Designing a Module - Prototype itteration with Instruō

video upload by Instruō

"In 2015/16 Instruō began as a video project. Specifically a time-lapse of me designing the original troika module.
Ten years later, I’ve returned to that idea with ceithir, a winter holiday project I designed with video documentation in mind.

Before the first full sized (58HP quad) ceithir hardware prototype, I focussed on a single filter channel version. This video covers the second prototype iteration of this single channel version. It was a pretty significant revision from the first one, but paved the way for the quad design.
The filter core board was designed with this design, which remained almost fully unchanged in its final form (I changed one resistor value).

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Soundfreak Modular Meet up Berlin 2026 w/ ‪@MADZINE‬ ‪@alinakalancea‬ ‪@156kkj‬

video upload by jin-ng_tw

0:00 Commentary and demonstration by MAD @MADZINE
21:07 Demonstration by founder Alina Kalancea @alinakalancea
22:59 Another participating artist creates dance-style music using Soundfreak Modular

"Soundfreak Modular 是一家義大利的模組合成器品牌，專門把經典的 EMS VCS3 合成器移植到 Buchla 4U 格式，此品牌獲 EMS 官方授權。 今年2026的Soundfreak Modular在柏林的Superbooth合成器展會期間辦了一個會外的邀請制聚會，也感謝品牌代言人MAD老師與芳瑜讓我可以參加這次的邀請制聚會，並熱情的講解Soundfreak的合成器，受益良多。

影片的末端有品牌主理人Alina Kalancea與另一位與會的藝術家也進行示範。

真的非常榮幸可以到Soundfreak Modular的聚會，感受4U EMS Style的魅力與位於柏林市區天台風景。

-
Soundfreak Modular is an Italian modular synthesizer brand dedicated to bringing the classic EMS VCS3 synthesizer into the Buchla 4U format, officially licensed by EMS.
During Superbooth 2026 in Berlin, Soundfreak Modular hosted an invite-only side event. Huge thanks to brand ambassadors MAD and Fang-Yu for making it possible for me to attend, and for so enthusiastically walking me through Soundfreak's synthesizers. I learned so much.

At the end of the video, founder Alina Kalancea and another artist in attendance also give live demos.

It was a true honor to be at the Soundfreak Modular gathering, soaking in the charm of 4U EMS-style synthesis along with the rooftop views over central Berlin.

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AnalogFX Announces Availability of Limited-Run LARYNX

AnalogFX's LARYNX has arrived. You might remember the announcment post, and SUPERBOOTH demos here, and here. You can find additional AnalogFX posts here. And of course AnalogFX's official website here.

Press release follows:

AnalogFX announces availability of limited-run LARYNX, an expressive analogue formant synthesizer inspired by the seldom-seen Synton Syrinx

DEVENTER, THE NETHERLANDS: AnalogFX, a Dutch synthesizer manufacturer dedicated to creating expressive electronic instruments for musicians, producers, sound designers, and synthesizer enthusiasts, is pleased to announce availability of LARYNX — proudly presented as a performance-focused analogue synthesizer that combines the vocal character of classic formant synthesis with modern expressive control, Eurorack integration, hands-on playability, and an affectionate analogue nod towards a rare, highly-coveted 1982-vintage monophonic synthesizer built by fellow (defunct) Dutch company Synton — with its first production run limited to 50 units, as of October 1…

By being built upon the proven architecture of AnalogFX’s acclaimed SER-2020, its compact desktop synthesizer inspired by the rare Synton Syrinx, LARYNX evolves that concept into a performance-focused keyboard instrument. Thanks to its premium 37-key aftertouch keyboard, extensive real-time modulation capabilities, and unique triple-filter formant architecture, LARYNX duly delivers an organic and highly-expressive playing experience.

Ultimately — unlike many modern synthesizers that rely on presets and menu-driven workflows, LARYNX puts sound shaping directly under a musician’s fingertips. From subtle pressure-sensitive modulation to aggressive vocal-like filter sweeps, every aspect of the instrument in question has been designed to create a direct connection between performer and sound.

Beating beautifully at the heart of LARYNX’s performance-focused sound are two CEM3340-based voltage-controlled oscillators — VCO 1 and VCO 2; a sub oscillator — SUB 1; a ring modulator — RM; a NOISE generator; and a unique triple CEM3350-based filter architecture — PEAK 1, PEAK 2, and LPF (Low Pass Filter). All combine to enable a wide sonic range — from deep analogue basses and cutting leads to evolving textures and speech-like timbres rarely found in traditional subtractive synthesizers.

