Introducing Vongon: Replay // Polyphonic Synth & Muti-Mode Arpeggiator

video upload by MAS Distro

Update: new demos added below.

"Join us as we embark on a sonic journey with Replay, a new polyphonic synthesizer and multi-mode arpeggiator from Vongon. First up we test its prowess in the realm of synthwave - spoiler alert: it excels! In the latter half, we delve into the interface and its versatile capabilities complete with an immersive sound exploration, unleashing the arpeggiator and tweaking various parameters for a mesmerizing experience. Video and music production crafted by DeadMidi.

Gear Used:
Vongon Replay Polyphonic Synth/Arpeggiator
Vongon Polyphrase Stereo Echo
Vongon Ultrasheer Stereo Pitch Vibrato & Reverb"

Vongon Replay!

video upload by Fireghosting

"Replay is a six-voice polyphonic synthesiser and a little window into synth heaven. Lush pads, tiny plinks, snappy arpeggios, warbling melodies, resonant filters with midi connectivity and a sleek web interface!"

Vongon Replay Virtual Analog Synth | Overview + Exploration

video upload by Sarah Belle Reid

"A demo and walkthrough of the new polysynth Replay, by Vongon. Replay is a 6-voice polyphonic synthesizer with a compact form factor that takes inspiration from classic poly synths from the 1980s, like the Roland Juno series + the Korg Polysix.

This video includes an overview of what Replay is and how it works, along with a number of sound examples demonstrating Replay on its own and in combination with FX pedals, to create a wide range of sounds from classic synth leads, pads, and arpeggios to more experimental textures and noisy sound worlds."

TIMESTAMPS:
00:00 Intro
02:45 Replay Overview & Tour
17:03 Musical Demo
19:09 Filter Experiments on Replay
23:50 Exploring the Arpeggiator
28:00 Combining Replay with FX

Vongon Replay: This synth rules!

video upload by Matt Lowery

"Today we take the beautiful Replay by Vongon out for a spin and also have a conversation about synthesis basics in honor of my five year synth-a-versary. Vongon really hit it out of the park with this instrument and--whether it's your first synth or your 10th-- there's a lot here to love."

VONGON REPLAY Polyphonic Synth & Arpeggiator | Can I write a synth-pop track with it?!

video upload by Ambient Endeavors

"Man, I just love gear that makes you approach writing differently. That reminds you how fun it can be to find new sounds and feels, explore new ways of composing. And today, the new Vongon Electronics REPLAY is doing that for me - a super fun, approachable, compact polyphonic synth and arpeggiator."

via Perfect Circuit

"The Replay is the first synthesizer offering from boutique pedal designers Vongon, offering a six-voice virtual analog sound engine with multi-mode arpeggiator. Inspired by beloved keyboard synths of the early 80s like the Roland Juno and Korg Polysix, the Replay faithfully delivers warm and lush vintage timbres in a compact package that drips with modern aesthetics and utility. In Replay, Vongon has struck an impressive balance between scope of features, user experience, and overall sound quality. The result is an instrument that sounds wonderfully rich and nostalgia-laden, with an interface that is easy to understand - perfectly approachable for a beginning synthesist, yet deep enough to inspire veteran wigglers to explore the edges of its capabilities.

Replay's front panel is incredibly straightforward, with simple controls for its primary functions conveniently accessible. Additional options are selected via the "secret menu" alt functions. At the heart of Replay's sound engine are multiple selectable waveforms for its primary oscillator, with ramp, square, triangle, and sine modes. Noise amount, pulse width modulation, and LFO pitch modulation offer further timbral manipulations before passing to the four-pole, low-pass filter. Highly resonant and warm, the filter includes modulation depth controls from the primary envelope, keyboard tracking, and the LFO. The VCA features options for maximum amplitude and modulation source. An organic and responsive ADSR envelope and the on-board LFO round out this straightforward voice, with flexible modulation routing options between the main controls and alt functions.

The multimode arpeggiator on the Replay opens up a variety of fun and engaging options for controlling the synthesizer voice. Latch and keyed modes, in addition to the three poly modes available on the alt functions, offer a variety of ways for creating snappy and spiraling arpeggios and fuzzy, morphing pads. Up/Down, order, and random modes provide further ways to organize pitch material. The alt functions allow the LFO to be clocked by the ARP speed, creating rhythmically modulated phrases that are a joy to get lost in.

All in all, the Vongon Replay delivers a premium virtual analog experience that feels streamlined and purpose-built for getting beautiful analog sounds quickly. With plenty of depth in sound color and just the right amount of tricks up its sleeve to keep you immersed in music making rather than menu diving, the Replay is sure to become a go-to instrument for lush pads and other classic synth timbres. Its physical design is beautifully simple, and the responsive feel of its Cherry MX keys invite playful interaction that is hard to put down. Of course, the Replay is a lovely source for running through Vongon pedals, creating an instant synthwave or soundtrack machine paired with an Ultrasheer or Polyphrase. If you're needing a straightforward synth with limitless sonic charm, the Vongon Replay is a wonderful choice.

CLICK FOR MORE »

How to do awesome arpeggios - Tangerine Dream style

video upload by Espen Kraft

"How to do arpeggios and arpeggiated parts in the style of 70s and 80s Tangerine Dream? Blend different time signatures, use a lot triplet and dotted delays and plenty of reverb. Play some arps by hand and use automated arps together. Mash it up, use your creativity!

