YouTube via rlainhart "Oraison, composed by Olivier Messiaen in 1937 for six Ondes Martenot, transcribed for Buchla 200e synthesizer and Haken Continuum Fingerboard controller and performed by Richard Lainhart in 2009.
From the time I first touched the Haken Continuum, I'd wanted to use it to play a composition by Olivier Messiaen called "Oraison". I first heard "Oraison" years ago as a student of electronic music, and had fallen in love with its simple, beautiful harmonies and profound sense of mystery.
"Oraison" is not only a lovely piece of music, but has historical interest too - it may be the first piece of purely electronic music written expressly for live performance. Also of note is that Messiaen re-arranged "Oraison" for cello and piano and used it for the fifth movement of "Quartet for the End of Time", which he composed in a German prisoner-of-war camp in 1941; the "Quartet" is one of the great classics of 20th-century music.
"Oraison" ("prayer") is from a suite of pieces for six Ondes Martenot called "Fete des Belles Eaux" ("Celebration of the Beautiful Waters"), composed for the Paris International Exposition in 1937. The Ondes Martenot was among the first electronic instruments, and is still among the most expressive. The Continuum's own expressive qualities seemed at least the equal of the Ondes Martenot's, while allowing for polyphony and the possibility of performance of the work by a single player. I transcribed "Oraison" for my Buchla 200e/Continuum system, programmed the modern system in homage to the sound of the Ondes Martenot, and now offer this performance to you."
YouTube via pepemogt. Some synth spotting. "Una tarde en Don Loope Wine Club. Degustacion de vinos franceses, charlas de música ochentera, sintetizadores y mås." Googlish: "One afternoon at Don Loop Wine Club. French wine tasting, lectures ochentera music, synthesizers and more."
"This summer, Arturia is celebrating 10 years of innovation in instrument design. Frédéric Brun, President: "We started Arturia in the summer 1999 with a vision, the vision technology would dramatically change the way the world makes music. At our first trade show, Winter NAMM 2000, our stand held the arrogant tag "Time for a new paradigm". It was ambitious but not totally out of scope. Along with many other innovative companies, Arturia has been happy to take part in evolutions that allowed more and more people to produce their own music. Today we would like to express our sincere gratitude to all of our customers who made this possible by trusting Arturia along the way. For them we prepared a series of updates and other news to be announced all summer-long. Watch out for free upgrades, special promotions, events and more." via Sonic State
YouTube via MoogMusicInc "Adam Holzman (Miles Davis, Mahavishnu Project) gives a quick demonstration of using the Voyager's Touch Surface CV outputs to simultaneously control two Moogerfoogers. He does this using the Touch Surface CV outputs on the VX-351 Output Expander. The X-axis CV is sent to a Mult, where it outputs two identical copies of the CV. One copy is sent through an inverting attenuator on a CP-251 Control Processor. Both CV are sent to the Mix inputs of the Moogerfoogers. Since one of the CV's is inverted, positive Touch Surface "X" values increase the mix of one. Negative "X" values increase the mix on the other."
"Join the LAVA crew for an evening of software and hardware demos by Ralph Barton and Dann Green (4ms Pedals) Marc Mcall (xnth). Afterward, stick around til 5am for music and DJ sets by Shane Hazleton, Justin (MC This), Bubblegum Shitface vs MkUltra, and Dr. Fun.
Marc Mcall will be showing his Xnth Visual Synthesizer (http://xnth.net), a MIDI enabled video mixing software system . He has been the resident VJ at the Avalon Nightclub in Hollywood for the past two years.
the_crew49Ralph Barton and Green of 4ms Pedals will demonstrate the Bend Matrix, a fully MIDI controllable automated patch bay with step sequencer." via the Big City Music Blog.
You might remember the Bend Matrix from these previous posts including video (scroll when you get there).
YouTube via thedeepelement "Couldn't find a way to get sounds like this on my machinedrum internally. The 'kick' is a weird Cwejman waveform being processed by the even-more-brutal Flight of Harmony Plague Bearer, the snare is being twisted by The Harvestman Malgorithm and there are several other things going where the Tip Top Audio Z3000 are the sources."
"These are original magazine cuttings from a private collection, NOT copies/scans. Cuttings are posted in all board envelopes to avoid damage in the mail."