"Arturia launches legendary soft synth classics collection to lead into musical temptation
GRENOBLE, FRANCE: following in the footsteps of its super-successful V Collection 4 premium software collection, launched to critical acclaim late last year, music software and hardware developer and manufacturer Arturia is proud to announce availability of V Collection Classics — conveniently rounding up five of its most sought-after Analog Classics soft synth emulations of five legendary analogue synthesizers from five legendary brands into a musically tempting, competitively-priced package — as of April 2...
ARP, Moog, Oberheim, Roland, and Sequential Circuits... classic analogue synthesizer-manufacturing names all. And all of those classic companies — past and present — have produced at least one legendary instrument that truly impacted the music industry throughout the Seventies and into the Eighties and beyond. Indeed, the sought-after sounds of these instruments still resonate today. Think ARP 2600 (1970-81), MinimoogTM (1970-81), Synthesizer Expander Module® (1974-79), Jupiter-8 (1981-84), and Prophet-5 (1978-82). And Arturia has played a not inconsiderable part in bringing these still- sought-after sounds into today’s computer-centric recording and performance workflow thanks to TAE® (True Analog Emulation), an advanced proprietary technology allowing accurate modelling of analogue circuitry behaviour on personal computers. Conveniently, all five of Arturia’s award-winning Analog Classics soft synth emulations of those analogue classics are available to musically tempt as a must-have, competitively-priced package... please welcome, V Collection Classics! Come join us, then, as we make the musical introductions...
Arturia’s ARP 2600 V is a truly versatile sound creation tool with a massive musical bite; indeed, its raw and dirty character is perfectly suited to creating massive drum ’n’ bass stabs to growlin’, funky bass lines and spaced-out drones, with much in-between. From the starship funk lead lines of the Seventies to the gangsta whine of mid-Nineties hip-hop, the ever- present MinimoogTM has been making its phat presence felt for four-plus decades; Arturia’s award-winning Mini V even offers polyphony and additional modulation options, effectively turning it into an authentic-sounding Memorymoog emulation... well, sort of. Oberheim’s Synthesizer Expander Module® (SEM) started life as an add-on synthesizer module for fattening up Minimoogs before becoming a sought-after sound in its own right, with up to eight embedded in Oberheim’s groundbreaking Seventies-vintage polysynths; still sought-after today for its stunning-sounding multimode filter, Arturia offers all this and more in its outstanding Oberheim SEM V emulation. The runaway success of Roland’s then-flagship Jupiter-8 programmable analogue polysynth took the synth world by storm upon its 1981 release, boosting its already superlative sonic capabilities by adding an arpeggiator that helped make many mega hit singles shine forth musically — think Duran Duran (‘Save A Prayer’) and Howard Jones (‘New Song’); similarly, Arturia’s Jupiter-8 V is a real musical workhorse, capable of creating a very versatile range of sounds — stretching from fat to ‘crystalline’ — while going above and beyond the capabilities of the original instrument, thanks to its additional modulation possibilities and inbuilt effects. Last but not least, the Prophet-5 is truly a legend in its own lifetime as the world’s first fully-programmable polyphonic synthesizer; again, Arturia’s Prophet V faithfully brings back to life those historic and superlative sounds, together with those of the 1986-vintage, California-created classic Prophet VS Digital Vector Synthesizer, Sequential’s first digital design (and, alas, the final synth, sadly, from the iconic innovative instrument manufacturer). Must we say more?
Maybe just one more thing, then: thanks to V Collection Classics"
GRENOBLE, FRANCE: music software and hardware company Arturia is proud to launch MiniBrute SE — a ‘special edition’ of its amazing analogue monosynth par excellence — at Musikmesse 2014, March 12-15 in Frankfurt, Germany.
Arturia’s red-hot MiniBrute Analog Synthesizer set the electronic musical instrument world alight immediately upon its introduction in 2012. Indeed, it rapidly reset the price/performance ratio benchmark when successfully soaring through the subtractive synthesis sound barrier while singlehandedly setting a new standard for what a hardware synthesizer should be. Hot on its heels comes a ‘special edition’ that is very special indeed. MiniBrute SE shares the same physical footprint as the original MiniBrute, but builds upon this amazingly compact and bijou analogue monosynth in both looks and features.
Although a sturdy and stylish brushed aluminium casing with wooden sides surely make MiniBrute SE stand out from the analogue crowd, skin-deep good looks are not the be and end all here, however, as added functionality runs deeper still. An all-new step SEQUENCER elegantly expands playing options with the MiniBrute SE — six Pattern sequences with up to 64 steps each to create multiple musical phrases, to be precise. Yet it is capable of so much more than simply replaying pre- programmed Pattern sequences ad infinitum. Users can create new musical phrases from existing ones by changing the playback Mode, Gate Len (timing), and Swing settings in realtime from the clearly labelled front panel — perfect for inspiring new musical ideas and creating exciting live performances on the fly.
MiniBrute SE is proof positive that the original MiniBrute was no fly-by-night success story. A pure analogue signal path and attractive features like a multi-wave OSCILLATOR and Sub Osc combined with a huge-sounding Steiner-Parker multimode FILTER (fittingly revised by Nyle Steiner himself) and wide-ranging modulation capabilities confirm that MiniBrute SE continues to innovate while breathing new life into recordings and stage performances. Add fantastic features like Ultrasaw (generating shimmering sawtooth waveforms), Metalizer (adding extreme triangle waveform-induced harmonics), LFO (with sample and hold), and full USB/MIDI/CV connectivity into the musical mix, and what have you got? A killer-sounding, step sequencing-capable synth with looks to die for, that’s what!
Designed for the analogue purist with a creative spirit in mind, MiniBrute SE successfully squeezes an amazing amount of creative options into its eye-catching, exceptionally portable design. The truly hands-on artistic appeal of subtractive synthesis and supreme step sequencing are alive and kicking here — harder than ever! Indeed, it’s all about analogue goodness — all gain and no pain!
So stand out from the analogue crowd and make that silver dream a reality real quick with MiniBrute SE. No need for a reality check!
MiniBrute SE will be available to purchase at the end of May from the Arturia online store (http://www.arturia.com/evolution/en/buy/online-shop.html)
or any authorised dealer for €549.00 EUR/$599.00 USD."
Update: Musikmesse videos followed by more pics:
[Musikmesse] Arturia MiniBrute SE (english)
Published on Mar 12, 2014 Audiofanzine·1,062 videos
"Here's a presentation of the MiniBrute SE from Arturia at the Musikmesse 2014."
MESSE 2014: Arturia KeyLab 88 - MiniBrute SE
Published on Mar 12, 2014 sonicstate·734 videos
"MESSE 2014: Arturia KeyLab 88 - MiniBrute SE Fatar keybed and special edition MiniBrute with sequencer"
Musikmesse 2014 Arturia Minibrute SE by Rock oN
Published on Mar 12, 2014 RockoNCompany·543 videos
Kraft Music visits the Arturia Booth to take a look at the MicroFreak experimental hybrid synthesizer at the 2019 Namm Show.
The Arturia MicroFreak is a peculiar instrument that rewards the curious musician, blending wavetable and digital oscillators with analog filters. The MicroFreak's flexible synth engine features a digital oscillator with multiple modes – including paraphonic and Mutable Instruments Plait oscillator modes – for creating rare and interesting sounds, while its state-variable filter goes from whisper to scream and can even auto-oscillate. Take control with the unique poly-aftertouch flat keyboard, arpeggiator, Spice and Dice sequencer functions, and 5x7 modulation matrix. USB, MIDI, and CV outputs can be used to control instruments in your DAW and modular synths.
Get more for your money with an exclusive Arturia MicroFreak experimental hybrid synth bundle from Kraft Music. These package deals include the accessories you'll need to get the most out of your new synthesizer, all for one low price. If you have any questions, please contact us. Our knowledgeable sales advisors will be happy to assist in choosing the bundle that's right for you!"
Kraft Music visits the Arturia Booth to take a look at the AudioFuse 8Pre and Studio at the 2019 Namm Show.
