Noodling with reSEMble

video upload by Randy Piscione

"PM Foundations recently re-stocked a limited number of reSEMble PCB/Panel sets, and this may very well be the last time. If you’re unfamiliar with reSEMble, it is a tribute to the Oberheim SEM, but more of an SEM 2.0. Have a look at the other relevant videos on my channel for more sounds and info. If you want to build a reSEMble, go here: https://www.tindie.com/products/pmfou...

This is not the most visually exciting video, I was really more interested in demoing the sound. reSEMble provides the leads, odd percussion and sound effect bits. Drums are courtesy of an Alesis SR-16.

The first part of the video (first verse I suppose) uses the reSEMble in a configuration that duplicates the SEM – two VCOs, LP VCF, 2 EGs and a triangle LFO. Bass for the verses is from a Behringer Minimoog and a custom-modified Behringer TD-3. Chords for the verses comes from a 1980 dual manual Prophet 10.

The first chorus adds a third VCO and sine LFO. Bass is provided by a Minimoog (first re-issue) and the chords are again from the Prophet 10. The second verse brings in the wavefolder. The second chorus is similar to the first. The odd percussion and sound effect stuff bring in some audio rate exponential FM. The final chorus uses the wavefolder with the VCOs mixed in."

Alisa 1377: The Rare Soviet Synthesizer from the mid-80s

video upload by RetroSound

"(c)2007-25 by RetroSound
supported by UVI: http://bit.ly/retrosound-uvi

Rodina Alisa 1377 - Soviet Analog Synthesizer (1985)
The Alisa 1377 is a rare monophonic analog synthesizer built in the Soviet Union during the mid-1980s.
Manufactured at the Lyubertsy Military Radioplant 'Rodina' near Moscow.
A lead synthesizer intended not for mainstream pop, but for experimental electronic music, sound design, film work and research.
Produced in small numbers, making surviving the units rare.
The Alisa 1377 is fully analog. All waveforms can be used individually or in combination. Frequency modulation (FM) available for all waves.
Pulse width modulation (PWM) with adjustable width and depth.
Octave switches (+1 / +2) and portamento. The sound character is warm, raw and a bit instable. Unconventional compared to western synths. The self-oscillating filter and the FM options allow for metallic, droning, and very experimental tones.



The video sequences are made by Natalja Smirnowa in Dec 2025 in Sankt Pertersburg (Russia)

RetroSound synthesizer demo videos since january 2007.
Everything is free. If you like my work, you can also support me with the purchase of my merchandise stuff or my music.
Shop: https://retrosound.creator-spring.com/
Bandcamp: https://retrosound.bandcamp.com/"

Dreadbox Artemis sounds rather nice.

video upload by mylarmelodies

"This is a no-talking sound demo of the Dreadbox Artemis analog polysynth so you can hear it doing a range of things, without narration or external FX, coming up with track ideas. Drums come from the System 80 880, some sequences from Keystep MKII (and some sequences from Artemis' built-in sequencer - esp 23:14).

This demo was funded by the good people at Dreadbox - thanks for having me play your nice synth! As with all Dreadbox stuff I have tried, it feels and sounds great to me, and I hope that comes across here."

Xenodrive on synth, drums, drone and SFX (no talk)

video upload by Richard DeHove

"First up: Erica Synths sent me the Xenodrive, so my thanks to the kind crew in Latvia. And did you know Latvia and Tasmania are almost identical in size? Not sure that fact will prove useful to you, but who knows.

The Xenodrive joins the Echolocator and Nightverb in Erica Synths' desktop range. Older members include the DB-01, LXR-02 and AcidboxIII. The Zen delay eats at a different table because of its slightly different case size. Perhaps we can speculate on what's next? I'm thinking of a sampler-looper thing. Thoughts?

Back to the alien-green Xenodrive. But before we get there it's interesting that alien stuff is associated with the colour green. If you read fairy tales in their original form then you'll know green was always the colour of witches and other evil folk.

