HARMONICONSTELLATION - OVERVIEW

video upload by A Magic Pulsewave

"MIDI EXPANDER, HARMONY COMPUTER, AND PRESET SYNTH FOR AMP DEVICES. www.melodyoracle.com

HARMONICONSTELLATION is a 3 channel AMP LINK to MIDI expander and harmony computer, with built-in three channel preset synthesizer. Converts AMP Obliquencer, Melody Oracle, Touch Tones, and Star Song to 3 channels (or up to three voices on one channel) of MIDI control signal.

Master settings control root note and mode, to format the incoming AMP control stream to a set of MIDI note values within a specified scale (9 harmonic modes over the full chromatic range). Each channel has Octave and Harmony Offset settings, creating spontaneous harmony to the incoming note stream, within the scale set by the master settings. CV inputs (0-3.3v, diode protected) for Octave and Harmony Offset on each channel allow modulation from Obliquencer CV outputs or other CV sources. Octave and Harmony Offset selectors become CV attenuators when jacks have been patched.

HARMONICONSTELLATION outputs MIDI master clock if connected to Obliquencer or Melody Oracle, allowing MIDI sequencers and drum machines to sync.

Each TRS MIDI output carries all three internal channels over MIDI, and each channel can be routed to any of the 16 MIDI channels using the recessed touch controls.

Built-in polyphonic, multi-timbral synthesizer output creates an audio preview of your sequences without needing to connect an external MIDI synthesizer. 16 preset sounds, with a variety of waveform and envelope profiles, correspond to the MIDI channel settings.

Multiple HARMONICONSTELLATIONs can be chained to control additional synthesizers. Can also be chained with AMP Expandoor and Wave Expander.

SPECIFICATIONS:
Connection: Shielded connector RJ45, ethernet cable.
Dimensions: 8.66” x 5.25” x 3”
Power: Bus power, no additional power supply required
MIDI Output 3.5” TRS Type A
CV inputs: 3.5mm 0-3.3V unipolar diode protected."

Puremagnetik Etches | Getting Started

video uploads by Puremagnetik

"Etches Tutorial Series — Playlist Summary

A six-part walkthrough of Etches, covering every control on the instrument and how the sections work together. Watch in order if you're starting out, or jump to a specific video to reference a particular feature.

Etches is a touch-controlled synthesizer with FM oscillator, tape-style delay, stereo reverb, and an 160-second recorder. The series moves from setup through performance: power and calibration first, then articulation, sound design, effects, tuning, and finally the recorder.

**What's covered across the series:**

1. **Getting Started** — Power, stereo output, how the touch-resistive pads respond, SWELL as volume control, and calibrating SENS to your environment.

2. **The Articulation Pads** — STAC for plucked envelopes, DRIVE as combined overdrive and FM intensifier, INVERSE for parameter drift across seven destinations.

3. **The Oscillator** — FM synthesis basics, EDGE waveshape morphing, CYCLE for pluck character, and the FLUX/ORBIT pair that controls FM depth and rate.

4. **Effects** — Tape-style delay with self-oscillation, stereo reverb (SUSTAIN, FORM, WALLS), and the default signal flow through the instrument.

5. **Tuning** — ROOT for tonic, SCALE for quantization across twelve built-in scales, INDEX/SHIFT for ±4 octaves of transposition.

6. **The Recorder** — Splices vs. loops, REC and OVERDUB, the START/END loop window, TRAVEL as LFO modulation of loop points, SCROLL between splices, BLEND and SPEED, and the two routing modes.

By the end of the series, you'll have a working understanding of every knob and pad on Etches and how to combine them into musical gestures and full pieces.

#etches #synthesizer #ambientmusic #fmsynthesis #tutorial"

Tasty Chips GR-2 Incoming

via Tasty Chips:

"There was the GR-1, then there was the bigger brother to extend the family, the GR-MEGA, and now there’s the GR-2.

The GR-2 is the direct successor of the GR-1. Similar size, similar price, but with a large touch screen, and many of the GR-MEGA’s abilities. As loyal readers of our mailing list, you are the first to know. We offer a limited amount of early bird units at 100 euro discount. We chose Kickstarter to reach a large audience and gauge interest, and you guys are the first the learn about it.

Visit us at Superbooth this weekend for a GR-2 demo, and of course you can also play around with all our other synths and effects.

For GR-MEGA owners: the GR-2 is like a little brother of the GR-MEGA. Both can run the same patches, and have largely the same abilities. The GR-2 has somewhat lower polyphony, lacks the amount of function-specific knobs and buttons, and lacks luxury interfaces like HDMI and balanced audio. The GR-2 firmware has the same “root” as the GR-MEGA’s. This means the GR-2 hitches a piggyback ride on the mature GR-MEGA for a great start.. and after a while the GR-MEGA will benefit from large amounts of sold GR-2’s: more user feedback, leading to more features, higher quality, and a large patch library.

If you want the best granular synthesizer and sound design tool out there, please support us.. and yourself. 🙂 Thank you! 🙏"

Additional details via Kickstarter.

The GR-2 is a granular synth, transformative sampler, and a portable sound design tool. It's ideally suited to stand-alone use. It can drone, you can use the touchscreen to play it like a live instrument. Attach MIDI gear or computer to use it like a traditional synth. Samples Samples want to be heard, but also seen, touched, and transformed. That's what the GR-2 delivers. Triggers, and manipulation are immediate. There's no setup, and there's visual feedback for everything.

Easy to use

The 7" touch screen, and high contrast GUI make life easy. There are spatially associated encoders along the the edges of the display. The most important settings are always visible, and they're big.

The most important settings are available from Quick Access (QA) menu buttons at the top. Using a touch gesture you can make them full screen. Deeper menus are accessible via the menu button. And rest assured, you're never more than 1 level deep + all GUI widgets are big and high contrast.

Power

The GR-2 is compact, no more than 25x19x7 cm, but it's powerful. While the touchscreen plays a large role, the knobs and fader are essential to the tactile, immediate, and precise nature of this synth.

Transformation is key. Load or record a sample, then mangle it through one of the many engines and effects. Long field recordings, transients, tonal material, the GR-2 eats them all. Make them unrecognizable, emphasize their inherent character, or add your own accents. Make them scatter in the granular engine, add subtle stutters, let it smoothly sustain forever, or make it whistle and bubble in the spectral engine. Using the many knobs and up-front menus, this quickly becomes like a second nature.

Polyphonic, multi-timbral, multi-engine, MPE capable, a dozen high quality effects, macros, and a deep polyphonic modulation matrix with over 120 destinations and 24 sources. Of course touch X,Y are mod sources. Our granular engine is the best you'll find in any hardware synth. A claim we dare make with ease. You can leverage the power of a touch screen, and play multiple notes and chords, along with gestural modulation accross 4 timbres. You can even record and transform touch gestures for modulation."

PolyFreq Introduces Phonon Plug-In Debut as Precision Granular Laboratory for Sonic Alchemy

video upload by PolyFreq

Press release follows:

PolyFreq pitches availability of Phonon plug-in debut as precision granular laboratory for sonic alchemy

BRISTOL, UK: boutique musical tools-maker PolyFreq is proud to announce availability of Phonon as its debut plug-in — pitched as a precision laboratory for sonic alchemy, built around a high-quality sample granulation engine with root note detection, four keyboard follow modes, and legato giving it real versatility as a playable instrument — as of May 5…

Acting as a musical synthesiser first and foremost, Phonon is designed for very intentional, controllable reconstruction of one source, leaning into synchronous granular or ‘graintable’ synthesis. Sub-sample grain scheduling and separate grain rate and density controls open new vistas of repeatable, controllable timbre and tempo across macro and micro parameter ranges. Reality dictates that where other granular synths default to randomisation or multiple sources, Phonon provides users with complete control over every grain — from classic textural clouds to malleable ‘grainwave’ synthesis. Indeed, it is equal parts laboratory and playground.

“Phonon’s development was inspired by the great creativity of early granular work from composers such as Wishart and Roads, and the deep listening of Oliveros, with a desire to make this wild, creative territory more accessible to electronic music production and sound design, without stripping away what makes it strange and inspirational.” So says PolyFreq founder Nick Mariette by way of an illuminating introduction. It aims for ease of use, with a simple drag-and-drop workflow for modulation, and most features are immediately visible, with minimal menus or hidden options. And a flexible array of audio-rate modulation sources provide huge scope for patches that respond and evolve, including LFOs (Low Frequency Oscillators), envelopes, sample metadata, sequencers, MIDI (Musical Instrument Digital Interface) control data, and various noise flavours.

Features additionally worthy of the edited highlights treatment here include Phonon’s granular engine — eight voices of polyphony with up to 256 grains per voice and sub-sample precision that bridges the gap between classic textures and sharp ‘graintable’ synthesis; effects — shape sounds with a character-driven signal chain, from saturating drive to resonant filtering, as well as a utility reverb for glue or depth; presets — easily capture, export, evolve, and share sonic creations with sample embedding and eight-way snapshots; and drag-and-drop workflow in a resizeable interface for easy enjoyment as a standalone instrument or for plug-in-based DAW (Digital Audio Workstation) production.

Phonon’s uses are almost endless — think time stretching; pitch shifting; sample mangling; sound design; classic textural, granular clouds; synchronous, tuned granular tone creation; creating a synth from any sample; rhythmic grain generation, synced to host; beat retiming and timbre distortion; and more besides. Back to Nick Mariette: “Phonon is intended for reshaping beats and designing synth leads as much as for losing time in ethereal granular atmospheres; I hope it will connect people to listening differently, discovering the sounds within sounds.”

