Kyma 7.1 — Sound Design Inspiration

Kyma 7.1 — Sound Design Inspiration from Symbolic Sound on Vimeo.

"New features in the Kyma 7.1 sound design environment are designed to help you stay in the creative flow by extending automatic Gallery generation to analysis files and Sounds, keeping your sound interactions lively and dynamic with support for new, multidimensional physical controllers, while expanding your sonic universe to include new synthesis and control algorithms that can be combined with the extensive library of algorithms already in Kyma."

Press release:

"Kyma 7.1 Sound Design Software Release

More inspiration, more live interaction, more ways to generate sound

CHAMPAIGN — November 14, 2016 — Symbolic Sound today announced that Kyma 7.1, the latest major release of the world’s most advanced sound design environment, is now available as a free update for sound designers, musicians, and researchers currently using Kyma 7. In Kyma 7.1, you can automatically generate an extensive gallery of inspiring sound design ideas based on your own signal-flow patches, samples, or analysis files. From there, it’s easy to map any parameter to an external physical controller so you can perform live sound-to-picture and design new musical instruments. Quickly create unique, high-quality sounds by combining some of the newly-developed sound synthesis modules exclusive to Kyma 7.1 with the massive library of existing synthesis and processing modules already available in Kyma.

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Technos Acxel Resynthesizer

Technos Acxel Resynthesizer up on the bay. Title link takes you to the shots and I grabbed the text below, before it goes to *bay limbo. In via reader Rasmus. Thanks Rasmus!

"Only 39 Axcels [sic] were ever made - and those who own an Acxel (ACoustic + X + ELement) hold on to them - proved by the fact that it is very, very rare that an Acxel is for sale. The last, and probably the only, time an Acxel was offered on Ebay were 2003. If I remember correctly, the starting bid was USD10,000 that time.

Imagine drawing waveforms, 128-stage envelopes, base pitches and amplitudes (the user interface allows editing of 32 base pitches/amplitudes at the same time, like an 32 track pitch and audio mixer, with a discreet “page” for each group of 32 oscillators, or ISC’s – Intelligent Synthesis Cells, as they are called in the Technos terminology), and other sound parameters with your finger - and have 256 intelligent, digital oscillators follow your every creative move in real-time. Imagine creating a monophonic sound with 256 oscillators, 8 multitibral voices with 32 oscillators each or any combination in sections of 32 oscillators.

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KORG KRONOS Details

via Hispasonic, translated to Googlish from Spanish:

"We have the first data and images of Kronos, the new Korg workstation. The Japanese brand has pulled the house out the window, bringing to market a synth with more than 12 GB SSD hard disk samples, 9 synthesis engines together, 16 units of effects and KARMA technology.

Features in detail

There are 9 synthesis engines on a single workstation, available in 61, 76 and 88 keys. The engines are:

* SGX-1 Premium Piano: German piano with more than 4 GB in samples. 8 layers and the choice of opening angle of the tail of the piano.
* EP-1 MDS Electric Piano, electric pianos (with sound "signature" by George Duke, Herbie Hancock Rodan Rudess or others)
* CX-3 Organ Tonewheel: integrating technology famed CX-3 in the Kronos. Drawbars controllable from its faders. Leslie Posilibidad to adjust the joystick, from speed to the position you just rotate.
* MS20-EX Legacy Analog Collection: emulation of vintage Korg MS20 synth.
-EX * Polysix Legacy Analog Collection: Polysix emulation.
* AL-1 Analog Synthesizer
* NOD-7 Waveshaping VPM Synthesizer
* STR-1 Plucked String Synthesizer: a new generation of modeling. You can choose from the material of the rope, until the tension, the execution (if pick, rub with your finger ...)
* HD-1 High Definition Synthesizer: A portion of all types of samples.

Account with a set of 16 "sets" may be, from Programs, to vans, to sequences. What makes the live performance much easier and full of possibilities. One of the most exciting new features is that you can move from one set to another without interruption of sound (so if you keep notes of the previous set, still playing).

It eliminates the concept appears rompler and integration / provision of more than 12 GB of content hosted on a hard disk SSD.

Has integrated USB connection to your computer, not just save / edit, but also as a USB interface with 2 inputs and 2 outputs.

Section 16 effects available. 9-band equalizer general. Flexible Routing. Mastering tools. 16-track sequencer."



Update:

Korg KRONOS Music Workstation- Official Product Introduction video added below.

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Sharing Sounds With Omnisphere 2 - Spectrasonics Releases Omnisphere v2.1 Update

Published on Aug 4, 2015 SpectrasonicsVIDEO

"Learn how to import user audio and share your own patches using the new sharing capabilities of Omnisphere 2.

Click on this link to download the files for this video.

http://bit.ly/1hhYy9c"

Update: And the press release for the v2.1 update:

"Spectrasonics Releases Omnisphere v2.1 Update
Power Synth adds simplified user sound sharing and Library Publishing for third-party development

Burbank, CA - August 4, 2015 - Spectrasonics has released Omnisphere 2.1 with a streamlined 'Sharing' feature for sharing user sounds and a new Library Publishing capability. Version 2.1 is an update to the company's recent v2 upgrade of its flagship software synth. In May, Omnisphere Version 2.0 was released with vastly expanded new synthesis and creative capabilities for sound design, along with significant user interface innovations, and thousands of new sounds. The new v2.1 update, a free download to Omnisphere version 2 users, includes refined patch and project sharing features for easily exchanging custom sounds between end-users directly or over social media, a Library Publishing feature allowing third-party sound developers to create easily installable sound sets for Omnisphere 2 users, as well as a much improved boot time for the plugin itself. Both the Sound Sharing and Publishing features can contain 'User Audio,' offering new horizons in patch creation and simplified collaboration.

"It's exciting to see the Omnisphere universe expanding with so much great sound development work in so many areas, from EDM to rock, and film and TV scores to games," says Spectrasonics' Founder and Creative Director, Eric Persing. "And now third- party developers of patch sets for Omnisphere 2 have a simple way to create and offer custom libraries that can include their own soundsources, and are easy to install for customers. There's no need for installers or complicated instructions for moving files around directories deep in the system folders. And because it's so easy to share sounds and ideas now, we feel this will be a huge boon for social media user groups discussing tips and patch creation. This is a big opportunity for our users everywhere. We look forward to seeing and hearing what develops!"

Sharing sounds is simplified in Omnisphere 2.1, the end-user can simply shift-click on a few Patches or a few Multi-patches and then save them to be transferred to a friend or musical collaborator who also has Omnisphere 2. Sharing patches automatically includes any user audio, which is especially convenient with custom patches. Sharing multiple types of Patches, Multis and user audio all at once is easier too, with Project sharing; the end-user can just collect a set of sounds in a project, and then share the project.

The new "Publish Library" feature in v2.1 was created for third-party developers of Omnisphere libraries. It allows developers to easily export, or "publish" a library of Multis and Patches, along with any associated user-created Soundsources, as well as graphic images for the custom library in a single .omnisphere file format. End-users can then easily install this package into their systems with a single step.

Beyond the new sharing features in v2.1, the Version 2 upgrade released in May, includes a host of new capabilities including the most requested Omnisphere feature: Audio import for user-created soundsources-along with major new oscillator features including over 400 new DSP Oscillator waveforms, morphing Wavetables, new granular synthesis options, over 4500 unique new sounds created by Spectrasonics' acclaimed sound design team-bringing the total to over 12,000 total sounds and patches, 25 new FX units, an enhanced User Interface, and innovative production/browsing features such as Sound Match(tm) to instantly locate any related sounds in the library, and Sound Lock(tm) to create endless useful patch variations by locking sound aspects while browsing other patches-among many other innovative features.

Omnisphere 2.1 Feature Overview

New Sound Sharing and Publishing capabilities in v2.1:
• Easily share patches and projects between users, which can include User Audio
• Publish a library of patches and Multis including User Audio, graphics and more
• Share Sounds over social media

Faster Boot Time for Omnisphere 2.1:
• Opening the plugin inside any DAW on Macintosh or Windows is much speedier

Vast New Synthesis Possibilities in Omnisphere 2:
• Audio Import - Users can import their own audio file as a soundsource in Omnisphere
• Over 400 New DSP Waveforms for the Synth Oscillator - an increase of 100X
• Wavetable Synthesis - Each Waveform is now a Morphing Wavetable
• Powerful New Granular Synthesis algorithm
• Deeper FM/Ring Mod capabilities for aggressive timbres
• 8 New Filter Types - New Power Filters, Vowel, Resonators
• New Unison Drift models Analog Polysynth behavior
• Expanded Modulation with new sources and many more targets
• Polyphonic LFO and Modulation Envelope options
• Soundsource Reversing

Now includes over 12,000 sounds:

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KORG Module Now Available

iTunes: KORG Module - KORG INC.