The Arturia AudioFuse 8Pre is an 8-channel dual mode interface/ADAT expander and USB-C audio interface combining Arturia's expertise in pristine sound with a robust, studio-ready form factor. The AudioFuse 8Pre's eight Discrete Pro preamps and analog signal path feature super-low Equivalent Input Noise (EIN) to capture every subtle detail and huge input gain to drive even the most demanding low-output mics. With a total of 16 ins and 20 outs including ADAT optical I/O, the AudioFuse 8Pre can fulfill almost any studio role.
Get more for your money with an exclusive Arturia AudioFuse 8Pre bundle from Kraft Music. These package deals include the accessories you'll need to get the most out of your new interface/preamp expander, all for one low price. If you have any questions, please contact us. Our knowledgeable sales advisors will be happy to assist in choosing the bundle that's right for you!"
"#PolyBrute is more than a #synthesizer - it's a 6-voice analog powerhouse, with unprecedented expressivity and sound #morphing capabilities, built to let you perform fearlessly, compose with fluidity, and explore sound in perpetual motion."
ARTURIA POLYBRUTE — the BEST Arturia synthesizer yet!
BoBeats
"Arturia Polybrute is finally here! I have spent about a week with it and here are my first first impressions & walkthrough of what this synth offers. I'm making videos & music full time now and you can support here: http://www.patreon.com/bobeats and you can get the shirt I wear at http://merch.bobeats.tv
Contents
00:00 Introduction
03:50 Overview of the Polybrute & Sound Demos
14:12 Patch from scratch
26:36 Making a beat with MASCHINE+ and Polybrute"
Arturia PolyBrute - First Look Preview
sonicstate
"We have the PolyBrute in for review, but we couldnt quite get the full review finished in time for the release deadline, so here's a quick look to keep you going until we're done."
POLYBRUTE Review // +70 Presets // Full morph tutorial for Arturia's flagship synth
Update: and the mini press release (new SynthFest France video below as well):
"Arturia unveils their expansive new flagship synthesizer, PolyBrute
Fusing the raw power of Brute oscillators with digital Matrix precision, the innovative three-dimensional Morphée performance touchpad, and pristine stereo effects, PolyBrute represents a new era of polyphony. Available November 2020.
_Analog morphing polysynth
Polyphonic power fused with unrivalled modulation capabilities. Infinite positions on an elusive spectrum of sound, instantly accessible. An instrument that responds to your every command for ultimate performance control. This is PolyBrute.
The Brute factor
6 pure analog voices driven by 2 Brute oscillators, complete with distortion, wavefolding, and FM control, shaped by dual enhanced filters for massive timbral variety.
Morphing
Seamless three-dimensional morphing between two completely different states within a single patch. An infinite continuum of sound, immediately accessible expression.
Express yourself
A new dimension of performance control, with a dynamic ribbon strip, an assignable mod wheel, and finally, the innovative Morphée 3-axis performance touchpad.
Modulation
No more static patches. 3 envelope generators, 3 LFOs, and modulation flexibility normally reserved for modular systems - with the immediacy and precision of digital control.
The Matrix
The digital brain to PolyBrute’s analog heart - control presets, the sequencer, morph state editing, and of course, PolyBrute’s expansive modulation routing.
Studio-grade effects
Pristine stereo digital effects incorporated into every patch, with parameters that can be modulated to no end - including algorithms from our acclaimed FX Collection.
_The full lowdown
The new Brute flagship has landed. Raw, powerful, organic - the Brute range is all about the tactile immediacy of analog synthesis. Explore it for yourself…
_Wooden legs
PolyBrute is designed to be fully compatible with our Wooden Legs companion. The Wooden legs offer a professional ergonomic solution, with a timeless beechwood construction, built for studio and stage that’s as reliable as it is stylish - enjoy an unhindered performing experience with class."
"Follow Matt Paul as he explores the entirely new and rebuilt titles in V Collection X; from the timeless lead & bass tones of Mini V and iconic stage sound of CP-70, to the innovative composition textures of Augmented WOODWINDS and gravelly funk keys of Wurli V. Don't forget, long-awaited hybrid synths and augmented sounds have also been added to V Collection X."
Update: new videos above from Arturia.
Arturia V Collection X | No Talking | #Vcollection #vcollectionX #arturiavcollectionX
"We explore the CP-70 V, a new instrument from Arturia released as part of V Collection X. It's a recreation of Yamaha's classic CP-70 electro-acoustic piano that combined customized piano strings and hammer action with piezoelectric pickups, a pre-amp, and other electronic processing. It's compact size made it a "portable piano" and a popular instrument for touring artists in the 1970s and beyond.
We go over the CP-70 V's features, including the main panel that recreates the look and feel of the original, the advanced panel that allows finer control over the acoustic and electric aspects of the instrument, the effects panel, and some factory presets.
To find out more, please visit arturia.com
00:00 Introduction 00:25 History of the Yamaha CP-70 01:17 Overview of the Arturia CP-70 V 02:32 The main panel 04:44 The advanced panel 10:30 Controlling timbre, pre-amp, and microphone with macros and MIDI 12:50 The FX panel 21:09 Factory presets 24:29 Conclusion"
"Introducing V Collection X: Reference instruments for music makers
V collection X is a premium suite of software instruments for unparalleled sonic exploration; from evocative emulations and hybrid synth engines, to authentically modeled keyboards and beautifully captured acoustic sounds.
It is the most expansive and feature-dense suite yet, combining timeless sonic craft and expert engineering with cutting-edge enhancements that seamlessly integrate with demanding production workflows - for endless inspiration, vivid composition and boundless play.
“'Analog Lab has it all... killer sounds, and an intuitive and easy way to dial up anything I could possibly need.'” - Junkie XL, 2013 (musician and remixer)
GRENOBLE, FRANCE: music software and hardware company Arturia is proud to launch its KeyLab range of professional-grade MIDI keyboard controllers with all-new accompanying Analog Lab synthesizer software at Musikmesse 2013...
As implied by name, KeyLab 25 features 25 keys with velocity sensitivity for performance flexibility. As such, it’s the smallest, most lightweight, and simplest member of this trio of professional-grade MIDI keyboard controllers, ideally suited to travelling musicians, mobile music producers, and performance-orientated DJs alike. Complimenting that full-size keyboard is a feature-packed panel bristling with controls, including two clickable encoders; 12 encoders; nine sliders; pitch bend and modulation wheels; six backlit transport controls; 15 backlit buttons; octave up/down buttons; and an informative 32-digit LED screen to enrich the performance experience and aid speedy software navigation. Its rugged aluminium construction with eye-catching wooden end cheeks combine to heighten its status as a highly-capable controller compatible with any third-party software and hardware, helped by the bundled MIDI Control Center software. Rear panel-mounted MIDI IN, MIDI OUT, Expression Pedal, Sustain Pedal, Aux foot switch, Breath control, and USB connections complete communication with the outside musical world.
The larger KeyLab 49 and KeyLab 61 MIDI keyboard controllers maximise performance and expression further still, thanks to their respective 49- and 61-note full-size keyboards boasting both aftertouch and velocity sensitivity, and are designed to easily integrate into any studio or stage setup. The bigger is better maxim again comes into play here as KeyLab 49 and KeyLab 61 feature an even more extensive set of physical controls with an additional 16 backlit pressure-sensitive pads — perfect for beat-making purposes or triggering chords.
KeyLab 25, KeyLab 49, and KeyLab 61 all come complete with an all-new version of Arturia’s Analog Lab synthesizer software solution. With all-important parameters pre-mapped to the MIDI keyboard controllers themselves, users have hands-on, instant control over the huge library of 5,000 presets by internationally-renowned sound designers. These presets are taken from all eight of Arturia’s acclaimed TAE® (True Analog Emulation) synthesis-powered Mini V, Modular V, CS-80V, ARP2600 V, Jupiter-8V, Prophet 5, Prophet VS, and Oberheim SEM V soft synths, as well as the Wurlitzer V software recreation of the classic Wurlitzer 200A electric piano, providing the immediacy of a hardware synthesizer with the flexibility of a software-based solution. Moreover, Multi mode allows several sounds to be played simultaneously with the addition of effects, layer/split functions, and a Chord mode — perfect for getting the most out of those TAE® soft synths without having to delve deeper into sound design. And with 200 Multi patches conveniently organised by musical genre, inspiration and creativity are a given, thanks to Analog Lab!