Anyone attending SUPERBOOTH26, May 7-9, FEZ-Berlin, Germany is hereby encouraged to swing by Booth H116 there, where PolyFreq will be showcasing Phonon to the musical masses assembled and Nick Mariette himself will be on hand to personally provide a warm welcome with an open invitation to discover those sounds within sounds. Spanning chaotic clouds to precise synthesis, controllable sonic alchemy is there for the taking so why not take this hands-on opportunity to discover and delight in vibrating matter differently with Phonon!

Phonon is available to buy as a standalone or VST3 plug-in for macOS (10.13 or later) and Windows (10 or later) at a 33% launch discount — duly rising thereafter to its full price of $89.00 USD (excluding tax)/€76.00 EUR (including tax)/£68.00 GBP (including tax) — directly from PolyFreq here: https://www.polyfreq.com/products

For more in-depth information, please visit the PolyFreq products webpage here: https://www.polyfreq.com/products

ETCHES | Soundscape Palette by Puremagnetik

video upload by Puremagnetik


via Puremagnetik

"Etches is a layered soundscape synthesizer. It's a palette for playing with sound, sketching melodic sections and building evolving tapestries. It moves between cinematic washes, percussive pizzicatos, and atmospheres worn smooth through ambient processing.

Inspired by live modular techniques, Etches is built upon classic synthesis and tape music traditions. Etches’s main engine includes a complex oscillator, a splice recorder and built in space processing.

We designed Etches to be performed. Every control is on the surface, and every gesture is audible the moment you make it. There are no traditional envelopes or filters here. You shape the timbre as you play.

Pick a root note and choose from twelve scales and modes and the pads stay locked to that key while you move. It's hard to play a wrong note, which means you can focus on phrasing instead of finger positions.

At the center is a monophonic voice generator and a splice recorder with overdub, so you can layer sounds into something bigger than individual patches. An internal LFO moves against each splice, modulating where the recording starts and ends. It's a behavior we first used in our LAPS and JOTS pedals. Around all of that: a tape-style delay, and a stereo space processor you can get lost in.

Etches Features:
• Four articulation pads that control contour, timbre-shaping and animation
• Musical overdrive with soft clipping
• 80-second multi-splice recorder for capturing ideas and layering sounds
• Stereo space processor with tape-style delay and a pristine reverb.
• Stereo output
• Runs on a standard Boss-style 9V power supply"

You can find a link to the manual and addtional details at Puremagnetik

Arplus: Max Pluck for your Buck - Quantised Arpeggiated Karplus Strong Eurorack Module

video upload by Kronofonika

"Introducing Arplus, a six voice Karplus-Strong Synth with a quite advanced Quantised Arpeggiator built in. A lot of Pluck for your Buck.

Thanks Zlosynth Instruments for letting me do a synth demo wearing chainmail."

00:00 - Intro
02:15 - Karplus-Strong History and What is it?
03:28 - Polyphonic Spree
04:03 - Sound Parameters
07:16 - External Input
09:25 - Pure Ambient Bliss
09:56 - Quantiser
12:52 - Arpeggiator
16:04 - Swap 2 Infomercial
16:33 - Spicing things up

via Perfect Circuit

The Arplus module from Zlosynth Instruments is a robust Karplus-Strong 6-voice resonator that gives you a bevy of musical scales at your fingertips. The Arplus works by selecting a particular chord based on the scale you select, stepping through the notes of that chord via the Trigger input and button. Use the Tone control to set the root note, and use the Chord control to select the particular chord. Both controls have corresponding CV inputs that let you create intricate sequences or melodic randomness. Choose from 31 different types of scales that include Western, Arabic, Indian, Japanese, and even quarter tones.

Internally, a burst of noise gets generated to create the sound, however, if you want more control over your noise bursts, an external input is available for you to patch in whatever you'd like. Use the String control to adjust how many virtual strings remain resonant after the trigger—up to 6 strings can resonate at a time allowing for soaring expanses of ambience and gorgeous clusters of notes. Sculpt the sound right on the module with a built-in filter, including resonance and cutoff, along with a Contour control that moves from short percussive bursts to long swells of washed texture.

Of course, no resonator would be complete without a stereo output, and the Arplus doesn't disappoint. Choose from three different stereo spreads: Ping Pong, which alternates voices between left and right, Root, which sends the Root to the Left and everything else to the Right, and Haas, which creates a stereo spread using the psychoacoustic Haas effect. The Arplus from Zlosynth is more than just your typical resonator, with an easy-to-read scale selector and a lovely sound that's sure to win over your heart and ears.

