with for free for the rest of their lives — literally preserving Roland’s 1978-vintage CR-78 CompuRhythm’s classic character as the Japanese giant of electronic musical instrument manufacturing’s first programmable drum machine (that changed the way artists approached rhythm and, in doing so, stamped its musical mark on a number of notable hit records that subsequently secured its iconic status in the annals of music technology history for all eternity), effectively expanding its sonic potential with some tasteful effects as a result — as of October 1…
Far from stretching the boundaries of truth, it is fair to say that the introduction of Roland’s CR-78 CompuRhythm changed the course of history as the first computer-controlled programmable drum machine. Most rhythm machines before its late-1978 introduction were preset-only affairs, forcing their users to pick from the likes of ‘Bossa Nova’, ‘Rock’, and ‘Waltz’ — more in keeping with the home organ-orientated terminology of the time. The CR-78, however, offered something new — namely, an ability to program rhythm patterns and store them in memory using the external WS-1 programmer optionally offered by Roland. Indeed, its 14 onboard instruments include bass drum, cymbals, hi-hats, rimshot, snare drum, and tambourine alongside several Latin-type sounds, such as bongos, claves, and cowbell — all generated using analogue circuits, giving it a distinctly warm, punchy character. Thanks to the CR-78’s analogue nature, though, the tempo control is not exactly surgical, but this foible only adds to its charm. And, as history has borne out, when placed in the creative musical hands of Blondie, Phil Collins, Peter Gabriel, and others, it became an iconic instrument in its own right.
"Using the continuously expanding Iteration 3 Onomatopoiea Reel, we continue the 12-String Iterative Music Project with a patch that gradually destroys the Reel! But don't worry, we'll keep going!
The Iteration 3 Spreadsheet is still open for submissions if you'd like to add any sound to the Reel for a more composed piece next time:
In this video, we present a series of short musical sketches, each created entirely with the Adamsynths™ Warthog modular synthesizer.
🎹 These compact compositions – each under a minute – showcase the expressive potential of Warthog patches in a musical context.
Adamsynths™ Warthog – where a patch is not just a moment, but a memory you can share.
Chapters
00:00 – Monkey – Rhythmic Pulse & Synced VCOs
00:29 – Bowland – Rhythmic Pulse & Synced VCOs
01:05 – Interstellar – The Magpie Lead
01:21 – Color TV - Keep calm and enjoy the Warthog
2. Adamsynths™ Warthog – Real Time Snapshot Switching & Morphing
In this video, we showcase two key features of the Total Recall system in the
Adamsynths™ Warthog modular synthesizer: Snapshot and Snapshot Morph.
🎛️ Snapshots are switched with incredible speed in real time. Using the Mood Wheels, snapshots can be morphed into one another with refined transitions. This allows patches to continuously transform, generating new sonic textures through the movement of the control wheel.
⏱️ Chapters
00:00 – Spooky – Restless Modulation
00:31 – Lost in Matrix 1 – Groovy Break Bassline 1
01:08 – Lost in Matrix 2 – Groovy Break Bassline 2
01:46 – Jono's Organ - Celestial Drift
02:21 – Lost in Matrix 3 – Groovy Break Bassline 3
3. Adamsynths™ Warthog - Atmospheric Patches
🎧 In this video, we showcase a selection of patches from the Adamsynths™ Warthog modular synthesizer.
Expect:
🌌 Atmospheric textures
🐗 Analog basses
🔮 Modulated soundscapes
Your Awaited Companion Has Arrived: Adamsynths™ Warthog, the first analog modular synthesizer with TOTAL RECALL Now Available for Pre-Order at Early-Bird Price
"🎹 Want to build your own polyphonic synthesizer from scratch? In this hands-on tutorial, you'll learn how to create a powerful synth in Puredata / Plugdata, covering everything from MIDI input to oscillators, envelopes, filters, LFOs, and polyphony management.
✅ Perfect for beginners and intermediate sound designers ✅ No external plugins required – just Puredata / Plugdata ✅ Includes a full demo and downloadable patches
📚 Topics Covered:
Creating a mono synth and expanding to polyphony Avoiding aliasing in digital synthesis MIDI integration and note handling Envelopes, filters, and delay effects Using abstractions, cloning, and data packing Final demo with reverb (Blackhole)
📌 Timestamps: 00:00 Demo (dry signal) 00:23 What’s in this video? 00:57 What makes a polyphonic synth? 01:52 Building a mono synth 02:29 Aliasing explained 03:17 Anti-aliasing strategies 04:11 MIDI input setup 04:41 Envelope creation 06:13 Handling sustained notes 07:45 Adding a resonant low-pass filter 08:18 Polyphony management 08:30 Isn’t this brilliant? 10:11 Abstractions & modular design 12:10 Note distribution 12:50 Object cloning 13:04 Data packing/unpacking 14:34 Delay line & bug fix 15:15 Final thoughts 15:33 Reverb-enhanced demo
"Crumar Spirit by Cherry Audio captures the unique sound and features of the exceptional analog monosynth from 1983, originally designed by some of the most legendary figures in the synth industry. Spirit is a gateway to sonic experimentation. It is not a polite instrument. Nor is it clean, safe, or obvious. However, twist a few knobs and it will reward you with some of the most colorful sounds you have ever heard from a virtual analog software synthesizer.
"100 additional presets for Cherry Audio's Crumar Spirit synthesizer by James Dyson that showcase its darker and more atmospheric side in nine categories. Explore more advanced modulations, integrated effects, rhythmic arpeggios, and aftertouch performance features.
"We are proud to preset the new Crumar Spirit by Cherry Audio, a meticulous software recreation of the unique, quirky and elusive Crumar Spirit analog synthesizer from the early 1980s. This is a two-part series. In Part 1 we go over most of the original-instrument features (minus the arpeggiator).
Part 2, covering the remaining features and exploring factory presets, will be released soon.
00:00 Introduction
00:34 A brief history
01:54 Overview of Crumar Spirit by Cherry Audio
02:35 Oscillators
09:59 Upper filter
12:41 Lower filter
20:02 Noise generator
23:43 Shaper Y (and Shaper Y audio path)
33:24 Mod X
41:24 Conclusion"
Crumar Spirit by Cherry Audio is a meticulously crafted virtual recreation that captures the unique and captivating features of the exceptional analog monosynth from 1983, originally designed by some of the most legendary figures in the synth industry. In collaboration with Crumar, we have reopened a time capsule to revive this Italian cult classic and thoughtfully elevated it with Cherry Audio's signature style.
Spirit is a gateway to sonic experimentation, whether you are after wild, unpredictable timbres or warm, analog tones. It is not a polite instrument. Nor is it clean, safe, or obvious. However, twist a few knobs and it will reward you with some of the most colorful sounds you have ever heard from a virtual analog software synthesizer.
Crumar Spirit includes over 430 sensational presets in 12 categories
Producers will find immediate inspiration in Spirit's extensive preset library, created by a talented sound design team led by veteran sound designer James Terris. And don't miss the Spectres for Spirt Preset Pack (sold separately), featuring an additional 100 additional presets by James Dyson.
A "Little Synth" Designed by Legends
Crumar S.P.A., based in Castelfidardo, Italy, was a notable player in the 1970s musical instrument industry, specializing in home organs, digital pianos, and multi-sound keyboards, and with a significant focus on the U.S. market. Sante Crucianelli, the son of the owner, became the driving force behind Crumar's design and strategies. Crumar became known for its open lab culture, frequently allowing competitors to test instruments, a rare practice for the time. Another key figure during this period was Luciano Jura, a designer, musician, and programmer. Luciano became crucial as Crumar's point of contact with synth pioneer Bob Moog, which led to a collaboration that resulted in the creation of Crumar's Spirit synthesizer.
Although many details have been lost due to the passing of key figures and the closure of Crumar, the development of the Spirit synthesizer in the U.S. is well documented. Key contributors to the project, codenamed "Little Synth," included Moog engineer Jim Scott, Moog clinician and electronic music historian Tom Rhea, and Bob Moog himself. The project likely began around 1980 or 1981, and incorporated elements from earlier projects by Scott and Moog. Rhea played an essential role in defining the Spirit's key features, such as the keyboard scanning setup, panel layout, functional architecture, and technical documentation. The Crumar Spirit went into production and was released in late 1983.
"The V-Shape is a wave-folder/wave-shaping module, and also features a distortion circuit, with full CV control - it can make a single VCO sound a lot more interesting.
The Gemini also features here, using both of its 2 VCFs and shared CV control to filter the same input signal separately.
Video & Performance by @DreamsOfWires
The AJH SYNTH Eurorack modular range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability.
Official website page: https://ajhsynth.com
Check out the AJH Synth playlists for module 'User Guides', and 'Patch of The Week' videos, which will be either performances or 'how to' guides, detailing functions/methods, and a range of sounds, some familiar, some less so, containing a patch sheet at the end to show you how to construct it for yourself."
"Yamaha FB-01 Frequency Modulation Sound Generator w/ Original Box - Classic FM Synthesis
Unleash the sonic brilliance of classic FM synthesis with this Yamaha FB-01 FM Sound Generator. This compact, rack-mountable unit is a treasure trove of retro digital textures, delivering the unmistakable warmth and clarity of Yamaha’s legendary FM technology. Featuring multi-timbral capabilities, it can handle up to 8 parts simultaneously, making it perfect for layering lush pads, snappy basslines, and shimmering keys. Whether you're diving into vintage sounds for your next project or expanding your studio's versatility, the FB-01 is your gateway to timeless tones.
This unit is in good working condition, with all functions and outputs tested and performing beautifully. Cosmetically, there are some surface marks consistent with its age, but nothing that detracts from its reliability or aesthetic charm. The front panel’s buttons and display are intact and fully operational, offering an intuitive way to navigate its impressive 240 preset voices. It’s an excellent choice for producers, sound designers, and performers who appreciate the gritty magic of early digital synths.
With its MIDI connectivity and user-friendly interface, the Yamaha FB-01 integrates seamlessly into any setup, whether hardware or DAW-based. From crystalline electric pianos to growling bass tones, this unit excels in capturing the essence of 80s and 90s FM synthesis. If you're ready to add some authentic vintage flair to your sound arsenal, this Yamaha FB-01 is the perfect addition to your rig!"