"*** Black Friday Sale Starts NOW! ***
Don’t miss out on this great promo which ends on December 11, 2014.
Regular Price: US$39.99 → Sale Price: US$29.99 (25% OFF)
"Wurley Electric Piano" is for free now!

The Expansion Sound Libraries for in-app purchase are also offered at the sale price.
- Ivory Mobile Grand: Regular Price: US$29.99 → Sale Price: US$19.99 (33% OFF)
- Wurley Electric Piano: Regular Price: US$9.99 → Sale Price: Free


The best sounds, available to everyone. Announcing a new high-quality mobile sound module app for iPad!

Maintaining its position at the forefront of mobile music apps, KORG now offers you a new style of performance and production with Korg Module for iPad. Ideal for performance and music production, KORG Module is a high-quality sound module app for iPad that contains a sound library over 1 GB. If you have an external MIDI keyboard and an iPad, you can play studio-quality keyboard and grand piano sounds anywhere. You can also use the sounds of KORG Module for the KORG Gadget music production app.

*** Five dedicated sound engines containing powerful tone ***
KORG Module has five dedicated sound engines, providing a number of high-quality sounds that can be played back on your iPad using the "NATIVE ENGINE”. These engines feature technology that was developed for KORG's historic line of workstations and synthesizers including: Acoustic Piano, Electric Piano, Clav, Organ, and Multi. Each display has carefully selected parameters, making it convenient and easy to adjust the sounds.

*** Welcome to a new mobile world, where your iPad and a MIDI keyboard is all you need for a complete setup ***
Just connect an external MIDI keyboard to your iPad and launch the app to transform your iPad into a high-quality sound module. It's easy to set up and start playing immediately, whether you're in your room, a practice studio, or performing live. KORG Module adopts an open hardware philosophy that allows connection to any MIDI keyboard. In addition to using a KORG MIDI keyboard such as the taktile, microKEY (25-key), or nanoKEY2, you can also use other manufacturer's MIDI keyboards that can be connected to an iPad.

*** Mobile music production in tandem with KORG Gadget ***
You can also use the high-quality KORG Module sounds inside KORG Gadget, the mobile music production app. If you have KORG Module and KORG Gadget, the five tools Salzburg, Montreal, Alexandria, Firenze, and Glasgow are added inside, allowing access the same way as KORG Gadget. These five powerful gadgets will add even more variety to your music productions, raising your music to the next level. Whether for performance or for production, both of these apps deliver ultimate sound.

*** Convenient set list function with a PDF/image score viewer and music player ***
KORG Module provides functions you'll find convenient in any environment. The set list function provides unified management of all the settings a player needs; it lets you recall the sounds in the ideal order, view music notation, or hear a practice song. The score viewer can load and display an image or PDF file; eliminating the need to carry along a printed music score. You can use the internal camera of your iPad to record and view hand-written memos. You can use the music player to select and play a song from the library of the Music app. Since there's a tempo change function, you can slow down the tempo without changing the pitch.

*** Power-up even more with expansion sound libraries ***
While KORG Module provides a powerful collection of sounds even with its basic set, you can purchase expansion sound libraries to further extend its sonic scope. As the first round, we present two titles: the third-party mobile premium piano "Ivory Mobile Grand" from SYNTHOGY, and KORG's own vintage electric piano sound set "Wurley Electric Piano." Add sound libraries to enjoy an expanding world of mobile sound modules. The added sound libraries can be used with KORG Gadget as well."

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Free Ableton Live Instruments - Guitar Synth Free Pack Now Available

video upload by Expanding Sound

"Get the pack here
https://expandingsound.gumroad.com/l/...
This free pack contains 4 free Ableton Guitar Synth Instruments from our Guitar Synth Megapack. It is compatible with the latest version of Ableton 10 Standard and above.
Wanna hear more examples? check out this video as well."

Ableton Live instrument MegaPack - Guitar Pedal Synths - 36 presets of analog synth guitar pedals

video upload by Expanding Sound

"I wanted to try something different for this Megapack. I love to play guitar, equally as much as piano and synths. I own quite a few guitar pedals that add analog synth flavor, via oscillators and filters. This seemed to be a perfect fit for an Ableton Instrument pack. The Samples don't exactly sound like guitars, they don't exactly sound like synths either. This leads to a pack that has a different flavor than my other releases. The first 24 presets are more straightforward. They showcase the samples with some modulation options. Presets 25-36 are more atmospheric and have effects added, to give them an otherworldly feeling. I had a ton of fun creating these 36 presets, and I'm proud of how this pack came out. I hope you enjoy it!"

Introducing the KORG minilogue xd: Analog Evolved - Details & Demos

Published on Jan 14, 2019 Korg

Update: Additional hi-resolution pics, audio demos, and full details added below.

"KORG minilogue xd is an evolved next-generation synthesizer with huge potential for sound design and performance. Building on the legacy of KORG minilogue, monologue, and prologue, minilogue xd emphasizes the same real analog sound and joy of controlling an electronic musical instrument offered by the original minilogue, while adding a new digital MULTI ENGINE from the Korg prologue, three stereo effects units, a powered-up sequencer with motion sequencing from monologue, and microtuning functionality with custom user scales.

We wanted to deliver a next-generation analog synthesizer for a new generation of musicians new to analog synthesis. That dream was realized in the development of the minilogue, which instantly made the analog synthesizer approachable.

In addition to emphasizing the same real analog sound and joy of controlling an electronic musical instrument offered by the original monologue, the minilogue xd newly adds a digital multi-engine, effects, a powered-up sequencer, and micro tuning functionality, further expanding the possibilities for sound design and performance potential."

Korg minilogue XD - Demo with Nick Kwas

Published on Jan 14, 2019 Kraft Music

"Find exclusive Korg minilogue XD BUNDLES at Kraft Music

Nick Kwas Demos and jams out on the Korg minilogue XD at Kraft Music.

The Korg Minilogue XD is a four-voice polyphonic analog synthesizer that offers huge potential for sound design and performance. Based on the accessible analog approach of the original Minilogue, the Minilogue XD is equipped with a digital multi-engine as a third oscillator in addition to a pair of analog VCOs. This hybrid sound engine is augmented by high-quality digital effects, a 16-step polyphonic step sequencer with motion sequencing, and a velocity-sensitive 37-note slim-key keyboard. Stereo output jacks, a damper/sustain pedal jack, and two CV input jacks provide versatile connectivity.

Get more for your money with an exclusive Korg Minilogue XD keyboard synthesizer bundle from Kraft Music. These package deals include the accessories you'll need to get the most out of your new poly synth, all for one low price. If you have any questions, please give us a call. Our knowledgeable sales advisors will be happy to assist in choosing the bundle that's right for you!"

Korg Minilogue XD Polyphonic Analogue Synthesizer | Reverb Demo Video

Published on Jan 14, 2019 Reverb

"The synth masters at Korg just announced the Minilogue XD, Volca Drum, and Volca Modular. Starting with the Minilogue XD, check out this video demo (as well as those linked below) to learn more about the features in the trio of new offerings from the dream team that created so many of the top-selling synths on Reverb in the past couple years.
Read More on Reverb"

"Analog synthesizer circuit that shatters expectations for its class

Four-voice polyphonic analog synthesis. The analog synthesizer circuit of the minilogue, whose genuine analog sound had a huge impact on the synth world, has been further developed for the minilogue xd.

Voice structure of minilogue xd is 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO. In addition to the distinctive circuits found in the series, such as wave shaping to shape the overtones of the oscillator and a sync/ring switch, there's also cross modulation, a sharp two-pole filter, and a drive switch that adds thickness and drives signal into minilogue xd’s filter. Every parameter has been tuned in detail based on what musicians want out of their synth. The sounds range from the warm pads typical of analog to fat basses and crisp lead sounds, covering every situation.

Of course, programs that you create can also be saved in the unit. Out of the box, minilogue xd comes loaded with 200 presets, and a total of 500 programs can be saved.

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New Waldorf Iridium Trailer, Sound Demo, Official Announcement Press Release & New Pics

Follow-up to this post.

"Waldorf Music makes more waves by bringing flagship’s futuristic functionality and advanced tonality to desktop with Iridium Synthesizer

REMAGEN, GERMANY: having opened eyes and ears when introducing its forward-looking flagship Quantum Synthesizer keyboard to widespread critical acclaim in 2018, Waldorf Music is proud to introduce its Iridium Synthesizer ‘sibling’ — sharing futuristic functionality and advanced tonality and applying those traits with welcomed added extras to a compact desktop form factor living up to the high-quality synthesizer developer’s demanding design standards — as of June 12…

Following in the Quantum Synthesizer’s trailblazing footsteps, the Iridium Synthesizer features a generous high-resolution multitouch display working — with haptic help — in perfect harmony with an adroitly arranged control panel positioning all functions for speedy operation. Noticeably new to the demonstrably different Iridium Synthesizer is its integrated 4 x 4 pad matrix, used to call up sequences, chords, scales, and arpeggios. A quick glance under the hood, however, reveals that the Iridium Synthesizer still shares the same selectable sound generation processes per oscillator (OSC 1, OSC 2, and OSC 3). As such, it can convincingly and comprehensively reproduce the sound spectra of the following five synthesis types: Wavetable, Waveform, Particle, Resonator, and Kernels.