25, 49, or 61 keys; velocity sensitivity or velocity sensitivity and aftertouch; beat-making or breath control... whatever your performance preference, there’s a KeyLab MIDI keyboard controller to suit with Analog Lab to boot. Let your musical ideas flow forth with the greatest of ease with these superb-sounding software/hardware hybrid synthesis combos!
KeyLab 25, KeyLab 49, and KeyLab 61 will soon be available to purchase from Arturia’s online store (http://www.arturia.com/evolution/en/buy/online-shop.html) or any authorised Arturia dealer."
Update:
Musikmesse 2013: Arturia MiniLab Controller Keyboard. Video
Published on Apr 10, 2013 justmusicvideo·57 videos
"Mehr News von der Musikmesse 2013: http://blog.justmusic.de
Mike Hosker von Arturia stellt auf der Musikmesse 2013 das MiniLab Controller Keyboard vor."
MESSE13: Arturia Unveils KeyLab Keyboard Controller Range
"Putting the world's most famous analog synth filters in your DAW might sound a little daunting, but don't worry: Lyli's here to guide you. Together, we'll explore M12-Filter, Mini-Filter, and SEM-Filter, and discover their creative possibilities."
"Renowned for their award-winning virtual instruments modelled on classic synths and keyboards of yesteryear, French audio software and hardware company Arturia have used their modelling expertise to isolate iconic synth filters as standalone software plugins. This concise collection of 3 recreated analog filters not only gives DAW users 3 great sounding effects, but also lets them use these classic filters on any audio source in their software studio.
Arturia know that musicians, both experienced and aspiring, can easily become frustrated with the dizzying array of plugins available these days. With so much choice, it’s often difficult to choose effects that satisfy your creative needs. Arturia has created 3 Filters You’ll Actually Use to give musicians a small, but manageable set of plugins that sound fantastic, are based on legendary synth hardware, and include exciting modern features.
Using their exclusive True Analog Emulation technology, Arturia’s developers were able to analyze and accurately recreate the behaviour and response of each original analog filter, separating them from their host synth, making them available as individual preamps. Modelled on, and inspired by the functionality of famous synths from industry legends Bob Moog and Tom Oberheim, this collection brings the iconic sound of their filters to a new generation of music producers and performers, and updates their functionality with inspiring contemporary features.
Demonstrating the wide variety and style of effects possible using 3 Filters You'll Actually Use, Arturia have released a thorough tutorial video featuring Lyli, one of their in-house sound designers. Users will be able to hear the difference between each filter's core sound, as well as be guided through the more complex elements, like getting hands on with the hugely powerful sequencers.
3 Filters You’ll Actually Use contains:
Mini-Filter: Based on the filter found in Bob Moog’s 70s monosynth, users will be able to shape any sound in their DAW with the power of this famous 24dB per octave low-pass filter. This software version also features an LFO, envelope follower, and step sequencer.
SEM-Filter: Based on the filter found in a truly historic synth, arguably the first standalone, self-contained synthesizer ever made. Tom Oberheim’s famous state-variable filter has been reborn as a software plugin, and features a simple mod matrix with gate sequencer and mod sources.
M12-Filter: A software recreation of the multi-mode filter found in the legendary 80s analog polysynth: Matrix-12. This plugin not only perfectly emulates its response, but also offers twin analog filters, filter processing, modulation envelopes, and a comprehensive mod matrix.
All 3 of these plugins features a beautiful high quality GUI, and a whole host of presets from Arturia’s sound designers to get you inspired, let you kick-start your creativity, and give you a solid base to create your own unique filter sounds and patterns.
Until April 5th 2018, 3 Filters You'll Actually Use and its sibling effect bundle 3 Preamps You'll Actually Use will be available for an introductory offer price:
3 Filters You’ll Actually Use will be available for 99 €/US$ , and 199 €/US$ after the promotion.
3 Preamps You’ll Actually Use will be available for 199 €/US$ , and 299 €/US$ after the promotion.
Owners of Arturia V Collection, or any other software or hardware instruments are encouraged to log in to their MyArturia accounts on the Arturia website to take advantage of exclusive crossgrade deals."
"MicroBrute SE synthesizer is a limited edition of a pure analog sonic powerhouse . Small in size but loaded with features. This special edition is produced in limited quantity, 1500 units for each color, so make sure you don’t miss out!!"
Arturia MicroBrute SE Demo - 15th anniv.
Published on Oct 15, 2014 keyboardmag1
"Arturia MicroBrute SE Demo - 15th anniv."
Update and the official press release:
"Arturia makes colourful analogue waves with massive-sounding SE edition of miniature MicroBrute
'This mighty little machine runs the gamut from metallic, brutal bass to velvety bleepy, bloopy goodness — sheer joy to play. The single oscillator is wildly diverse — wait ’til you meet the Metalizer and Ultrasaw, and I love the SEQUENCER and MOD MATRIX — very inspiring!'
- Tara Busch (I Speak Machine, 2014)
GRENOBLE, FRANCE: music software and hardware company Arturia is proud to announce availability of MicroBrute SE — a ‘special edition’ of its widely-acclaimed MicroBrute Analog Synthesizer, available in a choice of three tempting colours to suit whatever playful mood might make anyone’s musical day, be it Christmas or otherwise — as of October 15...
Arturia’s award-winning MiniBrute Analog Synthesizer rapidly reset the price/performance ratio benchmark when soaring through the subtractive synthesis sound barrier upon being launched in 2012 to much critical acclaim and subsequent success. Afterwards, Arturia built upon that success last year when introducing a ‘special edition’ of its namesake sibling, the MiniBrute SE, sharing the same physical footprint, but building upon this amazingly compact and bijou analogue monosynth in both looks and features. That same year, Arturia adventurously took the ‘shrinking synth’ concept one step further with its equally big-sounding little-brother, the MicroBrute Analog Synthesizer, an even smaller semi-modular monosynth with inbuilt step sequencer, boasting MIDI, USB, and CV connectivity with a whole host of unique features — guaranteed to bring big smiles to go with those massive sounds! Similarly, today the MicroBrute has been given the ‘special edition’ treatment to become the MicroBrute SE — same physical footprint and full feature set! So what’s with those colours? Blue, orange, or white, they all sound the same... that is to say, sounds massive. But who’s to say you can’t make a bold style statement with a massive-sounding synthesizer, however small it may be? Thanks to the colourful MicroBrute SE, now you can!
But beneath those colourful, compact and bijou bonnets resides a living and breathing, fully-fledged analogue synthesizer that belies its diminutive dimensions and is actually anything but basic. For starters, just like its MiniBrute SE bigger brother, the OSCILLATOR that beats at its musical heart features SAW, TRIANGLE, and SQUARE waveforms that are all mixable to help shape the resulting sound without the limitations imposed by comparable contemporary and vintage synths alike. Additionally, the new Overtone oscillator generates additional harmonic content, ranging from one octave down to a fifth above the base OSCILLATOR pitch, while the Sub > Fifth control can continuously sweep spectrum. Moreover, Metalizer adds complex harmonics to the TRIANGLE waveform for creating harsh, harmonically-rich sounds, while Ultrasaw adds a lively and bright ensemble effect to the SAWTOOTH waveform — perfect for crafting sounds suited to dance anthems. And let’s not forget the all-important Pulse Width control for creating nasal-thin tones or rich square sounds. Simply speaking, never before has such a small, single-oscillator synth sounded so big... or looked so good!
