Bad Gear - The Game Changer

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world’s most-hated audio tools. Back in the day when synth nerds had to walk 10 miles in the snow uphill both ways to get wasted and find a place for music production the term game changer had a completely different meaning.

Today we are going to talk about the very first E-mu Proteus. This 80s synth and dumbed-down offspring of the Emulator sampler range not only made their iconic tones more accessible, its presets also burned themselves into the global pop cultural consciousness.

Bad Gear - The Game Changer
The Gamechanger
Emu Proteus
E-mu Proteus 1
E-mu Proteus/1
meme video

Chapters:
00:00 Intro tune
00:52 Overview Emu Proteus 1
01:22 Famous Sounds and Samples
02:14 How does Proteus Work?
02:38 Envelopes and LFOs
02:52 Pseudo-Chorus
03:06 Why Proteus was a Game Changer back in the day
03:32 Modulation Section, Midi Implementation, Studio Integration
04:00 What else??? (Pricing, Proteus Generations,...)
04:45 Hate Screen
05:12 Jam 1 ( Retro Console Game Music )
06:08 Jam 2 ( 90s Jungle , Drum'n'Bass , Whatever... )
07:04 Finale ( Synthwave , 90s TV Show Soundtrack )
07:34 Verdict"

Introducing Molten Plasma - decimated energy flux machine

video upload by Molten Music Technology

"Molten Plasma is a source of decimated, glitchy and energy infused sounds sampled from the Gamechanger Audio Plasma Voice. I've created a bunch of fizzing bass sounds, fluxing pads and static filled percussive hits that take full advantage of the polyphony, filter and effects of the Decent Sampler platform.

Molten Plasma is only $10 and is available here: / shop

Be aware Apple will add a charge to anything bought via an iOS app, so your best deal is via a desktop browser.

Alternatively all $5 and above Patrons receive the Molten Plasma, and all future instruments, for free. Patrons support the channel by subscribing to my Patreon page where you'll also get an exclusive chat server, unreleased tracks, advert-free videos and more. / robinvincent"

Introducing Novation Bass Station by GForce Software

video upload by GForce Software

"Novation and GForce are proud to announce the release of the GForce Bass Station, a brand-new software version of the original analogue synthesiser.

Bass Station is an iconic mono-synth, celebrated for its raw, punchy bass and distinctive analogue filter. First launched in 1993, it has been a core part of Novation's brand ever since.

The new GForce Bass Station AU / VST is an exact emulation of the original Bass Station, now with a new expanded mode, which includes up to 16-voice polyphony and unison modes, taking its versatility far beyond the monophonic hardware original.

More info at https://www.gforcesoftware.com/produc...

Credits
Reverb Machine - audio demo
Graeme Rawson - video production
Çağatay Çetin - 3D animation"

Novation Bass Station by GForce Walkthrough

video upload by GForce Software

00:00 - Intro
00:45 - Overview
02:22 - LFO
03:15 - Oscillators
06:32 - OSC Modulation
07:30 - Filter
08:30 - Envelopes
09:15 - Modulation
11:22 - XMods
14:15 - FX
17:10 - Controls
20:07 - Macros
21:07 - Sequencer
28:02 - Arpeggiator
29:01 - Settings
30:50 - Browser
33:30 - Collections
34:20 - Saving a Patch
35:25 - CC Mapping
36:15 - Undo / Redo

CLICK FOR MORE »

Mixing House and EDM Together With the Digitakt II and Syntakt

video upload by EZBOT

"I am fascinated by trying new ideas and breaking the rules to suit my musical needs. I used this video/audio for a project with Patreon inc, which is why there is less hands on with modulation. I had to record the video several times, and eventually i just stuck to getting to the end of the song.

This song is called "Shardonay." I wrote it mostly on the Digitakt I and later adapted it to the Digitakt II. It began with a sample from my guitar running through a Gamechanger Audio pedal. The track develops into EDM later on, with the Syntakt showcasing its colors. This was performed using the Performance Mixer 3.0, a template for the Octatrack mk1/mk2 that you can find via the links below.

Lyrics:
stay up
I've got to stay up to sleep
If you've got nothing
nothing goes to waste
stay up

Patreon post: / shardonay-by-109691954

Download the Octatrack Performance Mixer 3.0 Template and the Octacosm here: https://ko-fi.com/s/c71520e99c and here patreon.com/ezbot

PERFORMANCE OVERLAY MAGNETS: https://www.modbang.com/modbang-shop?...

