Sequential Fourm - Great for ambient music.

video upload by Scott McAuley Sounds

"Patches will be available at https://www.orano.co.uk/shop or http://www.synthsounds.co.uk

All sounds with exception of drums are from my forthcoming Sequential Fourm Bank "Quatrain Volume 1"

This synth can cover so much ground, from fat bass to delicate bell like tones. it's remarkable what ‪@SequentialLLC‬ have a achieved with this.

enjoy
Scott."

Wave-Like Ambient Textures from West Hollywood Streets | Mythical City 2026-02-16 by atnr

video upload by atnr

"Ambient Engine (macOS)
https://store.atnr.net/downloads/ambi...

An ambient session built from street sounds recorded in West Hollywood and a live performance on the ‪@SequentialLLC‬ Prophet-10.

Street sounds captured on an iPhone in West Hollywood were imported into Ambient Engine. Using three sample players, the sounds are played back at random timings and ranges, creating wave-like textures. Over this evolving backdrop, a live Prophet-10 performance is layered.

The Prophet-10 is processed through ‪@strymon‬ blueSky with deep reverb applied."

Waldorf Iridium / Quantum - "Around the World" (50 Presets)

video upload by LFOstore

"Drawing from the vibrant musical traditions of distant cultures, "Around the World" is a captivating collection of 50 exclusive presets that infuse the mighty Waldorf’s synthesizer with rich ethnic flavors, exotic presets, and world-inspired atmospheres. In our fast-paced Western world — polished, precise, and often predictable — life can sometimes feel like a dish without enough seasoning. We crave something deeper, more soulful, more alive: the exotic spices of the East to awaken the senses, stir the spirit, and add layers of flavor that make every moment richer and more meaningful.

In this soundset, each preset is carefully crafted to ensure complete playability and expressiveness. You'll find here deeply evolving pads layered with field recordings, tasty ethnic instruments with a high degree of sensitivity to key pressure and modulation, mystical flutes and frozen strings, soft and warm organic pianos, rhythmic percussive sequences, vibrating bells, and hybrid soundscapes that blend ancient traditions with futuristic synthesis.

Most presets respond expressively to velocity, modulation wheel, aftertouch, and expression — turning your performance into a true global storytelling experience. Perfect for film scoring, world music production, downtempo, ambient, chillout, ethnic electronica, meditative soundscapes, and any genre that craves authentic cultural color and emotional depth. Created with passion for both heritage sounds and cutting-edge Waldorf technology, "Around the World" doesn't just sample the globe — it reimagines it through the prism of tomorrow's sound design!

More details here - https://ottolfo.sellfy.store/waldorf/"

Våld Labs Tresse: a multiengine synthesizer based on Plaits, for desktop.

video upload by Våld Labs

This one was sent my way via Meska who had the following to say: "It's 'basicaly' a standalone MI Plait with 3voice and extended oscilator models."

Video description follows:

"Tresse — 3-voice polyphonic desktop synth, 38 engines

Hey all,

Been working on this for a while and it's finally at a point where I want to share it.

*Tresse* is a standalone polyphonic synthesizer built around Mutable Instruments' Plaits DSP code, running on an ESP32-S3 with a custom PCB. Three voices of polyphony, 38 synthesis engines, USB, DIN/TRS and Bluetooth MIDI, and perhaps Ableton Link and our upcoming stack (VMB) Våld Modular Bus, expected to ship this summer, and which will a new wireless comms protocol with negligible latency, auto discovery and machine mesh capabilities (to be released soon).
Also enough knobs and encoders to actually play the thing without menu-diving, and a battery for when you're bored outside of your studio.

*The core idea:* take the full Plaits engine library — all 24 algorithms — and make it polyphonic in a self-contained hardware instrument. Then keep going and add 14 more custom engines on top.
There are hundreds of options similar to this in modular systems and i thought why not bring all these god-level creative tools to bedroom, desktop producers who don't have the money or the space (or will) to mingle in the modular space, and bring them one contained box with all they need.

