1. Yamaha | MODX M | Elevate Expression Everywhere - Official Overview
2. Yamaha | MODX M | Sound Demo - Hear the Future of Expression
"Discover the new Yamaha MODX M Series, a next-generation synthesizer that elevates sound, control, and creativity for musicians everywhere.
Building on the DNA of our flagship MONTAGE M, MODX M delivers expressive performance and a professional workflow in a compact, lightweight design. Built for stage, studio, and beyond.
๐น Key Features:
• Three powerful engines: AN-X (vintage analog), FM-X (modern digital), AWM2 (realistic acoustic instruments)
• Motion Control Synthesis: Shape sound in real time with the Super Knob, Motion Sequences & Envelope Follower
• High-resolution control: Smooth faders, knobs, and key response for ultimate expression
• Expanded Softsynth Plugin (E.S.P.): A virtual version of MODX M for your DAW (available early 2026)
• Compact, portable design: Perfect for working musicians on the move
๐ง Designed to inspire, wherever your music takes you."
Yamaha MODX M Synthesizer w/ KRAFT Music
video uploads by Kraft Music
Playlist:
1. Yamaha MODX M Synthesizer - Advanced Tutorial with Blake Angelos
"Yamaha has taken the brains in its flagship synth Montage M, and put it in a much less expensive package. Here are the details and comparison to MODX+ and Montage M
Get plenty of multi-samples for it, and my In-Complete Book of Electronic Music Ideas, Tips and Tricks
► Patreon: / loopop"
Vintage groovebox charm reimagined for today’s electronic producers. xemptyz This sample pack is a tribute to the iconic Roland MC-303, a machine that helped define the DIY electronic sound of the late 1990s. Originally released as an all-in-one groovebox, the MC-303 offered a bold vision for accessible music-making, with digital tones that felt futuristic yet playful. Even if you have never used the original hardware, this pack brings its spirit to life through carefully curated sounds designed for modern workflows. xemptyz
The Crow Hill Company works with Bleeding Fingers to proudly present PREHISTORIC STRINGS as unique string library built from bespoke instruments
EDINBURGH, UK: working with award-winning composers collective Bleeding Fingers, Edinburgh-based enterprise The Crow Hill Company is proud to present PREHISTORIC STRINGS as a truly unique string library — literally built from one-of-a-kind bespoke instruments incorporating horns and teeth with a few ancient bones thrown in for good measure, making for hybrid monstrosities to create tones that are haunting, primordial, and staggeringly beautiful in their truly primitive nature — as of September 25…
Putting PREHISTORIC STRINGS into its rightful perspective involves delving deep into the past in more ways than one — not least The Crow Hill Company’s ongoing relationship with its collective friends at Bleeding Fingers. For it all started when the latter’s talented Anลพe Rozman and Kara Talve worked with Hollywood hotshot Hans Zimmer — arguably one of the greatest, certainly one of the most prolific film composers of our time, noted for his innovative integration of electronic sounds with traditional orchestral arrangements — on the primetime television series Prehistoric Planet (2022-2025). As always with both Bleeding Fingers’ and Hans Zimmer’s approach to composition, the creation of truly unique sound-worlds played a fundamental role in the development of said score. An audacious project, indeed, it involved the construction of a selection of string instruments built with bones, horns, skulls, and cannibalised classical instruments, including a cello, frame drum, resonating dulcimer, and many more besides. But credit where credit’s due to the killer composing team involved in instinctively understanding that the resulting score’s success merely represented the tip of the iceberg in terms of the potential of their unique inventions and agreeing to share them with the rest of the composing community.