Above and beyond that, this latest evolution of the SER-2020 platform introduces Formant MODE, making 16 preprogrammed human voice formants immediately available. As such, musicians can quickly create vocal-inspired sounds, animated basses, and expressive textures — and all without requiring complex programming. It is appropriate to note here that LARYNX also features a digital five-voice oscillator Chord MODE, although analogue monophonic and duophonic operation is always possible.

Placing expression at the core of its design, LARYNX’s 37-key velocity-sensitive keyboard with channel aftertouch is paired with AnalogFX’s Touch’n’Bend controller, allowing performers to shape sound naturally. Needless to say, LARYNX has additional performance features up its sleeve, so to speak, including extensive realtime modulation throughout its VCO, VCF, and VCA architecture; MPE (MIDI Polyphonic Expression) support; a built-in arpeggiator (ARP); a 16-step pattern sequencer (SEQ) — designed for both studio and live use, permitting performers to store patterns and instantly recall variations during a performance; 16 pattern memories; eight scenes, with 16 slots each; and stereo delay effect — DELAY L and DELAY R.

Ready for the modular world, LARYNX is designed to seamlessly integrate into modern electronic music setups with multiple front panel-positioned CV (control voltage) inputs and outputs providing extensive Eurorack connectivity, while flexible routing options allow the synthesizer to function both as a powerful standalone instrument and an expressive modular voice. Arriving at the rear panel, further connectivity conveniently comprises MIDI IN/OUT — standard MIDI DIN-5; USB MIDI — standard USB type B; EXPRESSION/SUSTAIN/HOLD pedal input; stereo line OUTPUT; and HEADPHONE output.

On the face of it, then, LARYNX lives up to its Inspired by a Rare Voice and A voice you can play tag lines with the greatest of ease. Enter AnalogFX Founder and Lead Developer Marc Stroobach, someone suitably qualified to end promotional proceedings on a high note: “With LARYNX, we wanted to create an instrument that feels alive under your hands. It’s inspired by some of the most expressive synthesizers ever made, but designed for today’s musicians who want immediate control, deep sound shaping, and a genuine connection between performance and sound. Every AnalogFX instrument starts from a passion for music and a belief that synthesizers should inspire creativity, not get in the way of it.”

Being built in limited batches in The Netherlands, the first production run of LARYNX — limited to 50 units — is now available for purchase directly from AnalogFX’s online Shop (https://www.analogfx.com/shop/) and select specialist retailers worldwide (https://www.analogfx.com/about/where-to-buy/) at a SRP (Suggested Retail Price) of €1,249.00 EUR (inc. 19% VAT).

For more in-depth information, please visit the dedicated LARYNX webpage here: https://www.analogfx.com/products/larynx/

Miltone 4EXP - A Four Voice Clone

video upload by Alex Ball

"The Miltone 4EXP turned a lot of heads at Superbooth back in May and I was interested to cover it my channel, so they kindly let me borrow two of the prototypes to test them out.

The 4EXP is a component level clone of the legendary Oberheim Four Voice (FVS-1) done to a very high standard (and price) as either a stand alone synthesizer or as an expander to turn an original Four Voice into an Eight Voice.

Miltone are doing an initial batch of 50 of them, built to order. Their website is here: https://miltone.fr/

0:00 Intro Jam
1:13 What is the 4EXP?
2:42 Demo 1: Quatre Voix
3:58 A look at the electronics
4:29 Midi / CV & Gate Setup
5:55 Demo 2: Huit Voix
6:49 Splits
7:26 Demo 3: Deux Plus Deux Plus Deux
8:44 Comparison to an original Oberheim
9:04 The Riff Off
10:29 My Thoughts on the 4EXP
13:01 Patron Outro Jam"

See the Miltone label below for additional posts.

Side note: only KORG PS3200 on Google Maps?

Tiptop Audio Buchla 277t Overview Demo

video upload by Todd Barton

"What a great addition to the Tiptop Audio/Buchla 200t family. Here’s a simple overview, introduction and some patches to get you started.
Also check out Stazma’s in depth video here:"

Explaining and testing the 277t by Tiptop Audio & Buchla

video upload by Stazma and Tiptop Audio

"Today we welcome the 277t in the 200t line. This is the "Signal Delay Unit", a module that was never finished by Don Buchla but was cloned many times due to it's awesome interface and minimal but interesting feautre set.

