Teenage Engineering EP–133 K.O. II, Op-1 Field and TX-6 Field

video upload by Luca Longobardi

"People Are Oblivious To Reality. They Only See What They Want To See
(Henry Simpleton, 1899)

Landscape FM Stereo Field sampled on EP–133 K.O. II track A;
Modern Audio Pluto sampled on EP–133 K.O. II tracks B and D;
Soma Lyra-8 sampled on Op-1 Field."

Flower feedback using the Stereo Field

video upload by Landscape

"Using the Stereo Field feedback instrument/processor/controller with a flower in place of human skin. The shape of the flower allows for different feedback paths within the instrument providing different results based upon where the flower is touching and how much the petals are making contact. Different flowers will provide different results. You could even process external audio through the flower itself."

TR-606 ✺ into touchable stereo feedback ✺✺


"By patching a mono input into the rear of the Stereo Field while patching across the interface you can turn a mono signal into stereo feedback. Both audio and voltage will be routed through your skin when touching the interface creating many audio responsive feedback paths. The response changes based upon your skin's moisture content, where you decide to touch and how much skin is touching the interface."

https://www.landscape.fm

EML ElectroComp 101 EML-101 w/ Seq Mod

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

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Manhattan Bridge Subway Ride (N & Q trains) with original music

video upload by CatSynth TV

"The view looking south from an eastbound subway train over the Manhattan Bridge in New York, with original music. The southern side of the bridge carries tracks for the N and Q lines of the New York City subway.

Filmed in January 2023

The music is built around the original sound from the subway rides. Instrumentation includes:
Arturia EFX Fragments
Tracktion KULT
Cherry Audio Mercury 6 and Stardust 201 delay
Jaymar toy piano
Landscape Stereo Field
Strymon Starlab
QuBit Prism
John Cage Prepared Piano from Big Fish Audio (Kontakt)
EastWest Hollywood Orchestra Solo Cello"

Landscape Stereo Field

Note: Auction links are affiliate links for which the site may be compensated.

via THE NOISE SOURCE Reverb

Note auction links are affiliate links.
See the site's privacy policy for more info.

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TEST SERIES Landscape Stereo Field Electro Faustus Blackfly Benjolin V2

video upload by Outsider Sound Design

"WARNING!!! This video has fast flashing lights which can cause problems for some viewers.


Sound design experiments with Landscape Stereo Field, Electro Faustus Blackfly, and Benjolin V2.

The purpose of 'TEST SERIES' is to focus on the sound design possibilities of various gear combinations. This series is not musical nor does it serve as an instructional video. It is all about sound potential. Please consider supporting this channel by purchasing a sample pack or music download from www.outsidersounddesign.com"

12- The UDO Super 6- Envelopes Part A

video upload by AutomaticGainsay

"Here is part one of a two-part exploration of the sound and functionality of the UDO Super 6 Envelopes.

The theme for this demonstration was recorded by multitracking the UDO Super 6 in order to provide the various parts necessary. No external equalization or effects were used. The drums were created through programming the Korg Triton LE and processing the results through the Landscape Stereo Field.

This video was funded by the Patreon supporters of Automatic Gainsay. Support the creation of this video and all of the Automatic Gainsay videos that have helped you by becoming an Automatic Gainsay supporter on Patreon! http://www.patreon.com/automaticgainsay"

AutomaticGainsay UDO Super 6 posts

Landscape Stereo Field

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

You can find a demo of one here. See the Landscape label at the bottom of this post for more.

"Awesome desktop analog modular synth and processor. Great on Guitars and other synths, drums, etc. CV in and CV out. Touch sensitive and expressive. Cross modulation and FM synthesis!"

06- The UDO Super 6- DDS Modulator

video upload by AutomaticGainsay

"Here is part one of a two-part demonstration of the DDS Modulator found on the UDO Super 6.

The theme for this demonstration was recorded by multitracking the UDO Super 6 in order to provide the various parts necessary. No external equalization or effects were used. The drums were created through programming the Korg Triton LE and processing the results through the Landscape Stereo Field."

AutomaticGainsay UDO Super 6 posts

05-The UDO Super 6-DDS2 (2nd oscillator)-Part B

video upload by AutomaticGainsay

"Here is the second part of a two-part demonstration of the second oscillator (DDS2) found on the UDO Super 6.

The theme for this demonstration was recorded by multitracking the UDO Super 6 in order to provide the various parts necessary. No external equalization or effects were used. The drums were created through programming the Korg Triton LE and processing the results through the Landscape Stereo Field."

AutomaticGainsay UDO Super 6 posts

02-The UDO Super 6-Introduction

video upload by AutomaticGainsay

"Here is an introduction to the structure and unique concept of the UDO Super 6.

The theme for this demonstration was recorded by multitracking the UDO Super 6 in order to provide the various parts necessary. No external equalization or effects were used. The drums were created through programming the Korg Triton LE and processing the results through the Landscape Stereo Field."

AutomaticGainsay Super 6 posts

01-The UDO Super 6-Performance Video

video upload by AutomaticGainsay

"Here is a compositional demonstration of the UDO Super 6, wherein all synthesizer sounds come from the UDO Super 6, and are shown individually in each section. The song is an original composition, with most parts improvised.
After the song, each individual part is demonstrated so that the listener can hear the unique and desirable tone in its binaural context.
The drums were programmed on the Korg Triton LE, and processed in realtime with the Landscape Stereo Field."

Teenage Engineering OP-Z, Landscape FM Stereo Field and Strymon BigSky

video upload by Luca Longobardi

"Étude n.331

(better with headphones on)"

PPG wave 2.3 cold winter soundscapes

synthlegends

"By pure chance I got a PPG wave 2.3 for a very fair and decent price. The appearance was not very nice, a lot of scratchs on the cover and dirt inside. But I cleaned it and made some paint work, so now it looks beautiful again.

Also the keyboard was broken. I played my PPG via Midi with a master keyboard. That is why I decided not to shot a video while playing. Sorry that I show only some personal footage of winter shots of our beautiful landscape riding with a friend on my bike or walking with kids in with a lot of snow to describe the coldness of the PPG, Of course I added a lot of cool pictures of my new blue baby.
Now the PPG is in service, gets a new fatar keyboard, refurbishment and a new power supply unit plus new display from synthtaste (www. Synthtaste.com).


I never thought that I will ever purchase a PPG and now I am so happy to own one. Most of my favourite albums in the 80ies consisted this undistinguishable sound, like Power Windows from Rush, Worlds Apart from SAGA, Welcome to the pleasuredome from FGTH.

The PPG 2.3 was the latest of all PPG wave (produced from 1984 until 1989). Around 400 units must have been built. The forerunners were the PPG wave 2.0 with only one oscillator and CEM filter chips (1981), after that the PPG wave 2.2 with two oscillators and SEM Filter chips. The wave 2.3 is with 16 bit sample rate instead of 12 bit and is also multitimbral with midi.


The PPG is really one of my favourite synths beside my beloved Sequential Circuits Prophet VS and my Modal Electronics 002 which imitates the PPG quite well.

I have also a John Bowen Solaris with alle waveforms form the PPG, but it isn't the same thing of course. The PPG has its own unique sound because of its decent filter and musical aliasing.
This demo is just recorded, when my PPG arrived. I just tweaked the sounds, went through some wavetables and played everything life without any fx or mastering directly with two audio mono outs to generate a stereo track in my DAW. Please notice that I also used the stereo knob to enhance the stereo field.


I will surely make more videos from my PPG as soon I get it back refurbished.

Cheers and take care, Rüdiger"

Gestures on Sidraw

Meng Qi

"Sidraw is an experimental electronic instrument, based on Ciat-Lonbarde Sidrazzi circuit board, and my interface experiments.

There is a way to design electronic musical interface, which is not to consider sound parameters, but to think from the angle of circuit interference, I call it 'Circuit Expression'.

It can be seen on various experimental electronic musical instruments. From the Crackle Box by Michel Waisvisz back in 1970s, to the new Landscape Stereo Field and Martin Howse Dark Interpreter. UK synth designer Tom Bugs also had been utilizing them in the Weevil series of work. I've commissioned a special version of Chirper from Tom Bugs, which may have pushed the release of Board Chirper model a year later.
This method has a lot to do with circuit instability, touch and feedback. by touching selected circuit nodes, new connections are made, circuits behaviors are affected.

On sound output, it may result in a complex change on a combination of sound parameters (loudness, pitch, timber), and expressive reactions can be found.

I've found expressive behaviors from touching specific parts in Sidrazzi circuit, thus Sidraw is born.

-----

Sidraw 是一台实验电子乐器。

它基于 Ciat-Lonbarde Sidrazzi 电路板，还有我在演奏界面上的一些实验成果。

有一种设计演奏界面的思路，并不考虑通过演奏来改变声音参数(例如通过滤波的参数改变谐波能量， 或者通过控制增益改变响度)，而是考虑电路的干扰。我把这种做法叫做“电路表达”。

这种思路在历史上有不少实验乐器进行了实践。从上世纪七十年代 Michel Waisvisz 的 Crackle Box，到新的 Landscape Stereo Field 和 Martin Howse Dark Interpreter。英国合成器设计师 Tom Bugs 也曾经在 Weevil 系列中使用了这种思路。我本人曾经从他那订制过一台特殊版本的 Chirper，带有触摸点。这件事可能也推动了一年后 Board Chirper 的诞生。

“电路表达”利用了电路的不稳定性、触摸和回授。通过触摸一些电路节点，新的连接产生，改变电路 的反应。在声音上，这通常会导致声音参数的一些复杂变化。也可能会找到富有表现力的反应。

而 Sidraw 之所以诞生，就是因为我找到了一些 Sidrazzi 电路的良好反应。

-----"

The Sidraw made its first appearance back in December of 2019.

Landscape Stereo Field as drum processor

Published on Feb 2, 2020 MIDERA

"Using the Landscape Stereo Field as a processor for drums from the Machinedrum. Unfortunately, my second camera decided not to actually record any footage.

Used the Machinedrum and Analog Keys. Eventide Blackhole for reverb."

MIDERA: The landscape of war

Published on Feb 2, 2020 MIDERA

"I traded a delay pedal for this Landscape Stereo Field device... I'm not sure about it yet. My apologies as I test it out for a while. Unfortunately I've stolen the drums from another one of my tracks to do this one. Oh well.

Landscape FM Stereo Field
Elektron Analog Keys (pads)
Elektron Machinedrum (routed to the Stereo field)
Elektron Monomachine (keys)
Eventide Blackhole vst"

The Galaxy Electric - Cosmic Tape Music - Improvised Modular Performance - A Guiding Light

Published on Jan 9, 2020 The Galaxy Electric

The Galaxy Electric - Cosmic Tape Music

"Thanks for listening! Come on a musical voyage with us where we'll send you a new song every day, a cosmic story, and a chance to earn space treasure: https://thegalaxyelectric.lpages.co/5...

Keep the rockets fueled:
https://www.paypal.me/thegalaxye?fbcl...

This is the second installment of a series of improvised modular synth performance mixed with pop elements - female vocals and mellotron.
These elements combined with a tempo synchronized looping technique provide a rich sonic landscape of cosmic texture inspired by the early electronic and tape music innovators. This music is especially inspired by Space Age era electronic music or cosmic tape music. The effects are spring reverb, delay and the occasional reversing and pitch shifting of the recorded phrase. Our goal is to combine analog and digital technology to recreate this early electronic music tonal variety in an improvised setting.

Equipment used:
Buchla Music Easel
Buchla DIY case
Buchla Clones: 266r Source of Uncertainty, 291r Dual Voltage Controlled Filter, 280r Quad Function Generator, 292c Quad Lopass Gate, 259r Programmable Complex Waveform Generator, 281h Dual Function Generator, 292h Dual Lopass Gate, LEM 3U Powered Boat, 280 Touch Activated Voltage Source
1979 Modular: Dual Algorithmic Oscillator, Digital Resonator, Stereo Microsound Processor
Eurorack: Koma Elektronik Field Kit, Erica Synths Pico EG and Pico Input, 4ms Dual Looping Delay and Row 30 Power, Mutable Instruments Warps, Synovatron CVGT1
Mellotron 4000D Mini
Roland RE-20 Space Echo Pedal
Pigtronix Infinity Looper
Onde Magnétique OM-1 Cassette Synthesizer
Monome Grid controlling MLR {re:mix Max for Live app}

Camera:
Apple iPhone X

The Galaxy Electric - https://www.thegalaxyelectric.com"

The Galaxy Electric - Cosmic Tape Music - Improvised Modular Performance - Into the Unknown

Premiered Jan 2, 2020 The Galaxy Electric

Also see Buchla Cosmic Drone Sessions by The Galaxy Electric

"Thanks for listening! Come on a musical voyage with us where we'll send you a new song every day, a cosmic story, and a chance to earn space treasure: https://thegalaxyelectric.lpages.co/5...

This is the first installment of a series of improvised modular synth performance mixed with pop elements - female vocals and mellotron.
These elements combined with a tempo synchronized looping technique provide a rich sonic landscape of cosmic texture inspired by the early electronic and tape music innovators. This music is especially inspired by Space Age era electronic music. The effects are spring reverb, tape delay and the occasional reversing of the recorded phrase. Our goal is to combine analog and digital technology to recreate this early electronic music tonal variety in an improvised setting.

Equipment used:
Buchla Music Easel
Buchla DIY case
Buchla Clones: 266r Source of Uncertainty, 291r Dual Voltage Controlled Filter, 280r Quad Function Generator, 292c Quad Lopass Gate, 259r Programmable Complex Waveform Generator, 281h Dual Function Generator, 292h Dual Lopass Gate, LEM 3U Powered Boat, 280 Touch Activated Voltage Source
1979 Modular: Dual Algorithmic Oscillator, Digital Resonator, Stereo Microsound Processor
Eurorack: Koma Elektronik Field Kit, Erica Synths Pico EG and Pico Input, 4ms Dual Looping Delay and Row 30 Power, Mutable Instruments Warps, Synovatron CVGT1
Mellotron 4000D Mini
Roland RE-20 Space Echo Pedal
Pigtronix Infinity Looper
Onde Magnétique OM-1 Cassette Synthesizer
Monome Grid controlling MLR {re:mix Max for Live app}

Camera:
Apple iPhone X

The Galaxy Electric - https://www.thegalaxyelectric.com"

New Sidraw by Meng Qi

Published on Dec 26, 2019 Meng Qi

(🎧 🔊 recommended for subbass)

read the informative manual : https://bit.ly/35Y6MwS

"Sidraw is an experimental electronic instrument, based on Ciat-Lonbarde Sidrazzi circuit board, and my interface experiments.

There is a way to design electronic musical interface, which is not to consider sound parameters, but to think from the angle of circuit interference, I call it 'Circuit Expression'.

It can be seen on various experimental electronic musical instruments. From the Crackle Box by Michel Waisvisz back in 1970s, to the new Landscape Stereo Field and Martin Howse Dark Interpreter. UK synth designer Tom Bugs also had been utilizing them in the Weevil series of work. I've commissioned a special version of Chirper from Tom Bugs, which may have pushed the release of Board Chirper model a year later.

This method has a lot to do with circuit instability, touch and feedback. by touching selected circuit nodes, new connections are made, circuits behaviors are affected.

On sound output, it may result in a complex change on a combination of sound parameters (loudness, pitch, timber), and expressive reactions can be found.

I've found expressive behaviors from touching specific parts in Sidrazzi circuit, thus Sidraw is born.

(7 identical voices, only voice 1 marked)
1 - [Stereo Output] 1/4 TRS
2 - [DC Input] 12V Center Positive
3 - [Ground Banana Jack] 4mm
4 - [Utility Patch Bay] 4mm - 2mm Direct + 2mm - 2mm w/Capacitor - Try patching with or without capacitor in between for different behaviors.
5 - [Gesture Outputs] 1 for each L/R channel, output when sound is triggered 6 - [FM Input]
7 - [Square Wave Output]
8 - [Glitch Inputs]
9 - [Direct VCA Input] 4.5v = silence, with pad for easy touching
10 - [Master Pitch Knob]

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