Ali Modular enters Eurorack marketplace with Esu’s Trifecta available as powerful multi-effects module with Triple FX engine
WASHINGTON, DC, USA: deep joy-encouraging Eurorack module-maker Ali Modular is proud to announce availability of Esu’s Trifecta — readily representing its inaugural entry into the ever-expanding Eurorack marketplace as a powerful multi-effects module, albeit one which stands out from the sound of the crowd courtesy of an ability to run three different serial effects at the same time, thanks to the Triple FX engine driving its intuitive tools that unlock new ways to shape sound and manage the creative process — as of October 2…
As a powerful stereo multi-effects Eurorack module, Esu’s Trifecta is designed to be the ultimate tool for manipulating, shaping, and transforming sound, duly delivering creative possibilities for musicians, live performers, and sound designers alike — whether used as an all-round sound manipulator, end-of-chain effects processor, or sound design tool. Digging deeper, Esu’s Trifecta draws its essence from an orisha — orishas being divine spirits that play a key role in the Yoruba religion of West Africa and several religions of the African diaspora that derive from it — called รแนฃรน, the mischievous trickster and guardian of the crossroads, who works to promote balance, order, and harmony, ultimately, despite being known for bringing confusion and unpredictability. It is fair to say that this ethos is effectively embedded deeply into the module’s design. As a result, Esu’s Trifecta creates opportunities for unpredictable sonic exploration while providing the tools to mould sound into harmony and order. On the face of it, the module itself opens up limitless pathways for creativity and sound sculpting — just as รแนฃรน signifies infinite possibilities.
"Step back to 1978 and discover the iconic Roland CR-78, the first programmable drum machine that changed the way artists approached rhythm. Before the 808 and modern drum machines, the CR-78 gave musicians the power to create and store their own drum patterns. In the hands of artists like Phil Collins, Peter Gabriel, and Blondie, it became iconic. For this Vault, we’ve preserved the much-loved character of the CR-78 and expanded its sonic potential with some tasteful effects."
The Crow Hill Company creates …RHYTHM MACHINE as latest free VAULTS… VI, preserving vintage classic’s character while expanding its sonic potential
EDINBURGH, UK: The Crow Hill Company is proud to announce availability of VAULTS - RHYTHM MACHINE as its latest VI (Virtual Instrument) release ready for all to download and make music with for free for the rest of their lives — literally preserving Roland’s 1978-vintage CR-78 CompuRhythm’s classic character as the Japanese giant of electronic musical instrument manufacturing’s first programmable drum machine (that changed the way artists approached rhythm and, in doing so, stamped its musical mark on a number of notable hit records that subsequently secured its iconic status in the annals of music technology history for all eternity), effectively expanding its sonic potential with some tasteful effects as a result — as of October 1…
Far from stretching the boundaries of truth, it is fair to say that the introduction of Roland’s CR-78 CompuRhythm changed the course of history as the first computer-controlled programmable drum machine. Most rhythm machines before its late-1978 introduction were preset-only affairs, forcing their users to pick from the likes of ‘Bossa Nova’, ‘Rock’, and ‘Waltz’ — more in keeping with the home organ-orientated terminology of the time. The CR-78, however, offered something new — namely, an ability to program rhythm patterns and store them in memory using the external WS-1 programmer optionally offered by Roland. Indeed, its 14 onboard instruments include bass drum, cymbals, hi-hats, rimshot, snare drum, and tambourine alongside several Latin-type sounds, such as bongos, claves, and cowbell — all generated using analogue circuits, giving it a distinctly warm, punchy character. Thanks to the CR-78’s analogue nature, though, the tempo control is not exactly surgical, but this foible only adds to its charm. And, as history has borne out, when placed in the creative musical hands of Blondie, Phil Collins, Peter Gabriel, and others, it became an iconic instrument in its own right.
"Using the continuously expanding Iteration 3 Onomatopoiea Reel, we continue the 12-String Iterative Music Project with a patch that gradually destroys the Reel! But don't worry, we'll keep going!
The Iteration 3 Spreadsheet is still open for submissions if you'd like to add any sound to the Reel for a more composed piece next time:
In this video, we present a series of short musical sketches, each created entirely with the Adamsynths™ Warthog modular synthesizer.
๐น These compact compositions – each under a minute – showcase the expressive potential of Warthog patches in a musical context.
Adamsynths™ Warthog – where a patch is not just a moment, but a memory you can share.
Chapters
00:00 – Monkey – Rhythmic Pulse & Synced VCOs
00:29 – Bowland – Rhythmic Pulse & Synced VCOs
01:05 – Interstellar – The Magpie Lead
01:21 – Color TV - Keep calm and enjoy the Warthog
2. Adamsynths™ Warthog – Real Time Snapshot Switching & Morphing
In this video, we showcase two key features of the Total Recall system in the
Adamsynths™ Warthog modular synthesizer: Snapshot and Snapshot Morph.
๐️ Snapshots are switched with incredible speed in real time. Using the Mood Wheels, snapshots can be morphed into one another with refined transitions. This allows patches to continuously transform, generating new sonic textures through the movement of the control wheel.
