MATRIXSYNTH: Search results for Sounds Like This

Showing posts sorted by date for query Sounds Like This. Sort by relevance Show all posts
Showing posts sorted by date for query Sounds Like This. Sort by relevance Show all posts

Thursday, October 15, 2026

SIDE FX – Quad Eurorack Multi-Effects Module | Granular, Reverb, Glitch & Pitch Demo


video upload by RYK Modular

"SIDE FX: 14HP Eurorack multi-effects module. Reverb, delay, granular, pitch shift and glitch in four chain-able blocks, with CV, clock and MIDI control.

IDE FX is a QUAD ALGORITHMIC FX PROCESSOR, using four effects BLOCKS in parallel / serial combinations for ultimate creative flexibility."

0:00 Introduction
0:15 Big Spaces, Tiny Spaces, Dirty Spaces, Doomed Spaces !
0:44 PRESET: "Behind You"
1:25 PRESET: "Pitch Swirl"
1:37 Dual Pitch Shift
1:59 PRESET: "Melancholia"
2:21 Pitch Shift Delay, & Glitch !
2:50 PRESET: "Old Tape Echo"
3:15 Modulators
3:49 Preset Edit
4:16 Granular - Vocal Crowd Generator
4:32 PRESET "Ghost Trails"
4:50 Multi Tap Delays
5:33 PRESET "Follow Echoes"
5:43 FX Send Mutes !
6:21 FX Process Blocks List

Explaining and testing RYK Side FX
video upload by Stazma

"Today we check out the newx multi effect module by RYK Modular: Side FX

This one seem to draws a lot of inspiration from the H 3000 "Ultra Harmonizer" by Eventide even tho it's not a clone at all. It let you use four effects and route them in many different ways using algorithms that look very much like the ones you would find in a 4-OP FM synthesizer (who said Algo?!). It's a great module, very powerfull and quite easy to use even for someone like me who does not like screens on modules."


via RYK

Want a Pitch Shifted delay into some lush Reverb, with a bit of Chorus for good measure ? How about some Phaser action into a Glitch effect, and a dollop of Bit Crush to taste !

SIDE FX lets you process up to four effect BLOCKS via different algorithms, to create complex, deep evolving effects to envelop your music in a rich syrup of your choosing.

It comes with loads of PRESET FX chains, from ear-mangling grit, to subtle presence, to brain-melting time-space freak-outs.

Or you can create your own PRESETS and save them to the internal SD Card, share with friends and impress your enemies.

Four user-definable CV inputs are available for modulating any parameter, along with a Clock Input for keeping things tidy and time-synchronised, oh, and a MIDI input for all of the above!

Don't have a spare LFO ?

MimeoPlexus - Adventures in Time, Space and Spacetime.


video upload by Cinematic Laboratory

Cinematic Laboratory Plexiphon posts

"Welcome to episode 02 of my Plexiphon exploration. I must admit I’ve been a bit underwhelmed by it because I was hoping for more like a network behavior where sounds from the past could suddenly return into its input.

Kind of like Mimeophon’s long repeat that remembers almost a minute. It became more and more clear that Plexiphon is indeed an Erbe-Verb V2. Even the CV out is ultimately intended to ‘push back’ the infinite wash so it can be controlled. I guess it’s now a stereo space folder, and once you accept that, it’s quite a cool and creative reverb. But that’s not why I run this channel. People who got themselves a Plexiphon most certainly also have a Mimeophon. And if not, one should at least consider adding one, so one can build yourself a Mimeoplexus. This basically answers my question why there isn’t a bit more ‘plexus’ in the Plexiphon. It’s because Mimeophon already took care if it a long time ago.

In this patch, I’ll use a mono source. In this case, I’ll pick Plonk again so it’s easier to follow what happens to a single mono modal ‘plonk’. MP’s left output goes to left PP input. MP’s right output goes to case out. And then: the loop: PP’s left output returns to MP’s right input.

PP’s right output goes to case out. So the combo pans a bit hard L/R, but the reverb runs through a feedback path. PP can now ‘save itself’ in MP’s long buffer and it can receive its own output many seconds later. Meanwhile, MP can change the delay times, direction, skew, colors, etc. We can’t just fold space, we can fold time too, and make it run backwards.