ARPLUS FEATURES

6 Voice Karplus-Strong resonator
External audio input for custom excitation sources
31 Different scales
Customizable chords up to 8 notes
CV-Controllable arpeggiator patterns
Quantized 1V/Out output
3 Stereo output modes
Built-in filter

Eurorack Jam - Head Bobbing Into Spring 🌸

video upload by lucafrancinimusic

"A 10 minutes jam with a few modules.
Mother-32, Manis Iteritas, Anti-Oscillator and Modbase 09 Mk2 are the main voices.
Metropolix clocks everything and sequences the bassline (Manis Iteritas). I've used its Mod Lane to change the root of the scale and go beyond the limited steps.
Mother-32 sequences itself; O_c sequences Anti-Oscillator.
Nautilus is the Send delay via Cosmix Pro mixer and Beads provides the reverb and a few high pitched grains."

Birds by Aylesim -- Generative Melody Sequencer for Ableton Live (MaxforLive Demo)

video upload by Isotonik Studios

"Birds by Aylesim is a MaxforLive instrument that generates and evolves 16-step melodic sequences in real time -- no note programming required.

Get Birds here: https://isotonikstudios.com/product/b...

In this demo we walk through everything Birds offers: four generative styles (Stormo, Ostinato, Cantabile, and Puntillista), eight pitch mutation algorithms, and independent gate evolution controls that keep both the melody and the rhythm moving as the sequence plays.

The core idea is straightforward. Generate a sequence, set your Difference Limit, and Birds will drift away from that original reference and back toward it -- creating variation that stays musical. The bird-on-wire interface shows you exactly which notes are original, which have evolved, and which are inactive, so you always know where the sequence stands.

Whether you're building evolving loop beds, generating melodic material for a live set, or just breaking out of patterns you've played a hundred times, Birds gives you a sequence that works with you rather than sitting still.

Birds reads Ableton Live's scale and root key directly. Use it diatonic for in-key lines or switch scale mode off for chromatic and atonal results. Drive it from Ableton's transport or use MIDI Trigger mode to sync it to external hardware."



BIRDS BY ALESSANDRO AYLESIM MIRACAPILLO

WHAT IF YOUR MELODY COULD WRITE ITSELF?
MAKE YOUR OWN TRIPLE PACK: Buy any three or more Aylesim products at the same time and get a 20% Discount (automatically applied at checkout)

Static sequences repeat. Birds evolves. This MaxforLive instrument generates 16-step melodic sequences and mutates them in real time -- drifting away from the original idea and back again, creating melodies that breathe, shift, and surprise without losing their thread.

Inside you'll find:

Four generative styles -- Stormo, Ostinato, Cantabile, and Puntillista -- each producing distinct melodic character

Eight pitch evolution algorithms including Chromatic, Gravity, Smooth, Drift, Interval, and Rotate

Difference Limit control to set how far the sequence drifts from the original reference

Independent gate evolution with Shuffle, Density, and Chaos controls for rhythmic mutation

Generation tab with full control over density, note range, velocity range, and motif length

CLICK FOR MORE »

Introducing BLEASS Peaks: The Playable Polyphonic Filter Is Here (MIDI Performance Revolution)

video upload by BLEASS

"Meet BLEASS Peaks, a new generation audio filter that turns traditional filtering into a fully playable performance instrument.

➡️ In Internal mode, you can shape the sound using up to 32 resonant peaks/notches.
➡️ In MIDI mode, the plug-in becomes a playable polyphonic filter, where MIDI notes control the filter frequency. You can run up to 8 filter voices at the same time.

This lets you play filter movement using MIDI notes or chords, shaping drum loops and synths in real time. You can create evolving filter patterns, rhythmic effects, and perform filtering like a musical instrument.

🎨 Additional tools include 5 FX slots (distortion, delay, compression, bitcrush, and filters), plus LFOs, envelopes, and macros.

Discover its full features right now: http://bleass.com/peaks/"

BLEASS Peaks unites classic audio filtering with the spontaneous spirit of performance to deliver an entirely new class of creative filtering effects.

The plugin is built around BLEASS’ advanced multi-peak polyphonic filter design. When set to Internal control mode, this creates a single bell-filter curve containing up to 32 resonant peaks/notches. Details of the filter curve, such as the quantity, root frequency, and spread of the peaks/notches, are set parametrically, making it easy to shape the filter’s response and bring it to life via the plugin’s synth-style modulation sources.

BLEASS Peaks truly comes into its own when operating in MIDI mode. In this configuration, the filter’s root frequency is controlled via MIDI coming from live-played notes or a recorded track. Better still, BLEASS Peaks can generate up to eight such filters simultaneously, making this a true polyphonic filter.