What's inside

*ESP32-S3* doing all the DSP across both cores (voices 0+1 on Core 1, voice 2 on Core 0, parallel render)
**PCM5102A DAC**, 24-bit output, 32kHz sample rate
*4 pots + 4 rotary encoders* through CD74HC4067 mux and MCP23017 I2C expander
*OLED display* (128×64) for patch info, engine select, preset browsing
*USB MIDI + BLE MIDI* — works with everything, no adapter needed for wireless
Custom PCB, all through-hole friendly

38 engines

The first 24 are straight from Plaits — East Coast, Phase Distortion, all three DX7 variants, Terrain, String/Chords, Chiptune, Wavetable, Speech, Swarm, Particle, the Rings modes, the three drum engines, etc.

Then 14 custom engines built from scratch:

*Karplus-Strong* — proper physical string modeling with excitation morphing (noise → impulse → tonal)
*ByteBeat* — 8 classic formulas with pitch-tracked rate, gets wild
*CZ Phase Distortion* — Casio CZ-style, three distortion shapes
*Supersaw* — up to 7 detuned saws with PWM, the obvious one but it needed to exist
*Formant* — vowel synthesis with 3 bandpass resonators, gender shift control
*2-Op FM* — clean FM with 13 ratios and operator feedback
*Wavefolder* — sine/tri/saw/square source into a proper folder with bias
*Noise Drums* — SVF-based with pitch envelope, covers kicks through metallic hits
*Modal Resonator* — 8 tuned bandpass partials, morphs from harmonic → bell → bar inharmonicity, with a bowed excitation mode
*Sympathetic Strings* — 3 coupled Karplus delay lines with controllable coupling and interval ratios
*Comb Resonator* — 4 parallel comb filters with spread control
*Drawbars* — organ-style additive with 8 Hammond-ratio partials
*Complex Oscillator* — FM into wavefolder, Buchla-adjacent territory
*Grain Noise* — granular noise with smoothing, good for textures and pads

Controls

Three parameter layers accessible via toggle buttons:

*Normal* — Timbre, Morph, Harmonics, Color on pots; Attack, Decay, FM, LFO Depth on encoders
*MOD* — Fold, Detune, Ring Mod, Chorus on pots; LFO destination/shape/speed/sync on encoders
*SHIFT* — Filter Cutoff/Reso/Env/Type on pots; Portamento, Octave, Vibrato depth/speed on encoders

Hold both buttons → engine select overlay. Double-tap MOD → system menu (randomizer, MIDI config, play mode). Double-tap SHIFT → preset browser across three banks (own patches, generated, branches).

Play modes: Poly, Mono, and chord modes (Major, Minor, 7th, Sus4, Power, Octave).

The randomizer is one of my favorite things — it generates random patches with procedural names (stuff like "Velvet Moth" or "Iron Shard"), you scroll through them with the encoder, and save the ones you like to a generated preset bank. 512 slots each for generated and branch presets, 128 for your own.

What it sounds like

Honestly covers a lot of ground. The Plaits engines already span everything from classic analog to FM to physical modeling to noise, and the custom engines fill in some gaps I wanted — proper supersaw, real Karplus-Strong, the modal/sympathetic stuff for metallic and evolving tones, and the ByteBeat engine for when you want to go full chaos. The global FX chain (filter, wavefolder, ring mod, chorus) ties everything together.

The project should be available from April 2026, in kit or assembled units! Price to be discolsed once i have the final FINAL prototype, but shouldn't hurt the wallet.

This is a *Våld Labs* project from Lisbon Portugal. Much more to come.

Would love to hear what people think, and happy to answer questions about the build or the DSP. Be aware that this is a pretty advenced prototype, but still a prototype"

https://valdlabs.com

Note they also have the Consequencer pictured left but no additional info aside from the following on it yet.

"A portable, desktop-first sequencer with modular DNA — built for the art of shaping chaos."

CubuSynth also has a Consequencer announced back in 2024, but they appear to be unrelated.