It is a really a 'naked' delay module as it everyhting from mixing the dry and wet to feedback has to be patched manualy, opening up a lot of creative decisions and happy accidents."

Also see TipTop Audio Shows the Prototype 277t | Superbooth 2026

The Sounds We Forget To Hear

video upload by Starsky Carr

"The joy of sound, before it becomes music. A wind chime looping in the woods at Superbooth, La Monte Young's Composition 1960 No. 7 in a Liverpool theatre, and one thick, warm tone from the AJH Synth RadioPhonic that I couldn't stop playing.. 🎧 Put this on headphones or big speakers - the bass is lovely.

Why do we remember a melody but not a sound? Why is Superstition not Superstition without the clav, or In the Air Tonight without those drums? And when did we stop just listening?

Which single sound gives YOU a physical reaction? Tell me in the comments - I read every one, and I'm collecting favourites.

🎛 GEAR IN THIS VIDEO
AJH Synth RadioPhonic: https://ajhsynth.com/
AJH Synth MiniMod (mentioned)
Ian Boddy helped design the Chance Delay on the RadioPhonic

🔗 MORE FROM ME
Presets, sample packs and Decent Sampler libraries: https://starskycarr.com"

ODD-1 From Oddment Audio - Knobcon 2026

video upload by sonicstate

"We spoke to John Woodruff from Oddment Audio who showed us the Odd-1 synthesizer and its live-effect workflow. Since our previous coverage at Superbooth, the second batch is in now production and units are shipping.

Odd1 works as a multi-timbral synth, live effect, or looping instrument. It holds eight stereo samples of up to 60 seconds, with a grain engine arranged like a small modular rack. Two layers are available, and each layer contains four samples, four playheads, LFOs, and related modulation.

It can process a live input and re-pitch in real-time from the keyboard. The instrument is eight-voice polyphonic, syncs to tempo, and includes an arpeggiator. The Time Path envelope controls playback speed, so note releases can freeze the grain position. Small grain sizes create pitched, wavetable-like results. One layer can also feed and record into the other.

Odd1 costs $999. The Odd One V plug-in uses the same processing, supports Audio Unit and VST, shares patches with the hardware, and is free with Odd1. The beta plug-in price is $149.
More Info: https://oddment-audio.com"

BlackBox 2 1010music - Knobcon 2026

video upload by sonicstate

"Steve from 1010music gave us a look at BlackBox 2, the successor to the original BlackBox. We first saw it at Superbooth ealrlier this year, when it had just been released.
To recap, BlackBox 2 features four tracks, with one-shot tracks supporting 16 one-shots and loop tracks following the same structure. It includes the new Shredder track, which combines slicing with elements of the granular engine, so a sample can be granulated, sliced, chopped, and played by slice.

The rear panel includes stereo input, three stereo outputs, headphone output, USB-C for power, charging, computer audio and MIDI, a controller input, and a software-configurable clock input/output. Song mode arranges sequences into scenes, then scenes into a full arrangement, with song export at the end.

You also get slice editing, grid slicing, transient scanning, and tap-to-play auditioning. BlackBox 2 costs $649 and is available now worldwide through dealers."

Drifting away and blissing out with Spotykach

video upload by Oscillator Sink

"This year at Superbooth, one of the tents that I returned to multiple times was the Synthux Academy tent, mostly to snatch another few minutes with, what is arguably their current flagship product: Spotykach.

Spotykach is one of those wonderful bits of gear that sits in the intersection of effect and instrument, and its focus is around exploring looping in all its forms - emulating tape techniques as well as various eras of digital looping and sampling. It feels to me like a companion to the music making process. It’s surprising without being unpredictable, new ideas are readily born out of whatever input you provide - a perpetual stream of happy accidents.

It can also be approached in many different ways, but in this video as we explore its features, I’m going to focus on one particular way of using it - a more open, unsynchronized, exploratory approach, which is how I’ve been enjoying using it, but it also can be very rhythmic, controlled too - it has a full MIDI implementation and a lot of features around clock synchronization - but I am who I am and I am feeling a little ambient."

Miltone 4EXP

video upload by Alex Ball

Also see: Miltone 4EXP | An accurate re-creation of the Oberheim Four Voice! #superbooth

Frap Tools Magnolia: From Eurorack to a Polyphonic Analog Synth

video upload by Music Journey with Paul

"At Superbooth 2026 I talked with Gattobus, who was involved in the development of Magnolia, about the idea behind this unusual instrument and what makes it different from a traditional analog polysynth.

