The Quatuor features a ring modulator, a sample-and-hold circuit, white noise and an internal sequencer. You can create all kinds of sound effects and powerful bass lines; it’s ideal for the Berlin School, for example.
2. NRsynth Quatuor: 3 famous sounds
Here are a few famous songs played live on the NRsynth Quatuor with my friend Jean-Luc Briançon (aka Kurtz Mindfields):
Jump (Van Halen, 1983)
Cyclone (Tangerine Dream, 1978)
Chants magnétiques 1 (Jean-Michel Jarre, 1981) Quatuor (main sequence) , Retro-one (Bass), Pro-800 (strings).
3. NRsynth Quatuor famous songs
White Eagle: A great example of how to use the dual arpeggiator to play this magnificent classic track composed by Johannes Schmoelling and Chris Franke (Tangerine Dream) in 1982.
Stranger Things: The original sequence was played on an Oberheim Two Voices (by hand, apparently). Here, it’s the Quatuor’s sequencer!
Go inside the making of one of the most iconic string machines ever captured.
Troels Folmann and Dan “Chimy” Chmielinski break down the process behind 505 String Machine, from obsessive ultra-deep sampling to preserving the raw character of the legendary Roland RS-505 String Machine. This is more than a recreation. It is a deep dive into the philosophy, detail, and decisions that bring a classic instrument back to life.
Used by artists like Vangelis, The Police, Depeche Mode, The Cure, New Order, Jean-Michel Jarre, and Herbie Hancock, the RS-505 helped define the sound of an era. Often living in the shadow of the Yamaha CS-80 synthesizer, it was the evolving texture underneath. The movement, the depth, the feeling."
505 String Machine is the definitive ultra-deep sampled (UDS™) string machine. The most detailed sampling of the legendary RS-505 Paraphonic ever done.
The secret weapon of Vangelis. While the CS-80 became the icon, the RS-505 was the warmth underneath, equally present across his most celebrated work. Essential on records by The Police, Depeche Mode, The Cure, New Order, Jean-Michel Jarre, and Herbie Hancock. The string machine that shaped the sound of an entire era.
505 String Machine includes expertly crafted programs built from extensively UDS™ sampled parts, capturing every nuance of the original hardware’s divide-down oscillators and analog ensemble chorus. That constantly shifting, organic phase movement that makes the RS-505 impossible to replicate with synthesis is preserved in full detail. Expanded with our custom 505 C.A.F™ modeled filter for deeper sound design while staying true to its analog soul. The result is instant tone and deep creative flexibility.
"Discover the legendary Moog Minimoog analog synthesizer and the iconic sounds that shaped music in the 1970s and 1980s. 🎹
From fat synth basses and searing lead solos to funky filter sweeps and classic sci-fi effects. The Minimoog defined the sound of funk, rock, disco, progressive rock and early electronic music.
In this video, you’ll hear classic Minimoog-style sounds inspired by artists like Pink Floyd, Jean-Michel Jarre, Ozzy Osbourne, Gary Rafferty, Rod Steward and Parliament-Funkadelic.
These timeless analog tones are still used today in modern music, film scores, and synthwave productions.
Whether you’re a synth enthusiast, music producer, or just love vintage analog gear, this video showcases why the Minimoog remains one of the most influential synthesizers ever made."
Famous Minimoog Sounds:
0:07 Pink Floyd
0:50 John Barry
1:02 Gary Wright
1:28 Supermax
1:48 J.-M. Jarre
2:00 Gary Rafferty
2:22 Ozzy Osbourne
2:46 Parliament
2:54 Rod Steward
3:10 Sniff`n The Tears
"Sometimes the best ideas appear when the mind slows down and distractions fade away.
This one-hour analog synth session was recorded live in the studio using hardware synthesizers and slowly evolving sequences — a quiet space for thinking, working, reading, or simply drifting for a while.
Inspired by the spirit of classic analog pioneers like Vangelis, Tangerine Dream, and Jean-Michel Jarre — composed live in one take using hardware synthesizers, no timeline, just performance.
Let the sound move gently in the background while thoughts begin to organize themselves.