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Arturia Announces V Collection 5 Including New NED Synclavier Port, Hammond B3 and More

Published on May 19, 2016 ARTURIA - Update: new video uploaded May 30, 2016

Update: Clarification: the NED Synclavier is not an emulation but a port of the original software:

"this is not an emulation - it is the real thing, the real mccoy. Cameron Jones himself ported the original Synclavier code to run on PC/MAC/VST etc.

- you have the choice of playing each patch either in the original 8-bit depth, or change it to 4-bit (!), 10-bit, 12-bit, 14-bit, 16-bit, 18-bit, 20-bit, 22-bit or 24-bit depth.

- resynthesis: not implemented in the current release but there may be plans to put it in a future release. However some of the original factory patches included (83 total) are resynthesis-based

- the partials/timbre frame functionality was vastly expanded"

Video description:

"The new V Collection 5 is a giant leap forward in our quest to create the greatest legendary keyboards collection ever, including 5 new softwares instruments: Piano V, Synclavier V, B-3 V, Stage-73 V, Farfisa V.

Special thanks to:
Altius Prod
Stéphane Schott (http://www.lyynkstudio.com/)
Studio Question de Son (http://www.questiondeson.com/)
Underground Records (http://www.undergroundrecords.fr/)
Garbage & Greg Kaplan (https://www.garbage.com/)"

Arturia announces the Synclavier V

Published on May 19, 2016 ARTURIA

Update: It's not clear if the Synclavier V supports sampling resynthesis (see above), although it does take the FM and additive synthesis with partials to a new level. For reference, you can find the history of features for the original Synclavier on Wikipedia here.

"Arturia announces the Synclavier V, the first recreation of the legendary digital synthesizer made in collaboration with Cameron Jones, the inventor of the original instrument.

The Synclavier V faithfully recreates the elite digital synthesizer/workstation that started it all, powering some of the biggest hits and film soundtracks of the early ‘80s with its unique rich, edgy sounds.

While the Synclavier V expertly brings this historic instrument to life, we’ve improved it dramatically by taking advantage of today’s processing power. We’ve also infused into it everything we’ve learned over 16 years of developing award-winning software synthesizers. The result is a thoroughly modern, cutting-edge instrument that stands alone among hardware and software synths alike.

Update: some details on the synth engine:

Timbres consist of up to 12 Partial Timbres
Much of the magic of the original Synclavier owed to the ability to build Timbres (presets) by creating and layering four completely different sounds or Partial Timbres to realize massive, complex sounds. With the Synclavier V, we’ve taken the number of Partial Timbres to 12, dramatically expanding the creative possibilities. Since each Partial Timbre is a complete sound, that means that you can stack many different sonic elements into electrifying Timbres resounding with rich complex textures brimming with subtleties.

Partial Timbres are each compete synth engines
Each of the 12 Partial Timbres has two digital oscillators that combine the principles of both additive and frequency modulation (FM) synthesis. Rather than using filters to subtract harmonics from simple oscillators, additive synthesis builds up complex sounds by selectively adding harmonics in this case. The Synclavier V goes way beyond that, combining these oscillators in an FM architecture where the carrier (main) oscillator is modulated by the second harmonic oscillator. The fusion of additive and FM technologies make for a stunningly diverse and unique universe of cinematic pads, epic leads, evolving bass lines and more.

Time Slices animate long passages
Time Slices allow you to specify up to 50 snapshots of the 12 Partial Timbres of additive and FM synthesis goodness, and animate through them over time. For each Time Slice, you can set the volume, pitch, FM modulation amount, and delay. The ability to set parameter crossfades of up to 30 seconds between Time Slices—over a total time of 5 minutes—makes it possible to create long evolving ambient pads and cinematic cues of incredible complexity.

Improvements make a great instrument even greater
We’ve made a lot more improvements beyond boosting the sound engine from four Partial Timbres to 12. Where the original modulation oscillator was only a sine wave, now you can also choose sawtooth, square, or triangle—or graphically build your own waves comprised of 24 phase-controllable harmonics. These enhancements allow you to create outrageous textures never possible before. Each Time Slice can now even have a separate FM modulator waveform. Variable bit depth between 4- and 24-bits, on-board effects, and a MIDI Learn feature are just some of the many examples of the new options available to you in Synclavier V.

With the Synclavier V, digital synthesis meets total creative and performance expression.
Sure, all synths have LFOs, but the vibrato section of the Synclavier V is exhaustive, giving you control over LFO attack, phase, quantizing, bias and more. Things get even more interesting when you apply the LFO to the FM harmonic oscillator that, in turn, modulates the carrier. Let that sink in for a minute!

Want to take your listeners on an animated journey? Add extra energy to your pads and soundscapes with the stereo modulation section. It actually takes the form of separate linkable tremolos for each channel, making for unique spatial animation effects that will have everybody’s heads spinning.

Imagine performing with expressive nuances never possible before. Press harder on the keyboard to change the amount of FM modulation. Ride the expression pedal to affect the frame speed of your Time Slices. Grab the mod wheel to rock the FM modulation ratio. These are just some examples of what’s possible when you use the modulation matrix to easily map any of your favorite MIDI controllers to dozens of sound engine parameters—discretely for each Partial Timbre."

You'll find Arturia's page on the Synclavier V here, and Synclavier Digital's website here.

Update: the official press release for the entire V Collection 5 [Note: The Analog Lab press release below was the first to go up. Apologies for the all the updates, but this is how it comes in, and posts here on MATRIXSYNTH are about capturing that]:

"Arturia advances industry-standard V Collection of virtual classic keyboards

GRENOBLE, FRANCE: music software and hardware developer Arturia is proud to announce availability of V Collection 5 — the latest incarnation of its impressive industry-standard collection of authentic-sounding virtual instruments, expanded and updated to include five all-new additions alongside new versions of ‘old favourites’ (plus Analog Lab 2) — as of May 19…

With no fewer than 17 virtual instruments that recreate hard-to-source synthesizers and classic keyboards, V Collection 5 represents really remarkable value on many musical levels. At an attractive monetary level, it’s a no-brainer! Bringing something special to the 21st Century performance and production table, five all-new authentic-sounding additions lead this latest V Collection charge.

B-3 V beautifully recreates the distinctive tones of the B-3 tonewheel organ, one of the most iconic and influential instruments of all time. It truly transcends time and place by bringing this still-sought-after sound to the computer-based music-making masses. Meanwhile, Farfisa V virtually puts players in the driving seat of the sound that drove the hits of several decades as a superb software simulation of the famous Farfisa Compact Deluxe organ. Pushing the physical boundaries of an acoustic piano, Piano V meticulously models the sound and behaviour of one of the most important instruments history has yet thrown up — albeit not as one but rather nine virtual instruments rolled into one! An authentic-sounding software simulation of the Seventies-vintage Stage and Sixties-vintage Suitcase 73-key electric pianos, Stage-73 V is the sound of the Sixties, the sound of the Seventies… the sound of today, the sound of tomorrow! Thanks to Arturia’s close collaboration with original Synclavier® software developer Cameron Jones, Synclavier V takes everything the trailblazing Synclavier® could do as the most powerful additive and FM synthesizer ever created and makes it more powerful!

Put it like this: thinking about all those thousands of new sounds and styles in V Collection 5 that are available at the touch of a (virtual) button beggars belief, but Arturia’s aim is true… to create the tools that lend a helping hand to today’s musicians, taking inspiration from the past to (re)invent the music of tomorrow. The 12 remaining virtual instruments in V Collection 5 — ARP 2600 V, CS-80V, JUP-8V, Matrix-12 V, Mini V, Modular V, Prophet V, and SEM V analogue synthesizers; Prophet VS digital synthesizer; Wurli V electric piano; VOX Continental V electronic organ; and Solina V string machine — do just that, too. All are updated with resizable (Retina/4K-compatible) GUIs that truly have to be seen to be believed! But digging deeper, Native Instruments’ new NKS® (NATIVE KONTROL STANDARD) — allowing advanced integration with third-party software instruments — naturally features across the board. As does AU, AAX, VST2, and VST3 compatibility, standalone operation, plus MIDI Learn (to easily map all parameters to a MIDI CC).

Continuing Arturia’s quest for absolute authenticity through TAE® (True Analog Emulation), physical modelling, and additional technologies, anyone prepared to dig deep into V Collection 5’s treasure trove of hard-to-source synth and classic keyboard recreations will be musically rewarded in kind. Conversely, Analog Lab 2 is a powerful yet painless way of accessing a broad selection of sounds from across V Collection 5 within a single application. As it supports Arturia’s many MIDI controller devices natively, it adapts to reflect their physical controls when they are connected… connect with V Collection 5, then, and accept Arturia’s helping hand to today’s musicians, taking inspiration from the past to (re)invent the music of tomorrow!"

