New Moog Muse Details

Some new details on the upcoming Moog Muse have been shared online and have been added to this post. They appear to be from a Norweigan shop, and appear to be legit, however, we won't know for sure until Moog officially announces the Muse, of course. Some slightly larger pics have been added there as well, however, they are still pretty blurry. They do, of course, give you the gist of it. Click here for the update.

A note on leaks: please note MATRIXSYNTH does respect embargos, and only shares what has already been leaked online as once the news is out, the news is out. This is a synth news site and synth leaks are news. Not keeping up-to-date would essentially make the site irellevant. If you are a manufacturer, my recommendation is to NOT release images or details to anyone, including shops, until you are ready to formally announce the product. The majority of leaks come from online shops that either fail to keep things private, or leak it on purpose to get pre-orders in ahead of others. This is one of the reasons I do not link to shops that leak gear, as it only encourages them.

Please note as a courtesy to sponsors and supporting members of the site, I will reach out if I do spot a leak, prior to posting. If you have any questions or concerns, please reach out.

The Magic World of Analog | Serge Modular | Episode 04

video upload by Cinematic Laboratory

"In this video, I'll dive into the magic world of analog synthesis with a focus on the Serge Wavemultiplier (folder) and Resonant EQ. They sound great, but many of the Serge modules have secret 'magic' worlds, or less dramatic, they can do things you would not expect.

I also took the opportunity to do a compare with the Ohmicide digital distortion, which is ported from a VST. I don't want to compare digital and analog sonically, because I believe digitally modelled analog sounds just as good as real analog. The differences are revealed when unexpected conditions take place. In real analog, mother nature will determine what happens (cause and effect). In digital, you'd encounter an exception. So let's see what happens when Ohmicide has to process its own output :).

Another difference is that digital modules don't have a secret world beyond the code."

Oberheim TEO-5 Demo: Presets for Ambient, Techno, and Electronica - NO "T. Sawyer" or "Jump"

video upload by Limbic Bits

▶ Oberheim TEO-5 Cranium Sound Pack: coming soon...
▶ Book "Electronic Music Production": [on Amazon]

0:00 Quick Overview
2:33 (PADS) Neuron
3:31 Synapse
3:53 Dendrite

CLICK FOR MORE »

FM Synthesis Simplified w/ Legends Stephan Schmitt & Manny Fernandez

video upload by Anthony Marinelli Music

"Join us for an incredible masterclass into the world of FM synthesis with two legends in the field! Stephan Schmitt, the visionary founder of Nonlinear Labs and Native Instruments, and the genius behind REAKTOR, teams up with Manny Fernandez, renowned for his groundbreaking FM programming on Yamaha’s iconic synthesizers including the DX7II, SY77, SY99, FS1R, DX200, RefaceDx, Montage, and his insightful tutorials on YamahaSynth.com.
In this video, Stephan and Manny will demystify FM synthesis, breaking down complex concepts into simple, actionable steps. Whether you're a seasoned synth enthusiast or a curious beginner, this masterclass will empower you to create the sounds you’ve always imagined. Learn from the experts as they share their tips, techniques, and secrets to mastering FM synthesis, making it accessible and fun for everyone.
Don't miss this chance to elevate your sound design skills with insights from two of the greatest minds in the industry."

G-Storm Electro Introduces GODSPEar | Oxford OSCar Eurorack Filter Translation

[Demo #1] video upload by gstormelectro

"Audio + Video by G-Storm Electro c. 2024

Today I am introducing GODSPEar, my homage to the Oxford OSCar filter in Eurorack format. GODSPEar is the only filter used in these audio recordings. Detailed explanation of the module and patch examples will be in a forthcoming Demo #2. Audio recorded direct to Tascam DR-05, some additional compression and normalization used in the making of this audio.

Check my Reverb store for GODSPEar and other module availability
http://reverb.com/shop/gstormelectro

These audio demos from this video can be heard on their entirety on my Soundcloud page. http://soundcloud.com/gstormelectro"



via Reverb

"As Oscar translates from Celtic to God’s Spear, now GODSPEar is my translation Oxford OSCar Synthesizer filter for the Eurorack format. GODSPEar has a special look and sound that pays special homage to OSCar designer Chris Huggett’s creation. The Oxford OSCar would inherit some of the funky DNA from EDP WASP as it was discontinued at the time. Hailed as Europe’s answer to the Minimoog, sets itself apart from Bob’s hardware with some curious technical wizardry all its own.

The OSCar, and now with my GODSPEar filter were already interesting to start. It is actually TWO FILTERS each w/ 2-Pole cutoff slope. The cutoff frequencies of the two filters can diverge from each other by an adjustable SEPARATION control. The “Q” resonance control behaves as one would expect when no SEPARATION is used. But in BANDPASS mode, with higher Q settings as well as SEPARATION impart vocal formant sounds.