Of course, filtering helps shape any analogue synth’s sound — be it big or small, and here the MicroBrute SE definitely does not disappoint. Indeed, its distinctive-sounding Steiner-Parker FILTER plays a big part in helping give the MicroBrute SE a unique sound — again, just like its big brother. This filter design dates back to the Steiner-Parker Synthacon, an analogue monosynth built by the namesake Salt Lake City-based synth manufacturer between 1975 and 1979. Its HP (high-pass), BP (bandpass), and LP (lowpass) modes make for far more filtering flexibility than that found in synths many times the price! And that’s before factoring Arturia’s acclaimed Brute FactorTM into the musical equation, adding anything from subtle overdrive to full-blown intermodulation havoc — choose your settings, and let the fun begin!
Speaking of having fun, the eight-Pattern step SEQUENCER is an almost endless source of inspiration and rhythmic creativity — step input notes and rests to create storable sequences that can be played back and switched between on the fly at a variable Rate or synchronised to external MIDI clock. Meanwhile, MIDI, USB, and CV GATE connectivity, of course, combine to ensure that the MicroBrute SE is ready and willing to talk to the outside electronic musical instrument world, wherever it may find itself. It’s even blessed with an external audio Input with an adjustable Input Level control, so why not use it to process whatever you feel like sticking into its 1/4-inch socket — within reason, of course!
The front panel-mounted MOD MATRIX moreover allows adventurous users to control many aspects of the MicroBrute SE’s massive-sounding single voice for different internal sources, as well as controlling them via external synths and modules. MicroBrute SE comes complete with two stackable jack cables for that very purpose. Preset sheets also come as standard, so no need to worry about forgetting those adventurous sound settings!
With a space-saving 25-note mini-keyboard and weighing in at only 1.75kg, the MicroBrute SE is as compact as it is colourful, yet positively punches well above its weight with a rip-roaring analogue sound spanning woofer-flapping bass, screaming leads, ear-opening effects, wave-folded growls, punchy drum sounds galore, and much in-between and beyond. Pick one — or even all three — up from an authorised Arturia dealer or retailer today! To make this perfectly portable package even more portable, Arturia has helpfully included a stylish carry bag guaranteed to turn heads wherever the stylish synth goes. Go ahead. Make a bold style statement while making a massive sound!
A ‘limited’ run of 4,000 MicroBrute SE units are available for purchase in a choice of three tempting colours through Arturia’s global network of dealers and retailers for €329.00 EUR/$329.00 USD.
For more detailed information, please visit the MicroBrute SE product webpage here: http://www.arturia.com/products/hardware-synths/microbrute-se"
Published on May 19, 2016 ARTURIA - Update: new video uploaded May 30, 2016
Update: Clarification: the NED Synclavier is not an emulation but a port of the original software:
"this is not an emulation - it is the real thing, the real mccoy. Cameron Jones himself ported the original Synclavier code to run on PC/MAC/VST etc.
- you have the choice of playing each patch either in the original 8-bit depth, or change it to 4-bit (!), 10-bit, 12-bit, 14-bit, 16-bit, 18-bit, 20-bit, 22-bit or 24-bit depth.
- resynthesis: not implemented in the current release but there may be plans to put it in a future release. However some of the original factory patches included (83 total) are resynthesis-based
- the partials/timbre frame functionality was vastly expanded"
Video description:
"The new V Collection 5 is a giant leap forward in our quest to create the greatest legendary keyboards collection ever, including 5 new softwares instruments: Piano V, Synclavier V, B-3 V, Stage-73 V, Farfisa V.
Special thanks to:
Altius Prod
Stéphane Schott (http://www.lyynkstudio.com/)
Studio Question de Son (http://www.questiondeson.com/)
Underground Records (http://www.undergroundrecords.fr/)
Garbage & Greg Kaplan (https://www.garbage.com/)"
Arturia announces the Synclavier V
Published on May 19, 2016 ARTURIA
Update:It's not clear if the Synclavier V supports sampling resynthesis (see above), although it does take the FM and additive synthesis with partials to a new level. For reference, you can find the history of features for the original Synclavier on Wikipedia here.
"Arturia announces the Synclavier V, the first recreation of the legendary digital synthesizer made in collaboration with Cameron Jones, the inventor of the original instrument.
The Synclavier V faithfully recreates the elite digital synthesizer/workstation that started it all, powering some of the biggest hits and film soundtracks of the early ‘80s with its unique rich, edgy sounds.
While the Synclavier V expertly brings this historic instrument to life, we’ve improved it dramatically by taking advantage of today’s processing power. We’ve also infused into it everything we’ve learned over 16 years of developing award-winning software synthesizers. The result is a thoroughly modern, cutting-edge instrument that stands alone among hardware and software synths alike.
Update: some details on the synth engine:
Timbres consist of up to 12 Partial Timbres
Much of the magic of the original Synclavier owed to the ability to build Timbres (presets) by creating and layering four completely different sounds or Partial Timbres to realize massive, complex sounds. With the Synclavier V, we’ve taken the number of Partial Timbres to 12, dramatically expanding the creative possibilities. Since each Partial Timbre is a complete sound, that means that you can stack many different sonic elements into electrifying Timbres resounding with rich complex textures brimming with subtleties.
Partial Timbres are each compete synth engines
Each of the 12 Partial Timbres has two digital oscillators that combine the principles of both additive and frequency modulation (FM) synthesis. Rather than using filters to subtract harmonics from simple oscillators, additive synthesis builds up complex sounds by selectively adding harmonics in this case. The Synclavier V goes way beyond that, combining these oscillators in an FM architecture where the carrier (main) oscillator is modulated by the second harmonic oscillator. The fusion of additive and FM technologies make for a stunningly diverse and unique universe of cinematic pads, epic leads, evolving bass lines and more.
Time Slices animate long passages
Time Slices allow you to specify up to 50 snapshots of the 12 Partial Timbres of additive and FM synthesis goodness, and animate through them over time. For each Time Slice, you can set the volume, pitch, FM modulation amount, and delay. The ability to set parameter crossfades of up to 30 seconds between Time Slices—over a total time of 5 minutes—makes it possible to create long evolving ambient pads and cinematic cues of incredible complexity.
Improvements make a great instrument even greater
We’ve made a lot more improvements beyond boosting the sound engine from four Partial Timbres to 12. Where the original modulation oscillator was only a sine wave, now you can also choose sawtooth, square, or triangle—or graphically build your own waves comprised of 24 phase-controllable harmonics. These enhancements allow you to create outrageous textures never possible before. Each Time Slice can now even have a separate FM modulator waveform. Variable bit depth between 4- and 24-bits, on-board effects, and a MIDI Learn feature are just some of the many examples of the new options available to you in Synclavier V.
With the Synclavier V, digital synthesis meets total creative and performance expression.
Sure, all synths have LFOs, but the vibrato section of the Synclavier V is exhaustive, giving you control over LFO attack, phase, quantizing, bias and more. Things get even more interesting when you apply the LFO to the FM harmonic oscillator that, in turn, modulates the carrier. Let that sink in for a minute!
Want to take your listeners on an animated journey? Add extra energy to your pads and soundscapes with the stereo modulation section. It actually takes the form of separate linkable tremolos for each channel, making for unique spatial animation effects that will have everybody’s heads spinning.
Imagine performing with expressive nuances never possible before. Press harder on the keyboard to change the amount of FM modulation. Ride the expression pedal to affect the frame speed of your Time Slices. Grab the mod wheel to rock the FM modulation ratio. These are just some examples of what’s possible when you use the modulation matrix to easily map any of your favorite MIDI controllers to dozens of sound engine parameters—discretely for each Partial Timbre."
Update: the official press release for the entire V Collection 5 [Note: The Analog Lab press release below was the first to go up. Apologies for the all the updates, but this is how it comes in, and posts here on MATRIXSYNTH are about capturing that]:
"Arturia advances industry-standard V Collection of virtual classic keyboards
GRENOBLE, FRANCE: music software and hardware developer Arturia is proud to announce availability of V Collection 5 — the latest incarnation of its impressive industry-standard collection of authentic-sounding virtual instruments, expanded and updated to include five all-new additions alongside new versions of ‘old favourites’ (plus Analog Lab 2) — as of May 19…
With no fewer than 17 virtual instruments that recreate hard-to-source synthesizers and classic keyboards, V Collection 5 represents really remarkable value on many musical levels. At an attractive monetary level, it’s a no-brainer! Bringing something special to the 21st Century performance and production table, five all-new authentic-sounding additions lead this latest V Collection charge.