The Sounds of Tomorrow: China's Electronic Instrument Renaissance | Yukes 玉刻 | TEDxZizhu Park

video upload by TEDx Talks

Update: looks like TEDx Talks removed the video for now. I'll leave this post up in case it comes back and also for the info below.

Modular Commune gets a shout out at the end. You can find a playlist of Modular Commune performances here.

"Yukes 玉刻 uses an electronic organ to play 'the sound of the future.' He расскаnts how synthesizers have found new life within Chinese culture—moving from imitating the sounds of traditional instruments to creating entirely new auditory languages.

As he puts it: 'Technology shouldn’t replace tradition; it should become an extension of it.' In his eyes, every synthesized waveform is a rebirth of culture.

Today, Chinese musicians are using technology to reshape a 'sonic ethnography,' allowing tradition and the future to move forward side by side through electronic resonance. Yukes is a commercial video producer, multi-instrumentalist, and expert in electronic music equipment. Active at the intersection of traditional Chinese instruments and contemporary electronic music equipment, they have been instrumental in the development of 'Chinawave' and the growth of the electronic music production equipment industry in mainland China. With a background in commercial documentary video production, Yukes has expanded their practice into the exploration of audiovisual ethnomusicology. They regularly perform across China and are currently pursuing a master's degree in Market and Retail Science at NYU Shanghai. This talk was given at a TEDx event using the TED conference format but independently organized by a local community. Learn more at https://www.ted.com/tedx"

RetroSound Studio Tour: Analog Monophonic Synthesizers

video upload by RetroSound

"Welcome to RetroSound Studio Tour: Analog Monophonic Synthesizers & Duophonic — a deep dive into legendary mono synths from the 1970s and 1980s, including rare East-Bloc classics.

In this new episode, I showcase iconic instruments such as the Minimoog, ARP Odyssey, Roland SH-101, Maxi-Korg, Sequential Circuits Pro-One, alongside Soviet and East German synthesizers like the Polivoks, Alisa 1377 and Vermona mono synths.

These analog monophonic synthesizers defined the sound of electronic music — from the fat Moog and cutting ARP to aggressive Polivoks and raw Eastern European character.

This video explores the sound and architecture of true analog mono synths built around VCO, VCF, and VCA signal paths, highlighting their distinctive basslines, lead sounds, and modulation capabilities. From the Moog basslines to the aggressive Polivoks filter sound and the unique character of East German Vermona synthesizers, each instrument demonstrates why 1970s and 1980s monophonic synthesizers remain highly sought after by collectors, producers, and electronic music enthusiasts."

The Monophonic Analog Synths:
0:07 Maxi-Korg 800DV
3:17 Sequential Pro-One
6:30 ARP Odyssey Mk. III
8:39 Roland SH-101
11:56 Moog Prodigy
15:24 Moog The Source
17:34 Moog Micromoog
18:16 Moog Minimoog
20:56 Moog Taurus
22:21 Formanta Polivoks
24:44 Rodina Alisa 1377
26:48 Vermona Synthesizer

Modern Synth Sound Design on the 3rd Wave with Sam Gutman | NAMM 2026

video upload by Groove Synthesis and Sam Gutman

"What does deep sound design look like when it's shaped by years on stages with Ms. Lauryn Hill, The Fugees, and YG Marley? ‪@SamGutman‬ brought that perspective to our booth at NAMM 2026, and the result is a masterclass in what the 3rd Wave can really do.

In this session, Sam digs into the full range of the 3rd Wave's synthesis engine: PPG wavetables, modern wavetables, virtual-analog, linear FM, and sampling. Through the eyes and ears of a working musician, Sam shows how these tools come together in real musical contexts, from lush layered pads to sounds that complex arpeggiators.

Along the way, Sam showcases custom patches he built for the 3rd Wave 24K keyboard, demonstrates complex multi-part layering, and shares the creative thinking behind his sound design choices. Whether you're a seasoned synth programmer or just getting curious about what wavetable synthesis can do, there's something here for you.