If any of you uber-Tangerine Dream fans read this; this video is made to inspire some creativity. It's not meant as a remake of any TG track in particular. I know how obsessed die-hard fans can be with stuff presented online. I'm well aware of their modular setups and custom made hardware.

00:00 Multiple arpeggios going at once
01:15 Play/record your arps by hand
01:52 Mix time signatures
04:09 The Bass
05:34 Blend different arps together
07:22 Use triplet- or dotted delays
10:09 Create melodic counter point

Find my music here:
Bandcamp: https://espenkraft.bandcamp.com/"

Synths featured: Roland Juno-106, Jupiter-8, Sequential Prophet X.

Korg Polysix INHALT Demo No Talking Analog Synth from 1981

video upload by INHALTVIDEO

"The Korg Polysix was my first analog synthesizer way back when I was 16. While I had a virtual analog at the time, this was the first time I got to experience the magic of analog and this synth left a lasting impression.

I haven’t had the Polysix in many years and this one here I am selling (it has MIDI and has been serviced for the battery issue) but I simply can’t get over how good it sounds. It’s no surprise as in many regards, the Polysix is the “poor man’s Prophet 5 (rev2)”. In both tone and feel, the Polysix is definitely of the Rev 2 P5 variety as its build is with SSM chips that embody that definitive analog goo. While you can’t do the fancy footwork as on a P5, there are plenty of additions that honestly would have made the P5 even more lethal.

Chiefly there is the most excellent arpeggiator. I’ve used many an arp and this one here is exactly what an arp should be. There is also the absolutely gorgeous BBD based analog fx section. The ensemble effect is yet to be put into any kind of pedal form and it’s so rich and deep it truly transforms the sound into a moody and silky bed of warmth.

I particularly love how the top end of the keyboard sounds. The higher octaves have such a definitive tone color that the Polysix’s origin of 1981 is unmistakable.

I never understood why people lined up in droves for the Juno 60 and 106. Yes the bass was nice on the 60 but it’s ultimately a home organ with an arp and a noisy chorus. The Polysix on the other hand, is a true blue proper analog poly. Had Sequential made it as a more affordable Rev 2 Prophet 5, it would not be the 'poor man’s'."

Epic Prophet X Sample Bank Out Now

video upload by Espen Kraft

"A new patch bank for the Prophet X. Hundreds of samples from over 20 different classic vintage synths. Multi-samples, Velocity layered samples, one-shots and stretched (for authenticity).

The samples and patches I've created is originally meant for MY Prophet X, for my live needs. A way of having all my vintage synths in one keyboard when doing live gigs doing MY own songs as faithful as possible to my albums.
It means that all of these sounds are "ready to go" production pop synth sounds. If you're looking for experimental synth sounds or spiky industrial sounds etc, you won't find that here. I never set out to do that. Nor will I. Every sample in here has been recorded by me personally and sounds exactly how I want them to sound.
Many of the samples are velocity layered multi samples, some upwards of 30-50 samples per sound, while other sounds are just ONE sample, stretched over the entire keyboard. It all depends on how I want the sound to sound. 80s samplers always stretched the samples which gives it a characteristic sound and sometimes I want THAT sound to come through.

If you want to purchase this bank, please send me an email and I'll give you the download details.
The pack is about 1.5Gb in size.
My CONTACT email address is this: espenkraft69@gmail.com
Price is $35 USD. This price is a steal. PayPal only. * The above email is NOT the one to use for payment. That will be given upon ordering.

Included in the download is an instruction on how to install this bank, but I do assume you already know this if you have a Prophet X.
I will take no responsibility if you've accidentally deleted or erased any user samples on your own PX (that you had on from before) after installing my pack.
I will not engage in any "one to one" tutorial sessions on how to install the pack after purchase.
If you have a PX, you should know how to operate it. If not then this pack is not for you.

The installation, import and patch bank transfer has been tested out, and verified to work, by another PX user and owner.

If you want the pool of samples for another platform, I might be able to convert it for you. Send me an email and we'll see.

CLICK FOR MORE »

Rob Rosen Reveals His Ultimate Synth Collection

video upload by Anthony Marinelli Music

A look inside the Yamaha CS80, the 14th ever made Sequential Prophet-5, a Rev 1, and a Roland Juno-106, touching on some of the evolution of analog synthesis technology over the years.

"I hope you enjoy this rare opportunity to visit with my close friend Rob Rosen for a deep dive into his ultimate vintage synth collection. Together, we’ll see inside some of the rarest synthesizers of all-time and learn from this master technician how synthesizers have evolved, what makes them tick and why synthesizers make such cool sounds!

I consider Rob’s shop @Rosen Sound ground zero for anything relating to synthesizers. It’s also the biggest wonderland of vintage synths in perfect working order that you’ll ever see .

Rob is a self-taught technician and is now the world leader for repair, restoration, custom manufacturing and sales of vintage synthesizers. He’s also quite an accomplished musician programmer and keyboard player as well."

Chapter Time Stamps:
00:00:01 Intro Anthony on the street in Burbank, CA
00:01:55 Entering Inside Rosen Sound
00:02:06 Meeting “P” from Chromeo and The Rosen Sound Team
00:03:06 Rob shows us his personal work space
00:11:42 Montage of Synths - Start
00:12:35 Montage of Synths - End
00:12:36 Anthony and Rob in “The Cabin” - a wonderland of vintage synths
00:13:42 Anthony explains and demonstrates features on the CS-80
00:20:36 CS-80 “Under the Hood” in-depth tour by Rob
00:53:31 Prophet 5 “Under the Hood” in-depth tour by Rob
01:12:50 Anthony Demonstrates some of the Juno 106 sounds
01:19:27 Juno-106 “Under the Hood” in-depth tour by Rob
01:28:54 One-of-a-Kind Oberheim Modular 8 Voice System tour by Rob
01:35:31 Anthony asks Rob 20 Questions about Synthesizers
01:39:09 Rob asks Anthony some Questions about Synthesizers
01:49:47 Bass Shootout: 1973 Moog System 55 VS ARP 2600
01:54:54 Shoot Out Conclusion and Bass Tips

Alpha 106: Inspired by Roland Juno 106 & 60 synthesizers. Access Virus Ti & Viper Vsti3

video upload by ultimateXsounds

"Welcome to an exciting musical adventure as we delve into the enchanting world of 'Alpha 106.' In this captivating video, I'll be your guide on a mesmerizing journey, exploring the depths of these synthesizers presets. Join us and explore the world of vintage synths using the Access Virus Ti and VIPER 1.1.0 . Whether you're a beginner or a professional producer, we provide the best vintage synth presets for Access Virus Ti and VIPER software 1.2.0 VSTi"

More info at :
https://www.ultimatexsounds.com/alpha106

" ALPHA 106 " is a Access Virus Ti & VIPER library inspired by the JUNO 106 and JUNO 60 synthesizers.
The library contains 114 presets divided into categories.
For many weeks we refined every detail to make the experience as good as possible
Very warm and analog sound that you will double check if the sound is generated by Virus Ti

How it was made ? The idea ?

First we created a several basic presets close as possible to the original from JUNO 106/60.
But we didn't want to stop there.
We wanted to go a little further, exploiting the capabilities of Virus Ti, but not exceeding a certain limit.
The last stage is polishing every detail of the sound.
In addition, in the package you will find a lot of very interesting and inspiring sounds.
They sound massive, wide and very analog.
Definitely a must-have for all fans of classic sound.

Designed by MR.X
" I spent many hours on every single preset. Believe me !
Anyway, It was worth it !! "

Stoel Music Systems Eurorack Modules

video uploads by Stoel Music Systems

Playlist:
Stoel Music Systems Vacuum Tube Ring Mod Introduction
Stoel Music Systems 2044 Eurorack Filter Demo - No Audio Effects
Stoel Music Systems 2044 Eurorack Analog Filter Demo
Stoel Music Systems Spring Reverb Eurorack Module
Generative Music on Eurorack Modular Synth - Session 1
Stoel Music Systems Standard Voltage Controlled Oscillator for Eurorack Modular
Stoel Music Systems Discrete Filter Eurorack Module

via Stoel Music Systems

"My philosophy is to make beautiful, long-lasting instruments with musically functional user interfaces that will become heirlooms for future generations of music makers. I enjoy a day of soldering and prototyping in my workshop as much as a day in the studio immersed in sound.

I started tinkering with electronics and designing sound effects for school plays when I was a teenager. During high school, I worked hard to be able to buy a Juno 106, an Oberheim Matrix 1000, and an Akai sampler. Then, I studied electronic music and audio for film and video in college. I also started modifying organs and keyboards and learning how they worked. This led to starting a musical instrument parts and repair business I operated for over ten years.

In the back of my mind, I dreamed of designing synthesizers and effects processors. After moving on from the parts and repair business, I was hospitalized and nearly lost my life to COVID. During my recovery, I looked through all the designs and ideas I had accumulated for twenty years and decided it was time to begin making my ideas a reality.

The Vacuum Tube Ring Mod is our most popular module, and the one I patch in the most. It has more harmonics and edgy character than a typical solid state ring modulator. It is built using full-sized vintage vacuum tubes, ceramic tube sockets, and audio transformers. The look and feel was really important to me so it has a high-gloss aluminum front panel with a raised texture and UV-cured digital printing.

Every month we give away a free Eurorack module to one of our newsletter subscribers. We’ve given away Vacuum Tube Ring Mods, VCOs, Dual Morphing LFOs, and other fun modules. Worldwide shipping is included. You can sign up at https://www.stoelmusicsystems.com."

Roland SH-4d // in-depth oscillator models, mod matrix, & How to Make the Hoover Patch in 5 Steps

video upload by Starsky Carr

1st video in the user playlist here. Additional Roland SH-4d demos here.

"Tutorial demoing what each of the SH-4d Oscillator models can do, and more importantly what they can sound like because that's not available from the manual - :)

What's interesting here is that the mod matrix options change per model. For example, some have 2 slots, others have 4 and the wavetable oscillator has an additional envelope to auto play through the wavetable shapes, and this becomes available in the mod matrix as a source for all the destinations.

In other words, the basic sound engine is very simple, like the vintage units, but you can go more complex if thats your thing."

How to Make the Hoover Patch in just 5 Steps

video upload by Starsky Carr

"Try this on any synth but the @rolandglobal SH4d had got an Alpha Juno style sawtooth with PWM.. so thought I'd give it a go!...turns out it quite simple :)"

Roland DC-50 analog BBD chorus / delay + Roland Juno 106

Note: Auction links are affiliate links for which the site may be compensated.
video upload by ohm_studi_ohm

"Unit is for sale here.

