New FREQY, EPILOGUE VCF, & Rong Mid modules by nonlinearcircuits

FREQY video upload by cirtcele

"Frequency Shifter without dome filters"

EPILOGUE VCF

video upload by cirtcele

"Low pass filter with some unusual feedback paths"

Rong Mid

video upload by

"Ming Rodulator with VC phase control"

SCHLAPPI ENGINEERING Introduces new Eddy and Cascade Eurorack Modules

Overview video upload by SCHLAPPI ENGINEERING

"Eddy is a three channel stereo CV controlled mixer with sidechaineable compression and distortion, designed as a compact submixer. It also has normalized feedback paths for more experimental tone shaping, no input mixing, and percussion synthesis workflows.

The Cascade expander allows access to the individual VCA outputs for use as a triple stereo VCA as well as access to the feedback filter outputs and simultaneous clean, compressed, and distorted bus outputs for additional mixing and processing options."

00:00 Intro
01:02 Mixing/VCA basics
02:20 Sidechaining
02:50 Feedback and percussion patching
04:33 Gain amounts and headers
04:45 Cascade expander
06:00 Using as compressed drum submixer
09:16 Jamming hard
12:00 Jamming even harder

Eddy & Cascade - Triple stereo VCA and feedback machine

video upload by Stazma

"New Schlappi Engineering module alert!!!!
Welcome Eddy and it's expander, Cascade.
Eddy is a three channels stereo VCA and mixer, with normaled tuned feedback paths, mute and phase invertion switches, compressor and distortion modes and more.
The Cascade expander allows you to tap different outputs of the circuit individualy for parallel processing or feedback patches."

00:00 Intro
01:14 Hello Eddy
04:25 Eddy panel
05:51 Cascade panel
06:22 It's a drum module!
08:57 No input mixing
11:09 Patching with Cascade
14:37 Simple waveform mixing
18:18 Optional levels
19:20 Drum machine time
25:35 Breakbeat time!
30:30 End talk

CLICK FOR MORE »

Web Based Online Editor for the Original Nord Modular

video upload by Peter van der Noord

"A short update on the browser based Nord Modular Editor that I am currently working on as a fun hobby project."

Additional details via https://nordmodulareditor.com where you can try it out yourself if you own an original Nord Modular:

"Nord Modular G1 Editor

Create, edit and (soon) share your Nord Modular patches with the community.

Some quick remarks:

This is still a very early version. A lot of things don't work or don't work correctly yet.
You should be able to edit patches, browse slots, add modules and cables, adjust parameters and load patches into a slot.
You probably want to run this in the Chrome browser, i haven't tested others.
I have only tested this with a Nord Modular Keys for now, I assume the Rack version will work the same but I don't know about the Micro. I assumed it would work the same but it appears that some people have issues getting it to connect.
Parameter values are often shown as their raw 0–127 values.
None of the displays work yet.
When something is wrong, updates don't come through, or communication seems to be stuck: refresh the page.
When using a trackpad, you probably want to use "scroll to pan" navigation. You can select this in the settings.
To add a module, drag it from the toolbar on top.
To delete a module or cable, select it and hit delete.
The tab key in the editor will toggle rendering cables behind or in front of the modules.
If you were following my personal YouTube channel for updates, please follow my other channel instead.
Feedback is much appreciated, but I don't have a proper way to do that yet.
This is a personal hobby project. I am not affiliated with or connected to Nord in any way.
Peter van der Noord"

Signal Flow Podcast Ep2: Our favourite sequencers, under-the-radar modules & more

video upload by Signal Sounds

Chapters:
00:00 Intro
03:37 News roundup
07:13 Favourite sequencers
23:21 Under-the-radar modules
32:32 Current trends in Eurorack

"In this episode, Tom and Luke discuss their favourite sequencers, share some favourite under-the-radar brands and modules, and chat about some of the current trends in Eurorack, from multi-algorithmic digital powerhouses to manufacturer-specific ecosystems.

Thanks to everyone who commented on episode one! You can get in touch with questions, feedback and suggestions via signalflow@signalsounds.com

Some of the gear discussed:
https://signalsounds.com/xaoc-devices...
https://www.signalsounds.com/dannysou...
https://www.signalsounds.com/new-syst...
https://www.signalsounds.com/make-noi...
https://www.signalsounds.com/noise-en...
https://www.signalsounds.com/making-s...
https://signalsounds.com/fancyyyyy-sy...
https://alteredstatemachines.net/aris..."