MIDI control makes the filter fully playable and performable, opening up a whole new constellation of original and compelling filtering effects. Drum loops can be tuned to follow chord progressions, rhythmic harmonic pulses can be added to pads, arpeggios can be brought to life with complex frequency-shifting chorus effects… the creative possibilities are endless.

Additional colour and detail can be added to Peaks’ filtering via a set of five assignable Effects slots. These allow you to enhance the filtered sound with distortions, dynamics processors, delay, and even conventional low- and high-pass filters.

As with the filter itself, Peaks’ effects can be brought to life by the plugin’s various modulation sources, with each modulator mappable to up to four destination parameters. There are three LFOs, three envelopes triggered by the incoming audio plus a fourth triggered via MIDI, and four Macro controls. Alongside these internal modulators, the plugin also recognises various realtime MIDI CC and MPE sources.

Used as a conventional single-voice filter, BLEASS Peaks is at the top of its game, allowing easy-yet-deep control over the spectrum of your audio, and offering many ways to inject life and movement into the effect. Enabling MIDI control makes that advanced filter behave as a playable instrument, unshackling you from the limitations of conventional filtering and giving you direct hands-on control over the effect.

However you choose to use it, BLEASS Peaks is a uniquely creative, intuitive and fun tool for shaping, colouring, and injecting originality into your music.

Orpho CV Note Looper – Quantizing 32-Step CV Recorder and Sequencer for Eurorack

video upload by HOX808

"CV Note Looper is a quantizing 32-step 1V/Oct CV recorder for Eurorack, built for flexible melodic sequencing and hands-on control. Create anything from short looping phrases to full 32-step patterns, shape them with selectable scales and root notes, and keep everything locked into a musical flow. This video shows the module in action, including pattern recording, playback, scale setup, and calibration."

https://www.orpho.de/

First Steps with OXI One MKII / EP. 7: Pattern Workflow 01

video upload by OXI Instruments

First Steps with OXI One series

"In this episode we explore how to work with sequence pages, pattern length, looping, and editing tools in the OXI sequencer.

First, we look at pages. OXI One MKII organizes sequences into 8 pages of 16 steps, giving you up to 128 steps per pattern. You’ll learn how to navigate between pages, add full pages to a sequence, copy and paste entire pages, and extend your pattern length by adding pages.

Next, we focus on patterns. We cover how to set start and end points, manage longer patterns while keeping full control of your workflow, and use the smart behavior that preserves sequence length when moving loop points. We will also duplicate patterns, and create temporary loops to focus on specific sections of your sequence.

Finally, we explore additional workflow tools, including selecting and editing groups of steps, tie notes across pages, and use the Follow function to keep the view synced with the transport while playing longer patterns. We also look at the Preview function in Mono, Poly, Multitrack, and Chord modes to hear notes, root tones, and chord variations while composing.

■ Learn more about OXI One MIDI/CV Sequencer: https://oxiinstruments.com/oxi-one/ ■ Learn more about Coral Polyphonic and Multitimbral Eurorack Module: https://oxiinstruments.com/oxi-coral/ 00:00 How pages work
01:05 Setting a pattern length
04:23 Copying pages
05:35 Mod lanes
06:20 Looping vs Init/End
06:55 Temporary selection
07:27 Extending ties to following page
07:46 Follow function
08:46 Preview functions"

Garden - Phantasmal Force, Zoia, N-Synth Super

video upload by Arman Bohn

"You can check out my devices here: https://distropolisgoods.com/

Another sketch for an OST I've been working on. This run is a little more chaotic than the final track will be.

The Phantasmal Force is sending a slowly evolving sequence of 7 notes. I'm periodically changing the probability that a note will sound and the overall root octave for the sequence.

The N-Synth Super is the sound source and I'm dragging my finger across the touch pad to "morph" the sample sets determined by knobs in the four corners. I'm also playing the amp envelope. It's a strange beast and lacks some very basic features that I'm temped to add myself (CC control of the touch pad for one) - but I really don't have that kind of time. I'd also like to install the toolset to create my own banks ... but oh well. Who knows!

The Zoia is running a live granular patch I made that slowly pans and randomly slows down/speeds up the grains while modulating most of the grain parameters."

Scale Snap - Eurorack Random Note CV Sequencer

video upload by HOX808

"Scale Snap generates random but scale-accurate note patterns of up to 16 steps. You choose the key/scale, root note, number of steps, and how “jumpy” the pattern feels. It also includes a chord/'Strainer' mode that locks notes to triad tones (random-only, ascending, or descending).

Connections include clock in, 1V/Oct CV out (0–5V), reset to step 1, and a random trigger/button. Controls let you set root, select from multiple scales (chromatic, major, minor modes, pentatonics, etc.), and adjust a parameter that switches between probability of change, octave range, and step count. The display shows step progress, current parameter values, root/scale name, and a scale grid with the active note highlighted."