Here is a demo of the Roland DC-50 with a Juno 106.
I use a footswitch to turn the effect on/off and also compare it to the built in Juno chorus to give you an idea how they differ.
Main difference is the DC-50 is mono of course, but it can do echo. Also chorus effect is much more pronouced than the Juno one and depth can be adjusted.
Recorded straight with no treatment nor eq."

via this auction

CLICK FOR MORE »

Breath of the clouds | Peaceful ambient music with UDO Super 6

video upload by MIDERA

"Today I had a chance to test out a UDO Super 6 when a friend (Avery) visited. They wanted to check out my Jupiter 6 and borrow a friend's synth which was stowed away at my place for a while. They were kind enough to bring the Super 6 along for the ride.

So what did I think of the Super 6? It's a bit hard to say honestly, if only because it was in my studio for about an hour and I only really messed with it for about 20 minutes total, including playing this.

I found the naming convention similar to that of the DW8000 - where things were sort of not easy to understand right away - like MG for LFO (on the DW and I'm sure other Korg's of the era). Whatever, it's more on me for not understanding that aspect.

I did have this weird sort of thinking that... I actually think the System 8 held up really well - and strangely, I actually am starting to think maybe I like how my System 8 looks. How can this even happen... I don't know. I think once you start bonding with things, even if they don't look great they still are really unique in other ways.

That said, obviously the System 8 is sort of on a lower tier than the Super 6 in terms of build quality and everything else.

I will say that I could understand someone parting with a Jupiter 6, Juno 6/60/106, and System 8 in order to grab the Super 6. It really does a lot of those things well. I am actually wondering why not sell the Jupiter 6 for the Super 6.

So now that's point number 2 - how does the Jupiter 6 compare? Well... I think I'll need to sleep on that. Maybe I'll write something similar with the Jupiter 6 and see how I feel about it. I will say that there is an incredible amount of overlap on the two.

I think the Jupiter 6 looks cooler though :P

And something that I tried to hide (because it showed up at the beginning and I removed it) and did hear somewhat throughout this video... I could hear clicking when I pressed the keys even when the attack was set to very slow. I wonder what that's about or if it's some weird thing with the delay? I don't know."

Exploring the Roland Jupiter 6

Exploring the Roland Jupiter 6 | What did I get myself into? video upload by MIDERA

"I spent too much money on this. I told myself I shouldn't get it. I knew I didn't need it. I knew it wouldn't add anything to my setup. I knew it would be a project... And yet, I bought it. The Jupiter 6.

The Jupiter 6 belonged to someone I know and have bought other things from. When we started our discussion, only 2 issues were known. The Master 2 knob and the ENV2 keytracking weren't working. I figured I could fix this. Then VCO MOD ENV-1 tracking wasn't working. Then, the unit wouldn't power on at all. They managed to get the power working again (the switch itself wasn't working). So I decided to go ahead with the purchase.

I drove an hour to pick it up.

I got it home and, yes, those issues persisted, but I tested it out and decided right then that this was indeed a mistake. My Prophet 10 is a better synth with less issues. Anyway, a few days passed and I decided it was time to open it up. I replaced the power switch. I tore out the 2 faders that weren't working. I cleaned them and fixed them. I cleaned out a few others that seemed to have intermittent issues.

All seemed well... until I made this video. It was at the very end of this video when I realized that Oscillator 2 has one voice that isn't working correctly. The Pulse wave is silent. Digging deeper into this, I've found that IC36C pins 4 and 5 are not receiving any voltage. This is voice C (or 3). Unfortunately, so far this is beyond my skillset to fix, but it seems something (hopefully common between these two pins, both related to Pulse wave and PWM) is not working. It's not a bad chip, because I swapped chips and the issue persists on the same location, i.e., it didn't follow the chip. One possibility is that this location is not soldered properly, and those two aren't receiving any information. I'm not sure. I'd have to delve deeper, but again, I'm just out of my depths here.

So what are my thoughts now? I'm frustrated that I put so much money into something that really needed more work than I originally thought... But then again, I've also learned a lot, like how to repair faders, how to do some basic IC chip testing.

I am shocked by people saying it's 'cold'. I don't know what that is about at all. Doesn't sound cold at all to me. It sounds like a proper Roland synth. But wow it has a ton of range. I didn't properly capture it here, but a few sounds I have made sounded like hitting a stringed instrument... it's like you can feel the electricity, where I don't often feel that way with the Prophet 10. It's really a great sounding synth. To me, it retains everything I liked about my Juno 6 and added a lot more. The only thing I really miss about the Juno 6 is the better feeling faders and the smoother cutoff when modulated.

All I can say is - I can't wait to have this thing back to 100%.

Happy New Year!"

EP1: Roland Juno-60 with VintageRack, AltiSpace, Classic FX, SpaceFields

video upload by Igor Vasiliev

"This is a series of short demos of my apps with different synths. How they can change the sound, make it brighter and more engaging or even drastically change it. I really like hardware synths, but these apps will work great with any soft synth on iOS or Mac, also as with a live instruments. So it will be a small series of holiday sound experiments!
More about these apps: https://motion-soundscape.blogspot.com"

Sequential Synth Tips With Sheenah Ko: Prophet-6 Sequencer

video upload by Sequential

"Welcome back to “Sequential Synth Tips,” where some of our favorite artists share their tips, tricks, and techniques on Sequential synths. In this episode, Sheenah Ko demonstrates how to use the sequencer on the Prophet-6 keyboard.

Sheenah is a professional keyboardist and artist, writing vibey synth pop music under Sheenah Ko, and often seen on stages around the world with bands like psych rockers The Besnard Lakes, electronic dance group, Le Couleur, and so many more!