Now be honest, when was the last time you could creatively mess with relativity?"

Digital Keyboards Synergy II+ 2 synthesizer w computer guts SN 01209

Note: links to listings are affiliate links for which the site may be compensated.


via this eBay listing

Additional Tone Tweakers Listings

Pics of the inside below.

"This unit was professionally serviced. The Synergy II+ is a digital additive/FM synthesizer that sounds like no other. Somewhat similar to the extremely popular Yamaha DX7, it's tone is mellower and warmer. A popular website states 700-800 were made and estimates less than 100 are in operation today. We don't know how they came up with this estimation, but this one's working great, as we just fully serviced it. Famous users include Jay Wires, Wendy Carlos, BT (crumar gds), Junkie XL and Steely Dan. Carlos used it on the Tron soundtrack and other recordings.

Previously, one needed an old Kaypro computer with special software to edit sounds, but someone recently developed an editor that can be run on a modern computer. We haven't used it yet but are really excited to. Please buy this now, before we decide to keep it!

This particular example includes the circuitry of a Kaypro or equivalent computer's CPU. (See pics) Connections were added to the back panel for the accessories, but they were not included when we purchased this item, so we were unable to test this additional computer and disconnected it during restoration, though we left it in place in case a future owner has access to accessories and wants to try to get it running (no guarantees about that though since we didn't test it). The ports on the back have not been tested as we don't have anything that hooks up to them.

There are currently a few patches that are silent, and the first one is low volume and voices change octaves in a seemingly random fashion. We suspect these patches just need to be reprogrammed. At some point, we hope to find time to download and learn the modern editing software mentioned above so we can reprogram these patches, but time is limited, so we may just leave this up to the next owner who we assume will want to load in their own patches. The patches currently in memory are a mix of organ, piano and what seem to be orchestral type sounds."

Undersong, a walkthrough: turn audio into tuned particles (Max for Live and iPad)


video upload by ijo audio


"In this video I walk through Undersong, my audio effect that acts more like an instrument. It's out now as a Max for Live device and for iPhone and iPad.

Undersong is based on an idea I had for a live performance that ended up taking on a life of its own. Some of my past devices have been pretty immediate. You drop them on a track and they do the thing you're expecting. But this one really feels more like an environment that you have to get to know a little bit, kind of like a modular workstation full of ideas I like. They're often ambient leaning, but I think it's open to other types of music as well.

Wednesday, October 14, 2026

Who is 'Inspector Norse'? (Circuit Tracks Remake)


video upload by Guinan

"I love the classic 70’s electronic disco/hi-energy vibes to this 2012 track from Norwegian DJ and producer Todd Terje. I thought it could sound great on the Tracks. I think it turned out well but let me know if you think it could be improved. I’ll put a link in the comments below to download the pack, so show me your remixes….

I’ve read that ‘king of Norwegian disco’ Terje Olsen (and it’s pronounced TAR-YEH i think*) produced this just using an ARP-2600 for all the sounds. I thought I’d set myself the challenge to only use the Tracks for this one so everything, including the drums and sound effects, had to be produced by the Tracks and playable on just this box.

Why? I like a challenge!

Everything you hear therefore was programmed, sampled and ported back to the tracks and then sequenced to be played live and recorded direct.

If you are wondering who Inspector Norse is, watch till the end of the video, (obviously partly a pun on UK TV detective 'Inspector Morse') but this excellent video might give you some further clues as to his identity..."

WHATEVEREST (Todd Terje)

video upload by The Funkloft

"WINNER OF SPECIAL JURY AWARD AT AFI FEST 2012

WHATEVEREST is a documentary about the unlikely inspiration behind a dance tune produced by Todd Terje called "Inspector Norse". "Inspector Norse" is the internet alias of Marius Solem Johansen, a failed musician living in a small town, producing dance videos and drug recipes for YouTube.
—
Directed by Kristoffer Borgli
DoP: HΓ₯vard Byrkjeland
Editor: Mikael Svartdahl
Music by Todd Terje
Colorist: Daniel de Vue
Sound design: Daniel Angyal
Produced by Bacon"

See this post for the video: INSPECTOR NORSE : TODD TERJE - EURODANS.