Fieldtone Weaver Eurorack // The Happy Accidents Module // Full walkthrough and patches

video upload by Lesjamusic

Pedal version previously featured here.

"The Fieldtone Weaver is a two-second sampler with a single knob, no undo, and no going back. Now it's in eurorack.

Weaver captures two seconds of audio - via the built-in microphone or audio input - and instantly randomises it into evolving loops, rhythms, and textures. Every turn of the knob generates a completely new variation. Nothing saves, nothing recalls. It's the ultimate happy accidents machine.
The modular version adds individual level control for three loop elements, trigger outputs that double as a random rhythm generator, a pitch switch, clock sync, and CV control - which works differently to what you might expect. I go into detail on all of this.

🔗 LINKS
Fieldtone Instruments: https://fieldtone.uk
Soundgas interview with Hugh Jones: • The Gas Club, Episode 1 - Hugh Jones, Fiel... [below]

⏱️ TIMESTAMPS
0:00 - Intro
01:56 - Panel walkthrough
15:27 - Synth patch
16:25 - Weaving my voice!
17:04 - Granular textures, duet with Bunker Archaeology
18:21 - While my guitar gently weaves
20:42 - Claps and finger clicks on the contact mic
22:30 - CV controlled synth washes
23:06 - Pacifica weaves
24:36 - FInal thoughts and a closing Plaits patch.

#eurorack #modularsynth #fieldtone #weaver #sampler #looper #modularsynthesizer

Disclaimer: Fieldtone sent me this module for the video. They did not pay for this video and had no editorial control over the content."

The Gas Club, Episode 1 - Hugh Jones, Fieldtone Instruments.

video upload by Soundgas

"Welcome to our new series, The Gas Club. Where we meet people who make things - be that music, recording devices, or instruments.

In the first episode Tony meets Hugh Jones of Fieldtone Instruments at the Soundgas HQ to explore the history of Fieldtone's celebration creations. They take a deep dive into Hugh's journey from musician/engineer to designer/builder of the Box of Uncertainty, The Weaver one knob handheld sampler and brand new Weaver Module plus a sneak peak at what to expect next from Fieldtone in 2026.

Tony and Hugh discuss the joy of sonic adventure and gear designed to produce happy accidents and the experiences of bringing new creations to the world."

A few pics and details on Weaver Eurorack:


Weaver Modular from Fieldtone is a Eurorack format version of the highly in demand Weaver handheld sampler that featured in music tech tastemaker Andrew Huang’s year round up as his Favourite Desktop FX module of 2024. The modular edition builds on the functionality of the original by adding a variety of additional control.

The Weaver is no ordinary audio sampler, it is a meditation on impermanence and chance. With a single, enigmatic knob, it embraces randomness as an artistic principle, reconfiguring two-second sound bites into hypnotic loops and evolving textures. There is no undo button, no way back once a sound is captured; the Weaver insists that you move forward, shaping the unpredictable into rhythm or texture with nothing more than a twist of the wrist or control voltage change.

New functionality on the device includes separate level controls of different elements of the loop, as well as 3 x trigger outputs which turns the device into a random rhythm generator for which you don't even need to be using the sampling capabilities. You can trigger the Recording start via CV, allowing you to keep replacing the sample whilst the loop continuously plays - something that works beautifully with acoustic sound sources such as guitar or voice, as well as electronics. A switch has also been added to select between Random or Root note sympathetic pitch playback.

Features:

Single-knob audio sampler focussed on randomness and exploration

Capture sound via built-in microphone or input jack

Fixed two-second sample time

No undo function, every knob movement generates a new loop

External sync via Clock input

Stereo output on separate L&R sockets with rich spatial movement

Separate level controls for 3 different elements of the loop

3 x gate outputs for triggering other sources

Toggle to switch between Texture and Rhythm modes

Toggle to switch between Root or Random pitch

Gate/trigger input to control Recording start

Gate/trigger input to control Weaver knob

Can be used as random rhythm generator without needing to use the sampler

Available Colours:

Forest Green (orange LED)

Dusty Pink (purple LED)

Black (pink LED)

Dimensions:

10hp

Ships by the end of March

Mother Lode synth meetup #3 Pics

A few pics from the latest Mother Lode Synth Meetup sent my way via Brian Comnes.

You can find the full set here.

That's Brian Comnes with the Buchla Music Easel.

Below is Mark Vail, author of Vintage Synthesizers and The Synthesizer with the Beetlecrab Tempura.

Small group shot further below. Be sure to see the full set for more.

P.S. Brian also had an iPad with the following to say: "Had fun showing Textquencer app , it converts text to midi notes, quite the sequencer, the letter A is the root note. I used our mailing list as the source text 😁. It’s also good with foreign languages with a lot of vowels like Hawaiian or Native American sources.