Timestamps:
00:00 Introduction
03:04 What is Wavetable Synthesis?
04:27 Classic PPG Wavetables
05:57 Modern Wavetables
08:15 Analog Subtractive Synthesis
10:35 Subtractive Filters
10:55 Additive Synthesis
11:40 FM Synthesis
13:15 Sampling
14:54 Layering
18:10 Bob Coover on Binaural Sound
20:12 Bob Coover's Summary"

Micro dozer LOMP addition play with light touch and much more

video upload by errorinstruments paul tas

MICRO DOSER EURORACK DRUM /OSC LOMP

Micro Dozer LOMP – Eurorack Sound Source (Limited Edition) The Micro Dozer is a raw and expressive Eurorack sound source designed for drums, noise textures, and experimental oscillator work. Compact but powerful, it invites hands-on interaction and unconventional patching. 🔊 Sound Engine At its core, Micro Dozer features a unique noise-based engine with fine micro-sparkle textures. It can range from aggressive, gritty noise to ultra-sensitive, ASMR-like sonic detail. Perfect for percussion, glitches, textures, and unstable oscillator tones. 🥁 Built-in Lo-Pass Gate The integrated lo-pass gate allows you to shape percussive sounds instantly. • Use a trigger for tight drum hits • Use a gate for longer, evolving tones This makes Micro Dozer equally at home as a drum voice or experimental sound generator. ✋ Interactive Control Micro Dozer is designed to be touched and played: • Two switches activate light-sensitive sensors that control oscillator offset • Touch interaction under the switches alters the sound in organic ways • Patch directly into the touch points for external influence • Fully CV controllable The large knobs are extremely sensitive — even the smallest movement creates significant sonic changes. The parameters are interdependent, encouraging exploration and performance-based tweaking. For even more interaction, you can stretch an elastic band between the knobs to manipulate multiple parameters at once, creating complex evolving modulations. 🎛 Performance-Oriented Design • Highly responsive controls • CV control over key parameters • Designed for live experimentation • Raw, unpredictable character 🎥 Demo Check out the demonstration video to hear the full range of textures and performance possibilities.

Three New Synths — The M0SS Family Kickstarter Launch

video uploads by Ultrapalace

Playlist:

1. We Made Three New Synths — The M0SS Family Kickstarter Launch
2. M0SS-201 Demo: Wave Folder Bass
3. M0SS-201 Demo: Krell Patch
4. M0SS-416 Demo: Presets
5. M0SS-416 Demo: Brian Eno's Tambura patch
6. M0SS-309 Demo: Mellow Horns and FX

"The M0SS-201, M0SS-309 and M0SS-416 are 3 new members of the M0SS line of synthesizers from UltraPalace, expanding on the flagship M0SS-101 released in 2025.

This line of instruments packs the power of an advanced synth in to a tiny, rugged enclosure, and offers a unique user interface, designed to be intuitive, hands-on, and fun. Press a button to select a parameter in the synthesis engine, and turn the encoder to modify its value.

Coloured LEDs positioned across the face will pulse and toggle to show the signal flow, indicate settings, and show the current parameters magnitude.

These synths feature USB MIDI Host, as well as 1/8" MIDI, so you can connect any MIDI controller, and map knobs or faders to any parameter using MIDI learn, allowing you to transform your inexpensive MIDI controller into a powerful and fascinating vintage-style synth, or to integrate the synth into your existing MIDI setup.

https://www.ultrapalace.com/"

On Kickstarter here: https://www.kickstarter.com/projects/...

"The M0SS-201 is a west coast synth, which takes some inspiration from the Buchla Easel. This modern monosynth is packed with features that will inspire experimentation into advanced synthesis. It is capable of an incredibly broad spectrum of sounds, and diving in, you might find yourself wondering if the sounds you are creating have ever been heard before by human ears, and the answer may well be no!"

CLICK FOR MORE »

Not your usual filter module - Ceremony by Nekyia Circuits

video upload by Stazma and Nekyia Circuits

"More infos and affiliate links in the description // Support on Patreon to get samples from this session: / stazma

Today we are going to check out Ceremony by Nekyia Circuits. It's filter inspired by Rob Hordijk's Twin Peak resonator module.