Magnolia combines elements of classic analog synthesizers with ideas coming from the modular and West Coast synthesis worlds - including complex oscillators, wavefolding and through-zero FM.

We also talk about its fully analog VCOs, discrete circuits designed by Frap Tools, polyphonic aftertouch keyboard, its distinctly Italian design and why, despite its experimental architecture, Gattobus considers it an extremely playable and musical instrument."

Chapters
00:00 What is Frap Tools Magnolia?
00:35 Demo #1
01:08 Inside Magnolia: discrete analog circuits
02:02 Polyphonic aftertouch and the Fatar keyboard
02:23 Italian design - like a Lamborghini?
02:39 West Coast synthesis, wavefolding and through-zero FM
03:25 Demo #2
04:39 Gattobus' role in developing Magnolia 05:10 The story behind Frap Tools
05:45 Demo #3

Schmidt Synthersisers Interview Superbooth 26.

video upload by Take the Fear out the Gear

"Hi everybody this time we bring you the Schmidt Synthersisers Interview Superbooth 26 with Axel who also gives us some new product news.

Schmidt Synth Specs
eight-voice polyphonic, true analog synthesizer with digital control and preset memories
discrete sound generation circuitry (no integrated oscillator / filter circuits on one single chip)

You want Schmidt to sound like an entire orchestra? Have a go at Schmidt's eight-part multimode. Simply select the desired preset sound, voice allocation, keyboard mapping, MIDI channel, controller-assignment, tuning, volume, panning, and output routing for each multimode part in an easy-to-survey LCD screen. Enjoy sounds as complex and dynamic as you never would have expected from one single instrument.

separate audio outputs for each voice, plus summing outputs and headphone out
1,028 single sound presets
256 multi sound presets
61 keys, semi-weighted, with velocity and aftertouch

sophisticated glide/portamento capabilities
several realtime modifiers fully programmable per preset (modwheel, stick controller, keyboard-aftertouch, four foot switches, four expression pedals)
complete MIDI implementation, MIDI via USB port and DIN sockets
all sound programming functions with dedicated frontpanel controls and switches
precise information on parameter names and current values via large LC-display
multi-color LEDs
control panel with adjustable angle
internal universal power supply
flightcase included"

Polyvera Synth - Born from a Love of '80s Sounds | Superbooth 2026

video upload by Music Journey with Paul

"At Superbooth 2026, I talked with Stefano from SuonoBuono about Polyvera - a synthesizer that took around four years to develop and was born from a simple idea: building the instrument he couldn't find on the market.

Chapters
00:00 Intro
00:14 Suono Buono = Sounds Good
00:47 How long did it take you to produce the Polyvera synth?
02:02 Who is Polyvera for and what gap does it try to fill on the market?
03:09 What makes Polyvera stand out?
03:51 Stefano’s role in the company
04:05 Where is it produced?
04:23 The plans for the future
04:48 Recent new features

Polyvera combines the character of early digital instruments - samples, wavetables, aliasing and that unmistakable '80s digital texture - with analog filters designed to have real personality.

We talk about the story behind SuonoBuono, Stefano's inspirations from PPG and early Akai, and Roland samplers, why he deliberately didn't follow current synth market trends, and what makes Polyvera different.

Stefano also talks about the latest developments, including a new hybrid analog/digital wavefolder, new sounds and modulation possibilities that can create some seriously strange recursive feedback.

Designed and produced in Stockholm, Sweden.

Filmed at Superbooth 2026.

#Superbooth2026 #Polyvera #SuonoBuono #Synthesizer #Synth"

Supercritical Synthesizers Interview Superbooth 2026

video upload by Take the Fear out the Gear

"Hi everybody this time we bring you the Supercritical Synthesizers Interview Superbooth 2026

Redshift 6 is a true sonic powerhouse. With 16 analog oscillators per voice and a 4-pole analog multimode filter featuring drive and character controls, it effortlessly delivers everything from super saw stabs to lush pads and from unison basses to vintage poly synth sounds. The Redshift 6’s 4 envelopes and 4 LFOs, combined with complex yet easy-to-assign modulation possibilities and the 32-slot mod matrix, offer endless possibilities for sound design.

Each of the Redshift 6’s six voices features a Demon Core Oscillator, capable of generating up to 16 simultaneous analog oscillators per voice. These oscillators can be assigned in various ways, from lush polyphonic textures to a massive 96-oscillator unison.