⏱️ Chapters
00:00 – Spooky – Restless Modulation
00:31 – Lost in Matrix 1 – Groovy Break Bassline 1
01:08 – Lost in Matrix 2 – Groovy Break Bassline 2
01:46 – Jono's Organ - Celestial Drift
02:21 – Lost in Matrix 3 – Groovy Break Bassline 3
3. Adamsynths™ Warthog - Atmospheric Patches
๐ง In this video, we showcase a selection of patches from the Adamsynths™ Warthog modular synthesizer.
Expect:
๐ Atmospheric textures
๐ Analog basses
๐ฎ Modulated soundscapes
Your Awaited Companion Has Arrived: Adamsynths™ Warthog, the first analog modular synthesizer with TOTAL RECALL Now Available for Pre-Order at Early-Bird Price
"๐น Want to build your own polyphonic synthesizer from scratch? In this hands-on tutorial, you'll learn how to create a powerful synth in Puredata / Plugdata, covering everything from MIDI input to oscillators, envelopes, filters, LFOs, and polyphony management.
✅ Perfect for beginners and intermediate sound designers ✅ No external plugins required – just Puredata / Plugdata ✅ Includes a full demo and downloadable patches
๐ Topics Covered:
Creating a mono synth and expanding to polyphony Avoiding aliasing in digital synthesis MIDI integration and note handling Envelopes, filters, and delay effects Using abstractions, cloning, and data packing Final demo with reverb (Blackhole)
๐ Timestamps: 00:00 Demo (dry signal) 00:23 What’s in this video? 00:57 What makes a polyphonic synth? 01:52 Building a mono synth 02:29 Aliasing explained 03:17 Anti-aliasing strategies 04:11 MIDI input setup 04:41 Envelope creation 06:13 Handling sustained notes 07:45 Adding a resonant low-pass filter 08:18 Polyphony management 08:30 Isn’t this brilliant? 10:11 Abstractions & modular design 12:10 Note distribution 12:50 Object cloning 13:04 Data packing/unpacking 14:34 Delay line & bug fix 15:15 Final thoughts 15:33 Reverb-enhanced demo
"Crumar Spirit by Cherry Audio captures the unique sound and features of the exceptional analog monosynth from 1983, originally designed by some of the most legendary figures in the synth industry. Spirit is a gateway to sonic experimentation. It is not a polite instrument. Nor is it clean, safe, or obvious. However, twist a few knobs and it will reward you with some of the most colorful sounds you have ever heard from a virtual analog software synthesizer.
"100 additional presets for Cherry Audio's Crumar Spirit synthesizer by James Dyson that showcase its darker and more atmospheric side in nine categories. Explore more advanced modulations, integrated effects, rhythmic arpeggios, and aftertouch performance features.
"We are proud to preset the new Crumar Spirit by Cherry Audio, a meticulous software recreation of the unique, quirky and elusive Crumar Spirit analog synthesizer from the early 1980s. This is a two-part series. In Part 1 we go over most of the original-instrument features (minus the arpeggiator).
Part 2, covering the remaining features and exploring factory presets, will be released soon.
00:00 Introduction
00:34 A brief history
01:54 Overview of Crumar Spirit by Cherry Audio
02:35 Oscillators
09:59 Upper filter
12:41 Lower filter
20:02 Noise generator
23:43 Shaper Y (and Shaper Y audio path)
33:24 Mod X
41:24 Conclusion"
Crumar Spirit by Cherry Audio is a meticulously crafted virtual recreation that captures the unique and captivating features of the exceptional analog monosynth from 1983, originally designed by some of the most legendary figures in the synth industry. In collaboration with Crumar, we have reopened a time capsule to revive this Italian cult classic and thoughtfully elevated it with Cherry Audio's signature style.
Spirit is a gateway to sonic experimentation, whether you are after wild, unpredictable timbres or warm, analog tones. It is not a polite instrument. Nor is it clean, safe, or obvious. However, twist a few knobs and it will reward you with some of the most colorful sounds you have ever heard from a virtual analog software synthesizer.
Crumar Spirit includes over 430 sensational presets in 12 categories
Producers will find immediate inspiration in Spirit's extensive preset library, created by a talented sound design team led by veteran sound designer James Terris. And don't miss the Spectres for Spirt Preset Pack (sold separately), featuring an additional 100 additional presets by James Dyson.