B-3 V beautifully recreates the distinctive tones of the B-3 tonewheel organ, one of the most iconic and influential instruments of all time. It truly transcends time and place by bringing this still-sought-after sound to the computer-based music-making masses. Meanwhile, Farfisa V virtually puts players in the driving seat of the sound that drove the hits of several decades as a superb software simulation of the famous Farfisa Compact Deluxe organ. Pushing the physical boundaries of an acoustic piano, Piano V meticulously models the sound and behaviour of one of the most important instruments history has yet thrown up — albeit not as one but rather nine virtual instruments rolled into one! An authentic-sounding software simulation of the Seventies-vintage Stage and Sixties-vintage Suitcase 73-key electric pianos, Stage-73 V is the sound of the Sixties, the sound of the Seventies… the sound of today, the sound of tomorrow! Thanks to Arturia’s close collaboration with original Synclavier® software developer Cameron Jones, Synclavier V takes everything the trailblazing Synclavier® could do as the most powerful additive and FM synthesizer ever created and makes it more powerful!
Put it like this: thinking about all those thousands of new sounds and styles in V Collection 5 that are available at the touch of a (virtual) button beggars belief, but Arturia’s aim is true… to create the tools that lend a helping hand to today’s musicians, taking inspiration from the past to (re)invent the music of tomorrow. The 12 remaining virtual instruments in V Collection 5 — ARP 2600 V, CS-80V, JUP-8V, Matrix-12 V, Mini V, Modular V, Prophet V, and SEM V analogue synthesizers; Prophet VS digital synthesizer; Wurli V electric piano; VOX Continental V electronic organ; and Solina V string machine — do just that, too. All are updated with resizable (Retina/4K-compatible) GUIs that truly have to be seen to be believed! But digging deeper, Native Instruments’ new NKS® (NATIVE KONTROL STANDARD) — allowing advanced integration with third-party software instruments — naturally features across the board. As does AU, AAX, VST2, and VST3 compatibility, standalone operation, plus MIDI Learn (to easily map all parameters to a MIDI CC).
Continuing Arturia’s quest for absolute authenticity through TAE® (True Analog Emulation), physical modelling, and additional technologies, anyone prepared to dig deep into V Collection 5’s treasure trove of hard-to-source synth and classic keyboard recreations will be musically rewarded in kind. Conversely, Analog Lab 2 is a powerful yet painless way of accessing a broad selection of sounds from across V Collection 5 within a single application. As it supports Arturia’s many MIDI controller devices natively, it adapts to reflect their physical controls when they are connected… connect with V Collection 5, then, and accept Arturia’s helping hand to today’s musicians, taking inspiration from the past to (re)invent the music of tomorrow!"
The Analog Lab press release:
"Arturia advances Analog Lab composite virtual instrument to include V Collection 5 sound selection
GRENOBLE, FRANCE: music software and hardware developer Arturia is proud to announce availability of Analog Lab 2 — an all-new incarnation of its composite virtual instrument that gathers together a broad selection of sought-after sounds from its V Collection 5 software bundle — as of May 19...
Analog Lab 2 is a powerful yet painless way of accessing a sought-after selection of sounds from all 17 of Arturia’s authentic-sounding virtual instruments as a single application. Included are sounds from eight emulated analogue synthesizers (ARP 2600 V, CS-80V, JUP-8V, Matrix-12 V, Mini V, Modular V, Prophet V, and SEM V), two digital synthesizers (Prophet VS and Synclavier V), two electric pianos (Stage-73 V and Wurli V), an acoustic piano (Piano V), and three electronic organs (B-3 V, Farfisa V, and VOX Continental V). Those virtual instruments recreate hard-to-source hardware synthesizers and classic keyboards of the past and conveniently transport them to the present-day desktop.
Analog Lab 2 invites instant exploration as an AAX-, AU-, VST-, and VST3-compatible plug-in in any DAW (Digital Audio Workstation) or as a standalone version. Its redesigned, resizable (Retina/4K-compatible) GUI (Graphical User Interface) is as easy on the eye as it is to use. Studio View shows the original historic hardware, helpfully bringing up the best presets from each instrument in question. But there’s a whole lot more to Analog Lab 2 than good looks alone.
Accessing those sought-after sounds at the speed of sound is simple, thanks to a new preset browser. Browse presets by TYPES, BANKS, sonic CHARACTERISTICS, and INSTRUMENTS (crossing categories). Create PLAYLISTS. Or simply Search for presets by NAME. Needless to say, with 4,500-plus presets to choose from there’s always a sound to suit every mood, every ambiance, and every music style — sounds that transcend time and fashion.
For those wishing to dig deeper then the dual-instrument MULTI feature with independent MIDI settings panel for each instrument will make their musical day. Drag and drop splits and layers of those presets to take ownership of the sound. Sounds and Multis can be organised in the PLAYLISTS area for instant recall via program change messages, making Analog Lab 2 a best friend in the studio and a pillar of live performance.
Put simply, Analog Lab 2 is so much more than just a sound library. It’s a substantial sound design tool and an amazing live performance instrument integral to immeasurably improving everyday workflow. When connected to one of Arturia’s many MIDI (Musical Digital Instrument Interface) controller devices, Analog Lab 2 will automatically adapt to reflect their physical controls. Generic MIDI controllers of course can also be used with MIDI learn to easily map all parameters to a MIDI CC (Control Change).
Changing the sound of Analog Lab 2 is even easier thanks to two EFFECTS slots with pre/post fader switch per instrument. Included Bitcrusher, Chorus, Delay, Destroy, Dub Delay, Eq4, Flanger, Overdrive, Phaser, Pitchshift, Reverb, Roundpanner, and Vocal Filter effects ensure that Analog Lab 2 always sounds the way you want it to.
Take your sound and workflow to another level with Analog Lab 2, an easily-accessible environment at an easy-to- swallow price point. What’s not to like?"
Arturia B-3 V Tutorial
Published on May 19, 2016
"The B-3 V delivers the most authentic tonewheel organ and rotary speaker experience you’ll find anywhere, plus customizations that open up new creative opportunities."
"Arturia pulls out all the software stops to realistically recreate tonewheel organ combo classic
GRENOBLE, FRANCE: music software and hardware developer Arturia is proud to announce availability of B-3 V — an authentic-sounding software simulation of the classic B-3 tonewheel organ and Leslie rotary speaker combo — as of May 19...
B-3 V realistically recreates the special sound of the B-3 tonewheel organ. One of the most iconic and influential instruments of all time. One which has graced many of the greatest recordings of all time. Today Arturia brings this to its award-winning Analog Classics family of virtual instruments that recreate hard-to-source synthesizers and classic keyboards.
Keyboard players have made their mark in all forms of popular music with the B-3, back from its inception in the Fifties way past its discontinuation through to today. Procol Harum’s hit ‘A Whiter Shade Of Pale’ proved particularly memorable with a melancholic countermelody displaying an altogether softer side to the B-3. But raucousness remains the order of the day for the blues, jazz, and gospel genres with which it first found favour. After all, it had historically been aimed at churches as a more compact and affordable alternative to conventional pipe organs.
One saying springs to mind: Pulling out all the stops — to hold back nothing — is an allusion to organ stops being pulled out to turn on each set of sounds in a pipe organ. The B-3 effectively ‘emulates’ this with its drawbars. Doing this and a whole lot more is what B-3 V does best, thanks to Arturia pulling out all the software stops to make it happen!
Thirties-developed tonewheel technology originally made that special sound happen. An electronic current is created when rotating a metal tonewheel near an electromagnetic pickup and amplifying that signal. The B-3 has 91 of those tonewheels with each key connected to a fixed set of tonewheel outputs. Drawbar settings control how these are mixed together. The tube preamplifier subsequently shapes the sound a little further — filtering and distortion take hold here — while factoring the position of the expression pedal. This not only acts as a volume control but also affects the frequency response of the preamp which is connected to a speaker.