The Analog Lab press release:

"Arturia advances Analog Lab composite virtual instrument to include V Collection 5 sound selection

GRENOBLE, FRANCE: music software and hardware developer Arturia is proud to announce availability of Analog Lab 2 — an all-new incarnation of its composite virtual instrument that gathers together a broad selection of sought-after sounds from its V Collection 5 software bundle — as of May 19...

Analog Lab 2 is a powerful yet painless way of accessing a sought-after selection of sounds from all 17 of Arturia’s authentic-sounding virtual instruments as a single application. Included are sounds from eight emulated analogue synthesizers (ARP 2600 V, CS-80V, JUP-8V, Matrix-12 V, Mini V, Modular V, Prophet V, and SEM V), two digital synthesizers (Prophet VS and Synclavier V), two electric pianos (Stage-73 V and Wurli V), an acoustic piano (Piano V), and three electronic organs (B-3 V, Farfisa V, and VOX Continental V). Those virtual instruments recreate hard-to-source hardware synthesizers and classic keyboards of the past and conveniently transport them to the present-day desktop.

Analog Lab 2 invites instant exploration as an AAX-, AU-, VST-, and VST3-compatible plug-in in any DAW (Digital Audio Workstation) or as a standalone version. Its redesigned, resizable (Retina/4K-compatible) GUI (Graphical User Interface) is as easy on the eye as it is to use. Studio View shows the original historic hardware, helpfully bringing up the best presets from each instrument in question. But there’s a whole lot more to Analog Lab 2 than good looks alone.

Accessing those sought-after sounds at the speed of sound is simple, thanks to a new preset browser. Browse presets by TYPES, BANKS, sonic CHARACTERISTICS, and INSTRUMENTS (crossing categories). Create PLAYLISTS. Or simply Search for presets by NAME. Needless to say, with 4,500-plus presets to choose from there’s always a sound to suit every mood, every ambiance, and every music style — sounds that transcend time and fashion.

For those wishing to dig deeper then the dual-instrument MULTI feature with independent MIDI settings panel for each instrument will make their musical day. Drag and drop splits and layers of those presets to take ownership of the sound. Sounds and Multis can be organised in the PLAYLISTS area for instant recall via program change messages, making Analog Lab 2 a best friend in the studio and a pillar of live performance.

Put simply, Analog Lab 2 is so much more than just a sound library. It’s a substantial sound design tool and an amazing live performance instrument integral to immeasurably improving everyday workflow. When connected to one of Arturia’s many MIDI (Musical Digital Instrument Interface) controller devices, Analog Lab 2 will automatically adapt to reflect their physical controls. Generic MIDI controllers of course can also be used with MIDI learn to easily map all parameters to a MIDI CC (Control Change).

Changing the sound of Analog Lab 2 is even easier thanks to two EFFECTS slots with pre/post fader switch per instrument. Included Bitcrusher, Chorus, Delay, Destroy, Dub Delay, Eq4, Flanger, Overdrive, Phaser, Pitchshift, Reverb, Roundpanner, and Vocal Filter effects ensure that Analog Lab 2 always sounds the way you want it to.

Take your sound and workflow to another level with Analog Lab 2, an easily-accessible environment at an easy-to- swallow price point. What’s not to like?"

Arturia B-3 V Tutorial

Published on May 19, 2016

"The B-3 V delivers the most authentic tonewheel organ and rotary speaker experience you’ll find anywhere, plus customizations that open up new creative opportunities."

"Arturia pulls out all the software stops to realistically recreate tonewheel organ combo classic

GRENOBLE, FRANCE: music software and hardware developer Arturia is proud to announce availability of B-3 V — an authentic-sounding software simulation of the classic B-3 tonewheel organ and Leslie rotary speaker combo — as of May 19...

B-3 V realistically recreates the special sound of the B-3 tonewheel organ. One of the most iconic and influential instruments of all time. One which has graced many of the greatest recordings of all time. Today Arturia brings this to its award-winning Analog Classics family of virtual instruments that recreate hard-to-source synthesizers and classic keyboards.

Keyboard players have made their mark in all forms of popular music with the B-3, back from its inception in the Fifties way past its discontinuation through to today. Procol Harum’s hit ‘A Whiter Shade Of Pale’ proved particularly memorable with a melancholic countermelody displaying an altogether softer side to the B-3. But raucousness remains the order of the day for the blues, jazz, and gospel genres with which it first found favour. After all, it had historically been aimed at churches as a more compact and affordable alternative to conventional pipe organs.

One saying springs to mind: Pulling out all the stops — to hold back nothing — is an allusion to organ stops being pulled out to turn on each set of sounds in a pipe organ. The B-3 effectively ‘emulates’ this with its drawbars. Doing this and a whole lot more is what B-3 V does best, thanks to Arturia pulling out all the software stops to make it happen!

Thirties-developed tonewheel technology originally made that special sound happen. An electronic current is created when rotating a metal tonewheel near an electromagnetic pickup and amplifying that signal. The B-3 has 91 of those tonewheels with each key connected to a fixed set of tonewheel outputs. Drawbar settings control how these are mixed together. The tube preamplifier subsequently shapes the sound a little further — filtering and distortion take hold here — while factoring the position of the expression pedal. This not only acts as a volume control but also affects the frequency response of the preamp which is connected to a speaker.

Speaking of which, B-3 V faithfully simulates the favoured Leslie tone cabinet, containing a power amplifier that drives a rotating horn and a stationary woofer firing into a rotating drum reflector. Spellbinding spatial and frequency-shifting effects above and beyond the sound-shaping effects of commonplace loudspeakers are all perfectly possible!

B-3 V brings this classic combo — complete with the inherent imperfections that made that tonewheel technology sound so unique — to the present-day desktop as an AAX-, AU-, VST-, and VST3-compatible plug-in in any DAW (Digital Audio Workstation) or as a standalone version. Visually, things couldn’t get clearer, thanks to the resizable (Retina/4K-compatible) GUI (Graphical User Interface) that’s as easy on the eye as it is to use.

Under the hood, things couldn’t be better with MIDI control of many parameters and insert slots for ANLALOG DELAY, CHORUS, FLANGER, OVERDRIVE, and PHASE effects, as well as ADVANCED SETTINGS for upper and lower manuals and rotary speaker behaviour. B-3 V boasts a built-in step sequencer, allowing anyone to easily set an amount of modulation for each step of the sequence! Naturally, Native Instruments’ new NKS® (NATIVE KONTROL STANDARD) allows advanced integration with B-3 V.

All of the benefits of the original iconic instrument are available to modern music-makers with B-3V, but without the heavyweight hassles. Where anyone chooses to take it musically is anyone’s guess, but bet your bottom dollar that special sound will be being heard for many more years to come... courtesy of B-3 V!"

Arturia Stage-73 V Tutorial

Published on May 19, 2016

"The Stage-73 gives you actual authentic modeling of both Stage and Suitcase versions of the most popular electric piano on the planet —completed with unparalleled control of virtual mechanics, a complement of effects pedals, and built-in classic amps."

https://www.arturia.com/products/analog-classics/analoglab/overview

Update: And the official press release for the new Farfisa-V:

"Arturia augments Analog Classics collection with faithful Farfisa Compact series software simulation

GRENOBLE, FRANCE: music software and hardware developer Arturia is proud to announce availability of Farfisa V — faithfully modelling the famous Farfisa Compact Deluxe electronic organ with additional features from its Duo Compact series sibling — as of May 19...

Arturia’s award-winning Analog Classics family of virtual instruments recreate hard-to-source synthesizers and classic keyboards. As a worthy addition, Farfisa V virtually puts players of today in the musical driving seat with a still-sought-after sound that drove the hits of several decades: Farfisa’s famous Compact Deluxe electronic organ, one of a series of iconic instruments manufactured in Italy between 1964-1968. A staple of Sixties-produced popular music, they made their musical mark with a wider-ranging sound than that of their main VOX Continental competitor. With more bass waveforms and an expanded percussion and vibrato section sales soared.

Speaking sonically, Farfisa Compacts are almost more top octave synth-like than organ-like, thanks to a rudimentary envelope that allows for attack and decay control that went way beyond the typical organ sound of its day. Little wonder, then, that they proved popular with musicians throughout the Sixties (‘Sam The Sham’ and The Pharaohs, Percy Sledge), Seventies (Jean-Michel Jarre, Kraftwerk), Eighties (B-52s, Blondie), and beyond. But unlike heavyweight Hammond tonewheel organs, transportation to performances was trouble-free. For the fortuitous Farfisa form factor included integrated legs that could be folded up and stored within the body of the instrument itself, surely sealing many purchasing deals!