The Unperson’s Rings video:

Mutable Instruments Rings is still one of the BEST modules!!

video upload by The Unperson

"Rings by Mutable Instruments is one of the few modules on my 'Never Sell' list. It will always be fun, always sound good, and always have new sounds to discover, and that is the sign of a very well designed module. Join me for 20 minutes of sound and discovery!

Please consider supporting my channel by checking out my patreon: / theunperson

#rings #mutableinstruments #eurorack

0:00 - Intro
1:35 - Overview
3:16 - Drone
7:23 - FM Synthesis!
11:51 - External Audio In
15:02 - Hidden Mode Overview
16:48 - Final Jam!"

Erica Synths Introduces KONSTRUKT-8 // EDU DIY Drum System

video upload by Erica Synths

"KONSTRUKT-8 is an expressive live performance instrument and sound design tool – plus a hands-on deep dive into electronic circuit design. Each of its eight DIY modules comes with a detailed build guide and can be explored on a breadboard first, letting you trace every circuit design decision before assembling the final instrument.

Timeline:
00:01 - Patch 1 / Electro beat with BBD on the send
01:58 - Patch 2 / Wonky beat with FM drum triggering the Hi-Hats
03:57 - Patch 3 / Classic Untz Untz beat
06:01 - Patch 4 / Raw beat, with Feedback bass
07:55 - Patch 5 / Jam together with DIY Synth System"

KONSTRUKT-8 is an expressive live performance instrument and sound design tool – plus a hands-on deep dive into electronic circuit design. Each of its eight DIY modules comes with a detailed build guide and can be explored on a breadboard first, letting you trace every circuit design decision before assembling the final instrument.

KONSTRUKT-8 includes four fully analog drum voices:

• Kick Drum. A resonant bridged-T network produces deep, punchy kicks.

• Snare Drum. A burst of filtered transistor noise layered over a tuned resonator creates a crisp snap.

• Hi-Hat. Six dissonant square-wave oscillators are mixed, filtered, and overdriven to create metallic percussion.

• FM Drum. Two interacting oscillators form a versatile percussion voice capable of kicks, toms, bells, and cymbal-like sounds.

A four-channel drum sequencer lets you tap in rhythms that loop automatically. Under the hood, shift registers store the pattern as a circular sequence of binary data.

All voices feed into a four-channel mixer with per-channel FX sends and a master insert, allowing you to shape the entire beat with external effects or the built-in distortion and compressor.

Two effects modules complete the system: an analog bucket-brigade delay (BBD) with flanger and delay modes, plus a diode-based compressor with sidechain capability.

WHAT’S INCLUDED

Both versions ship with:

• EDU DIY Kick Drum kit

• EDU DIY Snare Drum kit

• EDU DIY Hi-Hat kit

• EDU DIY FM Drum kit

• EDU DIY Drum Sequencer kit

• EDU DIY Output Mixer 2 kit

• EDU DIY BBD kit

• EDU DIY Compressor kit

• 8 downloadable build guides

The system version also includes:

• Eurorack enclosure with integrated power supply

• 15 braided patch cables (5× 20cm, 5× 30cm, 5× 60cm)

CLICK FOR MORE »

Marcus Dunn aka lonesoulsurfer DIY Modules

video uploads by Marcus Dunn

Playlist:

1. 7 Channel Mixer For My Modular Synth.
2. Medusa - Sound Effects for Modular Synths
3. Buffered Multi for Modular Synths. Powered by Arduino
4. Digital Delay Module - Powered by Arduino
5. Bleep - Modular Drum Synth - powered by Arduino
6. Solar - A Modular Synth, Powered by Arduino
7. Groove Box Modular Synth - Arduino Nano
8. Freaq FM Synth. My Take on the Awesome MeeBleeps Synth
9. Mutant Generative Synth - Powered by Arduino

Additional details on each:

CLICK FOR MORE »

GreyScale – A Standalone MIDI Sequencer KOSMOS Powered by Raspberry Pi Pico (RP2040)

This one is in via GreyScale aka plantssystem whose videos you have likely seen on the site.

"GreyScale is a compact, self‑contained MIDI sequencer built entirely around the Raspberry Pi Pico (RP2040).

Its minimal hardware footprint hides a surprisingly deep generative engine, combining Euclidean rhythm generation, step sequencing, probability control, and evolving melodic behavior.