You can find additional posts featuring Todd Terje here.

How to make the Korg Minilogue XD sound like a Roland JP-8000


video upload by MrSynthmania

"Transform your Korg Minilogue XD into a trance legend!

Get the bundle of 16 Oscillator-Models here: https://synthmania.de/produkt/minilog...

Get the iconic Roland JP-8000 SUPERSAW sound as a digital User Oscillator – with the same parameters as the original.

This is part of my complete Bundle with additional 15 powerful User Oscillators for the Minilogue XD and NTS-1 (MKi).

In this video I’m showing the SUPERSAW in a short trance track and walking through some of the custom parameters:

πŸŽ›️ Phase – Control the massive width of the 7 supersaw waves
πŸŽ›️ Mix – Balance the dry and detuned signals perfectly
πŸŽ›️ Brightness – Open up the filter character for piercing leads
πŸŽ›️ SubOsc – Add massive low-end to your supersaw patches
πŸŽ›️ Octave Switch – Choose between 1 or 2 octaves for the SubOsc
πŸŽ›️ Drive – Boost the punch of the sound

Perfect for owners of the Minilogue XD who want classic trance and progressive sounds."



"This oscillator was written from the ground up in C++ for maximum efficiency and sonic uncompromising quality. Instead of simply stacking standard sawtooth waves, the code uses mathematical refinements otherwise found only in high-end plugins:

Original detune behavior: The oscillator calculates the phase behavior of 7 synchronized sawtooths using the exact asymmetric detune ratios of the original Roland JP-8000.

Fully band-limited: By employing optimized band-limited sawtooth algorithms, the sound stays absolutely clean and free of annoying aliasing even in the highest notes.

Analog-modulated filter design: Inside the code runs a cascade of four highpass filters plus a specialized high-shelf EQ based on BiQuad filter structures. This delivers an extremely clean bass range and silky highs.

Tuesday, October 13, 2026

Novation Circuit Tracks Firmware Hack


It finally happened! Circuit Tracks Hacked! video upload by Guinan

"Thread is here,
/ circuithacks_is_out_now_unofficial_custom

Official Github,
https://github.com/Ghillermo/CIRCUITS..."

via Redit:

"NEW UPDATE: Beta1 is finishing internal testing and will be released soon. You can update with the upload tool. Thanks everybody for their input. I tried to include most of your requests (and some of my own) when it was possible, some of them I did my own take, trying to satisfy similar goals into a single approach. Now we have a couple new effects, you can save synth engine's patches, customize your macro Knobs from the device, pattern link, scene repeat, copy and re-arrange stuff inside or between packs... Check GitHub for a full list. All stock functions remain the same. Message me, submit a request on the GitHub or reply to this thread for fixes, new features or clarifications. A demo will maybe come, after a rest. If anyone wants to share theirs, be my guest."

Features for the archives, via Github:

Perfect Partners: How to hook up your M-Vave FM-1 to Circuit Tracks


video upload by Guinan

You can find part 2 further below.

You can find the M-VAVE FM-1 on Amazon. See dealers on the right for Circuit Tracks.

"I bought an M-VAVE FM-1 to add to my Circuit Tracks.

I love Yamaha DX sounds (checkout my previous MiniDEXED build and songs to see how much) and I think they work well with the Circuit Tracks. Building an equivalent MiniDEXED (like this one) now has ballooned to over $100USD* so at around $60 or so this is a much cheaper and interesting option.

Better screen
Bluetooth MIDI
Rubber keyboard
Easier interface
NO DIY

The numerous daily new firmwares adding new features and the very tempting price on the FM-1 was too much to resist so - here we are.