Divorced of any CPU control prowess as it was implemented on the original. GODSPEar filter control has been designed from the ground up to work well w/ the Euro standard. And to meet the stringent requirements that discerning modular synth enthusiasts have come to expect. Yet retains the original core topology, a full analog signal path, NOS NJM13600 OTAs, as well as V/Oct filter tracking. Logic assisted Filter MODE selection button toggle. Two external CV inputs for control of Frequency. And now the additional features of CV control over Q, and yes CV control of Separation.

Beware - CV control over Separation is serious business.These signals were only meant to diverge in one direction. Sending the cutoff frequencies in the other directions yield vanishing Bandpass audio and unintended consequences for Low/HighPass modes. Thus on GODSPEar, I’ve added an active Full Wave Rectifier circuit to govern the Separation CV input as gate-keeper and peace maker. Go ahead and send your bi-polar LFO signals etc. Just know in doing so, any negative voltage components will be flipped over to the positive realm. You’re welcome.

FREQUENCY | the initial Cutoff Frequency of the filter

Q | the depth of the peak frequency resonant feedback.Res will self-oscillate without an input signal present.

Q CV | Modulate the Q Resonance w/ any polar/bi-polar mod signal. This signal is summed against the Initial Q amount knob.

IN 1 & IN 2 | Mix together 2 different audio signals, each w/ their own mix pot.

Freq CV | Modulate the Cutoff Frequency w/ any polar/bi-polar signal. At 12 o’clock, the pot has no modulation. In the Counter-Clockwise direction it can invert the incoming control signal.

KB | Modulate the Cutoff Frequency w/ a V/oct signal or any other polar/bi-polar mod. Self-oscillation resonance will loosely track v/oct when KB is set to 100%, allowing the self-oscillation Q sinewave to be played in a musical fashion.

TYPE | Toggle switch for choosing the filter MODE: Lowpass, Bandpass, Highpass.

SEPARATION | Initial amount that diverges the frequency cutoff spread between the two filters.

SEP CV | Control Voltage Input with attenuator knob for modulating the Initial Separation amount. Input CV Signal is passed through a Full Wave Rectifier so that Separation behaves in a prescribed manner as expected, thereby preserving audio integrity.

OUT | the mono audio output jack.

Spearhead your own analog filter trajectory by racking up something a bit outside the usual fare. GODSPEar is made in limited quantities, not mass produced – so don’t wait and get yours whenever available. Includes a 10-pin to 16-pin Eurorack ribbon connector. Rack screws are not included as it’s presumptuous that one fastener spec suits everybody. Fasteners are possibly available upon request if you let me know your specs I’ll see what I can do. I highly recommend After Later Audio Rack Screws sold separately here on Reverb."

Meet MIDINA - 16 Track Polyphonic Midi sequencer and Recorder / Song Arranger

video upload by Meltchya

"Hi all... meet MIDINA :)

She's a 16 track polyphonic midi sequencer and recorder / song arranger that can record pitch bend, MIDI CCs, and aftertouch. She's got 128 songs, 16 blocks per song, and 16 tracks per block.

Each block can be up to 2048 steps, and each track can be up to 2048 steps. Blocks automatically sequence at the end of the previous block, and you can jump freely between any blocks by tapping them in the scroll menu. Each block can have its own set of 48 program change messages to trigger new programs in sync with the block changes. You can change songs with no load times and no hitch. She's got 30 NeoPixel MX switches that can be freely customized or changed, 8 push-switch rotaries, a 5" touch AMOLED screen, and the software is going to be fully open source from day 1. The unit seen here is the first tactile prototype, but I've started production run for the first batch and I'm getting ready to launch it next month.

It's been a year of hard work and this is the first tune I've actually gotten to make, I'm excited to be able to make music again and not have to focus so much on the software and hardware side of things. I'm a little bit out of practice, it's hardly a perfect performance, but it's always fun! Thanks for listening in and checking it out :)

Here's unit #002, with red anodized aluminum, black knobs, pudding keycaps, and smokey black sequencer key caps. All of this is fully customizable to taste, and each unit will be built and tested personally by hand."



Currently on Kickstarter

"What is MIDINA?

Midina is an open-source sequencer born from a passion for electronic music and technology, designed to be powerful and accessible.

Midina stands out with its ability to record pitch bends, aftertouch, and MIDI CCs, providing you with a versatile and expressive sequencer. There are easy ways to trigger program changes automatically or manually. The linear sequencer within each Song provides a clear Block Order, designed to help you make music that moves. It supports extended track and block lengths, enabling different creative methods of song building to be explored. Additionally, for those who enjoy a traditional approach, Midina offers robust step sequencer options that will only get better with time.

One of the core philosophies behind Midina is community engagement, iterative software development, and the support of customization through community contributions to both software and hardware. I believe that anybody who wants to contribute should be welcome to contribute. By opening the code, I hope to see others tailor Midina to their personal needs, enhancing their creative process and the project offerings along the way.

Midina is built on the versatile Raspberry Pi platform, making it an accessible and affordable choice. Its open-source nature means that you have the freedom to explore, modify, and expand its capabilities.

Midina is still young, but it is a project I am committed to developing and improving for the long haul. I set out to build a sequencer which fits my own production needs in a live environment, and I am happy with what it currently offers.. At the same time, I know it can do much more over time, and I am excited to iterate and improve as the days go on.

Thank you for exploring Midina. I look forward to hearing the music you create with it.

CLICK FOR MORE »

Honeysmack // Live performance at Il Brutto, New Zealand

video upload by Sine Community

You can find supporting member: Honeysmack on Spotify

"The Sine Community is delighted to host Honeysmack from Melbourne, Australia during the release of the new Elektron Digitakt II at Il Brutto, New Zealand. Performing live straight from the dance floor, no pre-recordings, no DJing just pure genuine techno.

About the Artist

Honeysmack is an electronic musician hailing from Melbourne, Australia. He has been actively producing music and performing live Techno for almost 3 decades, earning a reputation as one of Australia's leading electronic music pioneers.

Honeysmack grew from the underground rave scene of the early 90s, combining Acid and Techno to create a unique sound that is both nostalgic and forward-thinking. Labelled a maverick artist who brings a punk-rock aesthetic and philosophy to electronic music. He has released numerous albums and EPs, toured extensively and completed a PhD in Acid Techno! Honeysmack's performances are widely acclaimed for their high energy, dynamic and spontaneous character, all fuelled by his electronic music hardware.

Dr. David Haberfeld, his real name, firmly believes the essence of electronic dance music resides in a live improvised approach, very different to DJing. Equal parts performer, producer, prankster, punk and disrupter; Honeysmack’s reputation for challenging audiences by pushing the creative boundaries of Techno and how it is presented is consistent throughout his work. Honeysmack surrounds himself with an arsenal of drum machines and synths for every performance. This is LIVE improvised Acid Techno, performed live on the dancefloor. Honeysmack is not a DJ, there are no laptops, no records, no CDJs and no USBs, just pure live electricity!

Special thanks to;
David Haberfeld aka Honeysmack ( @honeysmack )

Directed by Sebastian Vidal Bustamante ( @sonoaudiovisual )
Production of the Sine Community ( @sinecommunity )
Sponsored by Synthesizer New Zealand ( @synthesizernz )
Music recorded live at Il Brutto performed by Honeysmack"

DK Synergy II+ For Sale - Professionally Refurbished

video upload by tonetweakers

"Here’s the DK Synergy II+ we just refurbished and will soon put up for sale on our website at tonetweakers.com. The Synergy is an incredibly powerful FM / additive synthesizer that sounds somewhat similar to the famous Yamaha DX7 series, but many feel it sounds much better. We love both. Famous users include Jay Wires, Wendy Carlos and Donald Fagen. In the past, one needed to hook up their Synergy to a Kaypro computer running special software to create their own Synergy sounds. However, someone recently developed a new editor that runs on modern computers. This is a game changer - we can’t wait to hook our Synergy up to it!"

https://tonetweakers.com & Tone Tweakers on eBay

Inverted echoes (a modular patch idea)

video upload by Electrum Modular

"The aim here – besides trying out the TSNM as an expressive keyboard – was to generate an inverted echo, so that a descending melody comes back as an ascending one, or vice versa. (I stole this idea from Bach, who often used contrapuntal inversion, playing the theme “upside-down”).

Mutable Instruments’ Beads (in delay mode) is perfect for this, but any module with a long delay would work. The other crucial ingredient is a multi-channel mixer/attenuverter such as Make Noise Maths (here, I’m using Acid Rain’s Junction).

Other modules used:
Intellijel’s Bifold
Intellijel’s Dixie II+
Intellijel’s Scales
Shakmat’s Banshee Reach
ALM’s Pamela’s New Workout
ALM’s MFX
ALM’s Pip Slope
Make Noise Optomix
Bela Gliss
Doboz’s TSNM
Doepfer A 121-3
Mutable Instruments’ Plaits
ST Modular’s Shikensa
Befaco MixIV
Disting Mk4"

Akai MPC - Mini Masterclass : Deep House in the Box

video upload by Audiorial

Enable captions by hitting CC in the player controls.

"Hi all
New small format on the channel, I offer you a mini masterclass where I detail how I produced a deep house track only with the tools integrated into our Akai MPCs. The whole project is accessible to the 'I like what you do' members of the channel, in order to open it in your MPCs and have fun/remix etc.
Happy watching!"