The clean GreyScale UI provides immediate visual feedback — step activity, Euclid parameters, probability states — all rendered on a crisp LCD. A joystick and four dedicated buttons offer fast, tactile control, keeping the workflow musical and instrument‑like rather than menu‑driven.

GreyScale runs completely standalone with standard MIDI output, making it an ideal partner for hardware synths, desktop modules, or DAW setups.

Designed for spontaneity and long‑form generative performance, it encourages exploration and rewards experimentation. A small instrument with a refined feel, GreyScale blends DIY charm with a polished, modern sequencing experience."

Update: demo here.

CLICK FOR MORE »

Serge Modular Synth | Analog FM Drone

video upload by Akihiko Matsumoto

"Serge Modular Synth (Sample Pack)
Created entirely with the unique sonic character of Serge modular systems
https://akihikomatsumoto.sellfy.store...

About this Pack
This updated sample pack is composed entirely with Serge Modular Synthesizers — systems known not for emulating instruments, but for redefining how sound is shaped.
Included are raw noise textures, slowly morphing drones, and intricate one-shots captured through extensive patching with Random*Source Eurorack modules and classic Paperface 50 series panels.
Each sound reflects the chaotic elegance of analog voltages in motion. You’ll hear modulations that escape grid-bound sequencing, and timbral behaviors that emerge from complex feedback, slewing, and intermodulation — the kind of detail digital systems rarely capture convincingly.

Why Serge Matters
Serge Modular was designed in the 1970s by Serge Tcherepnin. It was created as an open-ended tool for sonic experimentation. Influenced by cybernetics and avant-garde composition, this system rejects musical hierarchies and embraces uncertainty.

In Serge, control voltages and audio signals are treated as equals. The circuits invite exploration through feedback, cross-modulation, and unpredictable interactions. Every patch is a process of discovery rather than reproduction.

This makes Serge a powerful choice for artists seeking sounds that are not pre-shaped or confined by rules. The textures you will find in this pack are unstable, alive, and deeply human.

CLICK FOR MORE »

Baloran The 3FX

video upload by Laurent Baloran

"Après avoir sculpté le son dans l’espace avec The 3B, The 3FX explore la création d’espaces sonores capables de transcender tous vos instruments.

After sculpting sound in space with The 3B, The 3FX explores the creation of sound spaces capable of transcending all your instruments."

Also see New VST3 Plugin - The 3FX by Baloran In the Works

via Baloran:

"The psychedelic The 3FX

After sculpting sound in space with The 3B, The 3FX explores the creation of sound spaces capable of transcending all your instruments.

ARCHITECTURE

The heart of The 3FX is built around three fully independent effect voices, each based on a coherent 8-module architecture:

Two delays per voice, usable in series or in parallel
An advanced, progressive feedback path up to controlled self-oscillation
An analog 12 dB/octave multimode VCF (BP, LP, HP) to optionally process the audio spectrum, both on the delay lines and on the dry signal
Independent levels for the dry signal and each delay line
A panorama control to position the voice within the stereo field.
The stereo input signal is distributed across the three voices: left / left + right / right. A mono signal is distributed across all three voices.
Each voice can be used alone, stacked or combined with the others to create textures impossible to achieve with a conventional delay.

CLICK FOR MORE »

Bastl Introduces CITADEL Alchemist Eurorack Module

video upload by Bastl Instruments

Check with dealers on the right for availability and price.

Playlist:

1. CITADEL ALCHEMIST & Kastle 2+Citadel DIY Kits & more NEWS from Bastl!

We built a fantasy world of magical music machines with the FX Wizard multi-effect, the Wave Bard sample player and the Alchemist synth that live in battery powered Kastle 2 format and the Citadel eurorack version. We are excited to not only announce the late arrival of the Citadel Alchemist Eurorack module to the party, but to let everyone know that all the instruments are now available as DIY kits and that we are partially open-sourcing it so the world we started could be expanded by many others."

2. Bastl CITADEL Alchemist - All Synth Modes preview

"A complete preview of Alchemist's Synth Modes with a quick preview of the Dual FX and a small jam."

Chapters:
00:00 Filter
00:44 FM
01:32 Supersaw
02:25 Hypersine
03:24 GlitchNoise
03:41 Dual FX
04:27 Small Jam and patching

3. Hello Alchemist ! Bastl Citadel synth engine rave to experimental - Stazma and Bastl Instruments

Alchemist is now EURORACK... into the CITADEL!!!!!
So here we go checking out how this synth engine will play out with his other citadel friend the Wave Bard in breakbeat torture mode.
Also a cool oportunity to play around the Diktaat from Mzourack to trigger both units in a performative way.