Roland Celebrates Grand Opening of U.S. Flagship Store in New York City



Press release follows:

Roland Corporation CEO Masahiro Minowa and Roland Americas CEO Manuele Barbini joined artists including DJ Jazzy Jeff, Mdou Moctar, Prince Paul, and more to officially open Roland Store New York City in Manhattan’s Meatpacking District

NEW YORK, NY, October 13, 2026 — Roland Corporation, a global leader in electronic musical instruments and music technology, celebrated the grand opening of Roland Store New York City, the company’s first standalone retail location in the United States. The invitation-only opening celebration at 414 West 14th Street brought together artists, industry leaders, media, business partners, and special guests for an evening of live performances, a ceremonial ribbon-cutting, and a first look at the new destination, which brings Roland, BOSS, and Drum Workshop (DW) together under one roof.

Masahiro Minowa, CEO and Representative Director of Roland Corporation, and Manuele Barbini, CEO of Roland Americas, led the evening’s welcome and ribbon cutting, officially opening the store and marking the latest milestone in Roland’s The Future. Redefined. Then. Now. Next. campaign. Originally introduced during the 2016 The Future. Redefined. global launch event, the Roland Aerophone and BOSS Katana products celebrate their 10th anniversaries this year, marking a decade of innovation that has expanded creative possibilities for wind players and guitarists alike. Special anniversary editions of both instrument lines are showcased at the store, with the anniversary Katana models available for purchase exclusively at Roland’s flagship stores in New York City, London, and Tokyo.

“New York has long been a place where new sounds, ideas, and creative movements take shape, and tonight we were proud to officially make it home to Roland’s U.S. flagship store,” said Minowa. “Roland has always been committed to pushing music forward, and celebrating this opening alongside so many talented artists is the spirit we hope this store will share with musicians and creators for years to come.”

“Tonight was about the musicians and creators who make New York such an important part of the global music community,” said Barbini. “Seeing artists bring the store to life on its first night shows exactly what we built this space for: a place where musicians, producers, and creators can explore the latest DW, Roland, and BOSS innovations, connect with our team, and be part of a new creative hub for the city.”

Monday, October 12, 2026

Reso Legio: Karplus-Strong voice+resonator on the Legio platform


video upload by Noise Engineering

"Reso Legio is a Karplus-Strong physical-modeling voice and resonator that creates plucked strings with different resonant body types.

Get a Legio module and swap to this firmware today:
https://noiseengineering.us/products/...

Let's start with Body. This changes the resonant body between acoustic guitar, violin, and banjo.

Decay controls how long the string rings out, taking you from short, tight plucks to long, sustained tones.

Brightness shapes the high-frequency character of the string.

Then there's Chorus. Choose between off, medium, and deep settings to add movement and dimension to the voice.

And since Pitch tracks 1 volt per octave, you can sequence Reso just like any other melodic voice.

The Excite inputs let you bring in external audio and send it through Reso's resonator, turning other sounds into string-like textures.

Reso is just one of many free firmwares available for Legio. When you're ready to trade physical modeling for something else, connect over USB and your Legio can become a whole new module.

23 Firmwares.One Legio.
Visit noiseengineering.us or your favorite retailer to get a Legio module in your case."

Celestine for iPad: My real‑time granular device is now an AUv3


video upload by ijo audio

ijo audio also brought us Polycrush 16 - 8-bit synthesizer for Ableton Live

"Celestine is a real-time granular AUv3 audio effect for the iPad. It's always listening and always spitting out grains. If you've been following my channel for some time, you'll know that Celestine started out as a Max4Live device... my most successful one to date. Many people have asked for it to be ported to other platforms and this marks the beginning of that journey. I've spent the last few months on this. I've also got future plans to release Celestine as a VST3/AU for other desktop DAW users.

Just like the original, this iPad version aims for the immediacy of a pedal and the depth of a granular instrument. There are eight granular modes: classic Grain clouds, Mosaic’s harmonic tiles, Glide’s tape‑like swoops, Reverie’s reverse washes, Bloom’s halos, Tide’s pulsing waves, Stars’ sequenced sparkles and Orbit’s swirling stereo motion. Everything stays tempo‑locked when you want it to in Sync mode, the (now touch-based) visualizer lets you perform playhead and pitch gestures on the fly, and the grain panel offers control over density, size, spray, jitter, reverse probability and more.