Speaking of which, B-3 V faithfully simulates the favoured Leslie tone cabinet, containing a power amplifier that drives a rotating horn and a stationary woofer firing into a rotating drum reflector. Spellbinding spatial and frequency-shifting effects above and beyond the sound-shaping effects of commonplace loudspeakers are all perfectly possible!
B-3 V brings this classic combo — complete with the inherent imperfections that made that tonewheel technology sound so unique — to the present-day desktop as an AAX-, AU-, VST-, and VST3-compatible plug-in in any DAW (Digital Audio Workstation) or as a standalone version. Visually, things couldn’t get clearer, thanks to the resizable (Retina/4K-compatible) GUI (Graphical User Interface) that’s as easy on the eye as it is to use.
Under the hood, things couldn’t be better with MIDI control of many parameters and insert slots for ANLALOG DELAY, CHORUS, FLANGER, OVERDRIVE, and PHASE effects, as well as ADVANCED SETTINGS for upper and lower manuals and rotary speaker behaviour. B-3 V boasts a built-in step sequencer, allowing anyone to easily set an amount of modulation for each step of the sequence! Naturally, Native Instruments’ new NKS® (NATIVE KONTROL STANDARD) allows advanced integration with B-3 V.
All of the benefits of the original iconic instrument are available to modern music-makers with B-3V, but without the heavyweight hassles. Where anyone chooses to take it musically is anyone’s guess, but bet your bottom dollar that special sound will be being heard for many more years to come... courtesy of B-3 V!"
Arturia Stage-73 V Tutorial
Published on May 19, 2016
"The Stage-73 gives you actual authentic modeling of both Stage and Suitcase versions of the most popular electric piano on the planet —completed with unparalleled control of virtual mechanics, a complement of effects pedals, and built-in classic amps."
Update: And the official press release for the new Farfisa-V:
"Arturia augments Analog Classics collection with faithful Farfisa Compact series software simulation
GRENOBLE, FRANCE: music software and hardware developer Arturia is proud to announce availability of Farfisa V — faithfully modelling the famous Farfisa Compact Deluxe electronic organ with additional features from its Duo Compact series sibling — as of May 19...
Arturia’s award-winning Analog Classics family of virtual instruments recreate hard-to-source synthesizers and classic keyboards. As a worthy addition, Farfisa V virtually puts players of today in the musical driving seat with a still-sought-after sound that drove the hits of several decades: Farfisa’s famous Compact Deluxe electronic organ, one of a series of iconic instruments manufactured in Italy between 1964-1968. A staple of Sixties-produced popular music, they made their musical mark with a wider-ranging sound than that of their main VOX Continental competitor. With more bass waveforms and an expanded percussion and vibrato section sales soared.
Speaking sonically, Farfisa Compacts are almost more top octave synth-like than organ-like, thanks to a rudimentary envelope that allows for attack and decay control that went way beyond the typical organ sound of its day. Little wonder, then, that they proved popular with musicians throughout the Sixties (‘Sam The Sham’ and The Pharaohs, Percy Sledge), Seventies (Jean-Michel Jarre, Kraftwerk), Eighties (B-52s, Blondie), and beyond. But unlike heavyweight Hammond tonewheel organs, transportation to performances was trouble-free. For the fortuitous Farfisa form factor included integrated legs that could be folded up and stored within the body of the instrument itself, surely sealing many purchasing deals!
Today, though, finding and maintaining an original Farfisa has become both difficult and costly. Farfisa V solves such problems by bringing all the benefits without any of the hassles to the present-day desktop! Developed using an original hardware organ for reference, it meticulously models the original circuits and sounds of the famous Farfisa Compact Deluxe. Features from its Duo Compact series sibling are also included alongside an authentic combo amp simulation. Standalone instrument operation on Mac OS X and Windows is a given for performance purposes. Plug-in support for all major formats inside any DAW (Digital Audio Workstation) with easy MIDI-learn functionality provides hands-on control of many of its parameters and automation support for considerable creative control. Naturally, Native Instruments’ new NKS® (NATIVE KONTROL STANDARD) — allowing advanced integration with third-party software instruments — is there for the taking.
As always, recreating an instrument in software provided an opportunity to add a number of more advanced features fit for the 21st Century. Cue the special USER WAVE position, allowing anyone to create an additive waveform. Why not use the ToneDraw feature to create a new waveshape based on the graphical look of the sliders? Having modelled the original built-in spring reverb, Arturia added other reverb IRs (Impulse Responses). Reorder the additional ANALOG DELAY, CHORUS, FLANGER, OVERDRIVE, and PHASER effects. Easily-accessible individual voice tuning, PARA (paraphonic) and POLY (polyphonic) modes, ATTACK and RELEASE envelopes for upper and lower keyboards, BASS WAVE (waveform selector), TONE control for bass section, TREMOLO SYNC, and REPEAT SYNC round out this all-new Analog Classic. Hearing is believing. So is seeing, thanks to the resizable (Retina/4K-compatible) GUI (Graphical User Interface) that’s as easy on the eye as it is to use.
Ultimately, then, whether you’re set on recreating a distinctive and powerful organ sound of the past or forging ahead with a new organ sound of the future, Farfisa V does it all. But best of all... legs no longer play a part in sealing this must-have musical deal!
"MatrixBrute is arguably the most powerful analog monophonic synthesizer ever ! As flexible as a modular system but offering presets, MatrixBrute is a dream machine for everyone interested in creating a sound palette of their own."
"Arturia ushers in analogue avant-garde era with massive-sounding MatrixBrute Analog Synthesizer
GRENOBLE, FRANCE: music software and hardware developer Arturia is proud to introduce its innovative MatrixBrute Analog Synthesizer — set to reset the benchmark by going down in history as arguably the most powerful analogue synthesizer ever created — at The NAMM Show 2016, January 21-24 in Anaheim, California, USA...
When was the last time your heart started racing at the thought of making music? How long has it been since you heard sounds that were entirely new? When did you last find an instrument that truly inspired you? Arturia actively posed such challenging questions to itself when readily rising to the challenge of designing the MatrixBrute Analog Synthesizer. So here’s the answer: an astonishing programmable monophonic/duophonic analogue synthesizer set to start your heart racing and serve up entirely new sounds as a truly inspirational instrument... meet MatrixBrute Analog Synthesizer! As a massive-sounding and highly-specified beast of analogue avant-garde-era synth technology, it is fit for reaching the outer limits of truly 21st Century sonic exploration, thanks to the trademark sound of its three ‘Brute’ oscillators, superb-sounding Steiner-Parker and ladder filters, three ultra-fast envelope generators, amazing analogue effects, and — the pièce de résistance — its incredible modulation matrix. Modular... without the painful patching practice of going modular, in other words!
What makes the massive-sounding MatrixBrute Analog Synthesizer so state-of-the-art, then? Matrix by name, matrix by nature, that namesake modulation matrix is at the heart of MatrixBrute, making the most of each ‘module’ through a matrix that offers thousands of potential modulation routings. Assign any of 16 modulation sources to any of 16 modulation destinations (in MOD mode) and set the amounts of each modulation routing using the dedicated data encoder; four such destinations are user programmable and can clearly be seen in the eye-catching E Ink (Electronic Ink) display. Don’t be afraid to invent a sound palette of your own and make your musical mark!
That multifaceted matrix also allows presets to be recalled quite literally at the touch of a (dedicated) button (in PRESET mode). Go grab one of the 256 pioneering, pre-programmed professional presets or recall one of your own original sound creations... instantly! Indeed, MatrixBrute packs the power of a modular synth system with an all-important ability to save each patch. No need to worry about recording a sound straight away for fear of losing it forever!
Furthermore, the matrix can also be pressed into action as an awesome 64-step sequencer with separate STEP, ACCENT, SLIDE, and MODULATION options (in SEQ mode). Make musical moves directly on your analogue synthesizer. Sounds can evolve in melody and texture... exactly the way you want them to!