I love to teach! Step up your game with 1 on 1 lessons: https://www.ezbot.live/"

Motor Synth MkII and Synthstrom Deluge | downtempo synth performance

video upload by Jay Hosking

"Please support my work on Patreon: / jayhosking
A live synthesizer jam performed entirely on hardware.

Full disclosure: Walrus sent me along the R1 MkII for free. I'm a big fan of their Slöer pedal and also really like the Meraki (both of which I bought with my own money), so I was happy to give the R1 MkII a spin. It's a decent workhorse pedal with full stereo, some cool algorithms (including a sort of granular-delay-reverb thing), and an easy interface. I think the Slöer is still the better pedal if you're choosing based on character/personality, but if you need versatility and a small footprint, the R1 MkII might be for you. I look forward to exploring it more!

Once again, the incredible Miles Away leant me some of his gear to try out. This time, it's the Motor Synth MkII. It's hard to justify at the price point and with a technology that is less known in terms of longevity, and it certainly has some quirks that won't be for some. But man alive, the Motor Synth sounds absolutely incredible: warbly, rich, binaural, capable of mellow lofi ambient all the way up to overdriven bananas cyberpunk. It's incredible.

Check out Miles Away's exploration of the Motor Synth MkII here, and be sure to check out the second jam (heavy industrial electro): • Is This The Most Unique Synth EVER???... [posted here]

Here, I leveraged the mellower side of the Motor Synth and paired it with the Deluge, which is a natural fit in terms of complementary sounds. The R1 MkII was the reverb on the Motor Synth and also was a perfect fit; there's something about the R1's algorithms that makes the good for fitting in a mix. And to glue the Deluge sound together and add a little more personality, I added the Chroma Console doing saturation, doubling, delay, and tape.

Thanks for listening.

Gamechanger Audio Motor Synth MkII into Walrus R1 MkII - Main synth, played on keyboard, with reverb
Arturia KeyStep 37 - keyboard for Motor Synth
Synthstrom Deluge into Hologram Chroma Console - drums, bass, synths

Performed and recorded live, with EQ, compression, and limiting on the master.

https://jayhosking.bandcamp.com"

The beautifully odd and maddening Motor Synth MkII: 3 things we love... and some things we don't

video upload by MusicRadar Tech

"When the Motor Synth first landed, it’s fair to say everyone was intrigued. Gamechanger Audio even had the likes of Jean-Michel Jarre and Richard Devine enthusing over “the world’s first electro-mechanical desktop synthesizer”. The original instrument made do with two independent voices and four-note polyphony from the eight motors, but plenty of improvements have been made. New to the MkII is the addition of a DCO with four digital oscillators and four-note-polyphony.

In this video, we explore the new features and explore the highlights of this new version – alongside a few things we're not so keen on."

In this video:
00:09 – Audio demos
01:09 – What we love about it...
01:14 – New features
04:55 – Modulation
08:33 – Flexible routing
11:22 – What we don't love...
18:20 – More demos

Gamechanger Audio Motor Synth MK II Electro-Mechanical Desktop Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

Additional Perfect Circuit listings

CLICK FOR MORE »

Gamechanger Audio Plasma Voice Review

video upload by Molten Music Technology

"Who knew a Xenon tube of plasma could produce such fierce sounds? The Plasma Voice has all the energy of a barely contained explosion that zaps and spits its way into your patch. Is it too much? Nah, it's bloomin' awesome!"

Intro - 0:00
Getting into details - 5:58
The Sounds - 14:25
Let's develop this a bit! - 21:31
Played from a keyboard - 29:47
Modulated Sequence - 33:09
Conclusion - 35:12

When Motors Sing: Mega Deep Motor Synth MKII Exploration 🎹🔥

video upload by Doctor Mix

"For the next 16 minutes dive with me into the Motor Synth MKII by Gamechanger Audio. In this intimate session, I explore and improvise with this avant-garde synthesizer, using actual drone motors as oscillators! 🚀 "

Best Ambient Synth Shootout #135: Sonicware LIVEN Ambient Ø - Song 2

video upload by Christian's Sonic Spaces

"This is the second recording with the Sonicware LIVEN Ambient Ø. It is a 10-voice, 4-layer synthesizer focussing on ambient, drones, soundscapes, etc. It shares the same platform than the other LIVEN.