Sheenah is releasing her sophomore album, FUTURE IS NOW, on June 3rd, with 2 new singles available now, all craftfully made with Sequential gear!

Follow Sheenah Ko:

https://sheenahko.bandcamp.com
https://www.facebook.com/sheenahko
https://instagram.com/sheenahko

For more information on Sequential instruments:
https://www.sequential.com/"

The Cave Sessions (Jams with Sheenah)

video uploads by Sheenah Ko

Playlist at the time of this post:

1. Cave Sessions with Sheenah Ko (Improvised jam with Roland Juno 60, Prophet 6 and Toraiz SP16)

"Here's the 2nd video of my new series, the Cave Sessions, where I invite you deep into my woman cave to watch my solo jam sessions, featuring special guest, Ginger! Jamming and improvising is my way of discovering and learning more about my gear, my voice, and creating new ideas without any rules. I also compose a lot of my songs this way. This time I am improvising on the Roland Juno 60, Sequential Prophet-60 (Master) and Toraiz-SP16 (Slave)!

2. Cave Sessions with Sheenah Ko (welcome to my creative process)

"Welcome to my cave....where laundry and synthesizers have their place. I invite you to watch my song-writing process. The way I write songs is through meditative and improvised jam sessions; I press record and let myself go, and because each instrument is being recorded separately, I can go back to my jam and sculpt/chip away and create a new song. MY GEAR: Sequential Prophet-6 (Master), Nord Stage 2, Sequential/Pioneer DJ Toraiz SP-16 (slave), Roland Juno-60"

About Sheenah Ko:
"I'm a professional keyboardist and solo artist based out of Montreal, Canada, and a Sequential Keyboards artist. I am often composing music under my name (Sheenah Ko) or touring the world rocking international stages with so many rad bands like The Besnard Lakes, Antoine Corriveau, Le Couleur... (the roster is looooong). I love geeking out on synthesizers, writing trippy music, travelling, spending as much time as possible in nature, hanging with Ginger cat and spreading good vibes. I have a brand new album coming out on June 3, 2022 called FUTURE IS NOW, stay tuned!!!

Official website: sheenahko.com"

Introducing Roland AIRA Compact | T-8 Beat Machine, J-6 Chord Synthesizer, E-4 Voice Tweaker

video upload by

$199.99 each. Additional videos below. Press release and pics below them.

"AIRA Compact puts Roland’s legendary creative magic in the palm of your hand. Easily play and perform with these highly jammable instruments—anywhere, anytime. Chain them together to catalyze your creativity or connect with MIDI gear, computers, and music apps to expand your setup. Just power on and go with the flow.

About the T-8 Beat Machine

The T-8 Beat Machine is a mini rhythm factory with six tracks of pristine TR drums plus a TB-303 bass track. Embodying decades of modern musical sound, the T-8 gives you the power to create infectious tracks in seconds flat. Craft on-the-fly acid jams or trap bangers with the intuitive 16-step sequencer, shape sounds with onboard controls, and flip and dice beats with simple, yet powerful tools.

About the J-6 Chord Synthesizer

The J-6 is a portable synth toolbox with all the building blocks you'll need to bring harmonic substance to your jams. Pairing a powerfully unique chord sequencer with lavish JUNO-60 synth tones, J-6 packs a versatile feature set into a highly jammable format. Generate soul-stirring song ideas with the turn of a knob and explore 100 chord sets over a variety of genres. Experiment with styles and variations to coax dancing lines and rhythmic patterns from your chords. Add lush chorus, reverb, or delay to frost your sound.

About the E-4 Voice Tweaker

Harmonize, auto-pitch, vocode, loop, and glitch your voice all from the portable E-4 Voice Tweaker. Want hands-on control? Connect a mic or input a feed and easily explore effects using the sliders, function buttons, and scatter knob. From looping live jams to livestreaming or tightening up and expanding performances, the E-4 will transform your voice into your new favorite instrument.

Chapter Breakdown
0:00 – Series Introduction
1:50 – T-8 Beat Machine
2:22 – T-8 Patterns, Sounds, and Tracks
3:22 – T-8 Hands-On Controls and Performance Tools
4:19 – T-8 Create a Drumbeat
4:41 – T-8 Create a Bassline
5:40 – T-8 Advance Programming and Effects
6:25 – J-6 Chord Synth
6:52 – J-6 Playback and Genres (Chord Sets)
7:13 – J-6 Sound
7:52 – J-6 Style and Variation
8:22 – J-6 Chord Sequencer
9:14 – J-6 Connect to DAW
9:39 – E-4 Voice Tweaker
10:14 – E-4 Hands-On Controls
10:29 – E-4 Auto Pitch, Harmony, Vocoder
11:09 – E-4 Looper
11:26 – E-4 Scatter
11:50 – Connectivity"

Roland AIRA Compact J-6 / T-8 / E-4 - DEMO by gattobus

video upload by gattobus

"Roland's birthday party it's not over!
A few days ago they sent me these little magic boxes to try them out and in less than an hour of tweaking, I came out with this song!!!
The song title "A Big Tiny World" is because they are BIG sounding TINY boxes indeed! :D
They are:

- J-6 Chord Synthesizer
- T-8 Beat Machine
- E-4 Voice Tweaker

Their sound quality is astonishing! It's amazing to have the power of ACB technology in such a small form factor...
Everything you hear in this video was played and recorded in real time, no post processing or FX was added.
I had so much fun, I hope you like it!"