To help maintain a 100% analogue signal path, MatrixBrute also adds true ANALOG EFFECTS to its stereo output — choose from chorus, delay, and flanger with five operational modes... and, yes, any ANALOG EFFECTS controls can be set as modulation destinations in the matrix! When was the last time you worked with analogue effects and a great arpeggiator? Ask no more. MatrixBrute has got you well and truly covered. Multiple modes of both the Arpeggiator and Sequencer allow almost unlimited musical ideas to quickly and easily flow forth for instant inspiration!
It’s a given that any analogue synthesizer only sounds as good as its VCFs (Voltage-Controlled Filters) and VCOs (Voltage-Controlled Oscillators). The MatrixBrute Analog Synthesizer sounds superb, markedly making the most of its four-mode STEINER FILTER (upgraded to support both 12dB/oct and 24dB/ oct slopes alongside a dedicated Drive control for creating thicker sounds) and three-mode LADDER FILTER (known for creating punchy bass and fat lead sounds with 12dB/oct and 24dB/oct slopes alongside another dedicated Drive control). The three VCOs are each equipped with a sub-oscillator as well as Saw, Pulse, and Triangle waveforms with the unique wave-shapers that are the trademark of the beloved ‘Brute’ sound of the MatrixBrute Analog Synthesizer’s smaller siblings, the award-winning and amazingly compact and bijou MiniBrute and MicroBrute monosynths (both boasting MIDI, USB, and CV connectivity together with a host of unique features). But by pairing a 49-note (full-size) keyboard (featuring both velocity-sensitivity and aftertouch for a musical feel with plenty of expression) with a beautifully-designed, solid chassis (featuring a helpfully-hinged, hands-on capacious control panel), the road-ready MatrixBrute Analog Synthesizer is both bigger and better, boasting more connections than an airport... well, almost!
As such, you can comfortably work with any setup — cue control voltage interfacing in abundance (12 CV inputs and 12 CV outputs to interface with any standard 1V/oct modular gear); AUDIO IN (line and instrument levels allow for adding an external oscillator from a favourite modular synth or processing a guitar or other instrument through the filters, VCA, and analogue effects); GATE In and Out (to trigger external gear or trigger the internal envelopes remotely); SYNC In and Out (to synchronise the internal sequencer and arpeggiator with external devices); standard MIDI In, Out, and Thru (to connect to both modern and vintage gear alike); USB I/O (to interface to a computer-based DAW directly and also use the free editor/librarian software); and PEDALS (Expression 1, Expression 2, and Sustain inputs to provide realtime control) — not forgetting, of course, MASTER OUT (stereo master outputs on 1/4-inch jacks).
As a phenomenal source of inspiration and a truly empowering instrument, MatrixBrute is easy to understand. Forget drop-down menus and dual- function controls. Forget connectivity issues. Forget imitations. This is you in control. This is you inventing sounds. This is analogue avant-garde!
The MatrixBrute Analog Synthesizer will be being showcased on Arturia’s booth (#6920) in Hall A at The NAMM Show 2016, January 21-24 in Anaheim, California. Come check it out!
The MatrixBrute Analog Synthesizer is expected to ship in Spring 2016 when it will be available to buy directly from Arturia online or through the company’s global network of dealers and retailers.
"32-Key USB MIDI Controller Keyboard with 64 Step Polyphonic Sequencing, Chord and Arpeggiator Modes
The Behringer SWING gives you full control over any synthesizer or virtual instrument in your DAW via USB or MIDI. Featuring a 64-step sequencer with an 8-note polyphonic sequence combined with 32 compact-sized keys and pitch and modulation touch-strips provide unlimited ways to express yourself in a compact and portable package.
The SWING’s 32-compact-sized keys create a perfect balance between size and playability. The keys give you the ability to create more nuanced and colorful passages with velocity and after-touch functionality. Use the Pitch and Modulation touch-strips to add even more character to your music. Chord Play Mode allows you to play a chord with up to 16 notes with one single key for some really enchanting Trance music. The SWING also features a 64-step polyphonic sequencer so you can create any progression imaginable and even play over it. Switch to Arpeggiator mode and create an amazing string of notes that can sync to the clock of any device the SWING is connected to.
The Mode knob on the SWING can select up to 8 saved programs in Sequencer mode, while in Arpeggiator mode, you can select different playing orders such as up, down, inclusive, exclusive, random, note order, double up and double down modes. Select from 8 different time signatures with the Scale knob and adjust the tempo with the Tempo knob or the Tap button. Press the Record button to start recording a sequence. This also doubles as an Append button when holding down Shift. Use this along with the Stop/Clear Last button and you can edit your sequences and arpeggios on the fly.
Update: And a response from Arturia followed by Axel Hartman who designed the physical look of the Keystep:
Arturia:
"Hello everyone,
We have been informed on Sunday November the 22nd of the upcoming release of a new product called Swing, by Behringer.
This product is in no way the result of a partnership between Arturia and Behringer.
We have worked hard to create the _Step range. We have invested time and money to imagine, specify, develop, test and market the KeyStep. Along our distributors we have been evangelizing this product, placing it in stores, explaining it, servicing it.
Of course we accept competition, and would absolutely understand that Berhinger give their own interpretation of a small and smart controller that would also be a sequencer. Others do, we have no problem with that and see good for the customer, as well as for the industry, in fair competition.
But this is not fair competition here.
Coco Chanel once said: “If you want to be original, be ready to be copied”. So we could in a way consider the Swing as a compliment.
We could.
In any case, thank you, everyone who came out and supported us these past 36 hours! It's been very helpful, very much appreciated.
"I do feel the need to comment on the many postings I can find here @ Facebook in several places regarding my thoughts, feelings, but also the truth about the blunt Behringer copy of the Arturia key step.
Arturia and myself, aka my company design box are designing instruments, synthesizers, controllers, interfaces since many years. As industrial designer, I contribute mostly my services on the asthetical side of a product. This is true for almost all hardware products that you know from Arturia. In all cases, Arturia is buying my services - I never licensed any of the designs. Arturia always pays, and naturally owns the output of my work, that - by the way - is alway the result of an in-depth cooperation with their internal team of specialists.
Arturia and myself are working together since many years, and we share the deep desire of designing innovative products. I could never share any of the designs, that came out of that cooperation with any body else, legally not, and not from my personal high attitude in that regards. So anything, pointing in that direction is simply fake information. Neither the company Behringer, nor Uli himself have ever approached me with a request like that. And I would also never ever do something like that - I can not license anything that is not in my possession.
Personally, I feel sad, and am also upset about that sheer copy of a design, that I once created for, and together with Arturia, the team around Frederic Brun. These people have spent lots of efforts and great energy in building a brand and all that belongs to a brands assets. It is simply not right, somebody else is taking advantage of that hard work (which is not only true for Arturia, but for all great brands, that must see their most successful products being copied)
I do not understand (Uli) Behringer - with his huge company and the power of many great R&D teams - some of the best and most respected and innovative companies we know in our business, that Uli was able to simply buy in the past with his money. A product like that copy simply can not represent the core values of the people, he could convince to be part of his company. It is simply sad, and I can not understand that move (like many, it seems)."
And then there's the following mock-up from Atomic Shadow that pretty much sums it up:
Update via Wikipedia: "Music Tribe, formerly Music Group, is a holding company based in the City of Makati, Metro Manila, Philippines.[2] It is chaired by Uli Behringer, founder of Behringer. Music Group rebranded to Music Tribe in December 2017.[3]...
In 2015, Music Group's portfolio included Midas, Klark Teknik, Behringer, Bugera, Eurocom, Turbosound, TC Electronic, TC-Helicon, Lake, Lab.gruppen, Tannoy, TC Applied Technologies and CoolAudio[6]"
"Since various magazines and Arturia have publicly called us out over the launch of our Swing MIDI Controller, we would like to respond and share some facts around the principles of competition and clear up some misconceptions.