I used for the recording the following FX pedals (FX from the LIVEN Ambient Ø are deactivated): Gamechanger Audio Auto Chorus, Pigtronix Echolution 2 Deluxe, GFI System Specular Reverb 2.

The signal went through a Presonus StudioLive 16.0.2 into the PC via USB for recording. To create the complete song I recorded consecutively several stereo tracks. On some tracks Compressor and EQ where added in Cubase. The final song was then mastered using iZotope Ozone.

Well, I decided to go back to the basics, but at the same time make something useful for the synth community and do a kind of competition (I like competitions;-). What's my best synth for ambient music :-)"

The AUTO Series by Gamechanger Audio

video upload by Gamechanger Audio

"Gamechanger Audio’s brand-new pedal line, The AUTO Series, is now available online and across all dealer channels, starting with three classic effect pedals – AUTO Reverb, AUTO Chorus, and AUTO Delay.

Each AUTO Series pedal turns your performance into sound design, with your touch, dynamics, and note choices automating the effects parameters and shaping tones in real time – The AUTO Series reimagines what a pedal can be.

Learn more: https://gamechangeraudio.com/auto/

Image: Ugis Olte
Camera: ABB-904014-29GJ
Sound: Nick Moss Rogers
Bass: MOTOR Synth MKII
Percussion: PLASMA Voice Module"

Press release follows:



"Gamechanger Audio Launches the Revolutionary AUTO Series Pedals

Gamechanger Audio’s brand-new pedal line, The AUTO Series, is now available online and across all dealer channels, starting with three classic effect pedals – AUTO Reverb, AUTO Chorus, and AUTO Delay.

ABOUT THE AUTO SERIES

Gamechanger Audio is thrilled to announce the launch of its new AUTO Series. This innovative pedal line features the AUTO Delay, the AUTO Reverb, and AUTO Chorus, designed to revolutionize the way musicians experience and interact with classic audio effects. By introducing a new layer of parameter automation that responds and reacts to the player's touch, dynamics, and note choices, The AUTO Series provides an unprecedented level of effects control and creative expression.

At their core, each AUTO Series pedal offers a meticulously crafted palette of sound algorithms, providing a vast range of foundational tones. The primary advantage is the ability to automate these sounds later, but even on their own, they already deliver exceptional quality, making them highly versatile and impressive standalone tools.

Each pedal's AUTO Section has two on-board signal analysis engines, engineered to transfer musical nuances onto the effects parameters. The DYNAMICS tracker is fine-tuned to capture all details of playing dynamics, and animate parameters based on the player's picking style as well as each instrument's loudness and decay. The PITCH tracker detects note choices, and changes in the instrument's tone. These automations can be linked to any of the four effect knobs, setting the parameters in motion.

The entire automation section is engaged with the AUTO footswitch. This allows for the automations to be prepared with the patch cables and then toggled ON or OFF as needed. The small PARAMETER AUTOMATION knobs directly below each of the main EFFECT PARAMETER knobs determine the amount of automation and direction for each parameter individually. The automation functions can be fine-tuned using calibration and several effect engagement modes.

The Design of the AUTO Series pedals draws inspiration from the world of modular synthesis. The series' unique patchbay interface allows to create a straightforward and robust connection between the two on-board trackers and any of the effects parameters using 3.5mm (1 ⁄ 8 inch) jack patch cables.
A batch of six patch cables are included with each pedal.

The AUTO Series PITCH and DYNAMICS trackers are extremely precise and versatile, flawlessly tailored for all styles of guitar playing, yet not limited to string instruments. All pedals feature an input level switch that lets you choose between instrument level (INST), line level (LINE), and Eurorack synthesizer level (EU) input.

While Gamechanger are not hiding their intention of releasing a wide array of popular effects types under the “Automation” banner, the AUTO Series is debuting with three classic time-based digital stereo effects:

CLICK FOR MORE »

Nightverb: Drone and freeze demo (no talk)

video upload by Richard DeHove

"Here's the Erica Synths Nightverb paired with a DB-01 and Gamechanger Audio Light pedal; then with a DB-01 and Zen delay. In both cases I'm testing drone and freeze settings. The knob position of the Nightverb reflect the actual values. I'm still getting used to the freeze and in hindsight would probably have been better used with some more pad-like chord, but live 'n learn guvna. Routing-wise the Nightverb is always at the end of the chain. When using the freeze function its useful to have a second effect in series so the contrast between the frozen reverb and the dry sound isn't too jarring.

Headphones will help hear some of the beautiful grit and superlow bass.