To shape the final output, Celestine includes a 'Magic panel' of various multi-FX to sweeten things, a lush reverb and a Dirt section with wavefolding and a bitcrusher. Use Celestine as an insert effect and set the dry/wet to taste or put it fully wet on a send to let fragments of your entire session bloom into shimmering clouds. I’ve found it shines on vocals, guitars, synths and pianos, but percussion can turn into glittering glitches and rhythmic sparkles too. I've also added undo/redo, a full preset system and a constrained randomizer to jump to new ideas quickly.

As I mentioned, I’m planning future releases for VST3/AU on desktop, so this is just the beginning of Celestine’s journey. For now, I hope you enjoy sculpting sounds on the couch, in the bathtub or wherever you like to use your iPad. :)

Celestine for iPadOS has an introductory price of $5.99 USD for the first two weeks and then will jump up to $9.99.

Celestine on the App Store

Also, I've recently started up a Discord server and while it's still small, I'd love for you to join and come say hi. I love the community that has built around my work and if we can find new ways to connect, it would be great. Join it here: / discord

#Celestine #AUv3 #iPadMusic #GranularSynthesis #Ambient #SoundDesign #MusicProduction #iOSMusic #AudioEffects #iosmusicproduction"

Sunday, October 11, 2026

JIANT FM / FM1 Firmware / NEW Floatbeat Engine cinematic jam /direct audio


video upload by JIANT

You can find the M-VAVE FM-1 on Amazon.

JIANT FM / (almost) EVERY FEATURE

video upload by JIANT

"JIANT FM v0.6.29 — Pushing the M-VAVE FM-1 Further

JIANT FM has reached v0.6.29!

I'm developing JIANT FM as an experimental custom firmware for the M-VAVE FM-1, building on Felucca and the work of the open-source synth community.

What started as a firmware modification has grown into a much broader instrument concept focused on synthesis, modulation, sound mutation, sequencing, and live performance.

My goal isn't simply to add more presets or effects. I want the FM-1 to feel like a living system — an instrument where rhythms, timbres, and parameters can constantly evolve, interact, and transform while you play.

What's inside JIANT FM?

Friday, October 09, 2026

MICROPHONIC: put the tube voltage back in your synths!


video upload by manmade madman


"MICROPHONIC: in the early days of electronics, analog devices were made with vacuum tubes and performed everything from logic to output amplification. The first Theremins were made with vacuum tube technology-- it was all that was available. Vacuum tubes were everywhere and in everything. But they had a flaw: they were inconsistent to manufacture, expensive to maintain, took time to warm up, generated heat, and could burn out like a lightbulb. Eventually, the world went solid state. It was cheaper, easy to maintain, and lasted longer.

But something got lost. Inside of tube mechanics were red hot voltages. As it turned out, these voltages were also somehow musical to our ears. Once the world transitioned to solid state, people started to miss the "tube sound" which was simply imperfect in a perfect way.

Meet MICROPHONIC.

Tuesday, October 06, 2026

Roland SR-JV80-04 Vintage Synth Card - FREE FOR EVERYONE!


video upload by LFOstore

"Vintage Synth Card for JD990 & JV880/1080 - Demystified!

FREE DOWNLOAD: https://lfo.sellfy.store/p/roland-sr-...

The SR-JV80-04 Vintage Synth is the definitive collection of vintage synth sounds.

This massive library includes synthesizer sounds from the Minimoog, Oberheim 2-Voice, Sequential Prophet 5, as well as most of the classic Roland synths.

User-installable expansion board for expandable Roland synths (see compatibility guide for details)

Adds 255 waveforms and 255 patches of classic synth sounds
Includes legendary Roland instruments like the Jupiter Series, SH-Series and Junos - plus Moog, Oberheim, Sequential and many others.

Using free Roland JV880 Emulator from here: https://github.com/giulioz/jv880_juce
& by downloading official OS (the idea of how to do it legally - in instructions inside the pack) you can open potential of all 19 SR-JV cards!

Whats inside the pack?