Competition is a highly effective tool to drive innovation by empowering Customers to make their best choices and force manufacturers to constantly reinvent themselves. Innovation means progress and this happens on many levels, whether it relates to customer experience, functionality or cost efficiencies etc. There are 4 established marketing strategies: market leader, market challenger, market follower and market nichers. Here is a great article: https://aytm.com/blog/brand-positioning-for-a-competitive-edge-part-3/
The competition law was designed to avoid companies creating a market monopoly and stifle innovation, which would be detrimental to the rights of the Customers to expect better offerings. The law was specifically designed to encourage everyone to fiercely compete, even when it means over the same functionality and design, provided intellectual property such as utility (functional) and design patents as well as trademarks etc. are respected.
How many Fender Stratocaster or Gibson Les Paul clones are out there in the guitar world and how many SM58 clones are available? How many cars or mobile phones look alike? It is not surprising that Gibson recently lost a substantial legal case trying to prevent others from making V-shape guitars or Fender, who lost all trademark cases related to their Stratocaster design. The reason is simple: the law encourages competition and provides maximum freedom for companies to engage head-on, all for the benefit of the Customer.
We are spending large amounts of resources on innovation, which is reflected in products such as X32, XR18, Flow, DDM4000, etc. This made us the global market leader for analog and digital mixers and over the years we have built an extensive patent portfolio: https://community.musictribe.com/pages/intellectual-property However, we also clearly choose to follow successful brands and products, while adding more features and/or competing on price. Much of our innovation is invisible to the Customer as it relates to our highly advanced and automated design and manufacturing processes and for that we are spending hundreds of millions of US$. For this reason, we have become strategic partners with Microsoft, Siemens, Adobe and many other Tier 1 companies as we are pushing for extreme digitization and automation.
The follower marketing strategy is a very common business model in any industry, which is enabled by law to encourage competition. With our new Swing MIDI Controller, we followed an established concept, but of course wrote our own firmware with added functionality. However, these unique features will only come to life when we launch our free DAW.
The free Music Tribe DAW will form the heart of an incredible eco-system, where all our controllers, synthesizers and drum machines etc. will integrate seamlessly, thus dramatically improve connectivity and workflow. This will make it incredibly easy for our Customers to create, edit and share their music. Only our upcoming controllers will feature total integration with our synthesizers, drum machines, digital mixers and other Music Tribe equipment, while also offering standard functionality with all 3rd party products.
For anyone familiar with the industry landscape, Arturia has been cloned for years (Worlde MiniMidi, etc.), while the company has also been “borrowing” from others with their VST replicas of legendary hardware synths, open-source code from Mutable Instruments, the “Expressive Touche” controller or the registration of known “DX7” and “Synthi” marks. Equally, our own analog Xenyx mixers and many other products have been widely cloned. ¬We will absolutely continue to deliver innovative products but also follow our competitors as we expect our products to be cloned - fair play.
We are very cautious when it comes to our follower approach and employ expert intellectual property firms to ensure our products stay within the boundaries of the law; we are committed to never intentionally infringe on other companies’ intellectual property.
Many years ago, we were entangled in bitter lawsuits with Mackie and Pioneer, which we all won. But we also recently lost a case against Yamaha in China related to a simple fader knob design that involved a design patent we were unfortunately not aware of. We changed the design, we will pay the fees and move on. Notably, Yamaha themselves were sued by Dr. Dre over their headphone designs (https://www.cnet.com/news/dr-dre-sues-yamaha-over-headphones/) or entangled in other legal matters (https://www.gov.uk/government/news/musical-instrument-firms-to-pay-millions-after-breaking-competition-law), which clearly shows how competitive business is. The heated Apple versus Samsung disputes are a prime example.
It is our Purpose and Mission to empower Customers who don’t have deep pockets and provide them with the best possible equipment at fair prices. We do understand that we are a fierce competitor and at times controversial as we’re relentlessly push the envelope.
We would like to thank all our Customers who have supported us over the past 30 years. We are absolutely committed to continue to deliver the best possible products at the lowest possible cost."
Producer Pack Tutorial Published on Oct 8, 2014 Arturia Web
"Glen Darcey, VP Product Management, takes you on a tour around the KeyLab and Bitwig integration.
The Producer Packs combine Bitwig Studio’s unprecedented workflow possibilities with Arturia’s premium hybrid keyboard conrtollers: the KeyLab 25, 49, and 61. Also included are the legendary Arturia Mini V and Analog Lab virtual synths. The Producer Packs are a complete solution offering maximum control for sound design and production.
Together, Arturia and Bitwig have combined their strengths to raise the bar in keyboard design quality alongside the deep integration of hands-on control and rich virtual content with the workflow of Bitwig Studio.
THE PRODUCER PACKS are available in 3 versions
Arturia Keylab 25/49 or 61
Bitwig Studio full version including the installation DVD and a printed manual
Arturia Mini V Virtual Synth
Arturia Analog Lab
THE PRODUCER PACKS bundle are now available in limited quantities through Arturia's network.
"Arturia all set to reignite drum machine market with new-look SPARK 2
'There are a lot of software drum sequencers on the market, and most of them, I’ve found, just fall short in sound quality. With SPARK, Arturia has been able to capture the warmth and fidelity of original analogue drum machines and reimagine the sounds into a high-quality, intuitive drum sequencer.'
- Chris Keating (Yeasayer)
GRENOBLE, FRANCE: music software and hardware company Arturia is proud to announce SPARK 2 — a new look, new feel version of the powerful software engine that drives its drum machine-redefining SPARK Creative Drum Machine and SparkLE Creative Drum Machine hybrid hardware/software instruments — at the 2014 NAMM Show, January 23-26 in Anaheim, California.
With the timely introduction of SPARK 2, Arturia has given its beat creation software a new look, new feel, and a whole host of new features fit to make it the premier sound-sculpting and live performance drum machine on the market when perfectly paired with the SPARK Creative Drum Machine and SparkLE Creative Drum Machine controllers. It’s a match made in hybrid heaven that’s more flexible than ever before!
While SPARK has always been built on a fully-modular VA (Virtual Analogue) sound engine, originally only developers had access to this wonderful-sounding rhythmical power source. Not now. With the all-new SPARK 2, users are free to add and subtract modules (including oscillators, multimode filters and Karplus-Strong filter, ADR envelopes, LFOs, mixers, ring modulator, Bode Frequency Shifter, spring mass, and CV processor); create their own patch routings; and assign up to six macro controls for immediate control. Clearly, it’s this truly modular, fully-accessible sound engine that makes SPARK 2 truly shine as the ultimate drum synthesizer!
With SPARK 2, Arturia has taken the opportunity to update the look and feel of SPARK to allow for faster workflow, while creating a layout that allows it to grow well into the future and secure its longevity — no easy feat in today’s here today, gone tomorrow’s world of rapidly disposable developments. New tabbed pages provide a cleaner look, more screen space, and faster access to the most needed features — features like an all-new Mixer window, expanded Pattern edit screen, and enhanced Library page for better data management. It’s a knockout!
SPARK 2 also adds 50 new kits — including no fewer than 800 new instruments — that span many more musical genres than ever before, including trap, hip-hop, tech house, and nu disco, to name but a few. Fortunately, these kits come complete with 32 patterns that can be used by themselves or form the basis of user-programmed beats.
Bringing up the rear, SPARK 2 sees Song mode updated, too. Song segments can now be configured and then replayed at the touch of a button. Users can create song sections that will play from one pattern to another and then recall these sections via the step buttons on the SPARK Creative Drum Machine and SparkLE Creative Drum Machine controllers.
So why not get behind the wheel of a truly creative drum machine and let SPARK 2 help you create truly driving rhythms with minimum fuss and maximum musical output. No driving lessons required!
As of March 2014, existing SPARK andSparkLE Creative Drum Machine users can download SPARK 2 for free from here: http://www.arturia.com/evolution/en/downloads/updates.html
SPARK Creative Drum Machine and SparkLE Creative Drum Machine can be purchased from the Arturia online store (http://www.arturia.com/evolution/en/buy/online-shop.html)
or any authorised dealer for $399.00 USD/€399.00 EUR or $299.00 USD/€249.00 EUR, respectively."