So after a couple of weeks use what's my opinion of the Nightverb? Well, have you ever used one of the 90s digital synths that has just a single knob or slider to change parameter values? They're a colossal pain to program and feel like they're trying to force you into just jumping between presets. Then compare that to a knob-per-function synth. That's where I am with the Nightverb: Reverb that you play, an instrument that can be tweaked to suit the moment, backed up then cranked. After all, one of the main advantages of hardware over software is that you can do "real time automation" as you play, and it's fun. In fact in all this time I still haven't saved a single Nightverb sound :)

As usual there is no processing in the DAW other than once or twice where I manually adjusted the volume. But there's no effects, compression or limiting etc. Sometimes there's a little high-frequency which is from the Zen. There is no sound source connected to the Acidbox, it's generating it's own sound from high resonance and the LFO. Let me know if there's anything else you want to see and hear.

0:00 Storm (Acidbox & Zen)
1:55 Pinger (Acidbox & Zen)
3:18 Ripper (DB-01 & Light)
6:43 Sleepytime (Acidbox & Zen)

Lots of downloads for supporters on Patreon: / richarddehove
Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Gamechanger Audio MotorSynth // Electric AND Acoustic Exploration // No Talking

video upload by LESINDES

"GAMECHANGER Audio adopts the TONE WHEEL principal of HAMMOND ORGANS for synthesizers for the first time. Instead of OSCILLATORS there are 8 TONE WHEELS (physically rotating discs) creating the basic waves. These rotating wheel are more then well audible. I was a bit surprised how loud these wheels were. Although I had tested the synth on SUPERBOOTH 2019 whre GAMECHANGER presented their prototype. But the noise floor of the convention (what a surprise :-)) was much louder than my regular studio ambience. So in this demo recorded the acoustic behaviour of the synth as well which led to this short demo sequence repeated 3 times to give you an idea of the the work with the synth:

Phase 1: Pure electric signal
Phase 2: Pure electric signal + Studio ambience
Phase 3: Studio ambience only, mainly acoustic noise/resonances of the MOTORSYNTH"

How to make another TINY TECHNO MODULAR (feat. Gamechanger Audio Plasma Voice)

video upload by mylarmelodies

"Hang out & I'll explain this tiny techno modular built around Gamechanger Plasma Voice - how might you perform a whole set with it? This features/demos Plasma Voice but of course all the info here is transferable!"

CHAPTERS
00:00 Introductions
01:10 Whats in this and WHY?
14:55 Explaining Plasma Voice
18:23 How to use it without a looper
27:38 How to use it WITH a looper

Digital AND Analog Design with Toms @ Gamechanger Audio | Superbooth 2024

video upload by Anthony Marinelli Music

"Let's talk some more about Digital vs Analog at Superbooth 2024! Join me and Toms Lazdovskis (Marketing, content & product development from Game Changer Audio) to find out what innovations boutique designers are up to.

We'll learn about how they are using digital technology to make analog instruments more affordable for everyone, designing controllers and interfaces with "feel" and maybe even designing digital to sound better than analog. AND you'll hear Toms take on this question: "Does Analog Really Sound Bad & We Love it Anyway?". Toms is loaded with knowledge and always a fun hang! Please be sure to subscribe if you like this video.

00:00 Intro
00:43 "Digital is More Analog than Analog"
04:58 Is the Gamechanger Audio Light Pedal Digital or Analog?
08:43 People's Perception of Digital
11:20 Designing Controllers and Interfaces with "Feel"
18:20 Advantages of Designing in Digital
20:50 Designing digital to sound better than analog (Gamechanger Motor Synth)
23:03 Does Analog Really Sound Bad & We Love it Anyway?
25:15 Benefits of Designers Creating Instruments with Limitations
25:52 Making Synths Affordable
26:23 Summary
26:51 AMM Logo (theme music)"

*Website* - https://www.anthonymarinellimusic.com

Gamechanger Audio Plasma Voice Sound Demo (no talking)

video upload by Bonedo Synthesizers

Plasma Voice | By GameChanger Audio

video upload by Cinematic Laboratory

"When I saw this module for the first time a few months ago, I knew I wanted one yesterday. Then GameChanger audio reached out to me if I would be interested in doing a 'second opinion'. A different angle, away from the trash and farts, and more into the cinematic realm. Sure! It's absolutely stunning for many, many genres, also including ambient.