Best used for:
• deep focus
• coding or writing
• studying
• late night thinking
• quiet creative work
Full albums:
https://caughtinjoy.bandcamp.com
Long listening environments and extended sessions:
https://caughtinjoy24.bandcamp.com
"Electronica: A Tribute to the Titans of Electronic Music! Embark on a sonic journey to the very foundations of electronic music with "Electronica"—an exclusive 40-preset collection for the Korg Wavestate. This meticulously crafted soundset pays homage to the pioneering spirit of electronic music, including the Berlin School and the futuristic visions of Jean-Michel Jarre and others, capturing the essence of an era where sequencers first began to dream.
Created by renowned sound designer, OttO K. Schwarz, 'Electronica' bridges the iconic, warm textures of classic analog gear with the pristine clarity and modern capabilities of the Wavestate. It’s your all-access pass to the pulsating rhythms, cosmic leads, and expansive pads that shaped a genre.
The proposed sounds will be appropriate for both studio work and live performances. Whether you're scoring a film, producing electronic music, or simply chasing inspiration, 'Electronica' bridges the past and future — one sequence at a time!
Perfect For:
Recreating the timeless vibe of 70s & 80s electronic pioneers;
Scoring cinematic, retro-futuristic, and sci-fi projects;
Producing modern electronic music with authentic foundational sounds;
Inspiring live performances with dynamic, playable patches.
Specifications
40 Exclusive, Multi-Layered Presets (4 ARPs, 2 Basses, 6 Leads, 8 Pads, 20 Sequences!): A curated toolkit for authentic electronic composition.
Intelligent Preset Mapping: All sounds are expertly assigned to the modulation wheel and X/Y pad, giving you deep, real-time control over the evolving soundscape.
Royalty-Free & Ready: 100% original content for use in any studio or live performance.
Fully Self-Contained: No external sample banks required. Works flawlessly with both the hardware and software versions of the Korg Wavestate.
Playlist: [Use the player controls to skip around.]
1. Cherry Audio | SH-MAX Synthesizer - NEW!
2. Cherry Audio | Preset Walkthrough with Andrew Longhurst
3. Cherry Audio | MAXIMUM OVERDRIVE Preset Pack for SH-MAX Synthesizer by James Dyson
4. NEW! Cherry Audio LIVE PREMIERE Tuesday, February 10 at 10 AM PST
5. Cherry Audio SH-MAX - Roland's SH series reimagined! (Demo / Tutorial) - CatSynth TV
Press release follows:
Cherry Audio has announced SH-MAX, an innovative software synthesizer that integrates three legendary SH-series synths from the '70s: the SH-5, SH-7, and SH-3A.
Cherry Audio has announced the launch of SH-MAX, an innovative software synthesizer that integrates three legendary SH-series synthesizers from the 1970s: the SH-5, SH-7, and SH-3A. SH-MAX captures the bold sound of the SH-5 while incorporating features and aesthetics from the other models, enhancing the original designs with greater power, versatility, and essential tools for modern music production. Musicians and vintage synth enthusiasts can start using SH-MAX today for the incredibly low price of just $59, available at cherryaudio.com and authorized resellers worldwide.
SH-MAX faithfully recreates the vibrant tones and workflow of the original SH hardware. It features powerful dual oscillators, two LFOs and ADSR envelopes, the dual-parallel multimode and bandpass filter sections, and the five-channel mixer of the SH-5 (1976), plus a ring modulator and sample/hold capability. Also included are autobend, duophony, filter FM, and the syncable VCOs with additional waveforms found in the SH-7 (1978). The extra additive-style oscillator from the SH-3A (1975) further enhances sound design flexibility. Moreover, SH-MAX incorporates and expands upon the expressive touch performance of the SH-2000 (1973) and features an onboard sequencer inspired by the Model 104 of the legendary System 100 semi-modular synthesizer from 1975.
SH-MAX honors its lineage while taking full advantage of modern software capabilities, supporting mono, duophonic, and 16-voice polyphonic operation for rich chords as well as earthshaking unison timbres. It features three unique retro interface themes that pay homage to the aesthetic of the SH-3A, SH-5, and SH-7, providing a visually immersive experience for true vintage synth enthusiasts. Additionally, optional drift and slop controls for the oscillators, filters, amp, and dual envelope generators introduce authentic analog character and warmth to every sound patch.
The highly flexible SH-style stereo mixer and its varied workflow options allow for modular-style signal routing. Each sound source -- VCO-1, VCO-2A, VCO-2B, the ring modulator, and noise -- can be independently routed to the VCF, BPF, or VCA, with each path enhanced with its own chain of studio-quality effects. With 20 effects available to arrange and reuse within its four chains, SH-MAX provides an exceptionally wide sonic palette. Additional features include a four-channel step sequencer capable of parallel playback or extended chaining, along with a touch effects panel that supports channel and polyphonic aftertouch with compatible MIDI controllers.
