Novation Circuit Tracks Pack by Techtronix

video uploads by Isotonik Studios

AVAILABLE HERE: https://isotonikstudios.com/product/k...

"Ever wanted a real sounding piano Patch on the Circuit tracks? Or maybe an acoustic guitar bass, that could pluck more if you hit it harder, and yet retain its low end autheticity. Keys brings an end to this search allowing you create realistic sounding acoustic music such as rnb and soul and a lot more. no more trying to work out a way to get a piano in your sample pool.

Using old synthesis techniques such as La Synthnesis, Freqency modulation, and slight wavetable manipulation, it is possible to create the slight nuances that make things resonate in an authentic way and play naturally on a keyboard or circuit Keys does this in order to bring you traditional sounding acoustic instruments.

Featuring a huge amount of authentic sounding instruments in the patches and crackle samples, aswell as chord samples. This pack makes it very easy to create your own version of an nostalgic track in any genre and add that flavour to sound.

With over 16 sessions boasting 9 different genres, Keys leaves no stone unturned transforming the circuit tracks in to something beyond what it was intented for. you will find many new techniques in the sessions such as shifting steps, swing, a new scale probability trick if you can find it!?!?

Velocity sensitivity is key here, please make sure to turn it on.

You will find that if you play softly on bass guitar, it is more subby, but if you play hard or programme in loud notes you will here the twang. similarly on all live instruments, velocity plays a big part.

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ADD - MaxforLive Sequencer by LDM Design

video upload by Isotonik Studios

Walkthrough - ADD - MaxforLive Sequencer by LDM Design

video upload by Isotonik Studios

"Built on the idea of instability, this MPE compatible sequencer creates constantly changing patterns of notes with modulated note parameters. Each time the sequence reaches the end, the sequence length itself grows or shrinks, within predefined limitations, creating unpredictable rhythmic patterns. The changes in length can also be mapped to velocity level, note length, and MPE slide and pressure parameter values.

The device consists of 8 note sequencers with individual controls for grow mode, step size, minimum and maximum sequence length, growth amount, hold, and probability. It also includes the option to freeze specific sequences to prevent changes. Global controls allow us to set swing amount to loosen up midi timing and note pitches can be set using a scale selection.

ADD Features -

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2 layer kick Sound design on gotharman's LD3

video upload by Meska

"Here a quick demo , of how you can prodiuce, deep kick on the LD3 and using another part for the click/punch

Thank you for watching.
My name is Meska of the statik collective . I've been making mostly 'dark and expérimental' music for more than ten years now, i'v learn so much online, now it's time for me to share my knoledge, my exploration and this channel is a place to talk about the tools, sound design and techniques to make music with.

You can stream my albums and EPs at https://statikwave.bandcamp.com/

If you'd like to support the channel​ consider buying music from bandcamp ;)"

Sonic sculptures (generative modular music)

video upload by Electrum Modular

"(For Paula)

This patch was inspired by hours (weeks?) of listening to Morton Feldman’s exquisite music. It ended up quite different harmonically from Feldman’s pieces, partly due to the limitations of a modular system. The envelope generators and attenuators required some tweaking to get that balance between repetition and divergence, revolving and evolving. In retrospect, I could have left longer silences between notes.
NOTE: no delay effect used here, as it would have reintroduced a pulse.

“Almost all of Feldman’s music is slow and soft. Only at first sight is this a limitation. I see it rather as a narrow door, to whose dimensions one has to adapt oneself (as in Alice in Wonderland) before one can pass through it into a state of being that is expressed in Feldman’s music. Only when one has become accustomed to the dimness of the light can one begin to perceive the richness and variety which is the material of the music...Feldman sees sounds as reverberating endlessly, never getting lost, changing their resonances as they die away, or rather not die away, but recede from our ears, and soft because softness is compelling, because an insidious invasion of our senses is more effective than a frontal attack.”” -- Cornelius Cardew, quoted by John Tilbury in “On Playing Feldman”

Video sequences from Works of Calder (d. Herbert Matter, 1950), an experimental film featuring a soundtrack by John Cage; available at archive.org.