Compared to the old Plasma Drive, the Voice is a joy to work with. The Drive is an all or nothing distortion with no mercy. The Voice is a sound design dream with 49 'engines' which can deliver tons of sounds. It can scream and buzz like a fan in a bathtub, but when you turn default trigger mode OFF the oscillator will be free and ready for your own sculpting. It's no secret I prefer using a LPG instead of the internal VCA (or any) to take off the rough edges and add a bit of organic life to it. I don't think I can warmly recommend a module I got free of charge, but I am doing it anyway.

00:00 Introduction
02:51 First Patch
03:36 Commercial break with DataBender
04:15 First Patch continued
06:09 Grime (an obscure genre)
09:27 Noise Studies
11:22 Ambient Lightning"

Gamechanger Audio Plasma Voice - First Play (Holy Crap!)

video upload by Molten Music Technology

"Wow, this thing is epic. It arrived this morning, and this is the first time I've plugged it in. After a few minutes I turned on my cameras and here we are. I haven't looked in the manual or anything but I believe I went through the first bank of preset bass sounds. The video also features the BlaknBlu Foxtrot filter, XO drums, Panda Particles and Chroma Console for some delay."

Berlin Stompbox Exhibit Set for May 18, 2024

video upload by EHX

Note the above video from EHX is from the 2022 event. Guitars meet synths meet pedals. You might notice Three Wave Music in the video. If you aren't familiar with them, check them out here.

Details on this year's event follow. You can RSVP on Eventbrite here.

The Brooklyn and London Synth and Pedal Expo's organizers are excited to announce the first edition of the Berlin Stompbox Exhibit, a free, strictly in-the-headphones event scheduled for May 18, 2024 at the central Heynstudios venue.

Musicians are welcome to bring their instruments to try out hundreds of pedals in the headphones. Any instrument with a pickup is welcome!

Like all our events, this show is free with RSVP!

WHEN:
Saturday, May 18, 2024, from 12 p.m. to 6 p.m.

WHERE:
HeynStudios
| Heynstraße 15, 13187 Berlin |

HOW MUCH:
In case you missed it: FREE!


CONFIRMED VENDORS:

Pedal Store Partner:

Pedal Markt

Pedal Builders

4D Pedals
Animal Factory
Beetronics
Cioks
Crazy Tube Circuits
Diamond
DreadBox
Dunlop
Fulltone
Gamechanger Audio
Hamstead Soundworks
IK Multimedia
Jackson Audio
Jam Pedals
KMA Machines
KSR Amps
Mad Professor
MXR
NUX
Old Blood Noise Endeavors
Peterson
Pigtronix
Rabbit Hole FX
Solid Gold FX
Tsakalis Audioworks
Tubesteader
Voodoo Lab
Walrus Audio
Way Huge

Creating a soundscape from pure resonance

video upload by Richard DeHove

"Who needs oscillators when you have self-oscillating resonance? Here the Erica Synths Acidbox III with high resonance is fed into a Fairfield Circuitry Roger That, then to a Gamechanger Audio Light reverb pedal and finally to the Erica Synths Zen Delay.

The Acidbox is configured so the right output feeds into the control CV input, but the box itself is getting no external audio, just it's own resonance.

The Roger That pedal provides a little extra texture and noise but is not an essential component. I tried all sorts of different pedals in this position including distortions, drives and bitcrushers but almost all of them had very little effect. I think there simply wasn't enough for those pedals to chew on.

The Light pedal is mainly on the 'harmonic' setting and I sometimes switch it to feedback. The Zen delay is on the tape ping-pong setting. Filter is on highpass in case things get out of hand and the drive knob adds some good grit.

The input gain on the Acidbox and Zen were fundamental to the sound. Both were usually quite low but if you want something with more noise and distortion it's there if you just pump those up.

A few years back I had a Lyra-8 which I always say is a great personal meditation machine. Yet imo it doesn't compare to this setup in terms of flexibility and expression. Here you can go high and delicate or low and cone-shaking, peaceful or disturbed all in a few knob turns. And what big glorious knobs they are.

I do believe this type of playing is personally very therapeutic. If I was an indulged academic I think it'd make an interesting research project to look at the brainwave state of someone engaged in prolonged resonant drone knob twiddlings. Might there be a connection between the played harmonics and brainwave frequencies and that in certain moods you'd gravitate to harmonics of that emotional state? Or would your playing perhaps reduce agitated brain frequencies toward a more dreamlike state? Who knows.

Lots of downloads for supporters on Patreon.

Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"