SH-MAX's legacy traces back to over five decades of synthesizer and electronic music innovation. The SH-series synthesizers have been used by a diverse range of artists, including Kraftwerk, Tangerine Dream, Jean-Michel Jarre, Brian Eno, Gary Numan, Throbbing Gristle, Skinny Puppy, Aphex Twin, Orbital, Mathew Jonson, Pink Floyd, Nine Inch Nails, Kitaro, MGMT, Vangelis, The Human League, Blondie, Yello, and more.
With SH-MAX, users can create everything from massive leads and thick basses to lush pads and exceptional sound effects, making it a true synthesis powerhouse at their fingertips. To inspire musicians right out of the box, SH-MAX includes over 300 expertly crafted presets that showcase its broad capabilities. For those wanting even more, the Maximum Overdrive Preset Pack by sound designer James Dyson is available from Cherry Audio for $9.99, offering 100 additional presets that highlight SH-MAX's raw analog tone, advanced modulation, four-channel step sequencer, and abundant effects.
Furthermore, until February 22nd, customers can take advantage of Cherry Audio's "Build Your Own Bundle" promotion at cherryaudio.com. Choose the Pick 3 bundle for $99 (regularly $129) or the Pick 6 bundle for $149 (regularly $169) to mix and match any of Cherry Audio's award-winning instruments for as low as $25 per plugin.
Cherry Audio's SH-MAX synthesizer is now available for $59 at cherryaudio.com and authorized resellers worldwide. SH-MAX is a virtual instrument for macOS (10.13 and later) and Windows (7 and later), provided as AU, VST, VST3, and AAX plugins, as well as a standalone application. A free 30-day demo is available. For in-depth product details, an introductory video, extensive demos, and system requirements, visit cherryaudio.com.
This one is in via in via Ivan Trajkovic aka deejayiwan.
"Visit of Jean Michel Jarre's studio at his home in Croissy in 1987 as part of the 1pm newspaper presented by William Leymergie on French Television Antenne2, for the release of the album: 'Houston Lyon in concert'. Fairlight and ARP2600 demo.
Mixing: Denis Vanzetto.
I kept this document on a VHS tape in the attic for 20 years. I'm happy to have kept it for so long and, thanks to Youtube, to share it with you!
I would be delighted to share my music with you:
👉 Web: https://bleulezard.com
👉 Digital platforms: https://linktr.ee/bleulezard
👉 Instagram: / _bleulezard"
Some Fairlight, EMS, and Oberheim OB-X synth spotting. Moog Rogue, Solina, and Korg PE-2000 K-5 Poly Ensemble S come in later. Note what looks like a modular system at 5:37. Anyone ID it?
"In excellent condition; everything works as it should! Hard to find in this shape.
The K5000S is a cult favorite from the mid-’90s, known for its powerful additive synthesis engine, warm pads, metallic textures, and full onboard sequencer. This is the “S” model, the more desirable model (compared to the K5000W) with extra knob-per-function interface for direct synth parameter access.
Highlights:
6-operator additive synthesis with deep harmonic control 16-part multitimbrality 32-track sequencer Onboard effects including reverb, delay, and chorus Responsive keybed with aftertouch Backlit LCD and large panel for deep editing A hidden gem in digital synthesis, the K5000 has been praised by artists like Jean-Michel Jarre and Björk’s producers for its haunting, otherworldly tones and expressive architecture.
30% of the sale supports the Bob Moog Foundation, helping preserve the history of electronic music and inspire new generations of creators."
Guestimate price (just after 6:50) of £2.5k GBP which comes to $3371 USD.
"The legendary OSCar synthesizer is back! In this video, I'm joined by Paul from PWM Instruments, who recently acquired the rights to the Oxford Synth Company. In this he talks us through their new synth - a modern recreation of the iconic OSCar - a secret weapon for artists like Jean-Michel Jarre, Ultravox, Stevie Wonder, Orbital, and Underworld - and explains how the new OSCar stays true to the original’s gritty charm while adding modern upgrades for today’s producers.
Its currently at prototype stage - but the proof of concept has been demonstrated, so the next stage is to mould it into a commercial product.
Whether you’re a synth enthusiast, a producer hunting for that British synth grit, or just curious about iconic electronic instruments, this deep-dive demo will show you why the OSCar still inspires decades later.
