Monday, October 15, 2018
3 hours generative drone on elektron monomachine, using an Axidraw plotter as audio input.
Published on Oct 15, 2018 buromaschinen
"Soundscape for my illustration exhibition in Lucca Comics And Games 2018. Monomachine and Bigsky processing audio from two Axidraw plotter motors."
Senode sequencer workflow with iPad and MIDI keyboard
Published on Oct 14, 2018 Sebastian Arnold
"This is a workflow tutorial for the SENODE node step seqencer. https://www.senode.org – The demo contains: (1) How to record a sequence from MIDI, (2) How to draw nodes and edges to the canvas, 3) How to edit the chords contained in each node, (4) How to use MIDI bindings to control CLEAR and EMIT of the emitters, (5) How to step through a graph using MIDI bindings. And of course, there's some improvisation going on."
Sunday, October 14, 2018
ARP Blue Marvin restoration demonstration - operational tips from CMS
Published on Oct 14, 2018 Phil Cirocco
"This is a short demo video showing some operational tips and nominal volume levels on the ARP 2600. The unit shown is one of the very first 2600s ever made. We recently repaired and restored this beauty to full functionality for a customer. The sound is coming from the 2600 speakers and being recorded by the phone mic. This unit had a partial APU installed since it already had great sounding chips."
Body Fool - Live
Published on Oct 14, 2018 Body Fool
Playlist:
1. Body Fool - Live at Warschauer Str
Body Fool2. Body Fool - Live at Noisegeballer #4 KuZe Potsdam
****************************************************
http://bodyfool.com
http://bodyfool.bandcamp.com
Live Performance at Noisegeballer #4 on 28th September 20183. Body Fool - DatWalk 2017
Performance at Atelier Äuglein on 28th October 2017.4. Body Fool - REPLICA Cricket Symphony - Noiseberg #84
http://walk.datfest.club
Various plants played notes on a heavy processed synthesizer.
Interdisciplinary artist Diana Neranti and sound wizard Body Fool—both REPLICA emissaries—let insects steal the show for a unique performance made of natural microtonalities and artificial synchronicities.
http://diananeranti.com
REPLICA is an experimental platform where expressive movement rooted in dance & theatre meets augmented embodiment and creative technologies. Together with performers, scientists and technologist we engage in a playful exploration of possibilities: in what ways can technology enhance our bodies by challenging, training and expanding our expressive, perceptive and creative capabilities? In what ways does it enhance our culture? Together, we imagine and rehearse future rituals, devise new interaction models between humans and machines, and prototype tools, performances and future folklores.
www.replica.institute
Dream Steps | Ciat-Lonbarde, D1000, OP1, eKalimba
Published on Oct 14, 2018 HAINBACH
HAINBACH LIVE (+ ORCA visuals)
19.10. Hamburg Uebel und Gefaehrlich (with Bad Stream)
20.10. Berlin Kantine Am Berghain (with Bad Stream)
20.11. Düsseldorf Die Digitale
24.11. Leipzig (TBC)
More dates TBC.
Preparing for my live shows I always try to the make the most upbeat music possible. Usually it ends up much darker once I get on stage, as I find making "happy" music hard when improvising. But still, its good to push myself to different places.
μClouds granular module - dry sound examples (Eurorack Mutable Clouds in 8HP)
Published on Oct 14, 2018 DreamsOfWires
"μClouds is granular audio processor/texture synthesizer, and an 8hp version of the Mutable Instruments 'Clouds' Eurorack module. With the Parasite firmware installed it has additional functions (do an internet search to find the latest details).
No additional effects were used, what you hear is just μClouds and the sound source I'm feeding it - homemade samples via a Music Thing Modular 'Radio Music', and my trusty old Korg Volca Keys.
This is a simple video demo of some sounds I discovered during my first proper experience with the module, not a qualified overview. I've had it for quite a while, but not had time to look at it properly, and it's clear I've got a lot to learn yet. However, just from dabbling you can achieve some surprising results.
I can't remember for certain which modes I used, but the last patch/sound is definitely the Spectral Madness mode. Also, when you see a solid green light it indicates that the 'freeze' function is active, and so a slice of the sound has been grabbed and being used as a wash/drone. The reverb you can hear is from the module and a component of each mode.
You can buy, support, or follow my music at the following locations:
https://tomorrowthecure.bandcamp.com
https://www.patreon.com/dreamsofwires
https://www.facebook.com/tomorrowthecure"
Polivoks, Elements and some Reverb
Published on Oct 14, 2018 verstaerker
"bringing a drone from the Macbeth Elements to life using the GFI Specular Tempus - Polivoks Sequence ran through some delay and the same reverb"
Best Ambient Synth Shootout #59: Evolution Synthesis EVS-1 - Song 3
Published on Oct 14, 2018 Christian's Sonic Spaces
"This is the third song with my latest addition, the Evolution Synthesis EVS-1. It's a 16-voice polyphonic, 8-part multitimbral, digital synthesizer featuring 4OP FM, 4OP Phase Distortion, Ringmodulation, Waveshaping, etc. It wasn't very successful when it came out in the early 90s. The reasons might be that one need a computer software to programm this synth, the sounds contain significant digital artefacts and it hasn't any filter and effects. But thanks to the 4 6-stage envelopes and 2 LFOs which all can be freely routed to each control two different parameters of the synth engine including LFOs themselves AND the "wavetable", it's a beast to create crispy, wobbling, glitchy, drony, weird, industrial-like soundscapes. The aliasing is here a significant part of the sound design ;-) I'm really impressed how versatile and "fresh" it still can sound.
BTW, all sounds I used for this song I've created myself ;-)
I used for the recording the following FX chain:
Evolution Synthesis EVS-1 - Alesis Philtre - Alesis Ampliton - Pigtronix Echolution 2 Deluxe - GFI System Specular Reverb 2 - Alesis 3630. Depending on the recorded track some FX are deactivated.
The signal goes via a small Behringer mixer straight into the pc.
To create the complete song I recorded consecutively several stereo tracks. The final song was then mastered with just a bit compression on some tracks and some limiting on the master track."
mc Beap demo
Published on Oct 14, 2018 stretta
"Demo of the polyphonic version of Beap for Max 8 currently under development."
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
