Citadel Alchemist is a patchable hybrid-synthesis based eurorack module that empowers you in discovering melodies and even harmonies despite being monophonic.
Patch programmable sequencing via the control signals into the two PITCH MOD inputs opens up a world of melodic inspiration beyond classic arpeggios while staying in your preferred SCALE.

5 synthesis modes
The Alchemist has a carefully tuned wide timbral range spanning across 5 synthesis modes (FILTER, FM, HYPERSINE, SUPERSAW and GLITCHNOISE) accessed by main TIMBRE sweep that is refined by the RATIO control.

The ENV macro knob affects different parts of the synth and sequencing engine to maximize musicality and it even lets you continually morph between the synthesis modes and access truly unique sounds.
The timbral palette is further extended by the dual FX section which offers either a wide delay that will smear the arpeggios into echoed harmonies or a chorus-flanger-distortion-combfilter macro custom tuned for each synth mode.
You can also access gliding rubber textures with the PITCH SLIDE macro that applies pitch envelope and portamento.
You can customize its rhythms and scales with the web-based editor.
Modulate anything
All main parameters can be modulated and tightly sequenced by the surprisingly powerful CV and GATE pattern generator. Create groovy off-grid beats using the built-in LFO, which can be synced, reset, or left to run freely.

CLICK FOR MORE »

FUTURE SOUND SYSTEMS CRIC

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

"Cric is a fully-analogue patchable synthesiser, designed to showcase our approach and attitude towards subtractive sound synthesis. It is not a clone or derivative of a pre-existing musical instrument, nor is it simply our Eurorack modules cased up in a box. Whilst some of Cric's functionality descends directly from our experience in designing modular synthesiser components, it has been designed as a fully fledged, standalone instrument, which can easily be introduced into an existing electronic music studio, or even form the heart of an entirely new set-up.

Rock solid voltage-controlled oscillators give the user both pitch precision and FM flexibility. A comprehensive filter section affords timbral sculpting from basic filtering to total transformation of incoming tones. Four cyclical function generators can be used as envelopes, LFOs or even audible VCOs. Pin matrix patching allows for the synthesiser to be configured as a standard triple-VCO subtractive synth, or a paraphonic synth, or a drum machine, or a noise box, and so the list goes on. Four inputs and outputs allow for audio processing, external CV control, feedback routing and more - there's even a microphone pre-amp on input 1. Steel casing, Mirrl -clad HIMACS end-cheeks and hand assembly and testing ensure a rugged and durable build quality.

Technical specifications:

Oscillators : Three SSI2131-based analogue VCOs in Recombination configuration, white noise generator
Filter : SSI2164-based 18dB/octave state-mixable analogue VCF, with wave-folding, based on the Timbral Sculptor
Dynamics : SSI2164-based VCAs present in DNA oscillators, filter section and as a standalone VCA
Modulation : Sample and hold + four cyclical function generators offering AD and ASD envelope configuation, cycle mode, and slope and pulse sources
Routing : 24 source x 32 destination active pin matrix allowing for splitting and summing of all signals
I/O : Four DC-coupled inputs and outputs for multi-channel audio and CV use. Microphone pre-amplifier assigned to In 1. Headphone amplifier on Out 1
Dimensions : 550 x 310 x 80 mm, 5.3 kg
Power : +12VDC (centre positive, 2.1mm barrel jack connector), 2.5A, PSU included"

CLICK FOR MORE »

Introducing PlayAUDIO2U: The Ultimate Live Performance AUDIO & MIDI Interface from iConnectivity

video upload by iConnectivity

Check with dealers on the right for availability.



Press releae follows:

CALGARY, Alberta – January 13, 2025 – iConnectivity today announces the highly anticipated follow-up to the industry-standard PlayAUDIO1U, the new PlayAUDIO2U. Building on a reputation of made-to-tour live performance solutions, the PlayAUDIO2U sets a new benchmark for professional touring rigs with a powerful 24 balanced XLR output configuration and four pristine, ultra-low noise microphone preamps. The PlayAUDIO2U interface maintains and improves upon iConnectivity's famous redundancy failover protection for touring musicians, production companies, and any live event where failure is not an option.

The PlayAUDIO2U introduces not only an expanded output count of 24 panel-reinforced XLR outs but also integrates versatile new concepts into iConnectivity's PlayAUDIO range. Four pristine, studio-quality inputs are perfect for injecting vocals, guitars, synths, and other instruments for live processing—all while enjoying iConnectivity's famous redundancy protection.

iConnectivity has always been known for robust MIDI integration. The PlayAUDIO2U is the first of iConnectivity's interfaces to feature built-in MIDI control via integrated control buttons on the front panel of the interface, allowing convenient, hands-on control of your performance.

The physical build of the PlayAUDIO2U might be its most revolutionary innovation, combining extensive inputs, outputs, and extreme MIDI connectivity into one rugged 2U rackable enclosure. All I/O ports are specially reinforced to withstand the rigors of daily touring—designed to be plugged directly into stage boxes and house sound systems every day. You can say goodbye to complex, fragile setups. Now building a reliable touring rig is as simple as installing a single PlayAUDIO2U in a rack.

CLICK FOR MORE »

Make Noise Strega Feedback 808 Kick

video upload by Akihiko Matsumoto

"Make Noise Modular Synth Sample Pack: https://akihikomatsumoto.sellfy.store...
Unlock the unparalleled sonic potential of Make Noise with our exclusive sample pack.
Crafted entirely using their signature modules, this collection offers raw, experimental tones and complex textures that push the boundaries of sound design. Perfect for forward-thinking music producers looking to infuse their tracks with modular warmth, unpredictability, and depth."

PATCH / STEREO 4 VOICE GENERATIVE CHORDS / Joranalogue Audio Design system

video upload by Joranalogue Audio Design

"'I had a blast creating this patch on a giant Joranalogue eurorack system. I implemented a lot of small tricks, let me write out the main ones down here...'—Simon


Kickdrum
---------------
Filter 8 is getting pinged by a clock pulse (generated with a looping Contour 1), routed through Warp 1. A second Contour 1 is used to modulate the frequency of Filter 8. A Step 8 being clocked with the same pulse from Contour 1 is modulating the exponent parameter on Warp 1 (controlling the amount of distortion/waveshaping). The pattern is 7 steps long. By adjusting the exp knob manually I have additional control over the distortion.

CLICK FOR MORE »

Introducing Granulita Versio: Granular chord resynthesizer and shimmer reverb

video upload by Noise Engineering

"Meet Noise Engineering’s chord machine, Granulita Versio.

LIMITED QUANTITIES AVAILABLE: Get your Granulita here: https://noiseengineering.us/products/...

This granular chord resynthesizer takes your audio, slices it into grains, and reconstructs it into chords, clusters, and shifting harmonies. Paired with a shimmering reverb that adds glowing tails and angelic overtones, Granulita can turn even a single oscillator into something lush, cinematic, or beautifully haunted.

Granulita is part of the Versio platform, so once you’ve got your hands on this module, you can swap the firmware with any other Versio effect for free. Unpower the module, plug in the USB, and visit noiseengineering.us to make the swap.

Join us on Discord! Invite link: / discord"

Press release follows:

Noise Engineering announces Granulita Versio, a granular chord resynthesizer and shimmering reverb.

Contact: kris@noiseengineering.us

Los Angeles, CA — Noise Engineering, known for their innovative platform modules, has released Granulita Versio, a granular chord resynthesizer and shimmering reverb.

Granulita Versio offers a simple solution to a complex modular problem. Chords, while beautiful, are difficult and resource-heavy to patch in a Eurorack system. Granulita solves this by generating harmonies for any input signal using a unique granular process. The Chord and Voice parameters allow the user to choose a chord and the note that follows the input signal.

The unquantized Pitch parameter adds an extra layer of harmonic options via transposition, detuning or vibrato.

For fans of granular processing, the Count and Length parameters will be familiar, Granulita can generate any number of grains from zero to 32, and grains can be 16 milliseconds to four seconds long. A modal trigger input and manual button add to the granular fun: freeze grains, sync their playback to an external clock or tap tempo, or use a trigger sequence to manually fire off grain playback.

No granular module would be complete without some atmospheric effects, so Granulita also adds the simple Verb parameter to add in some space. Below noon, small echoes put a patch in a realistic space – but turn up the parameter to add in shimmering octave overtones and feedback into infinity.