It's a very resonant Low Pass / Dual Bandpass with many internal feedback routings that easily create vocal like sounds and wet and weird analogue bubblebaths.

More infos here: https://www.nekyiacircuits.com/

Have fun!!!"

The MASSSIVE caladan update you've been waiting for....

video upload by Isla Electronics

"It’s rough as hell, I apologize in advance, if you have a bit over an hour to spare and want to see almost everything the machine does now.. then be my guest and come and watch the youtube video.I’m uploading it as a youtube premier now so I can sit there for a bit with y’all and we can watch it together and you can ask me any questions you like while it’s playing…I go over how the machine works, every engine the machine has and just about everything I can think of.. it’s finally an actual working synth, it sounds great (although my video quality leaves a lot to be desired)This is an update, not a commercial, The machine is solid, I am not…"

KORG Berlin Phase 8 | Acoustic Synthesis from First Touch to Full Jam

video upload by Noisegate

"We head to the Melbourne Electronic Sound Studio for our first hands-on look at the KORG Berlin Phase 8, one of the most unusual instruments to land on the Noisegate desk in years.
Phase 8 is built around eight electromechanical voices, each physically striking a steel resonator or tine. Instead of traditional oscillators, sound is generated through real vibrating materials, then shaped with envelopes, modulation, sequencing, and analogue wavefolding. The result feels closer to playing a physical instrument than programming a synth.

In this video, we explore:
– How Phase 8 produces sound
– Sequencing, pluck, shift and performance controls
– Acoustic interaction using everyday objects
– Processing Phase 8 with external effects
– Integrating Phase 8 into a wider live jam setup

CHAPTERS:
0:39 – Why Phase 8 Is Different
1:04 – What Is Acoustic Synthesis?
1:40 – Touch, Feedback & Physical Interaction
2:13 – Tuning, Scales & Resonators Explained
2:32 – Playing Phase 8 Like a Synth
2:41 – Per-Voice Envelopes & Velocity
3:11 – Air Slider & Raw Pickup Sound
3:35 – Shift & Pluck Performance Controls
4:27 – Sequencer Overview & Storage
4:56 – Playing a Recorded Sequence
5:06 – Step Recording & Polyrhythms
6:21 – Interacting with the Tines Physically
6:30 – Using Objects to Change the Sound
7:50 – Light vs Heavy Materials on the Tines
8:26 – Percussive & Prepared-Style Sounds
9:47 – Modulation & Tonal Experimentation
9:56 – Processing Phase 8 with External Effects
10:14 – Finding Sweet Spots with FX
10:27 – Connectivity: MIDI, USB-C, CV & Sync
10:58 – Hybrid Setup with OP-XY
11:24 – Live Jam Begins
14:29 – Reflections on Exploration & Sweet Spots
15:31 – Why Phase 8 Rewards Time & Touch
15:36 – Trying Phase 8 at MESS
16:04 – Final Thoughts & Sign-Off

We also look at how Phase 8 plays with other gear, including Teenage Engineering OP-XY and outboard effects, and why finding the “sweet spot” is such a big part of the experience."

KALEIDOSCOPE. Standalone Rehearsal.

video upload by Vadjuse

"In this noisy and deep track, I use all four tracks from Kaleidoscope.

Tracks 3 and 4 are two bass sounds, tuned to a common MIDI channel to work in unison. Their frequencies are shifted by a fifth and an octave. I change this interval as the track progresses. These sounds FM-modulate each other and themselves. They also have different glide values ​​so that when the frequency is changed, the FM synthesis produces more fat and dirt. I also added distortion after the comb filter to make the sound as thick as possible. I was inspired by LORN.

Track 1 is a kick drum built on pitch modulation of a sine wave. This sine wave can be mixed with noise from a wavefolder. The modulation envelope increases the distortion level. The kick drum also has a very high feedback value of the comb filter, so we hear multiple echoes that act as a source of FM modulation for this kick drum. The comb filter's delay length is adjusted so that the echoes are precisely timed. The kick drum's filter is slightly closed to reduce the noise level.