Today, though, finding and maintaining an original Farfisa has become both difficult and costly. Farfisa V solves such problems by bringing all the benefits without any of the hassles to the present-day desktop! Developed using an original hardware organ for reference, it meticulously models the original circuits and sounds of the famous Farfisa Compact Deluxe. Features from its Duo Compact series sibling are also included alongside an authentic combo amp simulation. Standalone instrument operation on Mac OS X and Windows is a given for performance purposes. Plug-in support for all major formats inside any DAW (Digital Audio Workstation) with easy MIDI-learn functionality provides hands-on control of many of its parameters and automation support for considerable creative control. Naturally, Native Instruments’ new NKS® (NATIVE KONTROL STANDARD) — allowing advanced integration with third-party software instruments — is there for the taking.

As always, recreating an instrument in software provided an opportunity to add a number of more advanced features fit for the 21st Century. Cue the special USER WAVE position, allowing anyone to create an additive waveform. Why not use the ToneDraw feature to create a new waveshape based on the graphical look of the sliders? Having modelled the original built-in spring reverb, Arturia added other reverb IRs (Impulse Responses). Reorder the additional ANALOG DELAY, CHORUS, FLANGER, OVERDRIVE, and PHASER effects. Easily-accessible individual voice tuning, PARA (paraphonic) and POLY (polyphonic) modes, ATTACK and RELEASE envelopes for upper and lower keyboards, BASS WAVE (waveform selector), TONE control for bass section, TREMOLO SYNC, and REPEAT SYNC round out this all-new Analog Classic. Hearing is believing. So is seeing, thanks to the resizable (Retina/4K-compatible) GUI (Graphical User Interface) that’s as easy on the eye as it is to use.

Ultimately, then, whether you’re set on recreating a distinctive and powerful organ sound of the past or forging ahead with a new organ sound of the future, Farfisa V does it all. But best of all... legs no longer play a part in sealing this must-have musical deal!

Digitakt OS 1.05 Released

"Digitakt OS 1.05 is now available for download from https://www.elektron.se/support/?connection=digitakt#resources …. This update addresses a number of bugs — including the MIDI freeze issue — and introduces a few workflow improvements. Please refer to the release notes for a full list of changes."

List of changes from OS 1.04 to 1.05 Improvements

Sound pool is added to the project. It is now possible to use sound locks on sequencer steps.
Previewing Sounds in the Sound browser temporarily disables the [FUNC] + [UP/DOWN] page scrolling.
Encoder click sensitivity is adjusted for better usability.
The Track level graphics is now differentiated from other volume parameters graphics.
There is now an indication that tells if the user tries to load a sample which exceeds available RAM in size.
The active track indicator now has inverted graphics.
The active page name is shown in the title bar when changing pages.
Added a new Storage view to see the used/total amount of memory and the number of projects, Sounds, and samples. The Storage view is available in the SYSTEM menu.
LFO speed parameter snaps to powers of two.
Added sysex dump functionality.
Added warning when trying to load more samples than there are slots available.

Bug fixes

CLICK FOR MORE »

Roland Supercharges FANTOM Synthesizer Series

Roland FANTOM EX Synthesizer | Performance featuring LZARUS
video upload by

"FANTOM EX is the latest chapter of the FANTOM legacy. Watch producer and session keyboardist Laurence Jepson, aka LZARUS, perform with the most advanced creative synthesizer ever. Check out an array of FANTOM EX features in action, including German Grand V-Piano Expansion, JUPITER-8 ACB Expansion, live bass recording with JX-8P Model Expansion, TR-REC step sequencing, vocoder, n/zyme Model Expansion, and Shimmer Reverb.

About FANTOM EX

FANTOM EX provides a complete creative ecosystem for professional sound design, sequencing, and performance.

Explore the most advanced Roland sound engines—ACB, ZEN-Core, V-Piano, SuperNATURAL, Virtual ToneWheel, and other Roland technologies. Plus, SH-101, JUPITER-8, and JX-3P* ACB Model Expansions and six additional pre-loaded ZEN-Core Model Expansions, including n/zyme for advanced wave design, vintage-inspired instruments, premium pianos, essential organs, and more.

Integrate seamlessly with any computer-based setup with dedicated modes for Ableton Live, Logic Pro, MainStage, Cubase, and Studio One. Sample directly into the synth and trigger, loop, program, create new tones from partials, or use multi-track sampling to stack sources into complex sounds. Then, refine your sound with Master FX and preset templates.

Developed in collaboration with renowned synth designer Axel Hartmann, the FANTOM EX hardware and user interface is built to support your creativity with intuitive operation and world-class playability."

Roland Fantom EX - Expansion In Use - Sonic LAB

video upload by sonicstate

"Roland's latest iteration of the Fantom is now the Fantom EX which is essentially the same Fantom you could buy yesterday, but now with the EX software expansion.

David aka @superfrogsavestokyo has a look at the new EX features, but with the regular Fantom hardware. He builds some musical sketches to demonstrate the new ACB models and the n/zyme Wavetable synthesizer."

Roland press announcement follows:

The Acclaimed FANTOM Synthesizer Series, Supercharged with the Latest Roland Sound Technologies and Updated Creative Tools

Los Angeles, CA, April 25, 2024 — Roland announces FANTOM EX, a new flagship synthesizer series for professional musicians and producers. Updating and expanding the popular FANTOM platform with the latest Roland technologies, the next-generation FANTOM EX delivers a complete creative ecosystem for sound design, sequencing, and performance. In addition to the FANTOM 6 EX, FANTOM 7 EX, and FANTOM 8 EX models available to new purchasers, current FANTOM owners can expand their instruments with all EX sounds and features through the FANTOM EX Upgrade for sale on Roland Cloud.

Introduced in 2019, the Roland FANTOM has received worldwide acclaim for its diverse range of high-quality sounds, powerful synthesis tools, premium playability, and free-flowing user interface. FANTOM EX builds on the original’s foundation, supplementing the core feature set with Roland’s Analog Circuit Behavior (ACB) engine and numerous sound expansion titles, including the recently developed JX-3P ACB Expansion. New effects and a host of fresh workflow enhancements are also included.

Each FANTOM EX model provides the most expansive collection of premium sound engines available in a hardware instrument. Roland’s ACB, ZEN-Core, V-Piano, SuperNATURAL, and Virtual ToneWheel technologies spark inspiration at every turn, providing expressive and inspiring sounds for every musical style.

With FANTOM EX, users can compose and perform with over 7000 genre-defining Roland sounds and go further with premium sound content on Roland Cloud. Eleven sound expansion titles come as standard, including JUPITER-8, SH-101, and JX-3P ACB Expansions; n/zyme, JD-800, JUNO-106, JUPITER-8, JX-8P, and SH-101 Model Expansions; the German Concert V-Piano Expansion 01; and the SuperNATURAL Acoustic Piano 3 Expansion.

The powerful custom processors in FANTOM EX provide smooth and precise operation with plenty of overhead, enabling loads of polyphony and full patch remain for seamless transitions. There are dozens of simultaneous effects, including new studio-grade reverbs and updated Master FX for shaping the overall sound. A characterful analog filter is also available, perfect for infusing tones with extra warmth and grit.

FANTOM EX is primed to be the center of any production universe. Users can directly shape sounds and develop musical ideas with a friendly, ergonomic panel filled with buttons, knobs, and sliders. The color touchscreen dynamically changes to support the task at hand, and it’s now possible to personalize the look by importing custom images for the screensaver and startup view.

The deep onboard sampling and composition tools in FANTOM EX support fast sound creation and quick arrangement of song ideas. Multiple workflow options include the classic Roland TR-REC step sequencer, real-time recording with piano roll editing, and 16 RGB pads for triggering sounds, samples, and clips.

FANTOM EX flows effortlessly into any computer-based production setup. There are dedicated modes for popular software platforms, including Ableton Live, Logic Pro, MainStage, Cubase, and Studio One. With the built-in 16x3 audio/MIDI USB interface, users can mix and layer soft synths with hardware sounds, send sequencer parts to computer tracks, route DAW sources through FANTOM EX effects, and more.

The loaded FANTOM EX rear panel supports connections with a wide range of gear. There are XLR combo connectors for mics and instruments and eight 1/4-inch outputs to route sounds to external destinations. MIDI I/O is also available, along with dual CV/Gate outputs for driving modular and analog synths.

Each FANTOM EX model comes equipped with a premium keyboard and aftertouch support. The FANTOM 8 EX offers the ultimate weighted experience with 88 hammer-action keys, while the 61-note FANTOM 6 EX and 76-note FANTOM 7 EX feature semi-weighted synth action. Precision-crafted with decades of Roland development knowledge, these inspiring keyboards deliver the most expressive playability available.

Released in November 2023, the FANTOM EX Upgrade on Roland Cloud allows owners of the original FANTOM 6/7/8 models to outfit their instruments with the newly added EX features, including JUPITER-8, SH-101, and JX-3P ACB Expansions, n/zyme and JD-800 Model Expansions, two new grand pianos, and all other EX enhancements.