Hear a short demo of the unmistakable OSCar growl, discover its quirks, and see why this rebirth matters for synth lovers everywhere."
Intuitive Instruments improves Exquis MPE controller with firmware 2.2.0 update alongside Ableton Live, Bitwig Studio, and Cockos Reaper workflow-merging scripts
SAINT-CYPRIEN, FRANCE: Intuitive Instruments is proud to announce improvements to the award-winning Exquis MPE (MIDI Polyphonic Expression) controller with major updates coming courtesy of introducing firmware 2.2.0 alongside software scripts to merge its workflow with Ableton Live, Bitwig Studio, and Cockos Reaper DAWs (Digital Audio Workstations) — wholeheartedly representing several simultaneous steps towards the inspirational solutions for music lovers creator’s goal of ultimately making music-making seamless by turning the flagship instrument itself into the ultimate lightweight and compact creative hub — as of September 8…
Exquis enables seamless and natural interaction with all DAW software, MIDI synthesizers, and modular systems by becoming a direct extension of its user’s creativity as an expressive and intuitive MPE controller comprising a hexagonal matrix of 61 backlit soft silicon keys arranged as consecutive notes (semitones) horizontally and harmonious notes (thirds) vertically — from the lowest at the bottom to the highest at the top — that provide independent gestural control over four different dimensions: velocity (strike force), horizontal tilt (X axis — pitch bend), vertical tilt (Y axis — CC#74), and pressure (Z axis — channel pressure or polyphonic aftertouch). Alongside a namesake companion app — itself optionally offering an experience akin to traditional composition software — available on macOS and Windows with support for VST, VST3, and AUv3 audio plug-in formats, Intuitive Instruments’ flagship instrument is intended to provide musicians of all levels with a fun and intuitive way of creating melodies and progressions, fully exploiting sonic potential in the process of doing so — whether working with third-party software over the USB (Type-C) connection, third-party software or hardware synthesizers through the MIDI IN and OUT (minijack) connections, and modular synthesizers via CV (control voltage) with dedicated 0-5V (minijack) connections for GATE (V-Trigger), PITCH (V/Oct), and MOD (pressure or velocity). These top out a lightweight (600g) and compact — 36 mm (H) x 146 mm (W) x 317 mm (D) — desktop design that also incorporates four rotary/push encoders and a six-zone capacitive touch slider, plus a series of selection, undo/redo, and action buttons, providing precise and intuitive control collectively over any user’s sound while enhancing interaction with the app.
"Step into the future of expressive music performance with Erae 2 – the next generation of tactile controllers.
🎹 In this short montage, discover:
Jean-Michel Jarre introducing the Erae 2 at his Versailles 400 show
Rik Simpson (Coldplay’s Grammy-winning producer) in the studio
Nerdmatics (rig designer for Linkin Park, Odessa, Flume)
Purps on the Beat (producer for 808 Mafia, Juice WRLD)
Plus, an exclusive demo by Romain Jovion, showcasing the Erae 2’s power and versatility.
💡 Whether you’re a performer, producer, or sound designer, Erae 2 opens up new creative horizons in music.
"Not all these were originally played on Prophet synths. These video clips are just for amusement - Enjoy -"
00:00 The Final Countdown - Europe 00:27 Bette Davis Eyes - Kim Carnes 00:52 Save a Prayer - Duran Duran 01:19 Blinding Lights - The Weeknd 02:02 Just Can't Get Enough - Depeche mode
"It's a monster! ..yes, it's digital.. but, when you hear a 96kHz synth.. you quickly realize.. if there IS to be a digital synth.. then 96k is where it should be.. at that frame rate.. it's not 'steppy' and a lot smoother than the 'others', IMO. I'm the only owner of this 'lonely heart'. Bought it new, back when Awave was in a tiny arcade next to South Yarra station. It was the only synth that's ever 'tricked' me.. I thought it was analog 'something'. It just sounded too 'pure'.. so, I had to have it.. unfortunately, I haven't used it as much as it deserves.
This Solaris has resided in my smoke free studio since it was purchased new. Never toured, original PSU and manual (not that the manual is much use to anyone anymore.. that is.. with the advent of the newly developed V2 OS). For those that don't know, John was instrumental working alongside the late great Dr Robert Moog, in fact, he was there, in the early 70s, working alongside Dr Bob on the original MiniMoog.. fast forward a few years.. and there he was working alongside the late great Dave Smith @ Sequential Circuits. John worked on the Prophet 5, the VS and the Sequential Sampler, the Prophet 2000.