A "Little Synth" Designed by Legends
Crumar S.P.A., based in Castelfidardo, Italy, was a notable player in the 1970s musical instrument industry, specializing in home organs, digital pianos, and multi-sound keyboards, and with a significant focus on the U.S. market. Sante Crucianelli, the son of the owner, became the driving force behind Crumar's design and strategies. Crumar became known for its open lab culture, frequently allowing competitors to test instruments, a rare practice for the time. Another key figure during this period was Luciano Jura, a designer, musician, and programmer. Luciano became crucial as Crumar's point of contact with synth pioneer Bob Moog, which led to a collaboration that resulted in the creation of Crumar's Spirit synthesizer.
Although many details have been lost due to the passing of key figures and the closure of Crumar, the development of the Spirit synthesizer in the U.S. is well documented. Key contributors to the project, codenamed "Little Synth," included Moog engineer Jim Scott, Moog clinician and electronic music historian Tom Rhea, and Bob Moog himself. The project likely began around 1980 or 1981, and incorporated elements from earlier projects by Scott and Moog. Rhea played an essential role in defining the Spirit's key features, such as the keyboard scanning setup, panel layout, functional architecture, and technical documentation. The Crumar Spirit went into production and was released in late 1983.
"The V-Shape is a wave-folder/wave-shaping module, and also features a distortion circuit, with full CV control - it can make a single VCO sound a lot more interesting.
The Gemini also features here, using both of its 2 VCFs and shared CV control to filter the same input signal separately.
Video & Performance by @DreamsOfWires
The AJH SYNTH Eurorack modular range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability.
Official website page: https://ajhsynth.com
Check out the AJH Synth playlists for module 'User Guides', and 'Patch of The Week' videos, which will be either performances or 'how to' guides, detailing functions/methods, and a range of sounds, some familiar, some less so, containing a patch sheet at the end to show you how to construct it for yourself."
"Yamaha FB-01 Frequency Modulation Sound Generator w/ Original Box - Classic FM Synthesis
Unleash the sonic brilliance of classic FM synthesis with this Yamaha FB-01 FM Sound Generator. This compact, rack-mountable unit is a treasure trove of retro digital textures, delivering the unmistakable warmth and clarity of Yamaha’s legendary FM technology. Featuring multi-timbral capabilities, it can handle up to 8 parts simultaneously, making it perfect for layering lush pads, snappy basslines, and shimmering keys. Whether you're diving into vintage sounds for your next project or expanding your studio's versatility, the FB-01 is your gateway to timeless tones.
This unit is in good working condition, with all functions and outputs tested and performing beautifully. Cosmetically, there are some surface marks consistent with its age, but nothing that detracts from its reliability or aesthetic charm. The front panel’s buttons and display are intact and fully operational, offering an intuitive way to navigate its impressive 240 preset voices. It’s an excellent choice for producers, sound designers, and performers who appreciate the gritty magic of early digital synths.
With its MIDI connectivity and user-friendly interface, the Yamaha FB-01 integrates seamlessly into any setup, whether hardware or DAW-based. From crystalline electric pianos to growling bass tones, this unit excels in capturing the essence of 80s and 90s FM synthesis. If you're ready to add some authentic vintage flair to your sound arsenal, this Yamaha FB-01 is the perfect addition to your rig!"
'Planetary landscapes Vol2 EX' soundbank complements the 'Planetary landscapes' library, resulting in a complete set of 104 patches: patches bank (E) 1–50 are from the "Planetary landscapes" soundbank, and patches bank (E) 50-64 bank (F) 1–40 are from the 'Planetary landscapes Vol2 EX' soundbank.
Set of 104 patches
The pack offers a diverse selection of inspiring sounds:
Dynamic arpeggios to add rhythm and movement to your tracks
Expressive synth tones, perfect for melodies, solos, pad, or deep textures
Each preset is finely tuned to showcase the warmth and character of the Roland JD-Xi. Whether you're producing electronic, techno, pop, or cinematic music, "Roland JD-Xi Planetary landscapes Vol2 EX " provides a perfect palette to expand your creative possibilities.
Fast single file download. The kit includes full instructions for backing up and restoring data.
The Seventh Wave Festival of Electronic Music: Number Sixteen
Music festival delivers one of its best line-ups yet!
Edition 16 of an Electronic Music Festival established in 2016 takes place in Birmingham in October of this year.