Roland Aira Compact : T-8 / J-6 / E-4 : Portable Drum Machine, Polyphonic Synth, & Vocal Effects

video upload by Perfect Circuit

T-8 Drum Machine & Acid Style Bass Synth : https://bit.ly/3KToRQp J-6 Polyphonic Synth : https://bit.ly/3FuHg4Z E-4 Vocal Transformer : https://bit.ly/3yowhbM

"Join our pal Dustin for the debut of the AIRA COMPACT line of synthesizers ! These three desktop style devices combine some of Roland's most recognizable and powerful sound palettes into a portable, affordable, and outrageously fun package!

Check out our in-depth Signal article for more details - https://bit.ly/3L08Msr

0:00 - Intro jam
1:07 - Overview of Aira Compact Line
2:54 - T-8 Drum Machine & Bass Synthesizer
5:50 - J-6 Four Voice Polyphonic Synthesizer
9:50 - E-4 Vocal Processor, Looper, & Effects
11:57 - Robot Acid BOPS !"

AIRA Compact- First Look at the new Range

video upload by

Roland T-8 J-6 E-4 Compacts Review: Here's what makes them special // Full Tutorial

video upload by loopop

TIMELINE
0:00 Intro
1:05 Overview
2:05 Connectivity
5:15 T-8 OVERVIEW
8:30 Drum sounds
11:55 Bass synth
14:00 Sequencing
19:20 Effects
20:15 Drive
22:05 Sidechain
24:55 Performance
26:20 T-8 Pros, cons
28:10 J-6 OVERVIEW
29:20 Synth
31:15 Effects
32:55 Keys, chords
33:50 Phrases/arp
36:10 Sequencer
39:50 Step length
40:20 Menu misc
41:40 J-6 Pros & cons
45:10 E-4 OVERVIEW
46:00 Eight things it does
50:00 Interface
50:50 MIDI control
51:20 Vocoder
52:00 Looper
53:20 Scatter
56:25 E-4 Pros & cons
58:25 T-8 Patterns
1:07:10 J-6 Patterns

How fun is the Aira Compact series?

video upload by True Cuckoo

And the press release:

Fun, Pocket-Size Instruments with Innovative Creative Features, Authentic Roland Sounds, and Class-Leading Connectivity

Los Angeles, CA, May 10, 2022 — Roland announces AIRA Compact, an all-new series of ultra-portable instruments with free-flowing features for creative exploration and authentic Roland sounds. Fun, affordable, and easy to learn, the T-8 Beat Machine, J-6 Chord Synthesizer, and E-4 Voice Tweaker bring serious musical power to everyone from hobbyists and gadget collectors to tech-savvy pros.

AIRA Compact instruments let anyone jam, perform, and develop ideas on the go with friendly controls, inspiring sounds, and loads of intuitive music tools. Users can realize complete compositions with a single unit or expand their possibilities by connecting and synchronizing with other AIRA Compact models. From one master unit, multiple AIRA Compacts can be mixed and monitored with headphones or an external speaker system. It’s also possible to interface with computer DAWS, mobile music apps, and hardware instruments via USB-C or MIDI.

Driven by Analog Circuit Behavior (ACB) and other advanced technologies found in top-line Roland instruments, AIRA Compact delivers the real-deal sounds behind decades of hit music. Users can create with the genuine voices of Roland icons, including TR rhythms, TB basses, JUNO synths, VT effects, and more.

Driven by Analog Circuit Behavior (ACB) and other advanced technologies found in top-line Roland instruments, AIRA Compact delivers the real-deal sounds behind decades of hit music. Users can create with the genuine voices of Roland icons, including TR rhythms, TB basses, JUNO synths, VT effects, and more.

AIRA Compact strikes the perfect balance between portability and power. Each model is small enough to slip into a pocket and features an inviting panel to jump-start the creative flow for immediate results. Onboard lithium-ion batteries provide hours of continuous use per charge, while Roland’s famous build quality will support musical adventures for years to come.

T-8 Beat Machine
The T-8 Beat Machine combines iconic Roland drum and bass sounds in a go-everywhere rhythm factory. Beatmakers can build tracks with legendary sounds from the TR-808, TR-909, and TR-606 drum machines, paired with the shapeshifting low end of the dynamic TB-303 Bass Line. The six-track drum sequencer features the famous TR-REC workflow, enhanced with deep tools like step loop, pattern shift, probability, and others to generate dynamic performances with constantly evolving grooves. The T-8 also provides an authentic TB-303 bass experience, including the tactile power to squeeze, squelch, and mangle sounds in the moment.

J-6 Chord Synthesizer
The J-6 Chord Synthesizer is an endless well of musical inspiration, pairing a powerful chord sequencer with the lavish tones of the renowned JUNO-60 synth. Creators don’t need to know chords or theory to make music—they can simply call up one of 100 chords sets and build compelling chord progressions with one-touch presses on the built-in keyboard. Styles and variations are also available to coax dancing lines and rhythmic patterns from chords. Users can quickly string progressions together via step input, tweak the sound with dedicated filter and envelope controls, and add polish with customizable delay and reverb effects.

E-4 Voice Tweaker
The E-4 Voice Tweaker combines advanced voice transformer tools and standard vocal effects with a hands-on interface that’s meant to be played. Performers can go from traditional vocal enhancements to punchy beatboxed grooves to striking alien soundscapes—all in a single tune. Pitch and formant sliders are available to instantly change the vocal gender, create robot voices, and more. Auto Pitch, automatic harmony, and vocoder processors are included, along with reverb, delay, and other effects. There’s also a built-in 24-second looper for capturing performances on the fly, plus a unique Scatter function for slicing and dicing the sound via a dedicated panel knob.