Availability & Pricing
The Roland FANTOM 6 EX, FANTOM 7 EX, and FANTOM 8 EX will be available in the U.S. in April for $3,199.99, $3,699.99, and $4,199.99 respectively."

Roland Introduces ZENOLOGY & Roland Cloud Virtual Instrument Collection

Published on May 11, 2020 RolandChannel

Playlist above:

1. Roland ZENOLOGY Software Synthesizer: the ZEN-Core Synthesis System Virtual Instrument
2. Roland ZENOLOGY Software Synthesizer Overview
3. Introducing Roland Cloud: Roland's Virtual Instrument Collection
4. Roland Zenology Plugin Synthesizer Demo & Fun w. Doctor Mix

"Synthesizers are in just about every style of modern music, so you need something versatile, authentic, and forward-thinking. ZENOLOGY embodies nearly 50 years of synthesizer research and development. Its roots go back to the dawn of synthesis. Its future is what you make it. 

For decades, Roland sounds have had a massive influence on music. A string of legendary instruments defined genres like techno, house, rap, trap, and hip hop, and deeply influenced pop, rock, and film music. This experience has culminated in the ZEN-Core Synthesis System. It's the most advanced sound engine we’ve ever made, powering our professional synthesizers like JUPITER-X and FANTOM, used on stages and in studios around the world. 

ZENOLOGY is an expandable plug-in version of the ZEN-Core Synthesis System. ZEN-Core is based on discrete synth voices—each containing a flexible oscillator, filter, amplifier, dual step-LFOs, and lush effects. It mixes multiple synthesis types, combining vintage Roland oscillators and filters with PCM waves capable of PCM-SYNC and cross-modulation. Layer up to four voices in a single tone for rich, complex sounds, both classic and modern. 

With ZENOLOGY you have access to an ever-expanding, always-evolving universe of sound. Driven by the powerful ZEN-Core Synthesis System, a steady stream of new sounds and expansions focus on specific genres and instrument types, or feature sounds from leading artists. 

ZENOLOGY puts the ZEN-Core Synthesis System in your DAW and provides access to a universe of amazing sounds—but this is only the beginning. In the coming months, ZENOLOGY will get new synth engine expansions and grow into a sound designer's dream with deep editing capabilities.  The ZENOLOGY plug-in works in AU, AAX, and VST formats and is ready for use on your tracks.

ZENOLOGY will soon support Model Expansions for perfect recreations of classic Roland synthesizers like the JUPITER-8, JUNO-106, SH-101, JX-8P, and more. They use Analog Behavior Modeling to capture the essence of these legendary instruments and are optimized for high polyphony with an interface inspired by the original—but reimagined for use in your DAW. "

"Roland Cloud is a growing collection of virtual instruments, creative applications, and sound expansions for use in modern workflows. Producer, beatmaker, gigging musician, or just getting started — you'll find something to inspire you. From techno, acid house, and ambient to trap, rock, and hip hop, Roland Cloud has instruments and tools that will elevate your tracks.

Use over 50 Roland virtual instruments. Embrace the future with the ZENOLOGY Software Synthesizer that lets you share your sounds across software and hardware with ZEN-Core. And keep your music fresh with genre and instrument-specific patches, patterns, and sound packs for both Roland software and hardware instruments. 

The original TR-808, classic JUNO-106, powerhouse JUPITER-8, and genre-defining TB-303 are all part of the 50+ instrument collection. In addition, from Roland's legacy of innovation comes the new ZENOLOGY ZEN-Core-compatible synthesizer. Plus, enjoy a library of sound expansions for both software and hardware with the convenience of cloud-based mobility.

Download the app, create a Roland Account, and shape your musical experience starting with our free ZENOLOGY Lite Software Synthesizer. Once inside, you can explore membership options as well as purchase Instrument Keys, patch collections, ZEN-Core Sound Packs, and Wave and Model Expansions. 

Roland Cloud offers three paid membership levels: Core, Pro, and Ultimate. Pick a plan and supercharge your sound. All Roland Cloud access begins with a Roland Account. Sign up for free inside Roland Cloud Manager. No credit card required. 

With Roland Account as your passport, you’ll have access to redeem Lifetime Keys, applications, and sound expansions. Roland Cloud plug-ins work in AU, AAX, and VST formats and are ready for use in your DAW.

Roland Cloud works with a variety of compatible Roland hardware. Host plugins in the SYSTEM-8 synth for computer-free performance. Share sounds with ZEN-Core compatible gear including FANTOM and Jupiter-X. Or use your TR-08 or Roland Boutiques to control their software equivalents, with all controls mapping automatically. 

From there, expand your music with sound collections. From Synthwave vibes and Legendary instrument collections to ZEN-Core Sound Packs (SDZ), Wave Expansions (EXZ), and model expansions, these genre-specific sets will provide an extra shot of creative inspiration.

You can even get 24/7 access to individual instruments with Lifetime Keys Purchase a Lifetime Key and use your chosen instrument for as long as your Roland Account is active–even if you’re not a paying member. "

NAMM: Kurzweil PC361

"PC361 Overview
The Ultimate Performance Controller Keyboard

With a sleek new look on the outside, and an arsenal of Kurzweil's latest cutting edge chip technology under its hood, the 61-note PC361 delivers 128 voices of incredible sound quality along with a host of powerful, easy to use features. The PC361 is Kurzweil's ultimate performance controller keyboard, with an enormous collection of stunning sounds combined with comprehensive real-time controller functions.

In addition to our renowned Triple Strike Grand Piano, the PC361 features hundreds of new sounds; basses, drums, guitars, and synths suited for every style and taste, along with a collection of flawless vintage keyboard emulations, KB3 Mode and over 250 orchestral and string section programs.

The PC361's new Dynamic V.A.S.T. architecture is a huge step forward in synthesis, the fruit of several major strides we've made in improving processing power, flexibility and user-friendliness. Good news for synth enthusiasts - we've seamlessly integrated our legendary VA-1 Virtual Analog Synthesizer into the new system!

For good measure we include an unlimited-track sequencer with 960 PPQ resolution and more effects processing power than our acclaimed KSP8 processor, making the PC361 a full blown music production workstation. Add in USB, flash xD card port, a newly designed keyboard action, and a new intuitive user interface, and you've got the next generation of Kurzweil instruments.

It's a performance controller. It's a synthesizer. It's a workstation.
What's Inside...

One thing which clearly sets Kurzweil apart from the competition is the fact that we design our own chips (called ASICs) for all Kurzweil products. Simply put, our chips are customized for optimum audio performance. What does this mean for the end user? It means that all of the processing power in a Kurzweil chip is devoted exclusively to sound. It means no noticeable latency - the performance is always lightning fast. And most importantly, it translates into that rich, full, glitch-free sound for which Kurzweil has become famous. Yes developing our own chips is more expensive and more time consuming. We think it's well worth it. Once you've heard the PC361, we think you'll agree.
The Kurzweil Sound...

The PC361 offers an enormous sound set of over 850 programs, raising the bar once again for both audio quality and variety. With the best samples in the industry, and a powerful, responsive synth engine breathing life into them, you'll feel like you're playing an actual instrument, not just playing samples. Of course there's the famous Kurzweil Triple Strike Piano, with dozens of variations to accommodate every kind of player. All of the basic sounds - basses, guitars, drums, horns and synths - have been painstakingly programmed to reflect the needs of today's professional players, representing a broad selection of styles and flavors from the '60s, '70s, '80s, '90s and today.

Also included is our Classic Keys ROM, which puts an impossibly large vintage keyboard rig at your fingertips. These are vintage emulations which actually sound like vintage instruments and classic recordings. The recognizable sounds of those classic electromechanical instruments, with all of their characteristic imperfections, have been faithfully re-created, along with pedals, amps and speakers. Lush Mellotrons, growling electric pianos, and punchy Clavinets are all there at the touch of a button, programmed to sound just like those classic albums.

For more vintage firepower, the PC361 is equipped with the most advanced version of Kurzweil's widely lauded KB3 Mode tonewheel organ simulator, which screams, sputters and sizzles just like the original. In addition to newly developed Leslie effects, and a new bank of B3 programs, we've also included sounds from the classic Vox and Farfisa combo organs. The PC361's 9 sliders provide real-time drawbar control.

The PC361 offers a full range of world class orchestral sounds, including our new String Section ROM bank, making it ideal for film-scoring and soundtrack projects. Every type of articulation, every nuance has been captured, with samples of full and divisi sections of violins, violas, cellos, and double bass. The details, the warm swells, animated pizzicatos and the sound of scraping rosin all add to the breathtaking effect of these string sections. You can plug and play with sounds worthy of a finished production - instant gratification with uncompromising sound quality.
Dynamic V.A.S.T...

Under the hood of the PC361 is simply the most powerful synthesis engine ever created by Kurzweil. Dynamic V.A.S.T. picks up where the K series left off. Having up to 32 layers per program means that emulations of real instruments can be extremely detailed and accurate, while the synthesized sounds can be extraordinarily large and complex.