Part of the flexible Versio platform, Granulita will be available as an alternate firmware for all Versio owners, completely free, at the Noise Engineering firmware app. However, Granulita breaks the mold with a limited-edition hardware release: only 100 Granulita Versios with exclusive art will be produced, the perfect purchase for collectors or, perhaps, as a holiday gift for the granular enthusiast in your life.

Granulita Versio’s limited run starts December 11th at https://noiseengineering.us and at retailers globally.

Features
● Turn a monophonic signal into a full chord with ease
● Easily create gentle or ominous timbres from any input
● Modulate between 16 resynthesized chord shapes using the CV-controllable Chord and Voice parameters
● Use Count and Length to change the number and size of grains
● Add subtle atmosphere or shimmering, infinite reverb with the Verb parameter
● Create massive soundscapes or use external triggers to fire or freeze grains
● Play grains forwards, backwards, or in random directions

Availability and pricing:
Granulita Versio: Limited run in stock. Shipping from Noise Engineering and retailers starting December 11th, 2025; MSRP US$393

https://noiseengineering.us/products/granulita-versio/

Also check with dealers on the right.

Update: and a user video by Metamyther:

The Glorious Granulita Versio

video upload by Metamyther

Chapters:
00:00 - Jam 1
02:33 - Jam 2
05:54 - Jam 3

Café Quantum

video upload by Patch Point

"By Ciat-Lonbarde"



"When the Cocoquantus2 first appeared, it didn’t just find an audience—it created one. Musicians, experimentalists, producers, and curious tinkerers fell in love with its organic chaos, character, and uncanny ability to turn accidents into art. It became a modern cult instrument because you couldn’t play it without forming a relationship with it.

Café Quantum continues that lineage with reverence—then boldly invents a new chapter.

At its core, Café Quantum preserves the tactile immediacy and playful unpredictability of the Coco ecosystem. But surrounding that familiar heart are entirely new tools designed to make the instrument feel more alive, more intelligent, and more expressive.

One of the biggest leaps is the open-source programmable engine. For the first time, players can write their own behaviors—little sonic personalities— at the Cafe modules, one for each side, and the Quantum module can carry them out by patching points. Whether it’s generative patches, evolving modulation, rhythmic structures, or strange autonomous rituals, the instrument becomes a creative partner. And thanks to the dedicated banana sockets, these behaviors integrate directly into the patch ecosystem. The Cafe module becomes a blank page for your imagination, shaped as far as your coding skills can carry you

The preamp has grown up too. Now it features a Norton gain character and adds a VCA input, making external dynamics, sidechaining, and voltage-controlled level manipulation feel effortless. On top of the newly redesigned preamp features you still have the envelope follower that opens the door to all sorts of expressive interactions between incoming audio and internal modulation.

Then comes the new magic trick:
A radio-based gestural controller sits atop the entire system, allowing 4 hands-free modulation reminiscent of a theremin. Move in space, and the instrument responds—pitch, delay time, grain density, feedback paths, whatever you choose. It transforms performance from knob-twisting to full-body expression."

Doepfer A-188-9 High Speed VCO - Audio Demo

video upload by Doepfer Musikelektronik GmbH

"Over the last month, we have been recording videos for our Instagram channel. Here is a compilation of some of the clips!

In the video, the A-121-S stereo filter is mainly used as an end-of-chain filter. In combination with the A-149-4 quad random voltage source, it is possible to add modulation to the stereo field.

The feedback path was often patched in the clips, for example with a bandpass filter that had high resonance. This can lead to some pretty crazy sounds, as you can hear!

Another interesting thing to try is playing really high or low notes. Some of these the BBD is unable to track, which results in some quite nice glitches.

The A-188-9 and A-188-1 BBD combo offers a wide range of sound possibilities and often produces happy accidents. It's totally worth trying!

Questions? Let us know!

Module A-188-9 is a so-called high speed VCO that tracks prefectly to the 1V/oct scale in the frequency range of about 15kHz ... 500 kHz. The main application is the exact drive of BBD modules (A-188-1/2) to generate sounds realized by means of the so-called Karplus-Strong synthesis. But even in cooperation with other modules featuring high speed inputs (e.g. digital noise, delay, frequency divider) the A-188-9 makes sense. In principle, the module is made of a precision audio VCO followed by a PLL (phase locked loop) unit that multiplies the frequency of the audio VCO by 32. Thus the module can be used also as an audio VCO as it features the standard waveforms sawtooth, triangle and rectangle with adjustable pulse width."

See the announcement post here.