Availability & Pricing

The Roland AIRA Compact series is now available in the U.S. for $199.99 each."

Check with dealers on the right for availability.

Roland Juno 6 versus Roland System 8 Juno 60 plug out | In-depth comparison

video upload by MIDERA

"High-level take:
1) Sound: System 8 sounds VERY close to the Juno 6. Fairly equivalent, but differences can be heard.
2) Feel: No contest. The Juno 6 has the feel of a luxury synth, the sliders are lovely, the keys are lovely. The System 8 feels like an M-Audio midi controller from the mid 2000's.
3) Look: No contest. The Juno 6 looks incredible. The design is just up there. It is iconic. The System 8? It would not look out of place in a gamer's den with an Alienware computer and Mountain Dew strewn about.

Overall experience:
Based on the above, I can't help but just FEEL differently about the two instruments. Roland did an excellent job on the System 8, there's no doubt about it. It sounds very good and does a LOT more than the Juno 6, that is clear. The sound IS there. The problem isn't how it sounds, but how it is experienced.

Sure, I can 'play' a Juno 60, or Juno 106, or JX3P, Jupiter 8, System 8, or any number of other plug-outs. They sound very good (although my experience with the JX3P is that the Plug out is not quite there). I believe the Juno 60 plug out sounds better either because it is newer, or because it is simpler than the JX3P. This makes me suspect the Jupiter 8 plug out might not really get there either (as it is a 2 oscillator synth). There only exists one comparison out there on Reddit, and I don't think the person owned both.

The biggest difference in the sound to me was when I threw the resonance to max and the cutoff to zero with envelope amount and decay and sustain to max. The Juno 6 was much darker (i.e., more closed filter) than the System 8. I would have close down the envelope amount on the System 8 to match. You hear that in the demo. The chorus 1+2 is pretty different too.

Where the sound ends, you are met with a blast of the rest of the experience. The look could not be any further from the Juno 6. We go from classic to garrish. That is a hard pill to swallow. Some seem to like it - and that's great. There's nothing wrong with liking how it looks. I personally do not like how it looks (although if I change the green to mint green on my videos, it does look cooler).

I don't really like the fact that the upper chassis is made up of one plastic mould. I prefer the upper part of the panel to be separated from the mod wheel area. On the System 8, you just see this long panel reaching down from the top to the bottom by the mod wheel and I personally don't like how that looks. It looks cheap.

The FEEL or experience is so largely different. The System 8 just feels cheap to me. The keys don't have a nice feel, sometimes sort of sticking too. I want to open mine up and use white lithium grease on the keys, maybe that would help. The Juno 6 feels like playing a nice instrument. The metal panel, the sliders, the keys - oh the keys feel so nice. Apparently they're the same as the JX3P and D50 based on that "Ultimate Keybed Thread" but I have all three and the Juno 6 feels MUCH nicer.

Conclusion: I know I'm complaining a lot about the System 8. The truth is it does in fact sound very good. When I first got the Juno 6 I said to myself that it was a huge mistake because the System 8 sounds identical. The differences are not big enough for me to prefer the Juno (unlike the JX3P, which DOES sound better than the plug out). The Juno has a much better 'sweet spot' but only because it's range does not go as wide/far as the System 8. Is that a good thing that the Juno 6 has more sweet spots because it limits its ranges more? I don't know.

One intangible thing. I cannot explain this, but when I play a System 8, even if it sounds good, I wonder "Is this really how the real thing sounds/feels?" My brain just doesn't accept the System 8 as the proper surrogate. I think I'd have the same thought regarding the Jupiter X. Or with a VST for something that I care about. It's probably like chasing goblins in my head. There is no answer. If you want a Juno or a Jupiter, you will likely never be satisfied with the System 8 or Jupiter X...

The answer is likely something greater than your desires. It is probably related to mindfulness and acceptance that we can't have everything. I'm still working through these thoughts myself.

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Dreadbox Nymphes // First Impressions

video upload by Jorb

"This ended up longer than I expected, but I appreciate how natural it feels for to sit down without an outline for a first impressions, just let me train of thought dictate the episode. So in service of that, I didn't cut out as much as I normally would have.

Really, this is giving me the idea of a bunch of modules with the MPC, no keyboard, go against what I'm used to.

Chapters are hard for this one, just sort of went where my brain went, but we do what we can for the subs ;

0:00 Intro
2:42 Brief look at competing options
5:44 How's the filter sound?
6:45 Is the menu diving as bad as people think?
9:23 Can it handle varied sound design?
14:25 Let's chat about the reverb
18:05 Lets talk about modulation
21:29 Waveshapes into more modulation complaints
24:20 Extra envelope trick (different from LooPop I promise)
27:52 TiNy JuNo?
28:53 Demos with Stereo Chorus (wish I used less wacky patches)
32:04 Conclusions begin"

Studio Electronics MIDI Mini

Note: Auction links are affiliate links for which the site may be compensated.
video upload by Mineral Sound

"Here's a short demo of the Studio Electronics MIDI Mini/Minimoog Model D I have listed for sale on Reverb. Some playing around with bass/lead sounds, going through the oscillator waveforms, and sweeping the filter to show how it sounds and performs. Using a Juno-106 as a MIDI controller, not included in sale!"

via this auction

Pics of the inside below.