I also think Igor Vasiliev’s GLITCHSCAPER app for percussion is great, certainly not an 808/909 cliche"

Also: "in that picture I did an a/b comparison between the $5k Easel and the $200 KORG [Volca] modular with midi hack, and IMHO the KORG did pretty good😛"

See the Mother Lode label for additional posts.

CLICK FOR MORE »

Bastl Introduces CITADEL Alchemist Eurorack Module

video upload by Bastl Instruments

Check with dealers on the right for availability and price.

Playlist:

1. CITADEL ALCHEMIST & Kastle 2+Citadel DIY Kits & more NEWS from Bastl!

We built a fantasy world of magical music machines with the FX Wizard multi-effect, the Wave Bard sample player and the Alchemist synth that live in battery powered Kastle 2 format and the Citadel eurorack version. We are excited to not only announce the late arrival of the Citadel Alchemist Eurorack module to the party, but to let everyone know that all the instruments are now available as DIY kits and that we are partially open-sourcing it so the world we started could be expanded by many others."

2. Bastl CITADEL Alchemist - All Synth Modes preview

"A complete preview of Alchemist's Synth Modes with a quick preview of the Dual FX and a small jam."

Chapters:
00:00 Filter
00:44 FM
01:32 Supersaw
02:25 Hypersine
03:24 GlitchNoise
03:41 Dual FX
04:27 Small Jam and patching

3. Hello Alchemist ! Bastl Citadel synth engine rave to experimental - Stazma and Bastl Instruments

Alchemist is now EURORACK... into the CITADEL!!!!!
So here we go checking out how this synth engine will play out with his other citadel friend the Wave Bard in breakbeat torture mode.
Also a cool oportunity to play around the Diktaat from Mzourack to trigger both units in a performative way.

Citadel Alchemist is a patchable hybrid-synthesis based eurorack module that empowers you in discovering melodies and even harmonies despite being monophonic.
Patch programmable sequencing via the control signals into the two PITCH MOD inputs opens up a world of melodic inspiration beyond classic arpeggios while staying in your preferred SCALE.

5 synthesis modes
The Alchemist has a carefully tuned wide timbral range spanning across 5 synthesis modes (FILTER, FM, HYPERSINE, SUPERSAW and GLITCHNOISE) accessed by main TIMBRE sweep that is refined by the RATIO control.

The ENV macro knob affects different parts of the synth and sequencing engine to maximize musicality and it even lets you continually morph between the synthesis modes and access truly unique sounds.
The timbral palette is further extended by the dual FX section which offers either a wide delay that will smear the arpeggios into echoed harmonies or a chorus-flanger-distortion-combfilter macro custom tuned for each synth mode.
You can also access gliding rubber textures with the PITCH SLIDE macro that applies pitch envelope and portamento.
You can customize its rhythms and scales with the web-based editor.
Modulate anything
All main parameters can be modulated and tightly sequenced by the surprisingly powerful CV and GATE pattern generator. Create groovy off-grid beats using the built-in LFO, which can be synced, reset, or left to run freely.

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Chompi: a Complete Walkthrough | Tape 2.0

video upload by Sonic Cartography

"A complete walkthrough of Chompi and its recently released Tape 2.0 firmware, providing an in-depth demo and tutorial on all its features. Following the structure of Chompi's manual, it’s organized like a video game that gradually builds up your understanding of Chompi, starting at level 0 and going to level 8 (plus a bonus level). If you already have a Chompi, you can use this video as a reference guide/video manual. If you don't have one, you can use it to learn about this chromatic sampler from Chase Bliss and Chompi Club.

Table of contents:

0:00 - Intro / Preview

1:24 - Level 00: Hardware
1. Summarize Chompi in one sentence
2. Identify the external parts
3. Connect cables
4. Power up

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OP-X PRO-3: Official Tutorial | Programmer's Edition

video upload by SonicProjects

"Official tutorial for the SonicProjects OP-X PRO-3 virtual analog VST AU plugin featuring its new Programmer's Edition.

Table of contents:

00:00:00 Intro
00:00:14 Features Overview
00:03:56 Changes in the Programmer's Edition
00:07:26 Switch Interface Size and Color
00:08:20 Tooltips
00:09:52 Patch Manager / Comparison to OP-X PRO-II
01:34:08 Voices Engine / Voice Boards Tuning
02:39:32 Pan Controls / Panning Modulation
02:49:47 Filters Section
03:23:55 Oscillators Section
03:37:29 LFO Section / Modulation Matrix
04:14:46 Pitchbend Modwheel / Master Section
04:30:01 Envelopes Section
04:36:42 Effects Section
04:48:22 MIDI Learn / Remote Program Change
04:58:43 Arpeggiator / MIDI Processor

To navigate within the Tutorial either click these time markers or use the YouTube generated chapter sections in the timeline of the video. When you click the arrow on the right side of the chapter name below the timeline the chapters will open in the right pane for direct selection.