Title image: Tentoonstelling Kinetische Plastiek Am. beeldhouwer Alexander Calder in Stedelij, Bestanddeelnr (October 2, 1969); creative commons.

Modules used:
Expert Sleepers’ Disting EX
Disting mk4
ALM’s Pamela’s New Workout
Behringer Neutron
ALM’s Pip Slope x2
Make Noise Maths
Intellijel Quad VCA
Tesseract’s Sweet Sixteen"

Phantom Of The Random

video upload by John L Rice

"A basic 4 voice poly modular synth patch (Synth Tech VCOs, Moon VCFs, Oakley VCAs, COTK EGs) with a lot of processing (COTK Spectral Modulator and Phase Processor, Oakley Flanger/Chorus) modulated by (Synth Tech, Krisp1, Modcan, and Marienberg LFOs)"

Circuit 3 Old Demo Found

video upload by Circuit 3

"#NewMusicMonday While going through studio archive I discovered this recorded-as-live piece from the SILICONCHIPSUPERSTAR sessions. It ended up on the limited edition cassette tape 'Commuter' #Synth"

http://www.circuit3.com/

3/11/24 ElectroComp EML 200 + Lexicon PCM 70 (1.3 Circular Dlys)

video upload by Cfpp0

"The ElectroComp EML 200 master oscillator square wave drives the whole wave shaper section and the switch. Sampler is fed one output of VCO 1. VCO 1 and VCO 2 outputs go to the ring modulator. VCO 2 also goes to VCO 1 CV input. Sampler outputs go to VCO 1 and VCO 2 CV inputs. Wave shaper is set to amplitude, with the ring mod output going to carrier in, and modulation input is first getting a sine wave from the master oscillator (until 1:20), then only the switch output is audible until (at 1:30) I change it to the envelope. The ring mod output also goes to the spring reverb, 100% wet, which goes to the switch. The switch output is dry, but a stereo delay from the Lexicon PCM 70 is applied to the output of the wave shaper, which runs through mixer No. 1 on the 200."

Moog Model D Minimoog V5 SN 10956 w/ Case

Note: Auction links are affiliate links for which the site may be compensated.

via this auction, also on Reverb

Two pics of the inside below.

"1977 Moog Model D Minimoog - Classic Analog Mono Synthesizer V5 with Road Case

The 1977 Moog Model D Minimoog is a true gem, embodying the essence of a classic analog mono synthesizer. Encased in a road case for added protection, this vintage beauty from Buffalo NY Moog stands out as an exemplar of analog power, unmatched by modern reissues and plug-in emulations. For aficionados and true synth enthusiasts, the 1970s-era Model Ds hold a revered status as the authentic deal.

Each Model D from this era is a unique masterpiece, radiating its distinctive warmth and character. In our studio, where we had many Model Ds come through our doors, no two sound alike. These vintage treasures deliver a deep, heavy, and punchy bass that is unparalleled, making them a must-have in the arsenal of any electronic music creator. However, their versatility extends beyond electronic genres, offering creative possibilities such as plugging in a guitar to craft tones with vintage filter points that defy the limitations of pedals or amps.

The Model D is a timeless classic that transcends the ages, and this particular Moog holds special significance. It boasts a single owner and has been professionally maintained, recently tuned and calibrated for optimal performance. Notably, this synthesizer features an extended tuning range, highlighted by the three additional ports on the back, showcasing the latest and most stable version of the vintage Minimoog Model D oscillator board available for sale.

While it exhibits minor cosmetic wear, this Model D functions flawlessly and is poised to serve its next owner for many years to come. The sale includes a padded Hybrid road case, offering both protection during travel and secure storage for this exceptional instrument."

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Sequential Circuits Model 64 Sequencer for the Commodore 64 w/ Original Box

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

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Korg DS-8 Sound Demo all 100 presets. Korg’s FM Synthesizer from 1987. Very little talking.

video upload by Ted murena

"in 1987 Korg launched its FM synthesiser to compete with legends, the Yamaha DX7 and the Roland D 50. They absolutely named it. The cord DS8 as a digital synthesiser with eight note polyphony let’s hear what the synth can do using it’s presets. We’ll also cover some of the other features of this keyboard."