"this is one of the early versions with the original sound boards ripped out of a Minimoog Model D. Some might call it sacrilege, I call it a great way to get authentic, vintage tone in a 4U rack!

This unit is freshly returned from service at Rosen Sound in Burbank, CA. No oscillator drift, all pots, switches and functions in working order! But there's only so much I can describe in words; check out the demo video I made (above, after the pictures) to hear it in action. This thing is FAT. Floor-shaking basses, screaming leads, and saturated resonance; if you know you know, there's no substitute for the OG Moog sound.

The only functional issue I've found is that the VCO pots are a little scratchy, and the VCO 1 pot has a little trouble clicking into the rightmost waveform (PWM square). I spoke with the tech and since the pots are no longer manufactured, the only solution would be to machine new pots, which would likely cost more than the unit itself. But if that's the only issue for this 40-year-old beast I'd say it's doing pretty well!

Cosmetically the item is in great condition; the faceplate is more or less pristine, with only some very light rack wear on the mounting tabs. The top of the unit has some scratches and scuffs (see pictures),as it's a bit of a tight fit getting this into a rack (but of course those scuffs will be invisible once mounted). Back and sides are in perfect condition."

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DIY synthesizer soundengine (using ESP32 Arduino) - Little demo of the Roland Alpha Juno like sound

video upload by Marcel Licence

"This video is only a short sound demo of a little sound engine I tried to implement.
I recommend using a stereo output (phones or speaker) for the best listening experience.
It is based on the Roland Alpha Juno synthesis but slightly modified.
The sound is some kind of pulse width modulated saw wave without chorus.
A LFO drives the pulse width for both channels independently creating the stereo effect."

Projects can be found on GitHub: https://github.com/marcel-licence

Additional demos:

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Kitaro 喜多郎 - Wings 翼 Cover

video upload by ltpstan

"Initially, I was inspired by the live version of 'Wings', in how Kitaro managed to improvise throughout the whole piece live amazes me when I listened for the first time. Now, this project have been left for awhile which I wanted to do for a long time, now I feel it is the right time to release it together with the improvisation. In the end, it came out quite nicely, enjoy it! Thank you!

ps: I am arranging my set up and anticipating the new miniKORG700FS (late August) to be put up above the Korg 800DV. That's why the Juno106 is at the other rack."

This one was spotted and sent in via Soviet Space Child.

And a couple more:

Kitaro 喜多郎 - Magical Sand Dance 神秘なる砂の舞 Cover

"Another great song by Kitaro.
This rendition is between the different live versions. It includes a break in between for the continous rhythm.
This is also one of my favourites. Glad to make it into a cover.
This will be the last cover for the year as things will get busy.

Produced on Logic Pro X
Leads: Korg 800DV & Juno 106
Drums: Logic Pro X
Synth Bass: Logic Pro X
Strings: Logic Pro X
Choir: Logic Pro X
Guitar: Logic Pro X"

Kitaro 喜多郎 - Free Flight 飛翔 Cover


"I always like the 'Live in Yakushiji' version of 'Free Flight'. This version has an epic ending.
This time, I tried to attempt a short version of this song.
Most of the sounds are from the Korg 01/W: Animotion pad (combi), Choir.

There was a slight fumbling in-between the changing of sounds (800DV to 700S Square) but I did not want to cut off the video as I wanted to retain all in one shot.

Fun Fact: This Korg 800DV was one of the earlier units produced from my research. Also, the later units have the smaller logo at the right instead of the larger one, at the left side. This units does not have the Pedal connector input (VCF FK-1) like the later production units."

Roland Alpha Juno Chorus Compared to the legends: JUNO-6, JX-3P, JX-10, JU-06A (60 and 106 models)

video upload by thesrabbit

"The Roland Alpha Juno 1, 2, and MKS-50 have the same legendary BBD chorus chips as the rest of the 80's Roland classics, with one major difference: variable chorus rate! I've gone through and mapped out the actual chorus rates of all possible values, from 0 to 127. I've also measured the chorus rates of every Roland synth I own, and found which chorus rate values on the Alpha Juno best align with each of them. This includes the JUNO-6, JX-3P, JX-10, and JU-06A, which has built-in JUNO-60 and JUNO-106 emulations.

Contents:
0:00 Intro
0:46 Baseline patch on the JUNO-6
1:58 Baseline patch on other synths
5:32 Overview of comparison
5:56 JUNO-6 vs Alpha Juno
13:30 JX-3P vs Alpha Juno
17:53 JU-06A Juno-60 model vs Alpha Juno
23:56 JU-06A Juno-106 model vs Alpha Juno
28:43 JX-10 vs Alpha Juno
32:58 JUNO-6 Chorus 1 vs JX-3P
33:58 JUNO-6 Chorus 2 vs JU-06A Chorus 1
35:22 JUNO-6 Chorus 2 vs JX-10 Chorus 1
36:26 Wrap-up
37:14 Measurement method

For a full rundown of my findings, look no further: https://eokuwwy.blogspot.com/2021/06/...

If you are interested in hearing how the chorus on the Alpha Juno compares to the other Roland giants, then this video is for you! There's a small section at the end that shows how I measured the chorus rates, so you can do the same.

This is not intended to see how the Alpha Juno stacks up overall sound wise against the others and there is no real patch matching. That would have taken way too long, and this video is already long enough. I'd suggest heading over to Starsky-Carr's channel if you're interested in that sort of thing (his Alpha Juno vs 106 video is definitely worth the watch)."