#Link on official Plugin emulator of Roland JV880
#Idea of how to download official OS with all expansions
#Detailed instructions of how to install on PC & MAC
#Preset Lists for JV & JD series
#Picture of every SR-JV physical card

By Nick Klimenko aka Chronos, a creator of 'Organica' for Waldorf Blofeld & 'WS Universe' for Korg Wavestation"

New 2.0 firmware for ARTURIA's AstroLab Introduces New Sound Edit View


video uploads by Arturia

Playlist:

1. AstroLab | New 2.0 firmware | ARTURIA
2. What's New | AstroLab 2.0 Update | ARTURIA
3. AstroLab 2.0 | Playthrough | ARTURIA

"AstroLab 2.0 expands what you can shape, play and perform directly from the hardware. Explore the new Sound Edit view, with dedicated parameter pages mapped to AstroLab’s four macro knobs, alongside new sample-based instruments and 60+ stage-ready sounds spanning piano, brass, strings, bass and more."

AstroLab 2.0: It's a Proper Synth Now?

video upload by Sineway

"AstroLab 2.0 goes straight at the biggest criticism of the AstroLab: that it's just a preset player, not a proper synth. The headline feature is Sound Edit, which gives you real synth parameters like envelopes, filter and glide right from the front panel, and you don't need a computer or the V Collection license to use it. So is the AstroLab still just a keyboard full of presets, or is it starting to become something else?

Arturia gave me early access to the update, so I've had time to dig into it before release. In this video I show how Sound Edit changes from preset to preset depending on the engine underneath, revisit the AstroLab vs MiniFreak question now that both instruments have changed, and play some of the presets in a musical context.

0:00 Intro
0:24 Sound Edit
3:11 AstroLab vs MiniFreak
4:29 Other Updates in 2.0
5:17 More Sound Edit Explorations
6:32 Final Thoughts"

Monday, October 05, 2026

Hartmann Neuron w/ Original Box & Materials

Note: links to listings are affiliate links for which the site may be compensated.


via this Reverb listing

"New in box is a super rare Hartmann Neuron synthesizer from the early 2000's.

Comes in both original box and outer box like it's new from the factory.

Plays and sounds great.

Original German manual, original English manual, dvd, 2 replacement joystick tops.

Collection and testing is always possible."

Sunday, October 04, 2026

Black hole destruction of a piano | Collision Devices Black Hole Symmetry


video upload by Lo-Fi-Si

"Collision Devices - Black Hole Symmetry
EMU Systems - Proformer 1

Massive fuzz at 02:00

First using the Modulated delay section which adds delay and flutter (tape effects). Within this section is the feedback knob which creates long trails that are then destroyed by the Fuzz knob later.

Second, adding in the pitch shifted reverb to add more depth and complexity to the feedback trails. This starts building the atmospheric ’space’ sounds.

Third, add in the destruction fuzz section. A massive screaming fuzz that creates layers of harmonics by distorting the feedback. No gain control. Just instant destruction.

No idea if this pedal is useful to me but blimey it’s terrifying. You can get it to howl and scream and I guess if a black hole sounded like anything, it could be thisπŸ˜€"

Why doesn't Digital Feedback Blow Up Like Analog?


video upload by Cinematic Laboratory

"When I posted my first Plexiphon video, I got a few comments like ‘how about Bruxa x Plexiphon’, or better, ‘how about two Bruxae x Plexiphon’.
I think I can answer that now. Bruxa is a dominating module. This simply means, whatever you patch up, Bruxa is going to demand all attention. New to modular? Bruxa is a Bruxa is a delay/filter using a crappy karaoke toy chip. Sorry, it’s the ‘lo-fi delay’ that reached a cult status in the legendary Soma Lyra-8 Orga(ni)smic Synthesizer.
And then there’s the PoliMaths vs Maths discussion. Maybe they should have called it the PolyFunction, because it’s not Maths. It’s more like a ‘polyphonic function sequencer’, where a function is nothing more than a rise and fall. A slope or envelope depending on the Coast you’re on. It’s an attack/decay shape to sculpt a sound.
In this patch, I am using Echophon – the echo – as a clock, using the clock divider output. It’s a cool example of working with limitations. There’s no clock module in this case, but any ‘repeat’ that ticks is a clock. So today it’s not a tape delay, it’s just sending blips to PoliMaths’ activation IN. PoliMaths is like an eight channel sample and hold. When a trigger comes in, the module ‘activates’ by reading all knob positions (sampling) and holding them until the next activation. The channel index will decide which of the eight channels is affected. Depending on the SPAN mode/color, the channel will either be addressable (white), rotating (yellow) or fire all (cyan blue). If you’ve updated your PM, there’s a purple mode too (binary logic).
In this patch, the eight envelopes are distributed to various effect modules like Bruxa, more Bruxa and Plexiphon. Depending on knob settings (and especially ABSORB) Bruxa can make percussive sounds with its crappy chip. So what can we do with it? We can make a drum machine that nobody else has.
The patch itself is turning my effects units into an improvised lo-fi CMOS drum machine and Plexiphon is adding a bit of reverb. Even on full strength it can’t compete with the two Bruxae.
There’s an intermezzo where I’ll patch a long loop between Echophon, Mimeophon, Bruxa 1, Bruxa 2, Plexiphon and QPAS. In plain English, it’s making a long FX chain, but the end of chain is also the beginning. A snake biting its own tail. It’s like taking ugly feedback noise, and then try to sculpt it into something that faintly sounds like music – or a score from an 80’s horror sci-fi B movie with lots of sax and violins.
I was expecting something like throwing a mentos in a bottle of Coca Cola, but it didn’t happen. Instead, a nice abstract feedback patch emerged. It turned out to be pretty civilized.
In this video I discovered that feedback patching with digital modules is very different from using analog modules. A well designed digital effect doesn’t explode, it stays clear from crashing into digital brick wall and self destruct. In fact, digital feedback patching is more like continuous sound on sound dubbing. If you’re into chaotic feedback patching, you’ll benefit from adding at least one analog module, like a Serge wavefolder, waveshaper, filter or resonant EQ – or any other brand. Just make sure it’s using real analog components and real voltage instead of coded error handlers, limiters, exceptions and guardrails. In the analog domain, chaos is only bound to the rules of Mother Nature.
The ‘crappy drum machine’ patch is decorated by a second take with Error Instruments x This Is Not Rocketscience Kharper. I am running it through dual Bruxae and Plexiphon, where the PP gets modulation from Bruxa’s mysteriously labeled CV outputs. They basically contain CV related to Bruxa’s internal chip rumble. Nothing special, but super cool as a mod-source."

Friday, October 02, 2026

rare birds: MXR Model 113 Digital Delay


video upload by ohm-studi-ohm

"When I first heard of this 1976 digital delay I excepted a lo-fi, harsh and dark delay. I was so wrong... This unit sounds surprisingly warm and clean for a digital fx of that era. Of course if you select the 2.5 Khz preset (which gives you up to 1280 ms of delay if the unit has 4 memory modules like this one) it's very lo-fi. But up to the 10khz preset its really clean.
And I didn't expected it to be such a great modulation fx. You can get anything from chorus, phaser, flanger to ring modulation.
Delay signal can be phase reversed by pulling the mix knob, which is what you want for modulation fx, and the sweep frequency also has 2 modes you select by pullling the knob.
The delay time can be externally adjusted, by mean of CV signal or a simple expression pedal. The later works great with guitar when the unit is in phasing/flanging settings, as the pedal acts like a kind of wah pedal. Here are some examples of what you can achieve with this unit. Though I didn't demo it, this delay sounds also great on keyboards.

00:00 Roland CR78
07:38 Squier Jagmaster"

Thursday, October 01, 2026

AnalogFX Announces Availability of Limited-Run LARYNX



AnalogFX's LARYNX has arrived. You might remember the announcment post, and SUPERBOOTH demos here, and here. You can find additional AnalogFX posts here. And of course AnalogFX's official website here.

