I don't believe I've ever seen one of these before. Piano, Honky Tonk, and Harpsichord with Bass & General volume sliders from JEN, the maker of synths like the SX 1000, SX 2000, String Machine, and Syntar.
"Carlo Robelli is an Italian maker of guitar and other musical instruments. In the 1960s, Carlo Robelli was a maker of inexpensive electric guitars, such as a model based upon the Gibson Les Paul. The company now focuses on acoustic stringed instruments, such as guitars and violins. Most Carlo Robelli modern products are made in China."
The tELHARMONIC Voltage Controlled Music Theory has an alternate behavior called 3-Voice Shift Register, which allows for creation of any triad based in the 12 tone scale.
To use 3-Voice Shift Register hold the H-Lock button for 2 seconds and watch for the change in the Color Staff that indicates 3-Voice Shift Register active (we should note exactly what this change is… I cannot recall, and a picture could be nice too).
3-Voice Shift Register changes the behavior of the DEGREE, D-Gate and INTERVAL controls.
At each pulse, gate, clock or trigger at the D-Gate IN, DEGREE updates the pitch of one of the three voices in the HARMONIC and PHASE MOD algorithms (the Noise algorithm is single voice, so its operation is un-changed). Each successive pulse, gate, clock or trigger at the D-Gate input causes the next voice to update its pitch based on the DEGREE parameter.
DEGREE does not change without anything patched to D-GATE.
Because D-Gate only sees rising edges, the normalization doesn't have any effect. You have to patch a pulse stream of some kind to D-GATE to achieve any DEGREE modulation.
INTERVAL determines which notes may be accessed by the DEGREE parameter. Starting from fully counterclockwise the possible settings are:
Suspended chord (1,4,5)
minor triad
Major triad
Octaves + fifths
Chromatic
Octaves only
With INTERVAL set to Chromatic, any 3-note chord can be created, with a spread of up to four octaves. With a programmable quantizer such as that built into René, it is possible to sequence chords, arpeggios and melodies in any key or scale.
The most flexibility in chord selection is afforded by a keyboard such as the KMI QuNexus. Send its gate output to the D-Gate, and keyboard CV to Degree. We can play whatever chord we like manually by selecting three notes in succession… It also works nicely for chord changes layered with a simple sequence patched to TONIC.
"Download here, no login or registration required: http://midi.theunfed.com [you'll find other templates there as well] just a quick video going through each parameter on the ipad editor for the MFB 503. You need to have 'TB MIDI stuff' installed on your ipad to use this template."
"Its the final video for Zelda Month, and we get dark and electronic with a cover of The Stone Tower Temple from Majora's Mask. I had Felix of The Tuesday Night Machines help create the atmosphere with his fantastic collection of gadgets and electronic instruments.
MY STUFF:
VGM VOL 3: https://loudr.fm/release/vgm-vol-3/UdUtB
TWITTER: http://twitter.com/acewatersmusic
GEAR LIST:
Me:
Moog LP, DSI Prophet 08, DSI Tempest, Elektron Analog 4, Chip Maestro Running NES, Djembe, Bells, Baritone Sax, Melodica
"Little jam with korg MS20 and a boss DD3, Dreadbox Erebus & Waldorf Streichfett and his Small Stone, just straight trough a Yamaha MG12 and ten to apogee and Logic. Just a little mastering process"
Carlo Robelli via Wikipedia:
