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Showing posts sorted by relevance for query AH Bay. Sort by date Show all posts
Showing posts sorted by relevance for query AH Bay. Sort by date Show all posts

Tuesday, November 14, 2006

Magic Smoke Electronics Mankato

"Magic Smoke is the exclusive licensed source of Thomas Henry's books on do-it-yourself musical electronics as well as the source for exclusive analog synthesizer modules and kits. For starters, we're bringing out Thomas's classic books plus his fantastic new voltage controlled filter."

The Mankato!

Designed by well known synth DIY guru Thomas Henry, the TH-201 is a low-pass VCF with some unusual operating modes. Magic Smoke will be producing kits for a four output model (TH-201/4) and an eight output model (TH-201/8). With the Resonance control turned all the way up, these filters will self-oscillate, operating as multi-phase LFOs or VCOs.

Both DC-coupled and AC-coupled inputs are available. The DC-coupled inputs allow the TH-201 to operate as a voltage-controlled lag processor (slew limiter). All outputs are buffered and have standard 1k impedance.

The TH-201 VCF will be produced as a kit in Euro Rack and Frac Rack panel formats. The PCB will be available separately for those who want to package the TH-201 in other formats.

The Mankato covers a very wide frequency range -- around 0.005Hz (200 seconds/cycle) to beyond 20kHz without range switches. Changing the timing capacitors can provide extended low frequency operation.

TH-201/4
• 12 and 24 dB outputs
• inverted 12 and 24 dB outputs
• 90 degrees of phase difference between each output
• quadrature sine wave oscillator

TH-201/8
• 6, 12, 18, and 24 dB outputs
• inverted 6, 12, 18, and 24 dB outputs
• 45 degrees of phase difference between each output
• 8-phase sine wave oscillator

The following is one via this gallery of this year's AH Bay Area Synth Gathering.

AH Bay Area Gathering 2006 via Electronic Musician

The synth gathering made the Electronic Musician blog. Our own Brian Comnes got a mention as well. Pretty cool. : )

"List member Brian Comnes, who coordinated the gathering, set up a raffle to raise money for the Bob Moog Memorial Foundation. The donated prizes included hats and shirts from RobotSpeak, a Metasonix TM-6, a gift certificate to Analogue Haven, and a vintage Korg MonoPoly synth (donated by sound-designer and EM author Nick Peck).

Personally, the most interesting aspect of an AHCali meeting is hearing what people have to say about their instruments, finding out what they like most about them, and hearing how they use them. I was particularly interested in learning more about the Buchla 200e, and Chris Muir was patient enough to explain some its deep feature-set to me."

Update: I realized I didn't give the celebrity list for the event. Here it is:

"Instrument designers visiting the show included Don Buchla, Dave Smith, Mike Brown (LiveWire), and Eric Barbour of Metasonix. Composer/performer Robert Rich was kind enough to bring along his large MOTM system. And San Francisco-based retailer Robot Speak was also present with plenty of Moog-related hardware and software items on display."

Monday, November 13, 2006

AH Bay Area Gathering 2006 Gallery on synchro1

Title link takes you to the gallery.

Oberheim OB-1

AH Bay Area Gathering 2006 Gallery on redfish.net

Title link takes you to the set.

AH Bay Area Gathering 2006 Gallery on fdiskc.com

Title link takes you to the set.

Tuesday, January 17, 2006

Brandon Daniel's Picture Archive

Brandon has completely redesigned his picture archive and I must say it is really nice. He has sets of the AH Bay Area gatherings, NAMM, and various manufacturers. Title link takes you there.

The Estradin 230 (3 VCO synth)

More on SonicState.com.

Thursday, October 20, 2005

AH Bay Area Synth Gathering - New Flickr Shots

Title link takes you there. Enjoy.

Nice white Arp Oddyssey with mods

Sunday, October 16, 2005

AH Bay Area Gathering Shots

Title link takes you to more.

Thursday, July 23, 2009

Tom Oberheim SEM Update

More info is up on the Tom Oberheim website.

For the archives:
"Welcome to my new website! The word is getting around that I'll be reissuing my very first analog synth-- the Synthesizer Expander Module (SEM). The SEM has the same single-voice analog circuit design as the original - 100% analog! - and is paired with a versatile MIDI to CV converter that allows the routing of MIDI messages to the various control voltage inputs. I've been showing the prototype around a little and musicians love the sound.

I'll be posting more information soon but while you're here, please sign up for my email list by simply sending an email to:

tom (at) tomoberheim (dot) com

and I'll let you know when the product ships. The pricing is as follows:

* SEM with MIDI input and MIDI to CV routing panel (as shown in above photo): $899

* SEM with patch panel connections to internal inputs and outputs (no MIDI input, same as above photo but left panel controls are replaced by CV/gate/audio I/O patch panel): $749

* Basic SEM module with front panel (no case or power supply, good for drop-in replacement of original SEM): $599

Thanks for stopping by!

- Tom Oberheim"

Update: patch points via the AH list:
"just in case you are interested, the following is a list of the internal inputs and outputs that I plan to bring out to jacks:

SYNTHESIZER EXPANDER MODULE ELECTRONICS BOARD CONNECTOR LIST

CONN. PIN FUNCTION Direction
A1 VCO 1 - External Modulation Input
A2 VC0 1 - Sawtooth Waveform Output
A3 VCO 1 - Pulse Waveform Output
B1 VCO 1 - Control Voltage #1 Input
B2 Ground
B3 VCO 1 - Control Voltage #2 Input
C1 VCO 1 - Sync Output Output
C2 Ground
C3 VCO 1 - Sync Input Input
D1 VCO 2 - Control Voltage #1 Input
D2 Ground
D3 VCO 2 - Control Voltage #2 Input
E1 VCO 2 - External Modulation Input
E2 VC0 2 - Sawtooth Waveform Output
E3 VCO 2 - Pulse Waveform Output
F1 VCO 2 - Sync Output Output
F2 VCA - Control Input Input
F3 VCO 2 - Sync Input Input
G1 LFO Trigger Input
G2 Ground
G3 LFO Waveform Output
H1 VCF - Control Voltage #1 Input
H2 VCF - Control Voltage #2 Input
H3 VCF - External Modulation Input
I1 VCA Output Output
I2 Ground
I3 Output Amplifier Input Input
J1 VCF - HiPass Signal Output
J2 Ground
J3 VCF - Bandpass Signal Output
K1 Selected VCF Response Output
K2 Ground
K3 VCF - LowPass Signal Output
L1 External Audio Input #1 Input
L2 Ground
L3 External Audio Input #1 Input
M1 External Audio Input #2 Input
M2 Ground
M3 External Audio Input #2 Input
X1 ENV 1 - Output Output
X2 ENV 1 - Gate Input
X3 ENV 1 - Trigger Input
Y1 ENV 2 - Output Output
Y2 ENV 2 - Gate Input
Y3 ENV 2 - Trigger Input
Z1 +18 Volts Input
Z2 Ground
Z3 Ground
Z4 -18 Volts Input

tom o."

Update via the AH list:
"I am talking to a possible German distributor. I will advise you later.

SEMs will not be available until September.

A really cool mini-sequencer is in the design stage but will not be available until the end of the year because I have to get some SEMs done!

tom o."

Update via fotomoog in the comments of this post:
"The SEM comes in three versions:
- version 1: SEM analog module with Midi to CV converter for modern Midi-based systems
- version 2: SEM analog module with patchpanel for systems which can supply an appropriate control voltage and gate or trigger signal
- version 3: SEM module alone, without case, power supply or interface module. The purpose of the version 3 SEM is really just to replace old SEMs in old Oberheims. I do not recommend trying to integrate just the SEM without the case and power supply into another situation. The main stumbling block would be that the SEM requires regulated +/- 18 volts.
www.audioMIDI.com is the exclusive dealer for the Tom Oberheim SEM. The links take you to their website where additional information is available. Also if you wish to pre-order an SEM, you can do that on the audioMIDI website.
Deliveries of the SEM begin sometime in September.
I will be updating my website (www.tomoberheim.com) on a regular basis. You might want to check it from time to time for additional information. I expect to have an FAQ and a short history of the SEM on the site soon.
I appreciate you interest!
Tom Oberheim

So, here is my calling arround the worl : who can DIY a power-in-out bay rack to plug 1 or 2 new SEM ?"