Oddment ODD-1 Build Update & Demos

video upload by oddment

Demos

video uploads by oddment

Playlist:
1. ODD-1 Overview: Playheads

For a long time now we have tried to live by the words of the great Michael Bolton from the movie Office Space, "why should I change when he's the one who sucks?" But language evolves, and unfortunately, the word “grok” has taken on associations that are problematic. Oddment has evolved too. Starting from one quirky product idea, in 3 years we have grown and are now ready for manufacturing and fulfillment of this product, with ambition to make it the first among many. So with much consternation, we have decided to drop the name groc. When we thought about a new name, we thought that what we have is a little unusual, perhaps a little outside the norm...you might even call it, the ODD-1. This is the first in a series of videos to show all of the ODD-1's functions in more detail. In this one we show off half of the encoders that control the granular synthesis engine - the PLAYHEADS function. Here you can control the level, starting point, tuning (aka pitch adjustment) and playback speed for up to 4 different granular playheads. The auxiliary functions available on the touch screen introduce random variability in different ways.

2. ODD-1 Overview: Grains

This is the second in a series of videos to show all of the ODD-1's functions in more detail. In this one we show off the second half of encoders that control the granular synthesis engine - the GRAINS function. Here you can control the size, spacing, left-right placement, and grain window shape. Each control also has a related function, introducing grain size variability, spacing jitter, binaural scatter, and a front-back bias for the window shape. The auxiliary functions available on the touch screen control a bandpass filter that can be randomized per grain and adjust whether grain size is regulated in the source sample or in the output signal, which can have a big impact on sound characteristics.

3. ODD-1 Overview: 03 Envelopes & Time Path

This is the third in a series of videos to show all of the ODD-1's functions in more detail. In this one we show off the ENVELOPES function. Here you can control the note amplitude envelope and timing, access 3 envelopes that can be used as modulation sources, and use our unique TIME PATH feature to dynamically adapt the playback speed.

4. ODD-1 Overview 04: Sample

This is the fourth in a series of videos to show all of the ODD-1's functions in more detail. In this one we show off the SAMPLE function. Here you can choose a sample from the factory library or user-uploaded samples, control the playback mode and the section available for granulation, play and hold notes, set loop points and interact with pitch, tempo and channel information of the sample. We also show the auto pitch and tempo alignment features.

5. ODD-1 Overview 05: LFOs, Macros, Patching

This is the fifth in a series of videos to show all of the ODD-1's functions in more detail. In this one we show off the LFOs, Macros and how to create modulation connections. There are 4 LFOs, 3 Envelopes, 4 Macros (assignable knobs), 4 Control inputs and MIDI information that can all act as modulation sources. Any parameter on the device is a parameter destination. Unlimited connections are made by holding down a destination parameter and then pressing or twisting a modulation source.

6. ODD-1 Overview 06: Filters, Saturation, Echoes

This is the sixth in a series of videos to show all of the ODD-1's functions in more detail. In this one we show off the Filters, Saturation and Echoes modules. Two filters and two saturation modules per voice, both with multiple types of processing and modulatable parameters, allow for transformation beyond the granular engine. Two echoes sections with filtering and distortion in the feedback loop and fully modulatable parameters make ODD1 worthwhile just as a modular effects rack!

7. ODD-1 Overview: 07 Layers

This is the seventh in a series of videos to show all of the ODD-1's functions in more detail. In this one we show the dual Layer functionality. Essentially the entire system is duplicated so the ODD-1 is like having a dual modular systems, each with a polyphonic granular engine feeding two filters and two non-linear processors per voice, with 3 envelopes, 1 time path, 4 LFOs, 4 Macros and a independent modulation matrix per layer. In these examples we also remind that granular can easily do subtractive-style synthesis when using a basic waveform as the source sample.

8. ODD-1 Overview 08: Reverb & System

The final video in our eight-part series on the ODD-1's functions focuses on the upper-left row where we have global volume, system-level reverb and can work with banks of patches.

The reverb is a classic matrix-style parametric reverb. Think of it like a whole set of interacting delay units with slowly modulating delay times. Ok now that you have that in mind, that's it, that's what it is. It sounds sweet.

If two layers of modulating, granular goodness with a fantastic reverb on top wasn't enough, how do banks of patches to store every twist and connection sound?

And from their newsletter:

What’s in a name?

For a while now we have tried to live by the words of the great Michael Bolton from the movie Office Space, "why should I change when he's the one who sucks?"