So the Xeno: Stereo dirt, drive, waveshaping, distortion and tube screaming. Dial in just a touch or destroy everything. Lots of knobs plus presets. It's a rare beast.

Aggressive effects can lead to aggressive knob twiddling spinning from zero to ten looking for the big changes. Sometimes it's true: the parameter might be linear from not much to lots. I find the Darkglass B3K works like that: There's not much true variation as you wind up the knobs, you simply get more. But that's not how many parameters work here. If you rotate wildly from 1 to 10 you'll miss all the flavors. That's especially true of the rotate parameter, the drive tone, and the X and Y waves. With all these you'll find variations with tiny movements.

Another parameter I really appreciated was the noise gate threshold - one of the few things that doesn't get a dedicated knob. Dirt and distortion pedals are notoriously noisy so a noise gate at the end of the chain can save you from lingering hiss. You can hear this in the first drum demo here. It begins with long tails and then I wind back the gate. Fun also to use it as a hard release rather than just a noise killer.

I tried to give a variety of scenarios in this demo. My unexpected favorite was how good it was at simulating the details of shortwave heterodyne noise.

0:00 Synth demo
2:45 Drum demo 1
7:48 Throbbing Gristle
9:30 Shortwave
11:55 Drum demo 2
15:26 Feedback drone
17:19 Cheese demo
19:00 Drum demo 3

Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Digitakt 2 × AstroLab 37 – A Workflow Sineway Didn’t Expect

video upload by Sineway

"A Digitakt 2 performance built entirely from samples of the AstroLab 37.

Every synth sound in this track started on the AstroLab, then took on a new shape once chopped, pitched, and rebuilt inside the Digitakt 2. The workflow surprised me – the DT2 clicked as soon as I stopped trying to treat it like a sample-based Digitone 2 and leaned into what it really wants to be instead.

More Digitakt 2 content is coming – and more AstroLab-based stuff too. If you want a breakdown of this sample-chopping workflow, let me know in the comments."

Using Stuff Wrong: Patching with Mimetic Digitwolis

video upload by Noise Engineering

0:14 Setting up steps
0:28 Sample and Hold
1:40 Clock Division and Generation
2:55 Random Pitch Generator

In this walkthrough, we’re “using stuff wrong” in the best way possible, taking Mimetic Digitwolis far beyond sequencing. Today we explore three creative patches that didn’t make the manual, but absolutely deserve a place in your rack.

You’ll learn how to turn MD2 into:
• A sample and hold, using external CV and triggers
• A clock divider or MIDI-to-analog clock converter
• A random pitch generator, inspired by classic Source of Uncertainty tricks

We’ll walk through setup, mappings, and patching step-by-step, with screen views and module closeups.

Whether you’re using MD2 as your main sequencer or as a multifunction utility, these techniques open up a new world of modulation, randomness, and timing tricks.

More MD2 resources:
• Generative sequencing
• Configuration & workflow
• MIDI integration
• Firmware updates
Check out all these Mimetic Digitwolis videos here:"

Fender Rhodes Chroma Polaris II SN 500336

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

Additional Tone Tweakers Listings

"This Polaris 2 was fully electronically restored and is now in like new perfect working condition. And yes, of course the membrane panel that always breaks has been replaced with a brand new one so you won't have to worry about replacing it. We don't mess around here.

sn50033x

Here's what we did to this unit to make it perfect, along with some preventative stuff other sellers rarely do...because we want this unit to hopefully outlast others.

Replaced power supply electrolytic capacitors (future-proofing)
Reflowed some solder points as a preventative measure.
Cleaned unit inside and out.
Replaced membrane panel (we consider this a necessity even in the rare cases where they're fully working, as they eventually break - panel cost is $250 + installation labor, which is of course embedded in our price)
Cleaned and lubed all slide pots and levers.
Cleaned jacks.
Cleaned key contacts.
Removed original battery and replaced with new lithium battery (3v D type)
Recalibrated.
Replaced high and low output jacks.
Replaced operating system eproms with latest version 11 (originally was version 5)

This process took 11 hours of highly skilled vintage synth tech time, plus parts costs. The result is a perfectly working instrument that's ready to play, without having to pay another tech to do what we did and to wait months to years for another tech to do it."

CLICK FOR MORE »

Bad Gear - This Time it's PERSONAL

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world’s most-hated audio tools. There is no shortage of synth manufacturers offering costly top-shelf instruments: PolyBrutes, UDOs, all the old stuff but new and even Roland started channeling their inner Teenage Engineering.

Today, however, we are going to talk about Nord Modular. This range of digital high-end modular synths was introduced in 1998 and not only is there no modern successor in sight, they also made it incredibly hard to use the originals properly. This time it’s personal!

Chapters:
00:00 Intro tune
00:56 Overview Nord Modular G1
01:12 The Nord Modular Range
01:17 The Concept, UI, Computer Integration
01:43 The Software Editor Situation
02:00 Freeware Editor ( Byte Order )
02:16 The Modules ( Oscillators, Drums, FM )
02:54 Generative Patches vs. Normal Synth Duties
03:04 Filters
03:40 Modulators
04:08 Using it as a Groovebox ( Clock Generator, Sequencers )
04:43 Effects (or lack thereof)
05:09 Features for Keyboardists
05:26 Even more weird Features
05:44 What else??? (Connectivity, Pricing,...)
06:10 H*te Screen
06:35 Jam 1 ( Techno Groovebox Patch )
07:29 Jam 2 ( Many, Many Patches Jam )
08:34 Finale ( 90s Psytrance )
08:46 VERDICT"

Bad Gear - NO ONE understands this! & It's UGLY

video upload by AudioPilz

"Today, however, we are going to talk about K2000. This range of Synth/ROMpler/Sampler hybrids was originally brought to the market in 1991 by Ray Kurzweil, a completely overpowered mega brain who went from being Stevie Wonder ’s custom shop to looking forward to merging with AI by 2045. No one understands this.


Chapters:
00:00 Intro tune
01:04 Overview Kurzweil K-2000
01:19 Different Models, Sampling
01:41 What the Actual...?!? (The Samples)
02:17 Keygroups
02:31 Layers, Algorithms, Synth Architecture
02:59 Sync, FM, Complex Signal Chains
03:13 Filters
03:23 Modulators, FUN, Midi Control
03:48 Problems with the Aging Hardware
03:56 Programs, Presets (No, we're still not finished)
04:31 FX Section
04:48 Patches
05:08 What else? (Outputs, Sequencer, Thanks, Pricing)
05:48 H*te Screen
06:12 Jam 1 ( Techno Preset Surfing )
07:13 Jam 2 ( Tracker Drum'n'Bass )
08:13 Finale ( 90s Adventure Game OST )
08:46 VERDICT"

Bad Gear - It's UGLY!!!

video upload by AudioPilz

Chapters:
00:00 Intro tune
00:26 Overview Akai MPC Live III
00:37 The new fancy Pads
01:17 The Catch, Articulations
01:38 Built-in Mic, Speakers
01:45 Step Sequencer
02:22 Tech Specs
02:34 Arrangement, Clip Matrix
03:01 Ribbon Controller, Q-Link Knobs, Touch Screen
03:37 Instruments (Drums, Keygroups, Plugins,...)
04:11 More DAW-like Stuff, Time Stretch, Mixer
04:43 Pro Pack, Compatibility to other MPCs, Stems
05:07 What else? (Content, Hardware, Pricing, Thanks)
06:12 H*te Screen
06:40 Jam 1 ( EDM )
07:36 Jam 2 (Epic Lo-fi Type Beat )
08:42 Finale ( 90s FPS Style DnB )
09:14 VERDICT

And the Halloween episode:

CLICK FOR MORE »

100 Oberheim Expander/Matrix12 single FX patches by Arthur Springer

video upload by Really Nice Audio

"So whilst on soak test I came across this crazy bank:
Notes from the .txt
ART SPRINGER STRIKES AGAIN (free)
Reviewed by Mike Metlay

All right, gang, I know what you're expecting in this space, so I'll oblige you and get it over with. Ready? Here goes: "WAHOOLAZUMA! Everybody's favorite twisted puppy is back from the audio torture chamber, and he's brewed up the most brain-slashing package of monstrous elektronoyze EVER! This stuff's great for warping your brain patterns, killing your cat, etc..."

Okay. Happy now? Good, now let's get serious. I heard from Art recently that he didn't get a terribly good response to his first mailing, and that few, if any, XUG members looked him up for his second set of patches

He seemed in a pretty good humor about it, but I couldn't help wondering if my presentation of his patch set didn't scare a lot of people away just by the wording. So, with a new patch set from Art (more diverse than the first two) in hand, I'd like to try again.

One of the most unhealthy trends I see in today's patch-editing software is the patch randomizer, that cute but overused utility that generates random patches at the click of a mouse. Literally thousands of these random patches are being sold by unscrupulous hackers as "original sounds," and a whole new generation of MIDI morons is springing up (pardon the pun) whose idea of "good programming chops" is the ability to tweak a randomly generated sound into something that (almost) works. No program of this type exists yet for the xpander, and I'm glad of it: the lack of computer-generated garbage on the market forces the user community to seek one another for new ideas, rather than some electronic I Ching. We come together in this Group to share ideas and learn from one another and I believe that studying another human being's work beats watching a computer coughing up random numbers. Which brings us to the music of Art Springer.

In my opinion, these patches are important. VERY important. I get so enthused about Art's work because I see in him a reflection of my college days, when I puttered about with ARP and Buchla modular monsters creating sounds for the sheer joy of it, putting together tonalities never before heard on Earth rather than trying to make a realistic shakuhachi. This was, and often still is, the meat and potatoes of electronic music to me. And when I hear Art telling me that people- Xpander users!-are returning his work because it's "too weird," I know something's wrong. The Xpander isn't a sampler or a digital piano. It's not an imitative instrument by nature. It's a powerful, multiply interfaceable modular synthesizer with a great deal of flexibility. Art Springer takes a stance on its use that no other Group member has had the courage to try: using its Power as a CV percussion device to enhance the sounds of his more traditionally oriented synths. (By the way, Lionel and I are big fans of his music ... it's not as inaccessible as you might think, and the odd tonalities make his dance pieces a lot of fun.) This is a new idea to a lot of you, and I don't blame you for being frightened. But it's better to learn from someone whose ideas differ from yours than to convince a computer to feed you something safe. I'd like to suggest something simple to start with: get one of Art's sound sets, trigger your Xpander with your drumbox, and try writing music with these sounds as part of the atmosphere rather than conventional drum noises. Or do something completely different. The important thing is to try to expand (hm) your horizons to something new. These sounds of Art's do take getting used to, but I think you'll learn a lot from them. Trust me."

Can We Fix This 1970s JEN SX1000? | Vintage Synth Rescue!

video upload by THIS MUSEUM IS (NOT) OBSOLETE

"Restoring the museum's JEN SX1000 back to life.
--------
Acid Solder Club Workshop Tickets
https://www.eventbrite.com/e/acid-sol...
--------
Support the Museum and see more videos and stuff Patreon / lookmumnocomputer"

ARP Foundation's Soul of the Machine CD & Download Update

If you haven't picked up a copy of the release, now might be a good time.

via the Alan R Pearlman Foundation:

Soul of the Machine is a Roaring Success!!!

We have officially sold half of our limited edition CD; we are also going to end our introductory 'Name Your Price' for downloads on BandCamp soon, so don't hesitate to purchase today!

Praise from BandCamp (Alan R Pearlman Foundation and Projekt Records )

"A tribute to the creator of my favorite music instruments. I Like the sound of the ARPs in classical electronic albums. Great record with many great contributions!"

"No favourite track, just indulging in the sonic wash of this amazing album. Just wonderful."

"...what an AMAZING collection!! ..."

"A ritual offering—ARP as oracle, muse, and monument. The machine has a soul. And here, it sings."

"It's hard to pick a favorite track off of this compilation... Lots of groovy music by a lot of artists.I had never heard of, but there are a few artists.I am familiar with. this is pretty groovy stuff... " "Awesome tribute and collection. Mr. Roach has somehow found time to be an archivist. would love a second volume. get this as both sampler and tribute..." Purchase from BandCamp

CLICK FOR MORE »

1010music Bento Meet Vintage Synthesizer Studio

video upload by RetroSound

"(c)2007-25 by RetroSound
supported by UVI: http://bit.ly/retrosound-uvi

A journey into integrating the 1010music bento into a vintage synthesizer studio is embarked upon. The seamless blending of modern sampling and sequencing capabilities with classic analog warmth is explored.

After familiarising myself with my new toy from 1010music last week, the next step was to integrate it into my existing setup in a meaningful way. Bento takes over the work of the drummachine (LM1 samples), the control and recording of the Juno-106 and Casio CZ-101. I deliberately chose not to use a PC, I let Bento do the most things. Even the processing and effects.

Interested?
❤️ I have the 1010music bento in my Thomann shop: https://thmn.to/thocf/h9izhzc4wh

Demo Tracks by RetroSound:
0:06 bento and Roland Juno-106
2:12 bento and Casio CZ-101
4:55 bento and Roland Juno-106
7:45 bento and Roland Juno-106

RetroSound synthesizer demo videos since january 2007.
Everything is free. If you like my work, you can also support me with the purchase of my merchandise stuff or my music. Shop: https://retrosound.creator-spring.com/
Bandcamp: https://retrosound.bandcamp.com/"

Drummertime and Brainstep Jam 1

video upload by Tubbutec

"Little Jam using our new Drummertime 1U drum sequencer
https://tubbutec.de/drummertime/
This is the 1U,60HP + 3U,4HP version of Drummertime. Created to fit in smaller cases, like this 62HP Palette case.

Our Brainstep 4-track sequencer and modulation generator taking care of melodic stuff
https://tubbutec.de/brainstep/"

Buran - psydoom techno ritual - Push 3 & Modular

video uploads by Abre Ojos

Two videos, two tracks. Walk-through videos below.

73bpm - Titles take us places
73bpm - Lost in the sandpit

Audio:
Ableton Push 3 Standalone
Eurorack Modular:
‪@ExpertSleepersLtd‬ ES-10
Forge TME VHIKK-X
‪@knobula_synths‬ Kickain
‪@Endorphines‬ Ghost
‪@EricaSynths‬ Perkons Voice
‪@DivKid‬ DivSkip
⁨‪@intellijel‬ Multigrain
ALM Pamelas New Workout
‪@afterlateraudio‬ Atom (MI Elements) & Knit (MI Plaits)
‪@NoiseEngineering‬ Terci Ruina
‪@GamechangerAudio‬ Plasmavoice

Video:
Live visuals using Body of the Prey (1967) from Archive.org
Video microscope
Sony ZV1
Roland V1-HD
‪@entropyandsons‬ Recursion Studio
Resolume Avenue
Recorded with Rodecaster Video

Dark ambient audiovisual stuff: https://abreojos.net Buran - Ableton Push 3 standalone & Eurorack Modular live set up walk thru


Two videos:

1. Buran - Ableton Push 3 standalone & Eurorack Modular live set up walk thru

First gig in a while so I've been thinking about what set up to use and here it is. Come for a wander down the hardware road to see how I am putting this all together, making the modular and Push 3 be friends, module choice, and the why of the set up.

00:00 Intro jam
01:25 Intro ramble & the why
05:28 The Push set up
29:40 The modular overview
31:13 1U MIDI + system clock
35:45 Expert Sleepers ES-10
42:34 Kickain & Perkons Voice
47:33 Kint (Plaits) & Atom (Elements)
53:27 VHIKK-X
58:22 Plasmavoice
1:05:41 Dust of Time
1:13:24 Multigrain

2. Buran - Live visuals video hardware set up walk thru

First gig in a while so I've been thinking about what set up to use and here it is. Come for a wander down the hardware road to see how I am putting this all together. This is the video side of things and the why of the set up.

00:00 Intro ramblings
03:31 Rodecaster Video
06:32 iPad, Sony ZV1, Video Microscope
16:55 Video capture cards
19:28 Recursion Studio & V1-HD
23:55 Nanocontrol MIDI
28:12 Resolume Avenue

Heavy Techno Rumble Kick from Scratch with Modular Synths (BINOME MKIII + FAILLE TEMPORELLE)

video upload by SOVAGE ENGINEERING

"Another RAW video! No edits, no post-processing, just me cooking some stuff LIVE for you so you can follow along with all the good moments and the oopsy ones too!

I’m using the BINOME DRUM SYSTAMA again, but this time we’re exploring the classic techno rumble kick, the HEAAVYYY SOVAGE way, of course!

Ingredients:
• 1x BINOME
• 1x FAILLE TEMPORELLE
• 1x FONTE (you can use any mult and inverter)
• 1x MELEE (you can use any mono mixer, but you’ll miss the extra grit)

And we jump straight into an unavoidable freestyle jam right after the setup.
Enjoy the video and feel free to copy the recipe to your own taste. Looking forward to hearing your results!

The full rig here : https://modulargrid.net/e/racks/view/2394966
All the modules : https://www.sovageengineering.com/
Instagram: / sovageengineering

00:00 SETUP
04:05 SYNCISH DELAY
04:55 SIDECHAIN
05:52 MORE GRITZ WITH MELEE AND FONTE
07:07 TWEAKING
07:32 LFO IN FILTER
08:55 DIZ IZ IT! WE READY!
09:27 FREESTYLE - JAM
14:52 PLOT TWIST!
18:55 EXTRA FREESTYLE
22:26 ADDING MODULATIONNNN !"

Maplin 5600S weird, wonderful, as seen

Note: links to listings are affiliate links for which the site may be compensated.

via this Vemia listing

Click the auction link on top when you get there for additional listings.

CLICK FOR MORE »

Roland System 700

Note: links to listings are affiliate links for which the site may be compensated.


via this Vemia listing

Click the auction link on top when you get there for additional listings.

"This is a unique opportunity to buy a monster synth, that is also a piece of synth pop history. Two cabinets plus the original keyboard, all lids, interconnection cables and original manual included. The first cabinet is a Roland System-700 Lab is one of the rarest and most sought-after modular synthesizers ever built. Introduced in 1976 as part of Roland’s legendary System-700 series, the Lab version was designed as a compact, self-contained modular laboratory for advanced sound design, research, and education — but with the same discrete analog circuitry, massive sound, and build quality as the full studio system.

This one was owned by Bill Vorn, keyboardist of the synth-pop band Rational Youth, used in the following albums dated 1981 to 1983 : Rational Youth, Saturdays in Silesia, City of Night and I want to see the light, as reported in the certification signed by Bill Vorn himself, provided in the item. The second one is another original SYS 700 one, connected and internally cabled to the main one by means of the original cable, with the super rare modules that you see in the picture: an additional, multimode filter, the great output module and… a professionally custom module with a perfect ARP 2600 VCF clone… plus other stuff.

All the best Sys 700 modules, featuring the iconic vintage Roland tone — warm and incredibly dynamic — and offers an extraordinary range of sonic possibilities thanks to its flexible patch architecture. Perfect for collectors, professional studios, or synth enthusiasts looking for a centerpiece instrument with historical and musical significance. The system sports a comprehensive modular architecture with 3 oscillators, 2 filters, 2 VCAs, 6 envelopes (!), mixer, phaser, spring reverb (HUGE) and …utilities.

Legendary System-700 sound — powerful basses, evolving textures, experimental tones. What to say more? Fully functional and in very good cosmetic condition with minor signs of use. You will never find another in such condition. Last call…"

CLICK FOR MORE »

EMS Synthi 100

Note: links to listings are affiliate links for which the site may be compensated.


via this Vemia listing

Click the auction link on top when you get there for additional listings.

"This is my EMS 100, serial number 007, clearly licensed to thrill. Arguably, one of the most iconic if not the most iconic modular synth ever built. This is the unit formerly owned by TC media composer Bruno Spoeri. It came to me in a very good state and I enjoyed it for a long time.
I have owned several VCS3s and AKS over the years as well and I would describe the EMS 100 as sounding substantially more organic. It can of course do all the weird and wonderful stuff an EMS synth is known for and take this to extremes. But it also excels at playing it melodically (yes it can do that) which is much helped by the dual manual keyboard which is velocity sensitive (!) and very expressive.

I want the buyer of this wonderful item to be as happy with it as I was. The EMS is therefore currently being refurbished by a world leading specialist with huge experience in servicing and building modular synths and commercial studios all over the world. State of refurbishment The EMS has undergone a complete overhaul. The refurbishment also includes the woodwork and the dual keyboard.

As reported by my tech, the sound generation and the keyboards are fully functional. We haven't managed to fix the sequencer in time for the auction. We also need to fix one of the two spring reverbs. If these two issues haven't been fixed before the auction end I will contribute 5k Euro to the repair as a lump sum reduction of the purchase price. It will be in the buyer's discretion to decide on the further course of action.

Shipping: The EMS 100 main unit is a substantial item. It is currently sitting at my tech's premises. It can be delivered by him with a lorry to most parts of central Europe (within reason). This is to be arranged between the buyer and my tech and will have to be compensated on terms agreed between the buyer and my tech. My tech will also be happy to help setting it up after the journey.

If overseas shipping is required, the EMS main unit can be divided into two parts, the lower pedestal and the console (i.e. the synth itself) which is sitting on the pedestal. Along with the dual manual keyboard this will result in three parts for the shipping. It is no problem to build a crate. This will be have to be arranged by the buyer with my tech.

Important: All shipping arrangements must be made by the buyer with my tech. The ownership of the EMS will pass to the buyer upon receipt of the auction price while the EMS is still sitting at my tech's place. It will be shipped directly from him at the buyers instruction, arrangements and risk. My tech is of course happy to assist with shipping and he has experience with shipping. He has shipped large format consoles over the Atlantic, so he knows what he is doing. As always, the buyer is of course responsible for all import duties and taxes as normal. (Within the EU that is zero!)

Bidding: I kindly ask bidders to only bid with serious intent. Please do not bid if you cannot follow up on your bid. Please keep in mind that the bid constitutes a binding contract and not following up can cause substantial damage to me and/or other bidders. I trust that you understand.

VEMIA note: on reflection, given the pretty remarkable condition of most of the Synthi, we think 'very good' is a more accurate cosmetic score. Please look at the photos to decide for yourself."

Listed for 159950 EUR / 139304 GBP

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ARP QUADRA 🎹

video upload by RetroSound

"(c)2007-25 by RetroSound
supported by UVI: http://bit.ly/retrosound-uvi

ARP QUADRA 🎹

RetroSound synthesizer demo videos since january 2007.
Everything is free. If you like my work, you can also support me with the purchase of my merchandise stuff or my music. Shop: https://retrosound.creator-spring.com/
Bandcamp: https://retrosound.bandcamp.com/album/zeitreise-album"