Update via James Husted on AH: "Two SEMs can be placed next to each other in a 19" rack but the chassis behind the panel will exceed the standard width restrictions for 19"racks (to clear the rails used my most everybody). You can shave off some of the extra panel width that over hang the PCB widths and it will work just fine though. Remaking the front panels on the older SEMs is not trivial - there are standoffs swaged into them and unless you have access to a press (and PEM standoffs) it will not be easy. I once looked into a super cheap layout with no rear chassis - relying on the rack for protection - that was just a big hole in a 6U panel and If I remember correctly it would have just fit.
If you want some metalwork designs that others have made racks from - go to my Oberheim Databank page and choose custom metalwork at the bottom:

http://web.me.com/ersatzplanet/ErsatzPlanet/Pages/ObiePages.html"

Friday, November 18, 2005

ARP 2600 Shots

Title link takes you to some amazing shots of the ARP 2600. Seems like we are on a picture roll. Lots of em coming up lately. I'll try to only post the really interesting ones to keep the noise down. Enjoy. : ) This set came from Jeffrey Needham on AH. And yes it is for sale as well. Info below.


Call me crazy, but I actually like how beat the casing looks on this 2600. Like a comfy pair of jeans.

Notes:
"extras things:
No keyboard (keyboard CV output is now the input)
IEC power plug
CMS designed 4012 sealed VCF
If you care, 2 OSCs are sealed, 1 is not
The sample/hold is sealed, everything else is not
1 spare (unsealed) OCS
SYNC switches on OSC 2 and 3 (both back to 1)
Phil cleaned all the sliders (all of the CMS work orders will come with it)
Phil rebuilt the power supply.
This is different from REPLACING the power supply with a switching one.

2 1/4" jacks added to get the audio out (barely visible in master shot)

Just give me a shout with questions.

It is located in the San Francisco Bay Area (south bay), California
I assume most people in the world know where that is, but don't want to be
too North American centric.


Jeff Needham, Principal, Scale Abilities, Inc.
Oracle Performance Architect / Music and Film Production
VOX 408 739 2344 FAX 408 739 2394 IP jneedham [@] scale-abilities.com"

Thursday, September 01, 2005

Gorgeous Moog Minimoog on the bay


Via AH. Andy Boucher's Minimoog is for sale on the bay.  Posted here are some absolutely gorgeous shots from the auction.


Tuesday, September 27, 2005

Howard Jones' Prodigy on the 'bay



Update: Via Synthmatic on AH

"Hi,
The Prodigy differences are as follows:

Serial numbers below 4160 have the single audio output and are difficult to
modify.

Serial numbers from 4161 to 8077 are easier to modify and have a newer
printed circuit board which accommodates the appropriate interfacing pads. They
have the single audio output.

Serial numbers 8078 and above have the S-Trig out, Kybd In/Out, OSC In, VCF
In, Sync In, Audio Out jacks.

Moog Music had two kits for the modifications. One was for serial numbers
below 8078 (9 additional jacks) and the other was for serial numbers 8078 and
above (4 additional jacks).
They both had the same overlay in the kits. you just used half of it for
serial numbers 8078 and above.
I have installed the mod for the additional 4 jacks and found it quite
simple. It looked really good too!
Below is the list of jacks from left to right on the rear panel:

[GATE OUT, GATE IN, AUDIO IN, KYBD IN][S-TRIG IN/OUT, KYBD IN/OUT, OSC IN,
VCF IN, SYNC IN] AUDIO OUT

Hope this helps.

DW"

Update: In this shot http://www.matrixsynth.com/blog/media/Moog/howardjonesprodigy/b1_3.jpg it looks like the updated prodigy with extra jacks. You can see the new faceplate.

Update: Multiple sources say the model in the Howard Jones shots is not the factory model with the extra ins and outs, but rather this is:

More pics below.

Update: via AH, there are two models of the Prodigy. The latter had additional inputs and outputs for pitch, VCF, and sync control.

This is an interesting one. In via Vintage Synth Explorer. Click here for the auction. Title link takes you to the larger auction shots saved for posterity.

So, my question is why are these two Prodigies different in the back? See the update above.

Saturday, June 14, 2008

Sequential Circuits Prophet-5 and Poly Sequencer

images via this auction via AH:
"This Prophet 5, ser.#5049, was purchased directly from Sequential Circuits and has lived its whole life in a non-smoking professional recording studio environment in the SF bay area, under the protection of the original owner. Save for one or two nicks in the wood paneling, this instrument is in perfect condition. The MIDI option was installed by a Sequential design engineer. The original protective plastic facing is still intact. The hardshell case was custom built for it at the time of purchase. It too is in new condition. The rare, companion Sequential Poly-Sequencer works only with the P-5, and only when MIDI is disabled (via a switch on the back panel). Original manuals for both P5 and Poly-Sequencer are included, both in pristine condition. hear it here: http://www.tapewarm.com/Litwin_att94C.mp3 all done only with the P5 and poly-sequencer!! pretty cool, huh!!"

Tuesday, August 31, 2010

Mystery CV-controlled quad audio box - Buchla?


via Brian Kehew

"My friend found this in some surplus yard near the Bay Area. It's a CV-controlled quad audio box of some kind, with joystick control. Missing most of its guts and no labels. Obviously not a production unit. Wonder if it's related to the Grateful Dead concerts in quad?"

Anyone have any ideas?

Update via Cooper Sloan in the comments: "Looks buchla... Besides proximity to Berkley and aesthetics the blue pcb is a clue."

via Brian: "Not Buchla from the people I've asked, and the connectors etc are different. But it seems so similar in style, so maybe a related copy. He had a lot of people work for him that could have built this as well."

via Dennis Matana on the AH list: "Looks like something from Elektor. They also used blue pcb's...and the connectors look similar. I'm restoring a Formant at the moment and also the vocoder from Elektor."

Update via gchang (Gary Chang) in the comments: "The obvious Buchla nod is the jack selection - using banana jacks for the cv inputs, but none of the layout is at all similar to Buchla devices, who rarely created anything with conventional VCAs.

My guess is that it is a custom quad locator made for a studio that had a Buchla system as the main unit of the room... "

Tuesday, August 22, 2006

The $500 Buchla

Title link takes you to a bit of Buchla history.
Excerpt:
"In contrast to Moog's industrial stance, the rather counter-cultural design philosophy of DONALD BUCHLA and his voltage-controlled synthesizers can partially be attributed to the geographic locale and cultural circumstances of their genesis. In 1961 San Francisco was beginning to emerge as a major cultural center with several vanguard composers organizing concerts and other performance events. MORTON SUBOTNICK was starting his career in electronic music experimentation, as were PAULINE OLIVEROS, RAMON SENDER and TERRY RILEY. A primitive studio had been started at the San Francisco Conservatory of Music by Sender where he and Oliveros had begun a series of experimental music concerts. In 1962 this equipment and other resources from electronic surplus sources were pooled together by Sender and Subotnick to form the San Francisco Tape Music Center which was later moved to Mills College in 1966.

Because of the severe limitations of the equipment, Subotnick and Sender sought out the help of a competent engineer in 1962 to realize a design they had concocted for an optically based sound generating instrument. After a few failures at hiring an engineer they met DONALD BUCHLA who realized their design but subsequently convinced them that this was the wrong approach for solving their equipment needs. Their subsequent discussions resulted in the concept of a modular system. Subotnick describes their idea in the following terms:

'Our idea was to build the black box that would be a palette for composers in their homes. It would be their studio. The idea was to design it so that it was like an analog computer. It was not a musical instrument but it was modular...It was a collection of modules of voltage-controlled envelope generators and it had sequencers in it right off the bat...It was a collection of modules that you would put together. There were no two systems the same until CBS bought it...Our goal was that it should be under $400 for the entire instrument and we came every close. That's why the original instrument I fundraised for was under $500.'

Buchla's design approach differed markedly from Moog. Right from the start Buchla rejected the idea of a "synthesizer" and has resisted the word ever since. He never wanted to "synthesize" familiar sounds but rather emphasized new timbral possibilities. He stressed the complexity that could arise out of randomness and was intrigued with the design of new control devices other than the standard keyboard. pp39-40"

Anyone else thinking Starkey? Coincidentally the recent Starkey went for $541 on the bay. Yeah, I know I'm stretching it...

via Peter Grenader on AH.

Sunday, May 21, 2006

Warning - Hongkongsupersellers

I've been hearing a lot of bad things about hongkongsupersellers, suppliers of ICs and other parts. Title link takes you to the latest on GetLoFi. Here's a bit from somone on AH who wishes to remain anonymous. Consider yourself warned. Chipsforbrains on the other hand is apparently all good.