But language evolves, and unfortunately, the word “grok” has taken on associations that are problematic.

Oddment has evolved too. Starting from one quirky product idea, we have grown in three years and are now ready for manufacturing and fulfillment of this product, with ambition to make it the first among many. And with much consternation, we have decided to drop the name groc.

When we thought about a new name, we thought that what we have is a little unusual, perhaps a little outside the norm...you might even call it, the ODD-1.

And we plan to keep that off-beat attitude. We hope that brightly-colored friends, ODD-2 and ODD-3, will be along to join ODD-1 after not too long.

Build Updates

We have a lot of exciting progress to report since the last time I wrote. Hop over to our YouTube channel to check out a build update video and some in-depth functionality demos.

We debugged and fixed several problems with the circuit board including the power-up, line input and output, and noise on the control signal inputs.

We got several bids from contract manufacturers in the U.S. and around the world and selected Soldered, based in the E.U. They came highly recommended, and we think their experience will be a huge asset as we go into production.

We worked with Martyna Alexander to tweak the graphic design of the front and back panel. We are thrilled with the updates, including our new company and product logos.

We have first iterations of our custom firmware, enabling full functionality of the device and full USB connectivity to a host computer.

We have completed first versions of the software that include all audio, MIDI and system functionality we intend to support for the release. After many months of playing and testing we re-organized a few functions to expand both the number of concurrent grain “playheads”, and to support banks of patches intended for convenient switching and management in live performance.

What’s Next?

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Fraught - Ableton Move & 62hp Eurorack Palette - ritual psy-doom techno

video upload by Abre Ojos

"53bpm - Stories from the deep

‪@Ableton‬ Move
Eurorack Modular:
Dust of Time
DNIPRO Krait
‪@NoiseEngineering‬ Manis Iteritas
‪@Befacosynth‬ Oneiroi
‪@intellijel‬ 62hp Palette case + 1u modules

Live visuals using Just the Two of Us from Archive.org under a video microscope with live video feedback & ‪@entropyandsons‬ Recursion Studio
Video processed live through Resolume Avenue
Recorded with Rodecaster Video

Dark ambient audiovisual stuff: https://abreojos.net"

SOMA WARP - Part 1. Master effects (SOMA labs demo, no talk)

video upload by SOMA Laboratory

00:00 PUMP loops
02:15 PUMP Pulsar-23
03:16 MULTIBAND DISTORTION loops
04:30 Pulsar-23
05:42 HPF LPF
07:47 WAVEFOLDER Pulsar-23
09:42 WAVEFOLDER Terra



WARP is a high-quality multi-purpose audio processing unit, able to add might and magic to almost any instrument. It contains 15 different effects that can be divided into three types:

Spatial effects — ranging from traditional reverbs to granular, experimental algorithms, with pitch-shifting, reverse and micro-loops. Most of the spatial effects feature extremely long decay times, all the way to infinity. With feedback ratios above 1 you can drive the algorithm into self-oscillation for creating endless, rich, lively soundscapes out of almost any sound. To keep the sound under control with reasonable headroom and tonal aesthetic, all the generative algorithms include dedicated modules to automatically control sound levels.
Special effects — such as flanger, sample rate/bit reduction, vintage tape simulation. All special effects include unusual functions giving them a unique SOMA flavor.
Dynamic effects and filters — compressors, distortions, filters. All the effects in this category can be applied to submixes, e.g. a rhythm section group, or even to the whole mix – so one can conventionally call them master effects. All the effects in this category also have their unique extended features, SOMA-style.
All of that makes WARP a great unit for spatial processing of any acoustic or electronic instruments — guitar, vocals, strings, synthesizers etc., — as well as processing drums or complete mixes. WARP uses top-class audio chains and AD/DA-converters, same as those found in the best professional audio-interfaces made by APOGEE, FOCUSRITE, LEXICON, ECHOAUDIO, LINE 6, NOVATION. This prevents sound deterioration, even in such demanding situations as processing a complete mix. WARP has stereo inputs and outputs, compatible with both balanced and non-balanced connections. All of the sound processing is digital, including the MIX control. The AD/DA resolution is 24bit/48KHz. The internal digital processing resolution is 32bit IEEE.

WARP has a simple, intuitive interface, with instant direct access to all functions — perfect for playing live. Every processing parameter has a dedicated CV input, controllable via Eurorack systems and any CV source.