Friday, April 07, 2017
The Packrat Gets a New Waldorf Quantum
Junkie XL Studio Time Season 2
Published on Apr 7, 2017 junkiexlofficial
'Back again!! But before we begin, a few important words..."
Playlist:
1. WELCOME BACK! | Studio Time: Season 2
2. Studio Time: S2E1 - Composing for Strings (Part 1) - "In this episode, I discuss how I wrote a key theme for the film "Brimstone". I'll explore the melody, how I transcribed it for strings, some notes on harmony, and finally show you the final result with the recorded orchestra. I'll also discuss the various plug-ins I use."
Amateur Hour Spotlight: M.E.S.S.
Published on Apr 6, 2017 Amateur Hour
"Byron Scullin and Robin Fox from synth wonderland M.E.S.S. talk to us about their amazing collection of vintage synths and the community they're building around them! Get amongst it!
AH SPOTLIGHT INTERVIEW (as seen on amateurhour.tv)
Guest: Byron Scullin and Robin Fox (M.E.S.S.)
Camera: Harry Aronsten
Boom Swinger/Sound: Kelly Dingeldei
Producer: Laura Imbruglia
Production Assistant: Bron Belcher
Interviewer: Laura Imbruglia
Editor: Kelly Dingeldei
BRANDING:
AH Logo: Stacy Gougoulis and Jill Chrisp
AH Titles: FloodSlicer
AH Theme: Red Ghost
MUSIC CREDITS:
Instrumental synth pieces performed by Robin Fox and Byron Scullin
More about M.E.S.S.:
http://mess.foundation/"
LABELS/MORE:
ARP,
Buchla,
EMS,
Fairlight,
Interviews,
MESS,
MOOG,
Ondes Martenot,
Roland,
synth museums,
Triadex (Muse)
Corsynth Introduces MKIII C103 Frequency Divider Multiplier
"The C103 is a module that combines two frequency dividers and two frequency multipliers. This new MKII version, adds a lot of functionality to the original design. It has four built in mixers , new individual outputs and new voltage controlled distortion circuit with independent output. Additionally each divider and multiplier stage has his own level potentiometer.
The C103 MKII can be used in many different ways:
As subctave Generator
To create complex and rich sounds from a simple waveform.
To create synchronized modulations
As a clock divider
As frequency multiplier
To create complex modulation signals
As a voltage controlled distortion unit
As pattern generator
This new version retains the same functionality than the original C103 using the Switched mixer but it goes one step further. Thanks to the new level potentiometers , the divider and the multiplier of each stage can have different signal levels.
You can find more info, pictures and audio demos here:
C103 Frequency / Divider MKII
user manual"
MESSE 2017: Synthesizer.de Booth - Lots of Lovely Modulars
Published on Apr 7, 2017 sonicstate
LABELS/MORE:
5U,
Doepfer,
eurorack,
Moon Modular,
Musikmesse,
musikmesse2017,
Synth Chicks,
SYNTH-WERK
DeepMind12 Augmented Reality
Published on Apr 7, 2017 BEHRINGER
"An overview of the Augmented Reality features of the DeepMind12, footage is filmed directly through Microsoft Hololens!"
PHILIPS EL 6911/01 TAPE ECHO TUBE ECHO
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
Here's an interesting one spotted and sent in via Florian Anwander.
"An extremely remarkable tape echo. I have never seen it before. Appearently it is possible to place the replay heads in many different positions. No used parts of the circle are filled with idler pulleys"
via this auction
Here's an interesting one spotted and sent in via Florian Anwander.
"An extremely remarkable tape echo. I have never seen it before. Appearently it is possible to place the replay heads in many different positions. No used parts of the circle are filled with idler pulleys"
Roland SH-2 monophonic synthesizer
MAM / F.A.T. FREEBASS FB383
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"FB 383 offers all the same basic sounds and controls as the original TB-303 in a 1-unit rack module.
It has just 8 basic knobs for the same basic 303-like control: tune, filter cutoff, resonance, envmod, accent and decay.
Unlike the 303 however, the oscillator can be varied from sawtooth to square from a knob on the front!
Also featured is an external audio input to the filter for processing other elements.
The Freeform Analogue Technologies (FAT) Freebass FB383 (also sold as the MAM MB33) is a 1U 19-inch rack-mounting MIDI synthesizer module dedicated to doing just one thing - imitating the sounds of the Roland TB-303 Bassline.
It uses genuine analogue technology to produce the familiar 'acid' sounds, but adds MIDI control, so you don't have to cope with the Roland's quirky programming system - just hook up the Freebass to your MIDI sequencer, and play away.
Dispensing with fripperies such as patch memories and continuous controllers, the Freebass is all about live performance - once you start twiddling those knobs in real time, you'll be lost in a world of acid madness.
Features include MIDI input, selectable MIDI channel using DIP switches, an audio input for routing eternal sources through the Freebass filter, a single mono output, Auto-tune function, and controls for Tune, Wave (variable between square and sawtooth, so actually capable of a wider range of sounds than the Bassline), Filter Cutoff, Filter Resonance, Envelope Modulation Amount, VCA/VCF Accent (triggered when MIDI velocity signal is above a certain level), Envelope Decay and Master Volume."
via this auction




The Freeform Analogue Technologies (FAT) Freebass FB383 (also sold as the MAM MB33) is a 1U 19-inch rack-mounting MIDI synthesizer module dedicated to doing just one thing - imitating the sounds of the Roland TB-303 Bassline.
It uses genuine analogue technology to produce the familiar 'acid' sounds, but adds MIDI control, so you don't have to cope with the Roland's quirky programming system - just hook up the Freebass to your MIDI sequencer, and play away.
Dispensing with fripperies such as patch memories and continuous controllers, the Freebass is all about live performance - once you start twiddling those knobs in real time, you'll be lost in a world of acid madness.
Features include MIDI input, selectable MIDI channel using DIP switches, an audio input for routing eternal sources through the Freebass filter, a single mono output, Auto-tune function, and controls for Tune, Wave (variable between square and sawtooth, so actually capable of a wider range of sounds than the Bassline), Filter Cutoff, Filter Resonance, Envelope Modulation Amount, VCA/VCF Accent (triggered when MIDI velocity signal is above a certain level), Envelope Decay and Master Volume."
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH