"This classic needs no further introduction.
Everything works.
A tiny hole was drilled into the left wood panel - which of course doesn't affect functionality."
"There are synthesizers that mark an entire generation: the Roland D-50 is one of them. Used by many musicians in the '80s and '90s, I'm playing with it today for an ambient session, enhanced by Microcosm's Hologram and Strymon's Big Sky pedals.
The D-50 evokes a specific memory for me: the soundtrack to the film 'The Big Blue' by Eric Serra, who used it on several tracks. So nostalgic for me..."
"This app ditches factory presets! :) Just hit the "Create" button, and you'll get a brand-new preset each time, with unique sound and rich texture. All you need to do is tweak a few parameters to better match your vision.
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NoiseSpace is an experimental generator based on simplex noise, which is then used in a granular synthesis algorithm. This design allows for the creation of a vast array of diverse waveforms rich in harmonics with a rich low-frequency spectrum. The generator is controlled by just a few simple parameters. Despite its somewhat chaotic and atonal nature, it is highly suitable for generating industrial sound structures, ominous, foreboding noise and backgrounds.
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More creative audio apps at:
https://motion-soundscape.blogspot.com"
"This video has two stages: first, I record all the instruments in Ableton Live using Akai MPK Mini, then I play the bassline on Korg Volca Bass.
🎧 Spotify https://tinyurl.com/zr3vu2n2
🎧 YouTube Music https://tinyurl.com/4c8zujwe
🎵 I also recommend the playlist "The Synth Community" on Spotify https://tinyurl.com/2jpb352v"
"At Buchla & Friends 2025, we caught up with Orfeas from @Dreadbox to get an exclusive early look at their upcoming Artemis – a powerful 6-voice analogue polysynth with a bold, dark, and aggressive sonic character."
"A piece created using the Game Boy, @MoogSynthesizers Moog One, and @teenageengineering OP-1 field. A brush-played beat is layered with synth harmonies and a Game Boy sequence.
The Game Boy is sequenced using LSDj and processed with reverb and pitch shifting via @strymon NIGHTSKY.
On the OP-1 field, I perform synth and sampler sounds, processing them through the @ChaseBlissAudio GENERATION LOSS MKII to achieve a lo-fi character.
The drum tracks, played with brushes, are edited in the DAW. Three microphones are used for recording—one on the kick, one on the snare, and one as an overhead. The audio interface used is the TASCAM SERIES 8p Dyna."