In October 2025 the sixteenth ‘The Seventh Wave Festival of Electronic Music’ takes place across three days at The Castle and Falcon.
For a relatively small festival The Seventh Wave continues to get some of the biggest names in electronic and progressive music.
The stellar line-up for #16 includes Plaid, Ultramarine, Richard Norris (The Grid), Mark Van Hoen/Locust, White Noise (featuring the legendary David Vorhaus) & much more.
Tickets can be purchased for individual events at Skiddle and SEE tickets.
"The Roland PMA-5 is a unique and highly portable music production tool, blending a General MIDI sound module, multitrack sequencer, and stylus-driven touchscreen interface—all in a compact format. Released in the mid-90s, the PMA-5 was ahead of its time and remains a favorite among retro gear lovers, mobile producers, and collectors of rare Roland units.
Key features:
Touchscreen interface (with original stylus!) for intuitive sequencing and editing
600 Preset Styles (100 X 6 divisions) Intro, Main A, Main B, Fill 1, Fill 2, ending
200 User styles
Realtime and/or step recording (for precision recording and editing individual of midi notes)
Four track linear sequencer
26 Chord Types
Multiple Time Signatures
GM/GS-compatible sound engine with 306 internal tones and 16 drum kits
Built-in effects: Reverb, Chorus, Delay
Portability: Runs on batteries (works perfectly on battery power
MIDI I/O
Internal memory for song storage (20 songs max)
Stand-alone sound module - 16 assignable tracks for expanding your midi keyboard sound set or as a desktop sound module for improving retro game soundtracks"
"In this video we look at how to use the additional 64 noise types that have been added as part of NINA's 2.0 Multi-Track Sequencer update. The additional noise types are now part of NINA's incredible analog synth engine and can be used as a powerful resource for creating drum and percussive sounds and great for sound design purposes.
These percussive hits and drum sounds turn NINA into a monster groovebox. This guide shows you how to access different noise types, noise settings and how to sequence multiple noise types in a single track for multitimbral sequencing using only one track of NINA's four available tracks, per pattern.
00:00 intro/overview
00:41 accessing noise types
01:17 audio preview of noise types
01:45 noise settings
02:18 sequencing noise
03:43 adding different noise type to the same track
04:23 fixing phase issue with Track Voice settiing
05:02 adding another noise type to the same track
05:26 Cut & Paste steps
05:58 front panel
07:00 mixing other oscillators with noise
07:50 outro
NINA has been updated with a powerful Multi-Track Sequencer mode for poly-rhythmic pattern creation with step-based control and performance across four independent tracks. Introducing a new polyphonic, polymeter sequencer with per-step parameter locking and front panel automation powered by Melbourne Instrument's revolutionary motorized knob technology. Additionally, this update adds 64 new noise types to NINA's incredible synth engine, expanding the possibilities for greater sound design. The new noise types include various percussion hits, digital, metal and assorted noise types, as one-shot or loops giving more scope for creating percussive sounds. The new sequencer mode adds time-based features like shuffle, micro-timing, clock multiplication, variable gate lengths, and probability options, offering fresh ways to control NINA's sound.
More on videos on NINA 2.0 Multi-Track sequencer features to follow!
"This session consists of 4 voices, mixed, effected and recorded directly into the modular (see 'Modules used' below). A simple Moog-style bass line using the Transistor Ladder Filter is accompanied my a pitched drone from 2 VCO's going into the Wave Swarm, then Fixed Filter Bank 914.
These are joined by a melodic, sequenced part, created with a single VCO going into the Ring SM for sub-bass/sub-octaves, then the Sonic XV Diode filter. This part is randomised later in the track, and uses the Chance Delay for step probability.
Percussion comes from the Entropic Doom, with random stepped voltages from the Tap Tempo VC-LFO modulating it's built-in low pass filter frequency. The Tap Tempo VC-LFO also acts as a clock multiplier for this part, and later the melodic pattern too.
Video & Performance by @DreamsOfWires
The AJH SYNTH Eurorack modular range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability.
Official website page: https://ajhsynth.com"
"In this video we look at how to easy it is to create sequence on NINA's new 2.0 multi-track sequencer. Here we create a PATTERN with 4 TRACKs using 4 different preset sounds from NINA.