Track 2 is a solo lead that has no internal modulations—just a sawtooth. However, it does have a cyclical volume envelope, which adds dynamics. This volume envelope also opens the kick filter on track 1, letting noise into the mix that feels like percussion. Track 2 experiences the FM modulation of track 3, which significantly complicates the timbre. I use this track for melodic movement—I play around with the transposition and try to keep the sound from becoming too dissonant.

Presets from this composition can be downloaded and loaded into your instrument using the link. https://disk.yandex.ru/d/T3fZoPYqTkyjUg

Order Kaleidoscope: vadjuse.ru/kaleidoscope_en"

Huge Modern Modular Filter Tones & Techniques // 3 Patches for Ceremony & Sigil from Nekyia Circuits

video upload by DivKid

"Here we have a 3 Patches series video with the character oozing CEREMONY, a low pass morphing to twin peak band pass filter packed with modern features and lots of CV options and SIGIL a compact function generator for envelopes, LFOs, slews or other function generator tricks! Check out the patches and skip around below."

"If you'd like to support work like this and the wider range of what I do, considering heading over to Patreon at https://bit.ly/DK-patreon and supporting for as little as $1 a month to gain access to the DivKid Discord community, plus lots of exclusives such as PDF patchbooks, videos and more. https://bit.ly/DK-patreon"

*TIMING INDEX // CHAPTERS*

NOTE // sub bullet points are points of interest within each section/patch, for those that might be looking for a specific detail to skip back to.

INTRO

00:00 Hello & previews

01:16 Sigil feature run down (function generator)

CLICK FOR MORE »

How to Start Tracks: Fourm + Microcosm into Digitakt 2

video upload by Sineway

"Fourm into Microcosm into Digitakt II – how I built a beat from nothing, faster than I expected.

In this video I build a beat from scratch using a brand-new setup: Sequential Fourm into Hologram Microcosm, captured and shaped on the Digitakt II.

Instead of treating effects as something you add at the end, I’m using the Microcosm as an idea generator - letting it transform a simple init patch into something that suggests harmony, rhythm, and direction very early on.

This is the first time I’ve made a track with this exact setup, and I was honestly surprised by how quickly it led to usable musical ideas.

The goal here isn’t to finish a track. It’s to show how I like to start - how I go from nothing to a beat that feels worth exploring further.

If you’ve ever felt stuck looping the same pattern without knowing where to take it next, this video sets up the foundation for what comes after. I’ll continue from this exact loop in the next video, where I focus on breaking out of the single-loop deadlock and opening things up into multiple patterns and directions."

Chapters:
00:00 Intro
00:35 My setup
00:56 Making a track from scratch
01:17 Quick overview of the Hologram Microcosm

CLICK FOR MORE »

Vintage Korg Lambda ES-50 48 Key Polyphonic Synthesizer SN 234587

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

"***has some issues. Please read fully before purchasing.

I'll start by saying the ENSEMBLE section of this synth sounds incredible and works 100%. The ENSEMBLE section is where the Brass, Strings, Chorus (think synth choir, not a chorus effect), and organ sounds are found. These are the bread and butter of this synth. Huge, fat sounds found in this section, and they all work excellently.

The PERCUSSION section is where the more "transient" sounds are found and they all work on each of the 4 settings (Electric Piano, Clavi, Piano and Harmonics). However, the "B" key in each octave either doesn't sound at all, or just makes a faint sound that is not at all like the others. The "TREMOLO" effect in the PERCUSSION section does not work at all, and if you select it, it effectively mutes all the sounds in the percussion section.

The Chorus modulation on the stick is very very faint, and sometimes not really audible at all. The pitch bend however works flawlessly, and the spring to return it to center is in tact and working 100%. The "CHORUS/PHASE" effect buttons work but the effect sounds underwhelming, but it does work. I don't know enough about the architecture of this keyboard, but I'm assuming the CHORUS/PHASE effect buttons and the CHORUS PHASE control on the stick are related.

Everything else works like it should. And even with these "issues" named above, this is still a very functional synth with some killer sounds that just don't sound like anything else.