Press release follows:

AnalogFX announces availability of limited-run LARYNX, an expressive analogue formant synthesizer inspired by the seldom-seen Synton Syrinx

DEVENTER, THE NETHERLANDS: AnalogFX, a Dutch synthesizer manufacturer dedicated to creating expressive electronic instruments for musicians, producers, sound designers, and synthesizer enthusiasts, is pleased to announce availability of LARYNX — proudly presented as a performance-focused analogue synthesizer that combines the vocal character of classic formant synthesis with modern expressive control, Eurorack integration, hands-on playability, and an affectionate analogue nod towards a rare, highly-coveted 1982-vintage monophonic synthesizer built by fellow (defunct) Dutch company Synton — with its first production run limited to 50 units, as of October 1…

By being built upon the proven architecture of AnalogFX’s acclaimed SER-2020, its compact desktop synthesizer inspired by the rare Synton Syrinx, LARYNX evolves that concept into a performance-focused keyboard instrument. Thanks to its premium 37-key aftertouch keyboard, extensive real-time modulation capabilities, and unique triple-filter formant architecture, LARYNX duly delivers an organic and highly-expressive playing experience.

Ultimately — unlike many modern synthesizers that rely on presets and menu-driven workflows, LARYNX puts sound shaping directly under a musician’s fingertips. From subtle pressure-sensitive modulation to aggressive vocal-like filter sweeps, every aspect of the instrument in question has been designed to create a direct connection between performer and sound.

Beating beautifully at the heart of LARYNX’s performance-focused sound are two CEM3340-based voltage-controlled oscillators — VCO 1 and VCO 2; a sub oscillator — SUB 1; a ring modulator — RM; a NOISE generator; and a unique triple CEM3350-based filter architecture — PEAK 1, PEAK 2, and LPF (Low Pass Filter). All combine to enable a wide sonic range — from deep analogue basses and cutting leads to evolving textures and speech-like timbres rarely found in traditional subtractive synthesizers.

Above and beyond that, this latest evolution of the SER-2020 platform introduces Formant MODE, making 16 preprogrammed human voice formants immediately available. As such, musicians can quickly create vocal-inspired sounds, animated basses, and expressive textures — and all without requiring complex programming. It is appropriate to note here that LARYNX also features a digital five-voice oscillator Chord MODE, although analogue monophonic and duophonic operation is always possible.

Placing expression at the core of its design, LARYNX’s 37-key velocity-sensitive keyboard with channel aftertouch is paired with AnalogFX’s Touch’n’Bend controller, allowing performers to shape sound naturally. Needless to say, LARYNX has additional performance features up its sleeve, so to speak, including extensive realtime modulation throughout its VCO, VCF, and VCA architecture; MPE (MIDI Polyphonic Expression) support; a built-in arpeggiator (ARP); a 16-step pattern sequencer (SEQ) — designed for both studio and live use, permitting performers to store patterns and instantly recall variations during a performance; 16 pattern memories; eight scenes, with 16 slots each; and stereo delay effect — DELAY L and DELAY R.

Ready for the modular world, LARYNX is designed to seamlessly integrate into modern electronic music setups with multiple front panel-positioned CV (control voltage) inputs and outputs providing extensive Eurorack connectivity, while flexible routing options allow the synthesizer to function both as a powerful standalone instrument and an expressive modular voice. Arriving at the rear panel, further connectivity conveniently comprises MIDI IN/OUT — standard MIDI DIN-5; USB MIDI — standard USB type B; EXPRESSION/SUSTAIN/HOLD pedal input; stereo line OUTPUT; and HEADPHONE output.

On the face of it, then, LARYNX lives up to its Inspired by a Rare Voice and A voice you can play tag lines with the greatest of ease. Enter AnalogFX Founder and Lead Developer Marc Stroobach, someone suitably qualified to end promotional proceedings on a high note: “With LARYNX, we wanted to create an instrument that feels alive under your hands. It’s inspired by some of the most expressive synthesizers ever made, but designed for today’s musicians who want immediate control, deep sound shaping, and a genuine connection between performance and sound. Every AnalogFX instrument starts from a passion for music and a belief that synthesizers should inspire creativity, not get in the way of it.”

Being built in limited batches in The Netherlands, the first production run of LARYNX — limited to 50 units — is now available for purchase directly from AnalogFX’s online Shop (https://www.analogfx.com/shop/) and select specialist retailers worldwide (https://www.analogfx.com/about/where-to-buy/) at a SRP (Suggested Retail Price) of €1,249.00 EUR (inc. 19% VAT).

For more in-depth information, please visit the dedicated LARYNX webpage here: https://www.analogfx.com/products/larynx/
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