To take full advantage of the 96 oscillators almost endless sonic possibilities, the Demon Core Oscillator has various Engines, giving users a range of powerful options to choose from. Whether it’s traditional twin oscillators, supersaw engines, flanging phase sync, or transistor organ modes, each Engine is designed to be intuitive, highly controllable, and fully modulatable.

The filter core is an analog 4-pole state variable filter that is digitally controlled to act like almost any classic vintage synthesizer filter and more. In addition to the oscillators and filters, Redshift 6 has all the features expected of a modern synth – plenty of modulators, flexible voice routing, multitimbrality, MPE, and DSP effects."

Politek University Turin Interview Superbooth 2026

video upload by Take the Fear out the Gear

"Hi everybody this time we bring you the Politek University Turin Interview Superbooth 2026"

This appears to be the first post to feture Politek University Turin.

Venus Instruments presents VENO-ORBIT at Superbooth 2026

video upload by Milk Audio Store

"The Veno-Orbit is a dual channel, polyphonic, experimental sampler designed for live recording and manipulation of audio and CV. With an immediate user interface with no menus, 1 knob per function, and intuitive LED feedback, the module is both quick and flexible, allowing for maximum creativity."

You can find additional VENO-ORBIT posts here.

Janko Isomorphic keyboards Interview Superbooth 2026

video upload by Take the Fear out the Gear

"Hi everybody this time we bring you the Janko Isomorphic keyboards Interview Superbooth 2026"

Melbourne Instruments Interview Superbooth 2026

video upload by Take the Fear out the Gear

"Hi everybody this time we bring you the Melbourne Instruments Interview Superbooth 2026"

https://www.melbourneinstruments.com/

Dina Pearlman Interview at Superbooth 2026

video upload by Antonus

https://alanrpearlmanfoundation.org/

"As many of you know, at Superbooth 2026 we had the incredible opportunity to meet Dina Pearlman—daughter of Alan R. Pearlman and founder of the ARP Foundation.

We took this special occasion to ask her a few questions about ARP, the foundation, and the legacy of these legendary instruments. Dina is an amazing human being and was so warm and welcoming to us. We hope you enjoy this interview as much as we did!

Notes:
Audio note: Please excuse the background noise inside the tent!
Image note: The photo shown at 2:35 is for representative purposes only and does not depict the actual board of the foundation."

SUPERBOOTH 27 Set for May 6 - 8, 2027 at FEZ Berlin

Press release follows:

Berlin, the 21st of July 2026

The SUPERBOOTH BERLIN — the world’s biggest trade fair and festival for electronic musical instruments — is excited to announce the date for next year’s SUPERBOOTH27 along with a look back at this year’s SB26, featuring this year’s visitor numbers and more.

SUPERBOOTH27 DATE
The SB27 will be happening from the 6th to the 8th of May 2027 at the FEZ Berlin.

More information about the start of ticket pre-order sales and other details related to next year’s SuperBooth will follow later in the year.

SB26: NUMBERS & STATS

The SUPERBOOTH saw a total of 9600 visitors (excluding staff and exhibitors) at the FEZ across all three days of the event.

The total number of brands and manufacturers exhibiting their newest developments was 320, with those exhibitors coming from 35 different countries across the globe.

The SB26’s stages featured performances from over 50 international artists, with an outstanding closing b2b performance from Tunegirl and Colin Benders.

Covering the event were over 230 members of the press, including dozens of well-known YouTubers and content creators.

SB26: HIGHLIGHTS & ADDITIONS
Overall, the SB26 was another successful edition of the SuperBooth, with all involved parties coming together to channel the event’s unique mix of tradeshow passion and relaxed festival vibes across the exhibition areas, concerts and sold-out workshops.

A very positively received new addition this year were two headphone-only areas in half of area W and two tents in outside area Z.

The new FLINTA* area for female, non-binary, transgender and gender-diverse people was received very well by those attending it.

There was a new talks stage in the Bungalowdorf area, the Stromkult stage that featured live conversations with artists like Polygonia and Anna Z and brands like Verbos and Doepfer.

At the Strandbühne stage, there was a new product presentation format with Korg Berlin and Schwarzmann (Henrik Schwarz and Frank Wiedemann).

There were also new installation projects, including installations in the circus tent and foyer entry area. There are already plans for more installations next year.

For more information, please visit www.Superbooth.com

See the SUPERBOOTH label below for coverage of previous events.