Expanding upon our V.A.S.T. architecture, the PC361's new architecture delivers more power and flexibility combined with unprecedented ease of use. Users can now create and store their own DSP algorithms, with nearly limitless possibilities for routing.

In another huge development, we've resurrected the VA-1 Virtual Analog Synthesizer, having built it's synthesis engine right into the new system. Hear the VA-1's power-shaped, anti-aliasing oscillators (including supersaw, triplesaw, and hard sync oscillators) combined with a newer, larger set of V.A.S.T. filters (like the classic-style 4pole low pass w/ resonance) and non-linear processors and you'll understand why the internet is buzzing about this feature.
Cascade Mode...

Every layer in a program can be routed through the DSP of any other layer, in series or blended together, with up to 32 layers. It's the same concept as Triple Mode on our K26 series, without the 3 layer limit. You can run your sound through literally dozens of filters (which can all move independently in real-time) in addition to Kurzweil's signature DSP processors like Shaper, Wrap and Distortion, allowing for some truly dazzling results. This is one more feature which makes the PC361's synth engine so powerful and so different than anything else on the market.
User Interface...

While the PC361's user interface may look familiar to veteran Kurzweil users, major improvements have been made, allowing for a much more user friendly experience. The PC361's backlit 240 x 64 display conveys all the information you'll need, when you need it, in an elegant, easy to navigate environment.

Programs are categorized and can be selected by scrolling or by using bank and program select buttons. Further, user favorites can be organized into convenient "Quick Access" banks for easy one touch recall.

In addition to fast navigation, each preset sound is accompanied by an "Info" screen which can be accessed at the touch of a button. As every sound can have its own customized set of real-time, physical controllers (sliders, modwheel, switches, CC Pedals, mono pressure, etc.) , the Info button makes viewing the current assignments effortless.

Complimenting the PC361's killer soundset is the the Easy Audition feature, where every one of the PC361's presets is linked to a bank of "riffs", recorded sequences which demonstrate each sound in an appropriate context. Just hit the "play" button on the front panel and get a quick musical preview of the current selection. Program selection and navigation, fast and easy.

Helping to tap the system's full potential, the PC3 also sports a feature-laden software-based Desktop Editor with comprehensive, easy to use features. (free download- both Mac & PC platforms available)
Effects...

With up to 16 insert effects, two available auxiliary sends, PLUS a global Master FX section, the PC361 offers more than twice the processing power of our acclaimed KDFX engine. Effects can be chained together in series, or distributed among the PC361's 16 multitimbral channels. And these are simply the best effects in the business - burning distortions, transparent compressors, warm phaser and chorus effects, perfect reverbs - everything from flawless vintage emulations to concert halls which decay into complete silence. All parameters are assignable to any of the PC361's real time controllers - sliders, pedals, wheels, etc.
Sequencer...

The PC361 features a newly designed sequencer, with unlimited tracks and 960 PPQ resolution. Combining a set of powerful song editing functions like event editing, swing, and controller scaling with a new friendlier interface, the PC361 truly excels as a song writing/arranging workstation, ideal for music production on the fly. Chasing controls, input quantizing and a global "set song length" function are just a couple of the features we've incorporated.
Arpeggiators & Riffs...

The PC361 sports sixteen (yes, 16!) independent, fully programmable arpeggiators featuring 48-step programmable, pattern generators with both pitch and velocity controls - per zone (allowing for up to 16 patterns to playback simultaneously). These are accompanied by a thorough collection of modes, scales and pre-programmed patterns to get your juices flowing.

If that wasn't enough, the PC3 offers sixteen unique "Riff" generators, which permit the triggering of MIDI sequenced phrases, beats, or even complete multi-track arrangments from notes on the keyboard and/or any on-board physical controller.

Suggested Retail Price: $2395
Estimated Release Date: March 2009 (N. America)

All specifications subject to change without notice."

More details here.

Ultimate Synth Selection for NAUTILUS

Playlist:
Ultimate Synth Selection - KORG NAUTILUS

The Ultimate Synth Selection utilises the Set List feature in NAUTILUS and gives the user the ability to search for sounds from legacy instruments through to the world-class sound engines of the NAUTILUS.

Imagine walking into a room containing an MS20, a Polysix, WAVESTATION, M1, TRITON, Concert pianos, CX-3 drawbar organs, Electric Pianos with an array of FX pedals, supercharged FM synths and more…

The Ultimate Synth Selection lets you do that within the NAUTILUS by giving the user 11 custom setlists created by KORG UK. Full details at https://www.korg.com/uk/news/2021/090...

Ultimate Synth Selection for NAUTILUS - SGX-2

The SGX-2 Premium Piano sound engine offers three distinctive pianos - the rich German D piano, a Japanese upright model and a small Japanese C grand. Each uses superb, un-looped stereo samples, with 12 velocity levels. Thoughtful attention to detail preserves the realism and warmth of the piano sound, even to the extent of sampling and reproducing the sounds of the body resonances and the mechanical key, damper pedal noises, string resonance, varied microphone placements and even prepared piano samples.

Ultimate Synth Selection for NAUTILUS - EP-1

Our EP-1 sound engine is dedicated to faithfully recreating six of the most popular classic electric pianos which provide realistic simulations of the period amp, cabinet, speaker and even the hard-to-find vintage effects that gave the original instruments their distinctive sound. The MDS modelling technology eliminates the transitions between velocity-switched samples and provides the user with unique control over the tines, reeds and noise elements.

Ultimate Synth Selection for NAUTILUS - CX-3

The original KORG CX-3 combo organ went on sale in 1980. The CX-3 engine precisely models this classic tonewheel instrument. Proprietary KORG technology has been used to perfectly reproduce the vacuum tube amp and effects, such as Vibrato/Chorus and the must-have rotary speaker - even the instability, fold-back, leakage and noise of the tonewheels have been obsessively analysed to recreate this much sought-after classic organ.

Ultimate Synth Selection for NAUTILUS - MS-20EX

Debuting in 1978, the MS-20 unified a 37-note keyboard with a vertically oriented control panel. It had a thick and solid sound, aggressive filters and patching that opened up limitless potential for creating sounds. Using KORG's CMT (Component Modeling Technology), the MS-20EX faithfully reproduces the MS-20, whilst dramatically expanding its patch panel functionality. Its signature filters provide a unique sound, a great contrast to the AL-1 and PolysixEX.

Ultimate Synth Selection for NAUTILUS - PolysixEX

The original Polysix from 1981 offered six-voice polyphony, program memory and a surprisingly competitive price tag. With its self-oscillating four-pole filter, smooth analogue oscillator and sub-oscillator, plus a lush Chorus/Ensemble effect, the PolysixEX extends the abilities of the original in many creative ways, The Polysix arpeggiator is included and you can modulate every control on the front panel to make new sounds that were impossible on the original keyboard.

Ultimate Synth Selection for NAUTILUS - WAVESTATION

The WAVESTATION synthesizer appeared in 1990 with an advanced vector synthesis system that combined and shifted between multiple complex waveforms. Using the HD-1 Engine in the NAUTILUS, KORG have included most of the original wave sequences, as well as a full wave sequence edit mode. The patterns can also be manipulated with the on-screen vector joystick, just like on the original!

Ultimate Synth Selection for NAUTILUS - TRITON

The KORG TRITON series of workstations was first released in 1999. Countless top musicians and producers from around the world loved the newly developed expressive PCM sounds that helped shape the sound of the 2000s in the studio and on stage. This collection of 128 original TRITON programs uses the HD-1 engine to faithfully recreate the HI (Hyper Integrated) synthesis system that was at the core of the legendary TRITON series.

Ultimate Synth Selection for NAUTILUS - MOD-7

Combine Variable Phase Modulation (VPM), wave-shaping, ring modulation, samples and subtractive synthesis, plus a modular patch-panel system and you end up with the MOD-7. Exceptionally versatile, it offers everything from classic FM keyboards, bells and basses (including the ability to import sounds from vintage DX synths), to rhythmic soundscapes and sparkling, epic pads.

Ultimate Synth Selection for NAUTILUS - AL-1

The AL-1 is the same premium feature-packed analogue modelling sound engine that was first featured on the KORG OASYS, the Open Architecture Synthesis Studio back in 2005. Its patented ultra-low-aliasing oscillators smoothly recreate all the power and glory of true analogue synthesis-without the artifacts that can plague lesser instruments.

Ultimate Synth Selection for NAUTILUS - STR-1

Based on the physical modelling DNA that KORG developed in products such as the WAVEDRUM, Prophecy and Z1, this struck/plucked-string physical modelling sound engine takes advantage of cutting-edge technology. The STR-1 engine is packed full of highly playable sounds, whose tone responds to your touch in ways that are difficult for a PCM sound engine to replicate, including acoustic and electric guitars, harpsichords, clavinets, harps, bells and ethnic instruments.