Fully polyphonic! ALL notes. Its wild.

Cosmetically it is in very nice condition. There is one light colored scratch down the left side of the wood case (pictured).

I have not made any attempt to service this keyboard. Therefore, this could be a simple contact cleaning for some of these issues to restore some, if not all of its original functionality."

CLICK FOR MORE »

FM Drift Demo - Ableton Move/Live Sound Pack by A Force Truly Evil

video upload by A Force Truly Evil

"Available here: https://sci-fiaudio.com/?product=fm-d...

FM DRIFT IS A DEEP EXPLORATION OF FM SYNTHESIS INSIDE ABLETON DRIFT, DELIVERING FOUR NEW POWERFUL FM INSTRUMENTS THAT RIVAL — AND SOMETIMES SURPASS — SYNTHS LIKE OPERATOR

FM Drift is a sound pack focused exclusively on FM synthesis within Ableton Drift, and designed to demonstrate that Drift’s FM engine is powerful, flexible, and very expressive.

Fully compatible with Ableton Live and Push.

FM Drift delivers four complete FM instruments, each built on a clear FM architecture and fully controlled via eight carefully designed macros. All the sounds in the pack have been created exclusively using these FM instruments (Ableton Instrument Racks built with Drift).

Drift’s FM capabilities are on par with classic synthesizers like Operator, and even surpass it in certain aspects.

CLICK FOR MORE »

Make Noise Trio: 50 Combo Patches for Strega+0coast+0ctrl. No Talk Sound Demo. Live Jam/Performance

video upload by Anton Anru

"VOLTAGE IN SHADOW is a collection of 50 combo patches and patterns for a semi-modular system by Make Noise: 0-COAST + 0-CTRL + STREGA. It includes textures, basses, leads, drones, chords, percussion, and FXs.
💎 There is a wide range of timbres inside the pack: soft and bright, musical and experimental, harmonic and FX-like, cyclic and generative, slow and fast, analog- and digital-style, dry and atmospheric, clean and distorted.

📦 Get these patches: https://antonanru.sellfy.store/p/make...

🦠 This is one of the most complex works I’ve done. It required a lot of time and effort, but I also received huge pleasure and inspiration while working with such interesting and unique devices.
The patches turned out to be very fluid, dynamic, and non-static — largely due to the “alive” and sensitive nature of the synths. However, this also creates some difficulty when recreating the patches from images: even small changes in knob positions can affect the final result.

CLICK FOR MORE »

Frap Tools MAGNOLIA – 8-voice analog thru-zero FM synthesizer – OUT NOW

video upload by Frap Tools

Check with dealers on the right for price and availability.

"Magnolia is an eight-voice analog through-zero linear FM synthesizer. Besides the classic analog polysynth sounds, its design allows programming some less conventional timbres closer to the world of modular synthesizers, and especially of the so-called “complex oscillators.”

Magnolia allows to bring modular synthesis techniques in the world of analog polysynths, with all the known advantages of the latter: polyphony, immediacy of use, powerful sound, and those little unpredictable details generally known as “analog warmth.”

Magnolia is a highly playable instrument thanks to its expressive Fatar keyboard with polyphonic aftertouch and encourages sound exploration through its large and relaxing front panel.

CLICK FOR MORE »

Erica Synths Steampipe + Torso S4 // DAY 17 #jamuary2026

video upload by Dexba

"Perfectionism almost killed this video, and for a second, I forgot about the point of #jamuary I recorded, and recorded, and re-recorded, and a few days have passed, back and forth, because I care so much about this sound, this vibe, this balance.
I am not 100% satisfied, but I have to let it go, because otherwise I know for sure I will start to hate these chords, I will have to tweak the sounds once again, I will change the video, and so on.
But I do love the resulting vibe, and I will try my best to bring variations on this theme in some live scenario, maybe with a different controller instead of the OPXY (which I am only using because it has midi via 3.5mm jack and... an audible metronome, I am looking at you, Torso)
I hope you'll like it, now this jam is free to run wild on the internet 🧡"