This was shortly before Yamaha acquired Sequential and retrenched the staff, yep.. that old chestnut.. and John went on to work at Korg where he was behind the WaveStation (basically he took his knowledge of the Korg VS and threw it into the WaveStation, as some might already be aware of). So, with all that history under his belt.. when it was time for John, whom I refer to as 'synth god', John started development on the Solaris.The Solaris is the culmination of all his passed work and synth experience, despite the panel often likened to the Oberheim Matrix 12, John had implemented Filters, Wave shapes, Step Sequencers, and not to forget 'Wave Sequencing' that've appeared in all his passed projects on those aforementioned classic synths, that he worked closely on with 'other' synth gods such as Dave Smith and Dr Bob Moog.
So, you could say.. the Solaris is what a 21st century synth-classic 'ought' to be. And, ultimately, that's why I wanted it, but.. I'm afraid, as good as it is.. it's more synth than I've ever needed...x10! It would be much more suited towards professional sound designers than someone who messes around with Samplers more often that not. Therefore, I'll let it go to another enthusiast.. other esteemed 'registered' owners in the Solaris forum are Hans Zimmer, Harry Gregson-Williams, JJ Abrams, Jean-Michel Jarre, Matt Johnson, Ty Unwin to name a few.
In a nutshell, if had a paragraph to sum it up.. it's like a Matrix-12 integrated with a WaveStation and then there's CEM, SSM, Moog and Prophet 5 'mimicked' filters and oscillator shapes... basically, loads of features and 'flavors' from every 'beast synth' before it.
Main features: 10 Voice Polyphony 4 Oscillators 4 Filters 6 Envelope Generators 4 LFO's (+1 for Vibrato) 16 Step Sequencer Arpeggiator 8 analog outputs (4 stereo) Digital (ADAT) Output MIDI over DIN & USB 15 kg / 33 Lbs Comes with the original Australian 240v external PSU"
"Fully polyphonic 48 key analog string synth. Classic 70's string/ensemble synth sounds. Amazingly thick, and warm sounding- sounds huge and dreamy. Used by Jean-Michel Jarre, Tangerine Dream, Vangelis, Hawkwind.
Works great. Voice selection buttons/switch contacts recently cleaned, and working well. Built in case has new latches installed.
Treble eq control is very scratchy, but works once set. Some of the other pots may be slightly scratchy, but all work. Light on power button does not light up- power switch is functional- unit powers on/off, but light doesn't work. Scratches/nicks on top (top is great for stacking other gear on).
I've had the pleasure of owning this beast for 20 years- it's gotten a good amount of use, but has been well taken care of, and rarely taken out of the house.
Stacks 3 oscillators per key/voice in octaves- you can also turn two of the oscillators on or off to use two or one oscillator per key/voice. Can also detune two of the oscillators separately to create a thicker, layered sound. Buttons/switches for selecting sounds can be simultaneously pressed to stack sounds. Built in phazer sounds excellent."
"A true vintage collector’s piece. The EMS VCS3 aka “The Putney” has been used by Brian Eno, Jean-Michel Jarre, Pink Floyd, The Who etc.
This is an extremely clean example with minimal wear and tear. The unit has been wrapped in plastic and stored for decades. Recently unearthed, it was taken to a tech who replaced all electrolytic capacitors, rebuilt the power supply, and got the reverb in working order. This synth is also a very low serial number. Also included in the sale is the rare Cricklewood keyboard."
"(c)2007-25 by RetroSound
supported by UVI: http://bit.ly/retrosound-uvi
❤️ Support #RetroSound channel: https://retrosound.creator-spring.com
My favorite track by JMJ.
Souvenir Of China by Jean Michel Jarre from the album The Concerts in China (1982)
Featured the Oberheim OB-X, the Moog Taurus bass pedals and the E-MU Emulator II (original Fairlight)
This cover song series contains my own recreations of my favourite songs from the last 50 years. The original music from which I take inspiration belong to their respective owners. I recreate tracks only for personal passion and to pay homage to these tracks.
My intention is not to create covers that sound exactly like the original (if you want to hear identical sounds, please listen the original). It's more of an inspiration with my sounds from the old synthesizers from the past and of course the great appreciation for the original performers and producers."