Roland Announces the TR-8S Rhythm Performer - A TR-8 w/ Samples

Published on Mar 4, 2018

Roland has announced a new TR-8 with sample playback and sample import (no live sampling), available this month for $699 / €699 (with VAT). Note the included classic TR engines are still ACB modeled and not sample based. You can mix and match kits. Details follow.

Playlist:
Roland TR-8S Rhythm Performer [Performance by Maika Loubté]
Roland TR-8S: Overview
Roland TR-8S: Sound Design
Roland TR-8S: Sequencing
Roland Aira TR-8S Sampler quick workflow with custom sample Demo by Sound Provider

"Introducing the Roland AIRA TR-8S: Rhythm Performer Meets Sound Designer.

The performance-tuned TR-8S combines stereo sample playback with iconic Roland TR- drum sounds and deep editing parameters to allow you to craft your dream drum kits. New sequencer, motion-recording, and increased variations, effects, and outputs are some of the features that have evolved the TR- drum machine to set a new standard in sound design and live performance."

"Born of the most famous and influential drum machines ever made, the TR-8S combines the best of its Roland heritage with modern production techniques and professional sound design.
The result? A forward-thinking, performance-tuned instrument unlike any other. Build your dream kit from the most iconic drum sounds of all time,
plus the finest selection of samples from our vast library—or import your own custom samples. Tap, tune, and tweak with hands-on controls and production tools that make your patterns move and groove. And why keep this kind of percussive power confined to the studio? The TR-8S was literally made to play live.

Design Kits with Authentic TR Drums,Sampled Sounds, and Effects

The TR-8S comes loaded with the largest, most authentic collection of TR drum machines available. The powerful new processor gives our next-generation ACB models a whole new level of detail and nuance, giving you that classic Roland boom, snap, and sizzle. And now you can incorporate preset and custom samples, creating unique hybrid and layered kits, and enhance them with specialized effects that inject professional sound design into the TR formula.

Transistor Rhythms

The TR-8S has every sound from the most sought-after TR drum machines, with detailed circuit-models of the 808, 606, 909, 707, 727, and even several modified versions. These are not sound-alike sample-packs or mere recordings of TR drum sounds. Each machine is a detailed, down-to-the-circuit-model that sounds and behaves exactly like the original hardware. All these sounds are yours, at your fingertips, and ready to use in your own productions and performances.

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Future Retro Announces Release of New Mondovox Product

"The Mondovox provides new ways to play, control, and breathe new life into MIDI sound modules. The Mondovox allows you to play up to 16 monophonic synthesizers polyphonically, in ways you would expect to find in features-laden polysynths, and also expanding upon those ideas for many new and exciting possibilities such as three new detune modes for creating truly massive sounds.

Although it's designed to play multiple monosynths (such as our popular XS semi-modular synthesizer), the Mondovox can be used with any monophonic, polyphonic, multitimbral or single voice, analog, digital, virtual synthesizers or samplers.... it doesn't matter, as long as it has MIDI.

With the plethora of inexpensive monophonic synthesizers being manufactured at this time, we believe the Mondovox is the ideal solution to expand their capabilities to include new polyphonic possibilities.

We are now taking pre-orders, and expect the first orders to begin shipping in as soon as 1 week.

List price is $300 USD.

Each unit comes with a universal power supply that can operate at 100~240V mains voltages, and includes an assortment of power plugs for various countries.

For more information, please vist the Mondovox product page at:
http://www.future-retro.com/mondovoxoverview.html"

Additional details and specs for the archives:

"The Modovox takes polyphonic MIDI data and translates it to so that each voice is on its own MIDI channel.

There are nine different polyphonic modes of operation:

UNISON: Stack up to 16 voices to play in unison for one big sound. Unlike traditional polysynths that only allow you to play a single note while in unison mode, the Mondovox allows you to play up to 16 notes simultaneously, creating huge unison chords. Obviously, this will depend on the available voices in the sound module you are controlling. While digital and virtual analog synths usually provide high voice counts to support these unison chords, controlling analog monosynths in this way will activate their auto-glide portamento circuitry.

UNISON DETUNE: Three Unison Detune modes -- detune down, detune up/down, and detune up -- allow you to play up to 16 notes in unison, as well as detune all voices to varying degrees simply by moving the pitch bender. Once you discover this feature, you will wonder how you ever made music without it. As you increase the pitch bender value, small amounts of detune will create "true chorus" effects, unlike traditional cyclic DSP chorusing effects. Increase the pitch bender more to discover that you can make any sound module take on that "super saw"-like quality, although obviously you're not limited to just sawtooth waveforms. Increase the pitch bender even more and sounds take on buzzing swarm effects, and finally as you move into extreme settings, a dark side reveals itself, producing eerie dissonant sound effects perfect for any scary movie. Releasing the pitch bender retains the degree of detuning so you're free to concentrate on playing and tweaking your sounds. Moving the pitch bender in the negative range will then clear the detune setting, bringing all voices back into perfect unison.

Just like in Unison mode, you can play up to 16 of these detuned unison voices polyphonically, so long as your sound module supports that many voices. By the way, that's 256 voices, for those wondering. Let's just say you haven't experienced "phat" until you've tried the Mondovox!

Another interesting fact about these detune modes is that you can detune the voices, then select a different polyphonic mode in the Mondovox and it will remember the detuning for each voice. This capability creates a wonderfully simplistic way to get boring "perfectly tuned" digital synths out of their static element and into new experimental territory.

UNISON POLY: In this mode, playing a single note will cause all active voices to play in unison. Playing a second note will reassign half the voices to the new note value, and playing additional notes will further allocate the available voices as evenly as possible between the number of notes currently being played. Unison Poly mode allows the overall weight of a musical part to remain fairly consistent when alternating between playing single notes and chords.

DON'T PANIC: If you are an intergalactic traveller you probably already know what this mode is for. However for those of you who aren't, it's simply a means for you to stay calm if the sound module you are controlling is not be able to comprehend the large amounts of MIDI data the Mondovox is capable of producing. In other words, it sends an "All Notes Off" MIDI message to clear voices should they become latched. Selecting the proper processor routing mode (mentioned later), will usually elliminate the need for such panic.

POLY RANDOM: Poly Random mode allows notes played to be randomly sent to 1 of up to 16 voices, adding more variation from one note to the next when similar sounds are played. You may also assign different sounds to each MIDI channel within a sound module, and this mode will then randomly play those different sounds at the current pitch.

POLY CHASE: This mode plays one available voice after another sequentially. Sometimes this is referred to as "round robin." Poly Chase ensures that if you play a single note repeatedly, that it will sound slightly different with each new key press. In addition, the Mondovox lets you use this mode as a psuedo sequencer, allowing you to play different sounds sequentially on different MIDI channels. You can set the loop point from 1 to 16 steps by the number of voices you define. The Mondovox will reset to begin playing voice 1 each time you select this mode.

POLY FIRST: Poly First mode always plays voice 1 first, and as more notes are played simultaneously, voices 2, 3, 4, etc. will sound. Repeatedly playing and releasing a single note will allow voice 1 to play only. This feature allows the voices played to be more predictable with repeatable results.

CHORD MEM: While in Poly First mode, you can play and hold up to 16 notes, and switch to the Chord Memory selection to latch the chord into memory. You can then play that same chord by playing a single note on your MIDI controller. The root of the latched chord will be the first note you played while in Poly First mode. Not only can you play chords with single keys, you can play up to 16 transpositions of this chord by playing up to 16 keys. Of course this will be limited by the number of available voices in the sound module you are controlling.

DEFINE VOICES: When in Define Voices mode, you can enter the number of voices to be enabled by simply tapping a key on your MIDI controller once for each voice. The number of voices defined will remain in memory even when the unit is turned off.

DEFINE ROUTING: This mode determines how MIDI is handled by each of the four internal MIDI processors. Routing 1 allows each of the four processors to play all 16 MIDI channels -- useful when controlling a multitimbral sound module and you only need to use a single MIDI output. However, you could connect up to 16 multitimbral sound modules to play giant stacks of up to 256 voices at once using all available MIDI Out ports. Routing 2 assigns each processor to handle four MIDI channels in sequential order, allowing faster MIDI timing than the Routing 1 option while still maintaining easy routing when using lower voice counts. Routing 3 assigns each processor to handle every fourth MIDI channel, provideing the fastest MIDI timing, as four notes can be sent over MIDI simultaneously. The routing selection is stored in memory even when power is turned off.

The Mondovox will detect the MIDI channel of the first note it receives after being powered on, and it will automatically set the incoming MIDI channel to that value.

A universal DC power supply is provided with each unit, that can operate anywhere in the world.

Each Mondovox is handmade in the USA using only the finest components, with a great deal of attention going into every unit. A rugged all-steel chassis makes this unit nearly indestructible, and the unique finishing technique used on the brushed stainless steel front panels is truly an industry first.

Although simple in its design with only a single control, the Future Retro Mondovox offers an amazing range of possibilities!
A must-have piece for any MIDI user."