Related links:

Root product site for all versions:
https://www.sonicprojects.ch/opxpro3/

Learn more about the Programmer's Edition here: https://www.sonicprojects.ch/opxpro3/...

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Nexus - New Generative Sequencer for Norns // Nymphes // Oto Bim & Boum // Chase Bliss Onward

video upload by Lesjamusic

"Nexus is here. A generative chord-based sequencer for monome Norns that I've been teasing in recent videos.

In this demo, Nexus is driving a Dreadbox Nymphes via MIDI. The signal chain: Nymphes → Oto Bim → Oto Boum → Chase Bliss Onward → Chase Bliss CXM 1978.

Nexus lets you select from a 15-chord diatonic palette while a probabilistic engine triggers notes from within each chord. Two rows on the Grid let you play along in the current scale. There's also bass and sub-bass sequencers that fire root notes on chord changes.

The script outputs MIDI and Crow CV/Gate - so it'll work with pretty much any setup.

Download: https://github.com/lesjamusic/nexus
Full documentation in the README.
Built entirely with Claude Code.

Gear in this video:
monome Norns
monome Grid 128
Dreadbox Nymphes
Oto Machines Bim
Oto Machines Boum
Chase Bliss Onward
Chase Bliss CXM 1978"

The Fancyyyyy K-Accumulator - A Complex Oscillator Made of Complex Oscillators 👽

K-ACCUMULATOR - 21st Century Complex Oscillator video upload by Fancyyyyy Synthesis

Note, this appears to be the first Fancyyyyy post on the site. :)

Currently exclusive to Perfect Circuit

"The Fancyyyyy K-Accumulator is a revolutionary stereo complex oscillator that combines cutting-edge synthesis techniques in an intuitive, hands-on architecture inspired by classic complex oscillators. Designed in collaboration with Grrrwaaa aka Graham Wakefield, creator of Max/MSP's gen~ platform, fans of experimental timbres and novel synthesis techniques are right to celebrate K-Accumulator's emergence into the Eurorack landscape. Seamlessly combining pulsar synthesis, phase modulation, and complex 3D waveshaping, K-Accumulator pairs its modulation and carrier oscillator pairs with an onboard function generator, pattern generator, and flexible root frequency quantization and manipulation, providing fruitful terrain for exploring captivating timbres in systems of any size.

Starting from a core sine and cosine wave, K-Accumulator provides an innovative morphing matrix architecture which progressively remaps panel controls to waveshaping positions for the carrier and modulator oscillator section. Expand tones with complex harmonic wavefolding, blended frequency shifting, and harmonic stretching. Shape tones into newly mangled forms with formant synthesis, sync damping, and asymmetric phase modulation, or invite chaotic movement and surprise with damped cross phase modulation and damped self-feedback. Even the onboard function generator can sing, enabling audio rates for pulsar synthesis that can be operated independently from the main oscillator. Despite the PhD in DSP you might need to fully understand K-Accumulator's synthesis engine, the morphing matrix architecture allows these many manipulations to be smoothly and seamlessly explored through intuitive manual control.

Even further possibilities abound when employing K-Accumulators twenty-three patchable points of external signal integration, with most primary CV inputs featuring dedicated attenuverters for precision control. In addition to CV control over the frequency, shift, depth, morph, and shape controls, the primary oscillator in K-Accumulator offers CV inputs for thru-zero phase modulation, damped/pulsar control, and an external input which can be used as an external sync source or for pitch-tracking an external source to use K-Accumulator to harmonize with external sources. Its outputs offer both the sine and cosine waves, creating unique stereo space through the phase differences on each output as it is manipulated by the waveshaping engine. Control root frequency for the oscillator section, function generator, or both, with both 12-TET and Just Intonated quantization, multiple scales of frequency control, and a dedicated detune control in the modulation oscillator for inharmonic applications.

At the left side of K-Accumulator, a highly flexible function generator is onboard for additional modulation or audio sources. Multiple unique internal trigger modes, looping capability for LFO and audio rate oscillation, thru-zero FM, and onboard waveshaping make this a potent source of signal manipulation for either K-Accumulator itself or anywhere in your system. To the right of the function generator, a Delta-Sigma pattern generator enables stepped and smooth pseudo-random pattern modulation, providing an onboard sequencer for root frequency, or any other parameter. With its immensely capable and unique synthesis engine alongside flexible and creative onboard modulation sources, Fancyyyy's K-Accumulator offers a new vision of complex oscillation for contemporary modular synthesis, translating vanguard digital signal processing into a familiar form factor for deep sonic exploration, intuitive skronking, and new musical forms yet unheard."

Available at Perfect Circuit

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