00:13 How to enter the multi-track sequencer mode
00:38 PATTERN and TRACK structure overview
00:59 CLEAR PATTERN: How to initialize a PATTERN
01:41 TRACK Mode
01:57 TRACK 1: Kick drum
02:48 TRACK 2: Hi-hats
03:22 TRACK 3: Bass
03:59 Editing pitch values per step
04:30 Changing the TRACK volume
04:49 TRACK 4: Chord sound
05:32 GATE: how to edit Gate length per step
06:08 CHORD: how to add/edit note values per step
NINA has been updated with a NEW Multi-Track Sequencer mode that enables powerful pattern creation with step-based control and performance across four independent tracks. Introducing a new polyphonic, polymeter sequencer with per-step parameter locking and front panel automation powered by Melbourne Instrument's revolutionary motorized knob technology. Additionally, this update adds 64 new noise types to NINA's incredible synth engine, expanding the possibilities for greater sound design. The new noise types include various percussion hits, digital, metal and assorted noise types, as one-shot or loops giving more scope for creating percussive sounds. The new sequencer mode adds time-based features like shuffle, micro-timing, clock multiplication, variable gate lengths, and probability options, offering fresh ways to control NINA's sound.
More on videos on NINA 2.0 Multi-Track sequencer features to follow!
Dr. Endo – Live Set PTN12: EXPR//Residue --- A cinematic ambient track evoking the grandeur of a distant galactic empire, EXPR//Residue begins with a solemn tuba drone and unfolds into a slowly shifting sonic landscape.
The tuba forms the foundation of the piece—its rich tone is enhanced with a harmonic waveform to add depth, and sent through GRAIN FX to transform a simple two-note bassline into a dense, evolving low-frequency texture.
Oboe chords provide a gentle, pad-like atmosphere, blending naturally into reverb to create soft, immersive motion. Scattered throughout the track, piano accents are pulled and stretched using the BACKTIDE function, adding expressive drag and emotional tension.
One track is dedicated to filtered noise, modulated by an LFO on the low-pass filter cutoff. This creates a storm-like undercurrent that blends beautifully with the reverb, expanding the spatial field of the mix.
This piece explores the remnants of something vast and ancient—a residue of sound and structure left drifting in space.
"Sequentizer is a collection of 50 patches for the Moog Mariana VST synthesizer, including 21 basses, 22 leads, and 7 textures. ๐ผ This soundset is dedicated to rhythmical timbres. Moog Mariana features dual-layer architecture, six LFOs, and four random generators. By combining different modulation waveforms and speeds, it's possible to create rich, evolving, and rhythmically driven sounds. Simply hold down a key or MIDI note — and the pattern plays itself.
๐ฅ That’s the concept behind the name Sequentizer: while Mariana doesn’t include an internal sequencer, these patches are programmed to simulate complex sequences and rhythmic patterns through modulation alone.
๐ The soundset explores a wide tonal spectrum: warm, deep, soft, clean, punchy, dark, bright, aggressive, distorted, detuned and others. ๐ The ModWheel brings additional expressiveness — brightening the tone, introducing detune, or expanding the stereo field depending on the patch.
๐งฟ These presets are versatile and suited for a broad range of genres: ambient, electronica, cinematic, retrowave, synthwave, darkwave, IDM, trip-hop, lounge, downtempo, pop, chill out, new age, trance, deep, progressive, techno, breaks, jungle, drum and bass, dub, and more.
๐ก Make sure you’re using the latest version of the plugin to ensure compatibility. To install the presets: Open the preset browser pop-up menu (top center of the plugin). Click “Open Presets Folder.” Move the downloaded presets into this folder. Restart the plugin — the new patches will appear under the User category."
'Synth EX' complements the 'Synergy' library, resulting in a complete set of 128 patches: patches 1–64 are from the 'Synergy' soundbank, and patches 65–128 are from the "Synth EX" soundbank.
This carefully crafted sound pack features 128 presets and 4 patterns, developed using all available engine models.
The pack offers a diverse selection of inspiring sounds:
Deep and punchy basses to drive your grooves
Dynamic arpeggios to add rhythm and movement to your tracks
Expressive synth tones, perfect for melodies, solos, or deep textures
Each preset is finely tuned to showcase the warmth and character of the Roland SH-4d. Whether you're producing electronic, techno, pop, or cinematic music, Synth EX provides a perfect palette to expand your creative possibilities.