"This guy sells a lot of out-of-production IC's on E-bay, I've seen him offer SSM filter chips & 4096-stage BBD IC's. The latter is what I got screwed on, it seems he's selling counterfeit (knock-off's) MN3005 & MN3205's........what I got was a 2048-stage BBD (still in production & cheap to buy) that had been relabled as a MN3205 (discontinued). What's worse, I've let him know they are counterfeits & about to send 'em back for a refund, but he is still selling them....so he's got no scrupples.

Both the MN3205 & MN3005's look fake comparing them to the panasonic chips I've got & Chip4brains stock. He's sold a bunch of them already (in sets of 10), so I'm sure a lot of folks are gonna be pissd off."

Monday, May 01, 2006

OB-1 Resurrected

This one in via Brian Comnes.

"There has been a burst of Email recently on AH list extolling the Bay Area's synth tech Greg Montalbano aka Klosmon so I thought I'd get you in the mix. I was so happy that he brought my OB-1 monosynth back to life from leaky battery hell a couple of months ago that I put together this little graphic to commemorate the event. The battery damage was like the Eveready Bunny, it just kept going and going and going.....but then Greg kept replacing and replacing and replacing, and voila - phatt bass lines redux."

Tuesday, January 10, 2006

Amdek RMK100 Nebula

Amdek Rhythm Machine on the bay. I have no affiliate with the sale, just haven't seen one of these before.



According to Fiercefish on AH
"I have one and would describe it as similar to a DR-55 in operation but between an 808 and 606 in sound, the bass drum in particular is excellent and can be adjusted via an internal trimpot for extended Boooooooooooooooooooooooooooooom's, the snare is very 606 sounding but with a bit more bite and the hats are simply superb very sophisticated sounding. Mine has mods for trigger ins, trig outs, sync in, sync out, accent out and more planned, it integrates with my Blacet modular very well."

Saturday, November 12, 2005

Modded Roland TR-606s are a comin'

A while back, I posted on the knob laden Roland TR-606 on the *bay. Julian announced on AH that he will be offering the full units as finished packages for sale. He's shooting for under 500ukp, which translates to under $871 US. Title link takes you to a bigger shot of the below; no website yet.



http://port23.co.uk/touse/troop.jpg
http://port23.co.uk/touse/stuckon.jpg

The feature set will be:

24 voice controls
8 trigger outputs (fully buffered)
7 trigger inputs
individual switched outputs on all voices, with volume pot on each (toms /
hats no longer share an output)
various outputs and inputs to/from multi oscillator array and noise
generators
trigger leds
3 position kill switches on each voice (off, on/no accent, on/accented as
accent track)

Thursday, September 01, 2005

Moog OSCar


I remember seeing this a few years ago on the 'bay. The claim was that it was the prototype of the Oxford Synthesizer Company's OSCar in the case of a Moog Source.

Via the AH archives:

"it was confirmed in SOS. There's an article on it. you can even see it in
the auction.

I don't think that many peopel want it because it's not working properly.
It's collectible, but that's all, not so overly usable..."

"I also think that this is the one described in a issue of Future Music
some years ago when they did a interview with Lionrock. I don't
remember the issue, though I know that I still have it. Apparently, it
was stolen shortly after the interview was completed. I saw the SOS
article too and, since the owner of the piece at that time had worked
with Lionrock, I assumed that the synth was returned."

I found this article on Sound on Sound, but no mention of the word prototype or moog (I need to read the whole thing). But I did find this information that I've also forgotten over the years. Chris Huggett, was the man behind the EDP Wasp, Oxford Oscar, Akai S1000, and finally the Novation Supernova. Pretty impressive.

From Sound on Sound:

"Chris Huggett? In the same way that I had to go and get a proper job with E&MM and then Sequential to make a living, Chris eventually had to get a more reliable source of income. I put him in touch with Akai, for whom I was doing S900 sound development, and the next thing I knew he was writing the operating system for the new S1000. Chris worked for Akai behind the scenes on most of the sampler operating systems for more than 10 years until he grew frustrated with their refusal to let him work on the hardware design as well (with the Wasp and OSCar, he had of course done both). Having fostered Novation in its early days with help and advice, he eventually joined them full-time a couple of years back and is the guiding light behind the virtual technology of the Supernova. So a very British designer is once more working on a very British synth for a very British company."

Update via Turboskin in the comments: "Found the restoration of this exact Moog OSCar: stereoping.com/"

Update 3/8/12: Bigger pics here: Legendary Moog OSCar Up for Auction

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